Public Classifieds and Announcements

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Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!

Please include a LOCATION. Spam will be deleted.

As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)

John Burgan
Host

Opportunity for budding film critics at Rotterdam Film Festival (originally posted by Jo-Anne Velin)

FIPRESCI informs

41st International Film Festival Rotterdam
January 25 – February 5, 2012

IFFR Trainee Project for Young Film Critics 2012
Call For Applications

The International Film Festival Rotterdam welcomes applications for the 14th IFFR Trainee Project for Young Film Critics taking place during its 41st edition (January 25 – February 5, 2012).
Deadline for applications: Friday November 4, 2011.
Information / applications: IFFR Press Office, press@filmfestivalrotterdam.com

Introduction

The International Film Festival Rotterdam supports film making, film producing and journalistic talent on several levels: the main festival section 'Bright Future' (including competitions for feature length and short films) presents recent works by first and second time filmmakers; Rotterdam's Hubert Bals Fund contributes to film projects in developing countries and CineMart organizes a talent development project for young film producers (Rotterdam Lab) in close collaboration with its partner organizations. Recognizing the important role of film criticism to the perception of independent cinema, the Rotterdam film festival organizes a trainee project for young film critics.

Project Description

The IFFR Trainee Project for Young Film Critics is a talent development program that offers up to six young (under 30 years), motivated and talented professional film critics from outside The Netherlands a chance to travel abroad for covering a major international film festival, to get acquainted with the Rotterdam film festival in particular and the broad range of independent cinema it offers.

The project was created in 1998 motivated by the fact that young and upcoming film critics get less opportunities to explore and sharpen their knowledge and views on independent and experimental cinema — and the festivals, like the International Film Festival Rotterdam, that present it.

Trainee Program

The program of the Trainee Project includes taking part in the Rotterdam FIPRESCI Jury meetings; exploring an assigned part of the festival; publishing a blog on the IFFR website and writing up to three contributions for the festival's newspaper Daily Tiger; taking part in expert meetings; reporting about the festival for own affiliation(s).

The past editions the Rotterdam film festival welcomed trainee film critics from: Argentina, Australia, Austria, Brazil, Bulgaria, Canada, Chile, China, Costa Rica, Croatia, France, Hong Kong, Hungary, India, Italy, Lithuania, Norway, Peru, Philippines, Poland, Romania, Russia, Slovak Republic, Spain, Sri Lanka, Sweden, Turkey, UK and USA.

What To Expect

— Complimentary IFFR 2012 press accreditation
— Budget hotel accommodation in Rotterdam from January 26 — February 4, 2012
— Part of travel costs according to country of origin
— The IFFR wants its trainee film critics to really participate in the festival. The trainees will form a team, hosted by the IFFR Press Office and supported by the Daily Tiger Editorial Staff. Each trainee will take part in the trainee program. There will however be time to explore all aspects of the International Film Festival Rotterdam – screenings, exhibitions, Q&A sessions, debates.

Criteria For Application

— Age under 30 years
— Fluent command of the English language (written and spoken)
— Demonstrable experience in film criticism (printed media, radio/television, online)
— Not yet established enough to profit from facilities as attending international film festivals outside your country
— Have agreement(s) with printed and/or online media to publish a report or reports on the International Film Festival Rotterdam 2012

Your application will only be taken in consideration if you match all the above criteria.

How To Apply

Your application should include all of the following documents and information:
— A motivation letter to support your application: explain why this project and the Rotterdam festival appeals to you.
— Your resume (CV) including your contact details and date of birth.
— Up to three proofs of recent work you published on (independent) film or film festivals. If not in English, provide English translations to demonstrate your command of this language. If you work for a print medium, send in a complete copy.
— Information about your affiliation(s): title, name of chief editor, postal address, phone number, email account, periodicity, circulation, web address, estimated unique page views per month.
— A recommendation letter (on company letterhead) of your principal affiliation’s chief editor assigning you to cover IFFR 2012 and confirming that your IFFR 2012 report will be published.

You may send in your application:
— by mail to press@filmfestivalrotterdam.com
— or by land mail to IFFR Press Office, PO Box 21696, 3001 AR Rotterdam, The Netherlands

Deadline for applications: Friday November 4, 2011.
Applications received after this date risk not to be proceeded. Notification before Dec 4, 2011.

Please note: if you are selected and participate in the IFFR Trainee Project for Young Film Critics, you agree that your work produced as part the project may be published by IFFR in print or online in the festival's publications and on the FIPRESCI website.

For further information, please contact: Nancy van Oorschot, Press Officer & Trainee Project Manager, press@filmfestivalrotterdam.com

International Film Festival Rotterdam
PRESS OFFICE
Bert-Jan Zoet, Head of Media Relations & International PR
P.O. Box 21696
3001 AR ROTTERDAM
The Netherlands
tel + 31 10 890 90 90
fax + 31 10 890 90 91
email press@filmfestivalrotterdam.com
www.filmfestivalrotterdam.com
www.facebook.com/iffrotterdam
www.twitter.com/iffr
www.youtube.com/iffrotterdam

Niki Bhattacharya
Pro

For anyone who has considered an MFA in Documentary Filmmaking we are hosting an Information Session on November 5th at 2pm in the MFA Social Documentary Filmmaking department at the School of Visual Arts in NYC (136 W 21st street, ground floor). This event will provide a clear sense of what the SocDoc program is all about and will feature faculty, staff, current student and alumni presentations followed by a Q&A session, department tour and a mixer hour.

More about the program: www.mfasocdoc.sva.edu

Please register online here: http://www.sva.edu/GradInfoSessions/

Elisabeth Haviland James
Pro

I'm looking for an assistant for about 10 hours of work per week in my Durham, NC based office. It is a paid gig. Ideal candidate will have excellent research and computer skills (including really basic FCP familiarity), a can-do attitude, an outgoing personality and will believe that no job it too big or too small.....

The assistant will be working directly with me on my new hybrid documentary, Lucy: A Portrait. Tasks will be as varied as archival research, casting assistance, office organization and management, hands-on help during shoots, location/prop scouting and keeping me generally sane by helping with whatever comes up day to day.

I will consider working with graduate students or highly motivated undergrads. Must have car.

Position is for 3-6 months.

Please e-mail me your qualifications and/or resume. biz(at)thornapplefilms(dot)com

Thanks!

Chandler Griffin
Pro

Two-Week Documentary Workshop – Mississippi Delta – February 2012
Dates: February 12th – 26th, 2012

This two-week HD workshop runs twice a year in the heart of the Mississippi Delta and is designed for those who want to learn documentary filmmaking top to bottom in an intensive setting.
Past participants have included new and established filmmakers, writers, journalists, artists, photographers, graphic designers, theater actors and directors, musicians, educators and non profit organizations. Previous experience with filmmaking is NOT required. Producers, cinematographers, editors and writers with narrative experience who are considering working in non-fiction filmmaking are also encouraged to enroll. Photojournalists and print journalists who are looking to make the move to video journalism should strongly consider this workshop.

Students learn all aspects of the process including the importance of the still image, HD cameras, archives, compact lighting methods, wireless mics, how to structure and weave the story and how to edit in the field with Final Cut Pro.

To view an extended version of the course description, visit our website at www.barefootworkshops.org.

This is one of many workshops that Barefoot is hosting in 2012. In addition to the Documentary Filmmaking in The Mississippi Delta, check out our website to learn more about our Photo and Editing workshops in the Mississippi Delta along with more documentary workshops in Marfa, Texas and Cape Town, South Africa.

You can view examples of work here:
http://www.barefootworkshops.org/alumni_gallery/alumni_gallery.html

Homepage: www.barefootworkshops.org
Contact: info(at)barefootworkshops.org
Tuition: $2,339.00 (includes tuition and meals. Housing not included)

Instructors: Chandler Griffin, Alison Fast & Edward Symes

Past Equipment Sponsors: Apple, Canon, Lowepro, GoPro, Tekserve, B&H, Bogen, Gitzo, Kata, Tiffen, Sennheiser, Glyph, G-Tech, Litepanels, Anton Bauer, Lowel, D&M Professional
------------------------------------------------------------------------------------------------
Other documentary workshops we offer:

January 8th – 28th, 2012
3-Week Documentary – Cape Town, South Africa
Instructor: Chandler Griffin, Alison Fast & Edward Symes
Tuition: $3,850.00 (housing not included)

March, 2012
2-Week Documentary In MARFA, TEXAS
Instructor: Chandler Griffin, Alison Fast
Tuition: $2,339.00 (housing not included)

Contact: info(at)barefootworkshops.org

Barefoot Workshops is a New York City-based not-for-profit 501(c)3, founded in 2004, that offers short, intensive workshops around the world in narrative and documentary filmmaking. We assist organizations and individuals to use media, music and the arts, to accelerate progress and program goals in areas such as cancer, HIV/AIDS, conflict resolution, resettlement, youth empowerment, civil rights, and democracy building. We have worked with partners as diverse as UNESCO, Desmond Tutu HIV Foundation, The U.S. State Department and The Middle East Partnership Initiative (MEPI), to pioneer new formats and “media templates” that reinforce citizen-led, community-owned solutions to these challenges.

The main goal of Barefoot Workshops is to equip students with the knowledge and confidence to use the latest and most sophisticated equipment while having a foundation that allows a person to create beautiful images and story, regardless of the tools. At Barefoot, growing and learning as a filmmaker means growing and learning as an individual.

Marj Safinia
Host

Los Angeles, October 15th. IDA is hosting an all-day Focus on Funding seminar with fantastic panelists including Morrie Warshawski, and folks from Tribeca, Sundance, CCH, Fledgling Fund and Catapult Film Fund. There will be opportunities to have small roundtable lunches with the different funders, and to learn from the master of fundraising, Morrie Warshawski himself. You can sign up for all or part of the day. More information at: http://doc-u-oct-15.eventbrite.com/

Todd Lillethun
Fan

Swimming Safely in Treacherous Waters: Attorney Michael Donaldson Answers Your Pesky Legal Questions

Monday October 24, 7 – 9:30 pm
at Chicago Filmmakers, 5243 N. Clark St.
Cost: $10 for IFP and Chicago Filmmakers members/ $12 for all others
IFP-Chicago, Kartemquin Films, The Kindling Group, and Chicago Filmmakers welcome entertainment attorney and author Michael Donaldson.

Copyright law can pose serious barriers and liabilities for any production. Learn how to navigate a swarm of legal issues without putting yourself or your film at risk! Michael Donaldson is an internationally recognized attorney and specialist on copyright law, and will be making a rare Chicago appearance to share practical advice for independent filmmakers. Topics include: fair use, hidden cameras, public domain, privacy, contracts, and a wide range of intellectual property issues. This workshop is highly recommended for both documentary and narrative filmmakers, and deeply relevant for remix work, reality TV, web series, interactive, experimental films, and a range of new media.

http://chicagofilmmakers.org/cf/content/swimming-safely-treacherous-waters-attorney-michael-donaldson-answers-your-pesky-legal-quest

John Burgan
Host

Note to "Chicago Filmmakers" – welcome to The D-Word, but as the registration FAQ clearly states, you can only join The D-Word as an individual, not as a couple, company or institution. Please login at the first opportunity and update your profile to prevent its deletion – thanks.

Thomas Lennon
Pro

Do you know MANDARIN? I am looking for an assistant editor or junior editor who reads and understands Mandarin and is comfortable with Final Cut Pro. Paid assignment, full or part-time.

please write to TL@thomaslennonfilms.com

Thomas Lennon
Co-Founder
Chang Ai Media Project
www.campfilms.org

John Burgan
Host

Thomas – presume this is in NYC – as we mention above, always helps to spell out the location.

Jonathan Vogel
Fan

2012 TALKING PICTURES FESTIVAL – CALL FOR ENTRIES

Now entering its fourth year, The 2012 Talking Pictures Festival invites independent filmmakers to submit their new films. The festival takes place in Spring 2012 in Evanston, IL and attracts filmgoers from the entire Chicago metro-area.

What we're looking for...
We seek films that are thought-provoking, intriguing, entertaining, vibrant, authentic, artful and informative. From dramatic films to hard-hitting documentaries, comedic shorts, animation or experimental films, we invite independent filmmakers to send us their work for consideration. All genres, styles, lengths and both film and video entries welcome! Cash awards for winning entries.

Connecting with the audience...
True to its name, screenings at The Talking Pictures Festival foster a lively dialogue between filmmakers and audience members and get the community involved. If you made a film with real impact, this is the place to show it.

"Early Bird" DEADLINE: October 31, 2011
Regular DEADLINE: November 23, 2011
Late DEADLINE: December 5, 2011

Entry form and more info at: www.talkingpicturesfestival.org

Submit your entry at:
www.withoutabox.com/login/8776

Questions? Please contact us at: 847.371.2804 or filmvideoforum@yahoo.com

Kathy Barbini
Pro

Looking for an assistant proficient at doing the footwork to get our film and info on all online sites like Distrify, and general internet marketing.

Laura Perlman
Pro

A belated thanks to all of you for your warm welcomes and thanks for the info about the Betty Carter doc.
If you are looking for a composer feel free to contact me.
website: lauraperlman.net
email: ljperl@earthlink.net
Best to all,
Laura

Nick Ravich
Fan

Hello-
Looking for professional audio (for video production) workshop/classes in the New York area. Ideal would be something slanted towards documentary field recording, esp for HDSLR workflow, for someone with basic audio operating experience. So not for a total novice, but someone who learned on the job and so doesn't have a very good handle on the fundamental whats/whys/hows.
I know about DCTV in Chinatown. Any other suggestions would be great.
Thanks, Nick.

John Burgan
Host

Folks new to The D-Word – you don't need to sign your name at the bottom of your posts – it's there already as part of your profile.

Doug Block
Host

Very exciting news indeed, Corinne, and much congrats. But next time you should post something like this in the Shameless Self-Promotion topic. Just to show we have no hard feelings, and to celebrate your success, free drinks for you today in the Bar & Grill.

Roberto S. Oregel
Pro

Good Morning :
Hope everyone is doing well. I wanted to ask you for a huge favor...I've entered my doc, Eloy Take Two into a festival...It needs votes to be screened...Can you be most kind to share the link and paragraph below with your fbook friends and Help get this film screened........Thank you so much!! rso

Here's the Paragraph and link...Please share both Gracias!:
(feel free to change the paragraph if you like or leave as is)

My Friend's documentary, ELOY TAKE TWO, featuring Chicano artist, ELOY TORREZ and CHEECH MARIN has been entered into the ArcLight film festival. The film who's Trailer receives the most "likes" on the YouTube link will be accepted into the festival. Please take a moment to visit the link and click "Like" on the YOUTUBE page. Vote for Eloy Take Two!! Thank you!!

http://www.youtube.com/watch?v=EnIINtW5tdQ&list=LLb9VJ2REqJVm0DnBfoDw8Pw&index=1

Sara Nodjoumi
Pro

Partner Pictures is looking for a few people good people to join forces with. We are about to complete a Middle-Eastern-themed film directed by an award-winning filmmaker, assembled by an editor whose previous films have received an Academy Award and multiple other honors, and executive produced by a co-producer whose films have been nominated for an Academy Award and won multiple other honors. Although the film was produced on a shoe-string budget, it was finished by one of Europe's premier post-production facilities with a distinctly high-end color correction and superb sound-design.

The ideal candidates are extremely talented and hard working, dedicated and understands this pro bono work as a unique opportunity to branch or expand into the world of high-quality independent film.

Please apply only if you are extremely professional, hard-working and can demonstrate your track record via online portfolio.

Payment is on a lo/no/deferred basis.

http://www.partnerpictures.com

Apply to: Sara Nodjoumi snodjoumi21 (at) gmail (dot) com

Here are the positions we're looking to fill:

TRAILER EDITOR: Ideal candidate can create an emotional and extremely engaging reel for an independent feature documentary that is preparing for its world premiere.

GRANT RESEARCHER/FUNDRAISER: The ideal candidate is extremely good at researching grant opportunities for a film that touches upon human rights, current affairs, sports, politics, religion, travel, feminism and other elements.

OUTREACH/SOCIAL NETWORKING COORDINATOR: The ideal candidate is extremely good at building and nurturing the widest possible audience for this film, draw traffic to the film's website, and create maximum visibility for the film through social media and other avenues.

WEB DESIGNER: We are looking for an outstanding web designer to produce a visually unique, efficient and easy-to-update website for an independent feature documentary that is preparing for its world premiere at a major international film festival.

Michael B. McGee
Pro

Hello,
I just wanted to let everyone know that I'm a non-union Director of Photography / Camera Operator with over 10 years of experience working on national TV commercials, music videos, and feature narrative films. My years of working in still photography gave me an extensive understanding of lighting and composition which I've segued into my cinematography. I'd like to get involved in making docs. Please check out my profile and feel free to contact me if you're in need of a DP and/or Camera Op.

thanks for your time,
Mike

Felix Endara
Pro

DocuClub in November!

Our November DocuClub will take place on Wednesday, November 16, 7 p.m., at DCTV, located at 87 Lafayette (at Walker).

This month, we will screen a rough cut of Brasslands by the Meerkat Media Collective. Once a year, a tiny Serbian village explodes with brass cacophony and riotous celebration as half a million fans descend upon Guča, the world’s largest trumpet competition. On the 50th anniversary of the festival, an unlikely American brass band undertakes a journey to the source of their inspiration, barely a decade after NATO bombs rocked Belgrade. The citizens of Guča prepare for the oncoming hordes with a mix of national pride and nervous energy. The older generation has lived through world war, socialist rule, national fragmentation, and ethnic cleansing – all of which has given way to a festival at the center of a evolving national identity. Middle-aged business owners hope to capitalize on a growing festival and huge influx of cash. The youngest watch the best trumpeters in the world play their country’s traditional music; some yearn to play on that stage, while others throw on their headphones to pump Metallica and Lady Gaga. Brasslands explores the moment when cultural appropriation confronts its origin – in this war-scarred landscape, disparate societies find common ground in a joyous, deeply transcendent music that leaves no ear unaffected. For more info about the film, and to preview a trailer, go to: http://brasslands.com/mkm-collective.

Meerkat Media Collective is a self-organized community of media makers committed to creating innovative and thought-provoking films through shared authorship. Since 2005, they have produced and distributed over twenty short films and two features. Their first feature documentary, Stages (2010), won Best Documentary and Audience Award at the HBO New York International Latino Film Festival. Work of the production team of more than fifteen meerkats behind Brasslands has been broadcast on PBS, HBO, The Discovery Channel, ESPN, MTV and Arté; streamed online via Time Magazine and The Onion News Network; and featured at festivals internationally, including Cannes, Silverdocs, Nashville Film Festival, Media that Matters, Locarno Film Festival and Sheffield Doc Fest. Learn more at meerkatmedia.org.

Our moderator will be filmmaker Kelly Anderson. She is an award-winning independent producer and director of documentary and narrative films. Her most recent production is Never Enough, a documentary about American’s relationship with their material possessions, which won an Artistic Excellence award at the 2010 Big Sky Documentary Film Festival. Other recent directing work includes Someplace Like Home, a documentary about the redevelopment of Fulton Mall in Downtown Brooklyn, which she made for FUREE (Families United for Racial and Economic Equality). In 2004, Anderson produced and directed (with Tami Gold) and edited Every Mother's Son, a documentary for ITVS about mothers whose children have been killed by police officers and who have become national spokespeople on the issue of police brutality. Every Mother's Son premiered at Tribeca Film Festival, where it won the Audience Award, and had its broadcast premiere on PBS’s P.O.V. series. Gold and Anderson also made Making a Killing, a half-hour documentary that addresses the marketing practices of the tobacco industry in the developing world. Making a Killing premiered at the Slamdance Film Festival, was screened for delegates at the World Health Organization and aired on television in Nigeria, Serbia, Lagos and Vietnam. In 2000, Anderson completed Shift, a one-hour drama for ITVS about the volatile relationship between a North Carolina waitress and a telemarketing prison inmate, which premiered at the Rotterdam International Film Festival and aired on many PBS stations. Her other documentaries include Out at Work (with Tami Gold), which was screened at the 1997 Sundance Film Festival and was shown on HBO. She is an Associate Professor in the Department of Film and Media Studies at Hunter College in New York City. Learn more about her films at: www.andersongoldfilms.com.

If you’re planning to attend, please RSVP to docuclub@artsengine.net.

Admission at DCTV is free for current DocuClub members and $6 for non-members.
Tickets will be sold at the door, cash only.
Doors open at 6:30 p.m. No admittance after 7:15 p.m.

Our last DocuClub of the year is confirmed for December 14. Save the Date!

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

http://www.artsengine.net/store/items/docuclub_membership_individual_rate

Follow us on Twitter!
Stay abreast of DocuClub’s latest: twitter.com/docuclub.

Gregg Schwenk
Fan

2012 NEWPORT BEACH FILM FESTIVAL EARLY BIRD DEADLINE OCT 28!

The Newport Beach Film Festival Early Bird Deadline is approaching! Submit
your film now to be part of the 2012 Newport Beach Film Festival!

The 13th annual Newport Beach Film Festival will spotlight over 350 films
from over 47 different countries, including feature length narrative,
documentary, short, animated and student films that will compete for a
series of Jury, Festival Honors and Audience Awards.

In addition to film screenings, the Festival hosts premiere galas, an
industry seminar series, spotlights, and question and answer sessions with
filmmakers.

*Receive a discount when you submit through Withoutabox!

EARLY BIRD DEADLINE:

OCTOBER 28

FEATURES: $40

SHORTS: $35

The 2012 festival will run from April 26th to May 3rd, 2012

Visit
www.NewportBeachFilmFest.com<http://www.newportbeachfilmfest.com/>to
submit

Follow us on Twitter! www.twitter.com/nbff

Christoph Baaden
Pro

Hello Documentary Production Friends and Colleagues.

I am a fellow documentary director and our production company Film For Thought is looking for office mates – we are about to take over a 4 room office but we only 2 of the rooms so the plan is to build a little documentary production community. The offices are located in the great Spring Arts Tower Downtown.

Check it out: http://FilmForThoughtinc.com/OfficeSpace/Office_Space_for_rent.html

Interested – give me a call at 310. 502 1988. Thanks.

Christoph

Elisa Saracino
Fan

For everyone that want to find a producer or want to promove their creations i've found few days a go a new website that works uploading videos that are going to be seen by producers that are also logged into the site. The lin is : http://www.qooid.com/

Hope that could be useful!

Steve Holmgren
Fan

Fair Use Without Fear!
Copyright for Participatory Culture Workshop at UNIONDOCS

Saturday, October 29 at 4:00pm, $20 suggested donation.
322 Union Ave, Brooklyn NY

Join scholar Patricia Aufderheide, filmmaker David Van Taylor, and law professor Brian Frye in this in-depth and hands-on investigation of fair-use. Stick around after the panel for an informal happy hour and your chance to talk with the presenters.

UnionDocs is a non-profit center for documentary arts based in Williamsburg, Brooklyn NY.

For more details and to purchase tickets, check out the event post here:
http://www.uniondocs.org/fair-use/

Daria Price
Pro

Seeking Recommendations for a Shooter in WashingtonDC/Baltimore area – November 10 – couple hours at most, it's an interview at John Hopkins Applied Physics lab for my doc, Out on a Limb, about advances in the science of prosthetics for amputees.
Also might need a PA with a car
can contact me at:
dasha68 at gmail dot com

Andrea Swift
Pro

FAIR USE FOR DOCUMENTARIES UNDER THREAT. OUR HELP IS NEEDED: Fair Use is under threat from certain wording in The Digital Copyright Act. Please click on this link and email in your response the questionaire to help provide the ammunition that The International Association (Ida Documentary) needs to fight for an exception for filmmakers.

A DMCA Exemption for Filmmakers: We Need Your Help

http://www.documentary.org/dmcastories

Thanks!

Jay Heyman
Pro

I am looking for a Brazilian Portuguese speaking AP/Researcher for a series of short documentaries. Good phone skills necessary. This job is for pay and you would be working out of an office in Manhattan (SOHO) and/or reporting to that office. Please reply to jheyman [at] sdintegrated [dot] com

Jessica Clark
Pro

Producers: Help AIR Reinvent Public Media! Visit Localore.net today.

DEADLINE FOR PRODUCER PROPOSALS AND STATION RUNWAY SUBMISSIONS:
THURSDAY, NOVEMBER 10, 2011

It’s heating up. Producers and stations are flocking to apply for Localore, which will provide more than $1 million in support for makers to work with public stations on multiplatform storytelling projects.

More stations are coming onto the Localore Station Runway this week and next…WLRN/Miami and WRVO/upstate New York are the latest to date. Producers, get busy watching them all and reaching out as you finesse your proposals to be one of the 10 selected to lead our station-based initiatives—designed to expand local innovation capacity. See which local outlet is right for you. We provide a contact link for you to be in touch with them on the station profile page.

Stations, keep your options open! Open the door to talent and see what comes in. You can name up to three potential producers. The sooner you get your media up, the more eyeballs you'll attract.

Guidelines are here: http://bit.ly/uOAAjo
Take time to read them if you haven’t yet.

<<November 10>> Deadline for proposals. If you'd like to be one of our lead Localore producers, that's when you must submit proposals for project ideas at Localore.net. By that same deadline, stations hoping to serve as Localore incubators must get media uploaded to our Station Runway.

<<December 2>> Finalists notified. Up to 30 lead producers and incubator stations will be invited to submit a second-round proposal. Final teams will be announced by late January, and projects will begin launching in March.

Want to learn more?

• Read our FAQ:
http://airmediaworks.org/sites/default/files/imce/pdf/LocaloreFAQ.pdf

• Study the Guidelines:
http://airmediaworks.org/sites/default/files/imce/pdf/Localore-guidelines.pdf

• Watch the project's 6-minute launch video:
http://vimeo.com/29561666

• Check out the article on the whys and whats of Localore in Current:
http://www.current.org/indies/indies1118localore-schardt.html

Interested in helping us spread the word? Learn more here.

Questions? Contact Executive Editor Noland Walker at noland@airmedia.org.

Produced by the Association of Independents in Radio with support from CPB, the MacArthur Foundation, the Wyncote Foundation, and the NEA, Localore will charge producers with inventing new, multiplatform models for fresh, locally-sourced, high quality journalism. Selected producers will lead a 9-12 month station-based project designed to expand the station's innovation capacity.

Christoph Baaden
Pro

Hi Everyone.

I am a fellow documentary director and our production company Film For Thought is looking for office mates, either in a private suite or as shared office space.

Our company has offices in the Spring Arts Tower in Downtown LA (two blocks away from Pershing Square for public transportation and the Red Line) and there is still 1 private, lockable office available in this 4-room suite that we would like to rent out, starting now. And if you are looking for something more inexpensive, this generous space can be shared with a colleague. We would be happy to help facilitate.

If you or anybody you know is looking for space, please let us know. http://FilmForThoughtinc.com/OfficeSpace/Office_Space_for_rent.html

Thank you so much!!

Best.
Christoph
323. 928 7979
christoph@filmforthoughtinc.com
www.hoodtocoastmovie.com

Michael B. McGee
Pro

Hello again,
I just wanted to let everyone know that I'm a non-union Director of Photography / Camera Operator with over 10 years of experience working on national TV commercials, music videos, and feature narrative films. My years of working in still photography gave me an extensive understanding of lighting and composition which I've segued into my cinematography. I'd like to get involved in making docs. Please check out my profile and feel free to contact me if you're in need of a DP and/or Camera Op.

thanks for your time,
Mike

Sarie Horowitz
Pro

Flaherty NYC at 92YTribeca this Wednesday, November 2 @ 7:30pm. Screening Agnes Vard's MUR MURS (1981,16mm)

A visitor (Juliet Berto) explores street life in early eighties Los Angeles, looking at music, subcultures and where murals interact with graffiti, in this little seen Varda documentary, one of several of her documents of California life.

The screening will be followed by a party DJ’ed by Dave Tompkins, author of the book How to Wreck a Nice Beach, who will play soul, 80s electro-soul and decay ballads.

For the complete series schedule, please visit Snapshots: Tourism in Cinema
http://flahertyseminar.org/flaherty-nyc/upcoming_flaherty_nyc/

For Ticket Information (no fees to purchase online):
http://www.92y.org/Tribeca/Events-Details-and-Categories/Events/Art-Gallery/92YTribeca-Film-Screenings/Film-Series/Flaherty-NYC.aspx

Felix Endara
Pro

DCTV Presents
OUTSIDERS LOOKING IN
Co-presented with VSM Productions and DocuClub       
 
Mon, 11/07/2011 – 7:30pm        
DCTV, 87 Lafayette Street, NYC        
 
Join us for this special evening of film, art and discussion on the representation of veterans in art and media:

Screening of Hidden Battles with Director Victoria Mills
How does killing change the person who pulls the trigger? Hidden Battles is a dramatic and deeply personal documentary film about the psychological impact of war on five soldiers. Representing a cross-section of nationalities, gender, class and race, these soldiers unveil intimate memories about the central act of combat — killing another human being — and how they create a life for themselves afterward.

Victoria Mills is an award winning documentary filmmaker as well as a full-time practicing psychoanalyst. In conjunction with the films, she leads workshops with universities, national women's organizations, and grassroots community groups. As an analyst with 25 years experience, Victoria has worked extensively with people of different cultures who have experienced trauma, including those who suffered from 9/11. She is also is a training analyst and on the faculty of the National Psychological Association for Psychoanalysis, and supervises graduate and PhD students at several universities.

Slideshow of Soldiers' Stories from Iraq and Afghanistan with Artist Jennifer Karady
Jennifer Karady is an artist whom has worked with American veterans returning from the wars in Iraq and Afghanistan for the past four years to create staged narrative photographs that depict their individual stories and address their difficulties in adjusting to civilian life. After an extensive interview process with the veteran and his/her family, Karady collaborates with the veteran to restage a chosen moment from war within the safe space of their everyday environment, often surrounded by family and friends.

Reading from Sand Queen with Author Helen Benedict
Helen Benedict's sixth novel, Sand Queen, is culled from real life stories of female soldiers and Iraqis, offering a story of love, courage and struggle from the rare perspective of two young women on opposite sides of a war. Benedict has won three major awards for her work on soldiers: The 2010 Exceptional Merit in Media Award from the National Women’s Political Caucus, The Ken Book Award from the National Alliance on Mental Illness for 2010, and the 2008 James Aronson Award for Social Justice Journalism. She has testified twice to Congress on behalf of women in the military. She is a professor of journalism at Columbia University.

Discussion with Scott Thompson
Scott Thompson is the Director of Social Dialogue and Training Initiatives for Intersections International, a New York based NGO that works at the intersection of communities in conflict. His expertise is in programming for returning military persons and civilians, utilizing psychological healing processes to help heal the rift between these groups. He oversees Intersections’ Veteran-Civilian Dialogue project, a community building effort for returning soldiers to provide meaningful tools of reconciliation and healing.

Tickets
$6 / DCTV & DocuClub Members
$8 / Shooting People, NYWIFT, IFP Members, and students with ID
$10 / General

Purchase tickets here http://www.dctvny.org/outsiderslookingin.
Remaining tickets will be sold at the door, cash only.
Tickets are non-refundable and non-transferable.

Doors open 7pm. Event starts at 7:30pm.
No admittance after 8pm.

Erica Ginsberg
Host

The final Docs In Progress screening of 2011 will take place this Thursday, November 3 in Washington DC. We hope you will join us in watching a documentary work-in-progress by a local filmmaker and then participating in a post-screening constructive critique session to help her get a reality check on her story structure and character development and be able to move forward with the editing process.
These screenings are open to the general public. You do not need to be a documentary filmmaker to attend. This program is organized by Docs In Progress and sponsored by The Documentary Center at the George Washington University.

WHAT'S SCREENING?

SOMOS BUZOS: THE TRASH DIVERS
by Isabelle Carbonell
Buzos (“trash divers”) in the Dominican Republic struggle to maintain a normal life even as they live off a smoking garbage dump in the outskirts of the city. For the pennies they scrape together each day the buzos risk injury, infection, food poisoning, violence and continuing a cycle of illiteracy, malnutrition, and being considered little more than pariahs to local government officials.

WHEN?
Thursday, November 3 from 7:00-9:30 pm

WHERE?
George Washington University
Media and Public Affairs Building
805 21st Street, NW
Auditorium B-07
Washington DC

Closest Metro: Foggy Bottom. Parking garage across the street.

TICKETS?
Suggested donation $10. Cash only at the door. No advanced tickets or RSVP.

More info on our website: http://docsinprogress.org/events/16/work-in-progress-screening-nov-3-2011/

Jason Hutt
Pro

GREAT OFFICE AVAILABLE FOR SHARE – DECEMBER 1st

The office is clean and large with wood floors, high ceilings, great natural light and central air conditioning/heat. The building is safe and quiet with lots of friendly, creative neighbors on the floor: filmmakers, photographers, etc. Great location, a few blocks from either the 7th Avenue or 15th Street/Prospect Park F stops and lots of great bodegas, cafes, Prospect Park, Celebrate Brooklyn, etc.

Space is available December 1st for short or long term rental. The ideal candidate is someone who works independently or creatively and is not on the phone all day. You'd get a large work space that includes wireless internet, refrigerator and espresso/coffee machine. There is currently an oversized desk, chair and shelves for your use or you can bring your own.

Rent is somewhat negotiable, between $250-300, depending on your work schedule so please let me know what kind of work you do and your typical work week--if you have one. Photos upon request.

Contact me at jasonscotthutt@hotmail.com.

Angela Tucker
Pro

LOOKING FOR A COLORADO BASED SHOOTER:

I am looking for a shooter in the Denver/Colorado Springs area for Monday, November 21st for a one day shoot on a feature length documentary about the black church. We need a DP who has a Canon 5D camera. Please send links to your work at tuckergurl@gmail.com.

Thank you!

Mila Turajlic
Pro

Hi everyone,

I'm looking for someone who could lend/rent me a camera, tripod and mic for one day in Cleveland on Thursday. I will be travelling there to hold a guest lecture on the invitation of Prof Daniel Goulding, whose book The Yugoslav Experience on Yugoslav cinema, was a great inspiration to me in making Cinema Komunisto. I was thinking of using the opportunity of my visit to shoot a brief interview with Prof Goulding for the Cinema Komunisto website and would be very grateful if there's anyone in the Cleveland area who could help me find a (very basic) camera to do this. I can offer tickets for the screening of Cinema Komunisto at the Cleveland Museum of Art on Wednesday evening in return.
Thank you!

Michael B. McGee
Pro

Hello again,
I just wanted to let everyone know that I'm a non-union Director of Photography / Camera Operator with over 10 years of experience working on national TV commercials, music videos, and feature narrative films. My years of working in still photography gave me an extensive understanding of lighting and composition which I've segued into my cinematography. I'd like to get involved in making docs. Please check out my profile and feel free to contact me if you're in need of a DP and/or Camera Op.

thanks for your time,
Mike

Rob Hatch-Miller
Pro

Looking for a shooter in the Durham, NC area on the weekend of November 19-20. Panasonic HVX 200, HPX 170 or HMC 150 preferred. This is for my feature doc on soul music legend Syl Johnson, who's performing that Saturday night at the Carolina Theater. We need a 2nd camera to film the show and some interviews backstage and at his hotel. Email me: robhatchmiller [at] gmail

Here's some of my footage of Syl performing in Brooklyn:
http://vimeo.com/22723464

Felix Endara
Pro

Looking for Editor in Washington, D.C.

Big Mouth Films is looking for an experienced, skilled editor based in Washington, D.C. to do a 2 week edit in early January 2012. Project is a 3-minute commissioned piece that will premiere in early 2012. Please have your own editing system (FCP).

Please send your availability for the first two weeks in January 2012, rate, and link to online reel to kim@artsengine.net not to me.
Sorry, only qualified applicants will receive a response.

Thanks!

Caitlin Ryan
Pro

Hi There,

My company is looking for a sound person and a shooter who are owner/operators based in the Washington DC area for a short National Science Foundation-funded video shoot on November 20th.

The project will spotlight ethics as a positive force in scientific innovation.

Please send any referrals/requests for more info to: production[at]eowmg[dot]com.

Thanks!

arisleyda Dilone
Pro

Hi all,

I am currently producing an independent personal documentary about gender and immigration. I am in need of a sound recordist and cameraman willing to sacrifice their Thanksgiving to film my family. Lodging, food, and travel will be covered other details can be discussed upon contact. I can promise you a fun interesting Thanksgiving with all the fixins. Please email @ arisleydadilone@gmail.com if you are interested.

John Burgan
Host

Arisleyda, it's probable that this job is in NY, but always best to specify the location

Alex Margineanu
Pro

Hi all. Looking for an experienced production assistant, PA, or otherwise fixer with good knowledge of London with a driver's license and car (if no car we can rent one) for a professional documentary production in London, England, from Nov. 18-26. This is a paid position for a Canadian broadcast documentary production. Please reply to
christine[at]intuitivepictures[dot]ca
or post here.
Cheers,
Alex

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