DocuClub in February!
Our February DocuClub will take place on Wednesday, February 24, 7 p.m., at DCTV, located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).
We will screen a rough cut of PAUL GOODMAN CHANGED MY LIFE by Jonathan Lee. The first documentary about Paul Goodman, the late social critic, poet, philosopher of education, or, as he called himself, "man of letters in the old-fashioned sense," it follows a biographical through-line and is structured around interviews with family, friends, peers, and activists from the peace, educational reform, and gay movements who today are found in Maine, Minnesota, Massachusetts, California, West Virginia, New York City, Vermont, Paris, and Catalonia, Spain. The interviews are interwoven with archival footage of Goodman and major events in which he was involved and photos made available by his widow Sally. Some interviewees include Noam Chomsky, Judith Malina, and Grace Paley. See a trailer here: http://www.paulgoodmanfilm.com/trailer.shtml.
Director/Producer Jonathan Lee served as producer of the FEAR OF DISCLOSURE PROJECT, a series of videos that explore the act of revealing that one is HIV+ or has AIDS, which began with a video by the late Phil Zwickler and David Wojnarowicz. Under Lee's direction, the project produced and distributed (IN)VISIBLE WOMEN, Ellen Spiro and Marina Alvarez, NON, JE NE REGRETTE RIEN (NO REGRET), Marlon T. Riggs, and OUT IN SILENCE & NOT A SIMPLE STORY, Christine Choy. From 1995-2003, Lee was the founder/director of the Maine Speakout Project, a statewide organization that trained and deployed volunteer speakers to share their personal experiences as sexual minority Mainers with mainstream groups throughout the state. In 2003, Lee returned to New York City to begin working on PAUL GOODMAN CHANGED MY LIFE.
Associate Producer Robert Hawk has been a longtime advisor to filmmakers and film festivals, has had his own business, ICI (Independent Consultation for Independents) for over 13 years, and been a part of the independent film scene for 23 years. Producer credits include Dan Geller and Dayna Goldfine's acclaimed documentary, BALLETS RUSSES. Starting with his involvement in documentary as a researcher on Rob Epstein's Oscar-winning THE TIMES OF HARVEY MILK, he has been credited with discovering and/or nurturing the talents of such filmmakers as Epstein, Nathaniel Kahn (MY ARCHITECT), Kevin Smith (beginning with CLERKS), Ed Burns (BROTHERS McMULLEN), David Siegel and Scott McGehee (DEEP END; BEE SEASON), and Geller & Goldfine. He has also consulted on hundreds of documentaries, including Oscar winners/nominees such as COMMON THREADS: TALES FROM THE QUILT, COMPLAINTS OF A DUTIFUL DAUGHTER, and REGRET TO INFORM.
Editor Kimberly Reed is a filmmaker living in New York City. She was named one of Filmmaker Magazineâ€™s â€œ25 New Faces of Independent Film,â€ and has been awarded a Yaddo Artistsâ€™ Community Fellowship, a Squaw Valley Community of Writers Workshop Fellowship, and a spot in Al Goreâ€™s Current TV Symposium on the Future of Non-Fiction Film. Her work has been featured four consecutive years at IFPâ€™s Independent Film Week. Her film PRODIGAL SONS â€” a co-production with BBC Storyville, Sundance Channel, and CBC/Canada â€” has been shown around the world in festivals and on television. It was also screened in rough cut at DocuClub in April 2008.
Our moderator will be Basil Tsiokos, who has been a Programming Associate (Documentary Features) for the Sundance Film Festival since 2005. He also serves as a consultant for filmmakers and festivals, offering project feedback and advice on festival and promotional strategy. He was the Executive and Artistic Director of NewFest: The New York LGBT Film Festival between 1996 and 2008. Tsiokos has also served as a Coordinator of the IFPâ€™s No Borders Co-Production Market and has guest curated at the Jacob Burns Film Center and for the Miami Gay and Lesbian Film Festival and Germanyâ€™s touring Verzaubert Film Festival. Basil has served on festival juries and panels for the Atlantic Film Festival, Berlin International Film Festival, Cleveland International Film Festival, Full Frame, IFP, LaCinemaFe, Outfest, SXSW, and the AIVF. His writing occasionally appears in indieWIRE, and he can be found on Twitter as @1basil1.
Admission is free for current DocuClub members and $6 for non-members.
If you plan to attend, please RSVP at firstname.lastname@example.org. Our previous screenings have sold out and although admission for non-members is on a first-come, first-serve basis, it is highly recommended if you let us know that youâ€™ll be attending.
Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online: