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CALL FOR ENTRIES
Voices from the Waters 2008
3rd International Film Festival on Water
Bangalore Film Society, Arghyam, Svaraj- Society for Voluntary Action Revitalization and Justice, Finger Lakes Environmental Film Festival, Ithaca College, USA (FLEFF) Mountainfilm in Telluride, USA, Alliance Francaise de Bangalore and Water Journeys – Campaign for Fundamental Right to Water are organizing the third International 'Voices from the Waters'- the biggest international film festival on water in August 2008 following on the footsteps of the hugely popular and successful events in 2005 and 2007.
This consortium of committed organizations active in water issues are inviting you to be part of this festival by contributing short, documentary, animation and feature films (DVD format only) with English subtitles on water and related issues. Also include a photograph and CV of the film-maker, a minimum of three film stills and a short synopsis of the film. You are also most welcome to send us photographs for exhibition at the festival.
The first edition of 'Voices from the Waters' was held in April 2005 in collaboration with Alliance Francaise de Bangalore, while the second was held in June 2007 in Bangalore, India by a consortium of organizations. With the overwhelming success and the positive responses to the festival from across the globe and the urgency of the water issue to a planet headed towards catastrophe, 'Voices from the Waters' is being organized as an annual event of images and sounds, of films, songs, photo and art exhibitions, lectures and conferences, a platform for diverse voices â€“ free as water as nature intended it to be.
If you have a film under the following categories:
1. Water Scarcity,
2. The Dams and the Displaced,
3. Water Harvest,
4. Water Struggles,
5. Floods and Droughts,
6. Global Warming and Climate Change,
7. Impact of Deforestation on Water Bodies and
8. Water and Life,
you should consider sending it to us so that we may place them in the festival. All entries will be acknowledged. 'Voices from the Waters' is a public awareness program and while there is no entry fee for the festival, the final short-list for the festival will be decided from the entries by a committee comprised of eminent film-makers, film critics and social activists. This is also conceived as a traveling film festival.
Deadline for entries is 30th April, 2008 .
For more information, contact us at the address below.
The organizing committee
If there is magic on this planet it is contained in water
- Loran Eisley
Secretary, Bangalore Film Society,
33/1-9, Thyagaraja Layout, Jai Bharath Nagar, MS Nagar P.O.,
Bangalore- 560 033. Karnataka, India
Tel: 91- 80- 25493705
Email: firstname.lastname@example.org , email@example.com
Campaign for the fundamental right to water,
C/o No.33/1-9, Thyagaraj Layout,
Jai Bharath Nagar,
Some festivals will not accept entries of productions that were released before a certain year. Some will accept entries regardless of the year of release. What is the situation with the one you describe above?
This is a call for any members here with films on Netflix. I was interested in checking out works by all of you. So if you have something on Netflix, shoot me the title (and your role if you'd like) and I'll be sure to catch it. Thanx!!! firstname.lastname@example.org
Anybody looking for a well equipped, reasonably priced DP/Camera person for any upcoming or current projects ? Check out my website @ www.independentpro.com for more details on experience and capabilities. Thanks ! Special deal for interesting projects, of course they are all interesting...Lemme know...
I think you have a great idea, Le Sheng. I'd like to get in on that, too. If you could forward any movies you get on to me or if anyone who has their film on Netflix and would like it to be seen, I'm a doc junkie and guarantee I'll watch it if I haven't already. Here's the list of the ones I've seen (www.andsomeguy.com/films) and my e-mail is email@example.com
I'm going to need an experienced international doc film/cinema verite editor who can work with PAL footage and who has FCP 6. Ideally, you'll know Italian (though I realize that can be a stretch) as I'd like to work with someone local, and I'm in New Jersey. Please have full-length international doc and/or cinema verite experience. I will be back in the States with my footage mid-late Feb and need to log and cut a trailer for an April 11 deadline.
I want to let you know about an event I founded called The International Documentary Challenge (www.docchallenge.org). Here is some info:
The International Documentary Challenge Returns to Hot Docs!
After a sold-out screening in 2007, The International Documentary Challenge returns to Hot Docs in April 2008! Registration for the 3rd annual Doc Challenge, held March 6-10, 2008, is now open.
The Premise: Filmmakers from around the world have just 5 days to make a short non-fiction film. Hot Docs Canadian International Documentary Film Festival, the Presenting Partner, will once again host the theatrical premiere of the finalists and the awards ceremony during the Festival. After the premiere of the finalists, showcases of regionally produced films will be held, including an IDA sponsored screening in Los Angeles, a SILVERDOCS sponsored screening in Washington DC, a Big Sky Documentary Film Festival screening in Montana, a DOC sponsored screening in Toronto, a Northwest Film Forum sponsored screening in Seattle, a Film Action Oregon sponsored screening in Portland and many more! Additionally, a Best of DVD will be released and television distribution will be pursued by a distribution partner.
Early Registration Deadline: February 11, 2008
Final Registration Deadline: March 5, 2008
Event Dates: March 6-10, 2008
Hot Docs Premiere of Finalists: April 2008
Complete details and entry forms can be found online at
Check out Hot Docs here: http://www.hotdocs.ca
The Doc Challenge is produced by Doug Whyte of KDHX Community Media and sponsored by Hot Docs, the International Documentary Association, the Documentary Organization of Canada, SILVERDOCS, the Big Sky Documentary Film Festival, Film Action Oregon and the creators of the 48 Hour Film Project.
The International Documentary Challenge.
Real Life. Filmed Real Fast.
Don't think a good doc can be made in 5 days? Check out some of the past submissions:
I'm selling a Steadicam Merlin on ebay.
Film editor/maker to create instructional/educational video/DVD for Our Pesticide Alternatives for Safer Schools project in Ohio. Our project has been underway for 4 years primarily with grant funding. This is a paid position. Use your creativity to make an impact on the environment and on the health of children in Ohio. Contact Barry Zucker before March 1, 2007 at firstname.lastname@example.org and visit our website for more info about our project.
Please forward ...
Coming to Terms With Impermanence is an impressionistic documentary about highly acclaimed poet Diane di Prima. Poet, memoirist, activist, and teacher, the â€œPoet Priestessâ€ is the most well-known female writer of the Beat era and has published more than 40 books of poetry and prose, including Recollections of My Life as a Woman, Loba, Memoirs of a Beatnik, and many many more.
The film is about artistic conviction and commitment, and mixes impressionistic scenes drawing on the perception, feeling, and mood of di Primaâ€™s prolific writing, set into context with humorous anecdotes from her peers.
Intern(s) will have the opportunity to gain first-hand experience in all aspects of creating a documentary. Ideal for motivated students wanting to learn or improve software skills and apply their knowledge to conceptualizing and creating an unusual and beautiful film.
Based on skills and experience, interns will assist with post-production, production and upcoming shoots, graphic design, creating websites and dvd's, writing promotional materials.
Interns will have the opportunity to gain experience with the following: Arri-S, Super8, DVX100a, lighting and/or sound recording for interviews, Final Cut Pro, DVD Studio Pro, Photoshop, AfterEffects. Training provided.
Director's previous work has screened around the world and won awards. Preference for students seeking academic credit. 1-2 days per week commitment, work will take place in media facility in Williamsburg.
Send resume and brief description of your strengths, what you would like to contribute to making a feature documentary, and what you would like to learn.
Looking for an intern for our doc production company. Based in mid-town Manhattan. Check our website to see what we've done: www.richtervideos.com. Several projects are now in house. Screen credit for responsible and reliable intern.
I'm looking for skilled fixers in the following countries, for a doc on genocide. Feel free to write me directly if you know anyone.
Germany (Berlin based)
South Africa (Johannesburg)(Yes, I know there was no genocide there)
thank you for your help!
IN SEARCH OF DOCUMENTARY PRODUCER
Hi all -
I've wrapped up a rough cut of my first documentary film titled, "The Money Stone," and I'm in search of a NYC based producer to help finish the project. The film explores the world of illegal gold mining in Ghana, West Africa and looks at its impact on the people and the environment. The film was workshopped last November at the IFP Rough Cut Lab in NYC and has already gained some interest.
Ideally, I'm looking for someone experienced and who has a passion for film about human rights and development in Africa. More specifically, I'm looking for someone who will help secure completion funds, aid in the creative process of bringing the film to picture lock, and help in bringing the film to festivals and through distribution. Most importantly, I'm looking for someone to become part of the team who wants to see the film be successful and get the word out about the topic. Compensation will be provided once funding is secured.
I need some help. I am looking for an ASSISTANT EDITOR/ASSOCIATE PRODUCER to start Immediately.
I am an independent documentary filmmaker looking to hire a full-time employee to help me with logging and digitizing footage, cutting rough sequences, solving a myriad of technical problems, paying bills, writing grants, running errands, etc.Â In short, assistant editing AND associate producing work.Â
I have made four feature-length documentaries:Â Operation Filmmaker, opening at IFC Center in June; Parallel Lines, Always a Bridesmaid, Hello Photo.Â I am now starting another personal documentary, the sequel to Always a Bridesmaid, and need someone to help me jumpstart that process.
Just wanted to repost this on behalf of the company I work for:
Brooklyn based documentary company Flicker Flacker Films seeks experienced, talented, dynamic people for the following positions for a feature-length documentary about immigration for theatrical release and national broadcast:
- Associate Producer
- Production Coordinator
- Business Manager (part-time)
ASSOCIATE PRODUCER: Duties include: assisting in casting, working closely with producer/director and key characters, and communicating with network. Must have a proven track record with at least 2 years experience on feature-docs (not reality TV). Highly organized, outgoing, professional, detail-oriented, fearless, and, if possible, mellow. Multi-lingual a plus.
PRODUCTION COORDINATOR: Responsible for organizing all the logistics of shoots: local, out of state and international. Communicating regularly with shooters and field-producers. Must be sharp, highly organized and detail-oriented with a strong knowledge of equipment, insurance, and releases and permits. Bonus points for a good sense of humor.
BUSINESS AFFAIRS (part time): Experience with budgeting, line-producing, payroll, insurance, HR, Quickbooks. Must understand the intricacies of managing the books and deliverables.
This project will start in mid-late February 2008 and continue through the summer.
Please email cover letter and resumes to email@example.com if you are interested.
The Sacramento International Film Festival is coming March 29 to April 6 and we want you to be a part of it. Inspired by local filmmakers' contributions last year in our component of the 48 Hour Film Festival we are inviting you to make a submission for Current TV.
Current TV is a network started by Al Gore that features viewer generated content. Instead of the networks telling the people what is news, the people are telling the network what the news is.
for more information:
ISO: Jacksonville, FL camera person, sound person to shoot at a breast cancer conference from Feb 22 to 24.
Email me at firstname.lastname@example.org for details.
Might anyone have a reasonably priced copy of The Technique of Film Editing by Karel Reisz for sale? I would prefer the first edition, but the second edition would also be acceptable.
Why? Are you planning on cutting workprint? If you want to learn how to edit read Walter Murch's book or mine "Editing Digital Video." My co-author and I wrote it to replace Karel's fine book which was great when we were cutting on flatbeds with workprint.
I'm currently studying the Technique of Film and Video Editing in its 4th printing, by Ken Dancyger. It has an excellent history on how different editing techniques are featured in different genres and how technological changes have impacted editing decisions and styles.
It's an extraordinary book and is at:
He cites Karel's book as a deep inspiration and I need to study it. I am extremely serious and thorough about what I am doing and I can't afford to gloss over all the great cinema before video was invented.
My view is that quality editing is to a substantial extent independent of the medium. Alternatively stated, if I immerse myself in the study of the editing techniques of Hitchcock, Kurosawa, Resnais, Welles, Goddard and Fellini, I will be serving my interests well. I will never achieve my idea of greatness in cinema without mastering what each of these masters was all about.
In reply to John Burgan's post on Wed 6 Feb 2008 12:30 UTC :
Thanks John. Much better than spending 80 dollars!
Then you should read Eisenstein. Karel took his tiny bit of editing philosophy from him. Most of the book is about the mechanics of editing film. Another series of books worth reading are by EDWARD DMYTRYK. Called "On Screen Directing" "On Film Editing" etc.
Another good book would be "Story" by Robert McKee. Don't forget, editing is storytelling.