Public Classifieds and Announcements

Public Classifieds

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Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!

Please include a LOCATION. Spam will be deleted.

As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)

Alex Safos

Hello All,

Are you producing or planning a documentary in the Arab World, in general, or in Morocco, in particular? If you are and need a fixer, cultural consultant, facilitator, or basic translator, I am qualified and excited to contribute to your production. This region's dynamism delivers a constant flow of content ripe for documentation and fresh perspective--the Arab Spring; (mis)perceptions of Islam; the post Bin Laden Al Qaeda; its ongoing wars and conflicts; growing sectarianism; gender issues...the list is always rich. I'm knowledgeable and passionate about this region's history, culture, and its peoples and would be eager to channel this insight into documentary film-making. Please check out my profile for essential info and contact me for a full resume/more details: alex(dot)safos(at) Thanks for keeping me in-mind if the right opportunity presents itself. –Best, Alex

Koen Suidgeest

Considering to hire a press/outreach manager at the Montreal World Cinema Festival for my doc Karla's Arrival which will be in the Documentaires du Monde section. Any suggestions? Also, what should I expect to be spending?

This is an ITVS supported award-winning human rights doc about a young homeless teenager trying to raise her baby in a park in Managua, Nicaragua. Montreal will be its North American premiere. See also: More info re this job: info [at] elrayofilms dot] com

Thanks all!

Jeffrey Dreyer

My name is Jeff Dreyer. I'm a father of a Special Needs 22 yr old child. I'm so very tired of hearing the derogatory, demeaning and hurtful word "retard" being used so rampantly these days. I made an 18 minute documentary titled "it's Just Not Funny". The premise is to get the entertainment industry to take the word "retard" out of their scripts. The video was on YouTube for nine days only. It had almost 600 views though. I had over 30 wonderful comments on YouTube, and I received from across the country another 100 positive messages on my Face Book page and my e-mail.
Here's the issue. The Special Olympics Southern Cal. made me take it down, because they said some of my content is negative towards the entertainment industry. That's the idea. Someone has to step up an speak out against the offenders that perpetuate this use. It's everywhere these days. TV, movies, talk shows, interviews et cetera. The person that edited it for me isn't interested in continuing with my project. I need someone to help me take the SOSC logo out of some of the footage, and remove their name from the credits. I then want to enter the documentary in some film festivals. If the right person with some horse power in the business viewed it, and they have a Special Needs child, sibling, relative or friend, the doc would catch fire. Then possibly we can make the doc larger and get some results. Anyone that would like to volunteer about five hours would certainly be included in the credits. I live in S. Orange County Cal. I could come up to Los Angeles if need be. Thanks, Jeff

iLan Azoulai

Hi everyone,

Only 19 days left for our Kickstarter fundraising campaign to complete and we need YOUR support to reach our goal. If you haven’t contributed yet, please click here to donate to our project so we can bring the much-needed humanitarian help to women who are victims of sex trafficking.

The US State department Trafficking-In-Person report (TIP report) clearly indicates the stagnation of Israel’s enforcement in regards to sex trafficking. After speaking to a senior Police official who specializes in curbing sex trafficking in Israel, he revealed to me in a personal interview that trafficked women numbers are rising again, and this time, the traffickers are choosing South American women as their target.

Thank you for your support and for donating to HOLY GHETTO film.

on Facebook:

iLan Azoulai
Director | Holy Ghetto

Beth Cohen

Hi – I'm looking for a cinematographer based in Reykjavik for two days in early August (ticking clock). Anyone have any ideas? Thank you! Beth

Catherine O'Mahony

Looking for student filmmakers with their own camera and sound equipment.

Needed to shoot interviews and actuality footage in Denver, CO for a low/no budget adventure documentary currently in production. Pay will be in the form of screen credits, copy of the finished series, and credit to person(s) in the press packet.

Footage does not need to be edited, just shot.

+353 1 4404205

Ben Kempas

Beth – if you can't find someone locally, I may be able to fly there from Scotland for around 280 pounds return... :-)

Rachael Rakes

Hello All,
Wanted to announce a big event at the Museum of the Moving image next week:

TABLOID with Errol Morris in person
Preview screening and discussion.

Tuesday, July 12 · 7:00pm – 10:00pm

Morris digs deeply into a sensational and salacious news story about Joyce McKinney, a former beauty queen turned tabloid queen whose alleged kidnapping and rape of a Mormon in England in 1977 made her a pop culture sensation. Morris examines McKinney’s own account of her life and her fame, uncovering the workings of obsession and scandal.

Tickets: $15 public / $10 Museum members / Free for Silver Screen members and above. Call 718 777 6800 or order online.

For more info on the Errol Morris's America series:

Museum of the Moving Image
36-01 35th Avenue
Astoria, NY


Kali Holloway

Hi All,

Potential interns, take note and apply if you fit the bill. And shoot me an email if you know anyone great for this!

Rescued Media, the Greenpoint, Brooklyn-based production company behind the documentary Brooklyn Castle (view the trailer here is looking for a smart, diligent, detail oriented intern to help with administrative duties. These include (but aren’t limited to) data entry, database management, merging large contact lists, getting releases from film subjects completed, light writing and other duties, as they arise. Candidates should be able to work 2-3 days a week as needed for two to three months. A stipend of $250 per month will be provided. College students may also receive course credits, provided your school allows for them (and you sort out the paperwork yourself). To apply for the position, please send a resume and brief cover letter to brooklyncastleintern (at) gmail (dot) com.

Barbara Rick

Attractive, useful furniture & equipment for sale at
reasonable prices in our Union Square office.

July 11th-13th 10am – 6pm

Items include:
- 2 beautiful iMacs
- 1 Epson Stylus CX6600 Printer
- Canon PC920 Copier
- SONY Trinitron 27” TV
- JVC DVD & SONY VHS Players
- File cabinet, office chairs, supplies, coffee maker, clocks
- Effectively cool Sharp & Haier air conditioners
- Beautiful, atmospheric artwork
- And much, much more!


Bill Kerrigan

I'm shooting an interview near Fort Lee, New Jersey on July 14th… and I'm concerned I might not have enough time to light. I don't need someone with a lot of experience… I just need help with the setup.

Please write, kerrigan at and give me an idea of your experience, full day and 1/2 day rate.

Thank you,

Joshua Z Weinstein

Looking to sell my panasonic hpx170 (almost mint condition) with a 32 gig and 16 gig card and two large batteries. Finished shooting my new film on it, and don't need the camera any more. Will take best offer. Please email me at joshuazweinstein \at/ gmail.

Donald Goldmacher

I would like to license high quality(HD if available) B roll of the rich and famous. Specifically, I am looking for huge yachts, mansions, shots of corporate jets, etc. If you do have any such footage or know where I can obtain such, I would be delighted to hear from you at your earliest.
Don Goldmacher

Ted Gesing

Please check out my Tumblr tribute to beautiful documentary interviews –
The Documentary Interview
If you like what you see, please follow or subscribe through RSS.
Thank you!

Doug Block

I'm posting this for a good friend, Jackie, whose daughter is moving to London:

Two recent university grads from the States are looking for a flat in London. Both have jobs at starting salaries, (one at a law firm in Hammersmith and the other at Reuters in Canary Wharf) and are looking for a (furnished) flat on a convenient tube line for both. Would appreciate any leads and/or a suggestion of a real-estate agent who could be helpful. Arriving in London July 18th and can begin looking at flats then. Thanks!

Please email: Jackieleop(at)aol(dot)com.

Anthony Giacchino

Hello – I'm in need of a local Hawaiian DP to shoot at Pearl Harbor the week of July 25th. Shooting on the EX-1 using the Letus35 Extreme 35mm Lens Nikon Adapter. Any suggestions would be greatly appreciated!!

Please email: or call: 646.400.9417

Felix Endara

DocuClub in July!

Our July DocuClub will take place on Wednesday, July 27, 7 p.m., at DCTV, located at 87 Lafayette (at Walker).

This month, we will screen a rough cut of Quel Souvenir by Danya Abt. In 2003, construction was completed on a pipeline that stretches a thousand kilometers from the oil fields of Chad to the beaches of Cameroon. Funded by oil giants Exxon, Chevron and Petronas, and politically insured by the World Bank, the Chad-Cameroon Oil Pipeline was a beacon of hope to the Chadian and Cameroonian people. It promised to spread prosperity and opportunity through some of the poorest communities in the world. *Quel Souvenir* follows the path of the Chad-Cameroon pipeline to witness its lasting effects, featuring the compelling individuals who live along its path. From the fishing ports of Kribi to oil installations of Doba, the stunning diversity of the landscape through which the pipeline passes reflects the many different Africans who live with it daily. Despite their differences, the communities along the pipeline speak with one voice to ask “If the land is so rich, why are we so poor?” As the world looks increasingly to Sub-Saharan African to satisfy its thirst for oil, this timely film asks what is the human cost of this extraction, and how oil effects the struggle for survival, the fight for democracy and the dream of peace. To see a trailer, please go to:

Director/Producer Danya Abt’s desire to use film to create a more just and peaceful world has driven her from her native Detroit to the bayous of Louisiana and as far as the deserts of Central Africa. Her films have been featured at the MoMa in New York, the Detroit Institute of the Arts and a variety of community gathering places to generate dialogue and inspire social change. Most recently, Abt served as Senior Video Producer for GRITtv with Laura Flanders. Her work will be included as part of PBS syndication in the fall.

Our moderator will be Chi-hui Yang, a film programmer, lecturer and writer based in New York. As a guest curator, Yang has presented film and video series at film festivals and events internationally, including the 2011 MOMA Documentary Fortnight, 2008 Robert Flaherty Film Seminar (“The Age of Migration”), Seattle International Film Festival, Washington D.C. International Film Festival and Barcelona Asian Film Festival. From 2000-2010, he was the Director and Programmer of the San Francisco International Asian American Film Festival, the largest showcase of its kind in the U.S. Yang is also the programmer of “Cinema Asian America,” a new On-Demand service offered by Comcast and currently a Visiting Scholar at NYU’s Center for Media, Culture and History.

If you’re planning to attend, please RSVP to

Admission at DCTV is free for current DocuClub members and $6 for non-members.
Tickets will be sold at the door, cash only.
Doors open at 6:30 p.m. No admittance after 7:30 p.m.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

Follow us on Twitter!
Stay abreast of DocuClub’s latest:

Jon Fordham


New dates for the next seminars.

August 1 and August 8, 7 to 10 pm

Do you really understand HD? What CODEC should you be working in? What's the difference between HDV and HDCam?

Whether you are an editor, assistant editor, post production supervisor, producer or director,
improving your ability to navigate your offline and online edit using HD technology is important. We can help.
Go into the edit suite with an upgraded and refined understanding of the process and the technology.
Avoid expensive mistakes at the online. Finish your project on time.

Jon Fordham and Evan Anthony have designed a three-hour seminar that will answer your questions, address your concerns and enhance your entire post experience, whether you are working with AVID, Final Cut or whatever will take Final Cut's place.

The seminar will examine the following topics:
Sequence settings, frame rates, frame size, CODECs, file-based footage and AMA (P2, XDCam, RED), the difference between 1080i, 1080p and 720p, HD versus SD and more.

With over 40 years combined experience as online editors and colorists Jon and Evan's documentary work includes an Academy Award, 4 other Oscar nominations, is regularly represented in major film festivals including Sundance, Tribeca, Berlin, Toronto, Hot Docs, South by Southwest, Silver Docs and others. Their documentary work is also regularly seen on HBO, PBS, ABC, CBS, NAT GEO and virtually every other cable outlet for documentaries.

Jon and Evan can also tailor the course to meet your specific needs.

A better grasp of the technology will empower you.

For more information or to schedule your seminar contact:
Jon: Jonf at
Evan: Evan at

Fee: $240 (Negociable)

Please share this whomever you think might be interested.

Thank you.

Melissa Silvestri

I am interested in transcribing audio interviews for anybody. I worked for Filmmaker Magazine, and have a lot of experience in transcribing interviews that ran anywhere from 10 minutes to nearly two hours. I am very astute, and would transcribe it all, then listen to it again to catch anything that slipped by me. My fee would be $2 a minute, so if the interview is 30 minutes, it would be $60. However, I am open to negotiations.

Please let me know if there is anything you need to be transcribed and would like my services.

Karen Bernstein

Hello. Fixing The Future, broadcast last November on PBS, is now expanding the story to a theatric length. We are documenting a story this week in Baltimore, MD and need a local Production Assistant to assist at $150/ day plus expenses. Nothing too complicated; some driving, navigation and meal time advice. Driver's license is a necessity. Please write,, or telephone, 917-856-2027.

Joshua Z Weinstein

Great Doc Camera, Panasonic HPX 170 (Mint) Complete kit w/original box – $2693

Looking to sell my panasonic hpx170 (mint condition) in original box with all manuals, a 32 gig and 16 gig p2 card, two large batteries, and a Tiffen UV filter . Finished shooting my new documentary on it, and don't need the camera any more Would also be willing to offer the camera as part of a trade for wireless sound gear and/or manual still photo lens.

See Full Craigslist add:

Rob Rooy

On very short notice, I need an intern or production/technical assistant in the Boston area – this Wednesday and Friday, from noon till 4 pm each day, at the MIT Media Lab. Main duty will be to watch over a locked-off camera position – and reframe occasionally if the staging warrants it. So a modicum of tech experience is a plus. 240.446.5317

Aaron Soffin

I'm producing a shoot on July 30th in NYC. We already have two Sony Z7Us that we'll be shooting with, and we're looking to hire a person with a Z7U to be the third camera, or just rent the camera. Anyone have a Z7U still or know someone who does?

Andrew McKay

Good People of the D-

I'm in the process of finishing my first feature doc, about a memorial run across America ( – but I am posting today because I'm looking for assistant editing work, in an effort to build for the future and pay the bills. I've been Apple-certified in FCP7, but more importantly I'm a hard worker and eager to learn. I worked at Miramax for several years, and before that assisted D-Word co-host, Doug Block, while he was making "51 Birch Street".

I'd love to talk to anyone and everyone about any openings or leads of which you may be aware, in the NYC area. The humble beginnings of my reel can be found here: My email is ajmck08 [at] gmail [dot] com; phone is 646.662.0565.

Thanks very much,


Erica Ginsberg

Docs In Progress has two programs in Washington DC tonight and tomorrow...

Thursday: Documentary Appreciation Salon
at Modern Times Coffeehouse (Politics & Prose Bookstore)
"Documentary Film Legacy on Reality TV"
This salon series brings together filmmakers and documentary film aficionados to discuss and debate great issues in documentary cinema. Each salon will focus around a particular sub-genre of documentary and use clips from documentary films and questions from the moderator to spur reflection and discussion. This salon's topic will focus on how documentary has influenced and is influenced by "reality" television. Now an almost default setting for mainstream entertainment, Reality TV emerged in the early 1970s as a highly experimental and controversial mode of documentary expression. This salon focuses on Reality TV’s intersections with different trends in documentary filmmaking, how the mode has shifted over the past four decades, and its current place in the broadcast industry. Groundbreaking programs such as PBS’s An American Family (1973) will be central to the discussion. We are pleased to welcome guest facilitator, Josh Glick. He is a PhD candidate at Yale University in the departments of Film Studies and American Studies. His research and teaching interests are focused on the history and theory of American documentary film, Hollywood, and race and representation in popular media.
WHEN? Thursday, July 21 from 7:30-9:30 pm
WHERE? Modern Times Coffeehouse at Politics & Prose Bookstore (5015 Connecticut Avenue, NW Washington DC 20008)
FEE? This is a free program. We encourage you to purchase delicious food or drink from our sponsor, Modern Times Coffeehouse.
Seating is limited so we recommend you RSVP through this link.

Friday: Documentary Work-in-Progress Screening
at The Documentary Center at the George Washington University
Screening of Beth Murphy's THE LIST

Now in its seventh year, the Docs In Progress work-in-progress screenings provide an opportunity for local and visiting documentary filmmakers to screen their rough cuts to a general audience and get valuable feedback. Facilitators from Docs In Progress moderate a feedback session with the audience after the screening. This honest and constructive feedback is aimed at helping the filmmakers get to the next stage of completing and distributing the film. The next film to be screened is Beth Murphy's The List. The film follows Kirk Johnson who, after leading reconstruction teams for the U.S. government in Iraq, returns home only to discover that his Iraqi friends and colleagues are being killed, kidnapped or forced into exile by radical militias... all because they worked for the United States trying to help rebuild their country. Stunned by fear-mongering and stagnating bureaucracy that prevents these Iraqis from being rescued, Kirk begins compiling a list of these allies and, one by one, helps them find refuge and a new life in America.
This program is sponsored by The Documentary Center at the George Washington University.
WHEN? Friday, July 22 from 7:00-9:30 pm
WHERE? George Washington University Media and Public Affairs Building (805 21st Street, NW – Room 309 Washington DC 20052)
FEE? $10 suggested donation. Cash only at the door. No advance tickets or RSVPs.

More info on both programs at

Cassandra Zamora

We have an offline suite available for the foreseeable future. System is running software-based Avid Media Composer 5. Your rental includes access to our assistant editorial staff to handle technical issues, room rental, access to phones and internet, cleaning, utilities and common amenities. We are flexible on length of rental and start/end dates. If you'd like more information or to request a quote, I can be reached

Karen Bernstein

OK, same project (Fixing The Future) is now looking for field sound recordists in the Philadelphia/ Chester, Pennsylvania area. Any recommendations?

Soudabeh Moradian

I am selling my Sony HVR-Z5U HDV Camcorder with Tripod. It is in great condition and has very low hours. It's also upgraded to include both NTSC and PAL system.If you are interested, email me with any questions.

Dièry Prudent

Seeking Camera/Sound Tech for Doc Shoot in Brighton, England August 2, 2011

I'm asking for some help locating a skilled videographer with a decent light/camera/sound kit. I'm in search of a pro who'd be willing to shoot this interview on a deferred payment basis. Shooting/sound credit assured.

The job consists of framing, lighting and sound-recording an hour-long interview on location at the manager's home. The whole job, from setup to strike, can be completed within 2 hours. Can someone please help me locate a jazz-loving professional camera/sound/lights artist who would be up to the task?

If so, they may call me directly anytime at +1 917.975.5940

Thank you for your time and consideration.

Best wishes to all,

Dièry Prudent, producer
"Moody's Mood for Love: the Story of a Song"
+1 917 975 5940

Suzanne Hillinger

Hello D-Worders,

I'm seeking two DPs for a documentary shoot in Washington DC for this Saturday and Sunday (7/30 & 7/31). The right people should be experienced in shooting fly-on-the-wall verite footage as well as candid interviews. Canon 7Ds, Canon 5D Mark IIs, Panasonic AF100s, or equivalent cameras are all of interest. DPs should also have a simple sound kit (ie. Zoom recorder for DSLRs, wireless lavs, shotgun mic, tripod). If you're interested or can recommend some good folks, please email me at:


Miranda Yousef

Hi D-Worders,

If you or someone you know are looking for an LA-based editor, I have just locked picture on my last project and am available for work!

My last film, TROUBADOURS, played Sundance in competition, and was recently nominated for an Emmy after premiering on PBS's "American Masters."

Please contact me at edit<at>mirandayousef<dot>com if you'd like to see my reel/resume. Thanks!

Andrea Feder

Hello Montreal D-Worders. You can find an offer for DOC Circuit, the only north-american bilingual market, in the hidden section. Would love to have another D-worder on our team.

Offre d'emploi
Adjoint(e) à la coordination Doc Circuit Montréal
Données concernant l'emploi
Date limite pour postuler : 19 août 2011
Début du contrat : 29 août 2011 Fin du contrat : 16 décembre 2011
Horaire : 5 jours/semaine Durée (semaines) : 16 semaines
Coordonnées de lʼorganisation
Nom de lʼorganisation: Doc Circuit Montréal
Personne contact : Myriam Lisée-Castan
Adresse : 5455 av. de Gaspé, Montréal, H2T 3B3
Téléphone : (514) 499-3676 poste 204
Adresse électronique du contact :
La mission de lʼorganisation :
La 7e édition de Doc Circuit Montréal (DCM), le marché québécois du documentaire, se tiendra
du 14 au 16 novembre prochain dans le cadre des Rencontres internationales du documentaire
de Montréal (RIDM). Doc Circuit Montréal vise à stimuler la production et la diffusion nationale et
internationale de documentaires indépendants, en favorisant notamment lʼéchange
dʼinformations et les rencontres entre les différents acteurs du secteur du documentaire. Tables
rondes, conférences et ateliers autour dʼenjeux actuels majeurs réuniront pendant trois jours
plus de 300 réalisateurs, producteurs, télédiffuseurs et distributeurs.
Festival international de cinéma documentaire, les RIDM en seront à leur 14e édition en
novembre prochain. Pour l'occasion, une centaine dʼoeuvres documentaires inédites provenant
des quatre coins de la planète seront présentées. De nombreux échanges avec les cinéastes
invités, tables rondes, ateliers et débats jalonneront les douze jours de l'événement.
Description du poste
Principales tâches à accomplir :
• Assister à la coordination, à la rédaction et au suivi du contenu des documents
d'information sur les activités de Doc Circuit Montréal (communiqués de presse,
catalogue, infolettres et site Web) en français et en anglais;
• Participer au développement des activités et à la planification logistique de l'événement;
• Assurer le suivi des inscriptions et des communications, écrites et électroniques avec les
• Rechercher des associations et groupes communautaires ciblés pour la promotion des
activités proposées;
• Gérer les listes dʼinvitations et accréditations des partenaires publics et privés;
• Veiller à la mise à jour des coordonnées des contacts dans la base de données;
• Compiler les données nécessaires aux divers rapports;
• Répondre aux questions générales sur Doc Circuit Montréal par téléphone et courriel;
• Être présent(e) pendant la tenue de l'événement pour accueillir les participants et les
partenaires et assurer le bon déroulement des activités en collaboration avec l'équipe en
place et les bénévoles.
Description de la personne recherchée
• Études en communications, en cinéma, en organisation dʼévénements ou dans un
domaine connexe;
• Connaissances de bases et/ou intérêt marqué pour le milieu professionnel du cinéma
• Compétences rédactionnelles élevées en français et fonctionnelles en anglais;
• Débrouillardise, curiosité, sens de lʼinitiative, entregent;
• Excellent sens de l'organisation;
• Tolérance au stress;
• Bilinguisme parlé, français et anglais.
Comment poser sa candidature?
Envoyez une lettre d'intention et un curriculum vitae par courriel, en indiquant comme objet
"Candidature – Adjoint(e) à la coordination de Doc Circuit Montréal à :
mlisee_castan at ridm dot qc dot ca

Dean Hamer


The OUT IN THE SILENCE Campaign, an Emmy Award-winning documentary film and social activism project, is looking for a creative, highly-motivated, social media networking guru to help promote a new national Award for Youth Activism. (Learn more about the film campaign and youth award at:

The ideal candidate for this unique opportunity will be passionate about LGBT rights, savvy and experienced in the use of social media for cause-related marketing and promotion, and diligent in accomplishing tasks both large and small associated with such efforts.

Scope-of-Work: With guidance from campaign directors, the intern will identify and compile database of target contacts (national LGBT, youth service, safe schools, civil rights, and other networks, as well as school, campus, and community groups) and conduct email-based outreach effort to announce the Youth Activism Award contest. Additional outreach and promotion via Facebook, Twitter, blogs and other online networking sites will be critical – aimed at creating buzz about the youth activism award and getting news about it to "go viral."

The goal: To get as many groups as possible across the country to participate in the October contest by 'registering' to do an event on their campus or in their school or community.

Compensation: Initial stipend of $500, plus bonus incentive $$ for total number of registrations achieved – (details provided to qualified applicants). Additional stipend available for packing & mailing award contest materials to registered participants.

Send qualifications, a statement of commitment to the cause, and a brief proposal about how you would accomplish the project goals to

Location: District of Columbia
Compensation: Base stipend of $500, plus bonus incentive $$ for bench-marked success

Jon Fordham

Two last minute spots available for tomorrow's (August 8) HD for Post Seminar (see earlier posts)

contact jonf at for more info. Thanks.

New seminars coming later in August.

Nadia Awad

In reply to Jon Fordham's post on Wed 13 Jul 2011 :

I had the privilege of taking Jon Fordham's seminar this evening and wanted to comment on it for those considering taking it.

I highly recommend taking it and feel that I learned a tremendous amount in a very short time. Jon and Evan were extremely detailed, thorough, and generous in their answers and explanations. We covered a wide arrange of topics, including post workflows for DSLR cameras, numerous codecs/formats and their specific limitations, preparing media for maximum usage and distribution (and not simply one function/outlet) as well as general media management-related topics at each stage of production.

Although the description outlines the topics that Jon and Evan (who also ran the seminar as well) covered, I was also asked ahead of time if I had particular postproduction workflow questions. I spoke on the phone with Evan and described the parameters of two ambitious projects that I have coming up in January.

I was very excited when I came in when I learned he had consulted several colleagues and had detailed information specific to my situation that was incredibly helpful and illuminating.

It is clear that both Jon and Evan are very excited about what they do and this definitely comes across in how they present material and respond to questions.

I have taken several other postproduction workshops in the past year on various topics and of varying quality, but this was one of the rare workshops that pushed away from the sort of Procrustean approach to technical aspects of filmmaking and postproduction.

I have also made a big effort to learn FCP more thoroughly as well as Avid and Premier (as several projects have required Premier) and this workshop definitely built on that knowledge and provided a deeper, much more nuanced understanding of concepts I thought I knew.

I can imagine that more seasoned postproduction professionals would benefit even more out of this workshop with Jon because of the his and Evan's breadth of experience and willingness to engage with a project's specific demands.

Thanks again Jon!

Jennifer Schmidt


"Heist: Who Stole the American Dream?" is a documentary in the final phases of post production that investigates the roots of the current economic crisis, and the ongoing assault on working people in the United States. With clear, fact-based storytelling, "Heist" exposes the systemic, forty year corporate attack that has shattered America’s economy through deregulation, the outsourcing of jobs and tax policies favoring businesses and the very wealthy. Co-directed by Berkeley filmmaker Donald Goldmacher, the film is swiftly being edited for festival screenings in the Fall, and outreach and distribution in 2011 and 2012.

The ideal candidate for this unique opportunity will be interested in documentary film, and passionate about economic, social and environmental justice with experience in social media, community organizing and/or marketing and promotion. We ask for a 5-10 hr/week commitment for the next three months. This is an opportunity to learn firsthand about "hybrid" distribution strategies for important, social action oriented documentaries.

Scope-of-Work: With guidance from producers, the intern will help build strategic alliances by researching and contacting organizations doing critical work in the field; help build contact and email lists; assist in IndieGoGo fundraising campaign; promote the project via blogs, Facebook, Twitter and other online networking sites to help us create a buzz about "Heist"; and assist producers in developing outreach and distribution plans. The goal with the film is to help audiences understand the underpinnings of the country's economic problems and demonstrate what everyday Americans can do to make a difference.

Compensation: Unpaid internship initially with the opportunity to grow into role as project builds.

Send resume, a brief cover letter with relevant experience and interest in the cause to: Jennifer Schmidt at

Location: San Francisco but work can be done remotely for right candidate.

Thank you for your interest!

Lani Simeona


Full Frame exhibits nearly 100 documentary films in various categories. By completing the online application, you will be submitting to NEW DOCS, the festival’s competitive program which includes films completed in the last two years. In 2011, 66 films were selected for NEW DOCS from 1200 entries. NEW DOCS are eligible for a number of awards in various categories. The 2011 festival offered 9 awards, with prizes totaling over $50,000 in cash and services. The 2012 festival will take place Thursday, April 12, through Sunday, April 15.

Regular Deadline: October 15, 2011 ($40)
Late Deadline: November 30, 2011 ($60)

Please visit our website for submission guidelines and requirements. (

Garret Savage


The fellowship is designed to help emerging editors in both doc and fiction by developing their talent, expanding their creative community, and furthering their career aspirations.

If you've edited at least one feature film (over 60 minutes) and are based in the US, we'd love for you to consider applying.

Deadline: September. 30, 2012 (earlier than last year)

Our 2011 Fellow, Erin Casper, has had an amazing past few months as she's attended the SXSW and IFFB film festivals, both ACE EditFests in New York and Los Angeles, met with editors Jean Tsien and Geof Bartz for career and craft advice, and received a shipment of books and DVDs from Powell's. Her first doc feature, "Our School," is showing at film festivals around the world. Lately she's been working with Heidi Ewing and Rachel Grady on a new doc project. She's written about some of these experiences in blog entries on our site: More posts to come soon.

In addition to our continuing partnerships with ACE, Manhattan Edit Workshop, SXSW, IFFB, Stranger than Fiction, and Docuclub, we’ve added a $1000 cash award and a new partnership with Rooftop Films.

The website has all the info:

Press release in the Hidden Section.

Twitter @karenschmeerFEF




Annual Fellowship Provides Extensive Opportunities for Emerging Film Editors;
Open Call for Submissions Begins AUGUST 10, 2011

LOS ANGELES / NEW YORK – The Karen Schmeer Film Editing Fellowship was created to assist emerging editors by supporting and developing their talent, expanding their creative community, and furthering their career aspirations. In conjunction with American Cinema Editors (ACE) and other partners, the Fellowship, in its second year, offers a wide array of opportunities for promising film editors, in both documentary and fiction.

Awarded once a year, the Fellowship honors the memory of gifted editor Karen Schmeer (“Fog of War;” “Fast, Cheap & Out of Control”; “Bobby Fischer Against the World”), who was killed in a hit-and-run car accident at age 39, on January 29, 2010.

OPEN CALL FOR SUBMISSIONS – the Fellowship will accept applications from now through September 30, 2011. The Fellow will be notified in January 2012. More details about the Fellowship and application requirements/forms can be found

The 2012 Fellowship benefits include:

• Mentorship with an ACE editor, tailored to the fellow’s interests
• Full festival passes to ACE EditFest in New York and Los Angeles
• Class at the Manhattan Edit Workshop – an Apple, Adobe & Avid Authorized Training Center
• Film Badge with full film festival access to the SXSW Film Festival in Austin, Texas
• Chrome Pass with full festival access to the Independent Film Festival Boston
• Travel expenses to two of the aforementioned festivals/classes (airfare, 3 nights of hotel, per diems)
• Summer Series Triple Membership for Rooftop Films, NYC, plus a $1000 equipment rental credit
• Season Pass to Stranger than Fiction at the IFC Center in NYC
• Year-long Membership to DocuClub in NYC
• $1000 cash award
• $500 online gift certificate to Powell’s Books in Portland, Oregon (Karen’s favorite)

KAREN SCHMEER, A.C.E., was an award-winning film editor whose work included Errol Morris’ “The Fog of War” (Academy Award Winner for Best Documentary), “Mr. Death,” and “Fast, Cheap and Out of Control.” She edited “Sketches of Frank Gehry,” directed by Sydney Pollack, “The Same River Twice,” “My Father the Genius,” and “American Experience: A Brilliant Madness.” Her fiction film “American Son” premiered at the 2008 Sundance Film Festival. For the HBO film Sergio, Karen won the Best Editing Award at Sundance in 2009. Karen was born and raised in Portland, Oregon, and attended Boston University. On her way home from editing Liz Garbus’ “Bobby Fischer Against the World,” Karen was struck and killed by a car fleeing a robbery in New York City on January 29, 2010.

AMERICAN CINEMA EDITORS (ACE) is an honorary association of professional film editors that celebrates & promotes the art of editing. Editors are included on the basis of professional achievement, dedication to educating others, and commitment to the craft of editing.

Contact information:
Garret Savage
Board Member, KSFEF

Find the Fellowship on Facebook and Twitter @KarenSchmeerFEF


Travis Burgess


Coalition Film and CABULA6 in New York editing a feature documentary about Death Metal musicians in Angola organizing the first ever national rock concert. The footage is beautiful. The stories are fascinating. The music is awesome. And we have a world class post-production team assembled. It has every possibility of being a great film. The film is all in Portuguese. We need a number of TRANSLATORS to work on this project as we are currently in the editing process– this

We are in desperate need of TRANSLATORS. PORTUGUESE TRANSLATOR NEEDED! You can contact me at

War ravaged and potentially the richest country in Africa, Angola is the epicenter of the African hardcore music scene. Sonia Ferreira and Wilker Flores live and breath rock and roll. They run and live in the Okutiuka orphanage in Huambo, Angola and have a dream. They are going to mount the first ever national rock concert, bringing together for the first time the best and the brightest in Angolan hardcore death metal, thrash metal and melodic deathcore. The site will be Huambo – the town most devastated during the war. Their shared dream is to pick up the pieces, reverse the ruinations of the past and lay down roots for the future, providing home and family for the burgeoning community rockers, much in the way they have provided refuge and continuity for the orphans of war they live and work with.

In a country where only 20% of the population have access to internet, radio and television they have their work cut out for them. But regardless of the obstacle, the drive is strong enough to overcome almost anything. As Wilker and Sonia explain, for them Rock is about "poetry, love and joy. It innovates and opens minds. It speaks about the fallacies of war and opposes cruelty, it pulls things out of our souls that we never knew were there. Rock is a form of expression that enables us to remove all the debris and our suffering from all the years of war. We are at the beginning of a great story. 10, 20 years from now people are going to tell this story. They'll look at us and and say, 'hey, you're one of the people who inspired rock, who inspired all of us here now, who love rock and play rock.'" So they set out on their quest to mobilize the loudest most powerful bands they can find to jointly and joyously scream into the night.

You can contact me at

These are beautiful: Check out some of the stills @

Richard Burst-Lazarus

Call for Entries / Upcoming Deadline Aug. 17: Paley Center for Media $5,000 Documentary Pitch Workshop

The Paley Center for Media in Manhattan is now accepting entries for its 12th annual documentary pitch workshop for emerging directors with work-in-progress films. The regular entry deadline is Wednesday, August 17.

This is a competition for a $5,000 finishing grant for a relatively new documentary directors (two or less projects) with a project they've started but haven't finished. This year's sponsor is The Documentary Channel.

To apply, you'll need to submit ten minutes of selects from your project. PCM chooses five finals to pitch their projects in Manhattan in late October in front of an audience and a panel of judges, who choose the winner of the grant.

Regular deadline is August 17, with entry fees going up for subsequent deadlines.

Nancy Crowley


The Nature Conservancy is looking for an individual or firm to create a series of branded video documentaries that showcase some of our most important conservation work in California.

If you think you might be interested in this project, please take a look at the attached RFP.

Here is the summary:

The Nature Conservancy seeks to hire an individual or firm to create a series of five to six branded documentaries about the California program’s key conservation priorities. The purpose of the films is to inspire major financial investment by current and prospective donors, including large and sophisticated foundations. Each film should tell a story about that individual priority. We expect each film to be approximately three minutes in length, feature video of beautiful natural areas and include interviews with key stakeholders.

All proposal responses must be received electronically by September 9, 2011, 5 p.m. Pacific to: Nancy Crowley at ncrowley(at)tnc(dot)org. Additional materials can be mailed to Nancy Crowley, The Nature Conservancy, 201 Mission Street, 4th Floor, San Francisco, CA 94105.

Doug Block

Nancy, I added the (at) and (dot) to your email address. The Public Classifieds are open to search engines so we don't recommend anyone put their @ and .

Jill Morley

Looking for a DP with a camera (preferably EX3) in Denver, Colorado for a half day shoot for a low budget doc. Please email me, jill(at)jillmorley(dot)com (Thanks for the reminder, Doug!)

Lynn Cassaniti

Production Board or Production Strip Board

15" 4-panel Film Production Board, black leather exterior

Open measures: 16 ½”H x 41 1/2"W x 1 ¼” D
Closed measures: 16 ½” H x 10 ¼”W x 1 ¼” D

This 4-panel strip board is designed for a commercial shoot. The panels have a shallow pocket along the top and bottom to hold the Cast Header and Colored Strips.

A traditional film production board or production strip board is a cardboard chart holding color-coded strips of paper, each containing information about a scene in the script. The strips, called production strips, can then be rearranged and laid out sequentially to represent the scene order that the Assistant Director (AD) will schedule the film. The sequential order of the production board will be in perfect sync with the shooting.

Strips are available at:

Moving – other things For Sale: Black Metal Shelves, Decorative Arch/Prop, CD/DVD Tower and Desk Racks, Iron, Baskets, Platters, Kitchenware, Pottery, Bamboo End Table and Deco Kitchen Table w/4 Chairs, 1950’s Etched Stemware, Hartman Carry-on Luggage, etc. I have photos if interested.

Cash and carry. Call 917-847-8491.

Catherine Stratton

Hi There,
Not sure this is the best place to post, but I recently began making short profiles of creative people and organizations. Not sure if it's become a viable niche market yet, but it's something I'm good at and want to make more. I have embedded my latest video on the humor artist, Rick Parker called 'Finding Humor in Art.' To get an idea of the type of work he does, he recently finished the satiric comic, 'Harry Potty.'

I've pasted the url below.

Any ideas, tips or other chit-chat will be much appreciated.


Catherine Stratton

Looks like I screwed up in the last post. Let my Vimeo Plus account expire. Anyway, below is the YouTube link to my video.


Catherine Stratton

Okay, I know this is probably getting annoying – but, if any of you know of someone who would like to have a profile made of them, love to know . . . ;-))

Yixi Villar

Looking of an EXPERIENCED DOCUMENTARY FILM DP in the New York Area!! Experience on a Panasonic HVX and 16mm film camera would be ideal!

We are a quarter of the way through shooting a doc "Life In The Balance" which lifts the veil on a testing procedure that helps tailor cancer treatment to the individual. This is single handedly changing the way cancer is treated in America. We are gearing up to pitch to networks and are presently re-cutting the trailer as well as putting together a 20min sample of film. This is our first documentary so we are looking for someone who is experienced ideally someone who has been recognized for their work. Please email resumes along with reels to the email below. If you want further details or have any questions please feel free to contact us.
Yixi Villar at:

Check out our funding trailer:

Yixi Villar


We are looking for a graphic designer to help us simplify some of the heady subjects in our documentary "Life In The Balance", which highlights a testing procedure that tailors cancer medication to the individual, taking the guess work out of treatment. We will need you to start ASAP as we are in the process of re-cutting our trailer and will also need your expertise in shaping 20 min sample we are cutting of the film. We would like to get the trailer finished within a month and the sample within 2 months, as we will be pitching to networks.
Salary: is negotiable, we are willing meet industry standard rates.

Sample films whose graphics we like:
- Inside Job
- Freakanomics
-Expelled: No Intelligence Allowed

Please send reel and resume to:
Yixi Villar

Doug Block

In reply to Catherine Stratton's post on Fri 19 Aug 2011 :

Nicely done, Catherine, but not sure whether you're looking to get hired to do more of your short pieces or looking for subjects to build up your collection of them (for possible distribution?). Can you tell us more about what your plans are?

Catherine Stratton

Thank you Doug. I'm glad you liked it. To answer your questions, both really. I hadn't thought about creating a compilation piece but it definitely is food for thought. Also, I want to mention that I'm not just interested in creating films for artists but also any person who creates something unique and valuable in some way – chef, teacher, gardener, founder of an organization that helps others or a cause or creative endeavor, artisans, a filmmaker that creates a unique approach to filmmaking (like you???) – I have also made short videos nonprofits/NGOs and looking for more opportunities to do that too.

Currently I'm planning to make a few short films – one about someone who continues to do hand engraving, while machines are taking over and another about a man who builds clocks.

Below I have posted another video I made for the World Wide Orphans Foundation that I shot in Haiti. The founder is Jane Aronson who's been getting a lot of press coverage lately. It's only about 5 minutes. I'd love it if you can take a look at it.

One last thing that I know you can help with since you are the webmaster extroardinaire for the D-Word. How do I customize my settings so I receive an email when somebody responds to my posts. I have it set up so I'm emailed the post after mine but these are not always responses but posts that are on different topics.

Thanks again – cathy

World Wide Orphans: Helping Haiti's Children

Meet the children of Haiti. Experience their beauty and resilience while the founder of Worldwide Orphans Foundation travels to orphanages with WWO board members following last year's devastating earthquake.

Diane Hendrix

YoungWorldInventors- tweet: Watch #global #innovators at #work!

Wednesday 6 am EDT is the deadline for our Kickstarter campaign [ and we are short ~$1600 in pledges, lest we lose them all. See update #8 for a nice link to Next Billion post. Funding is for transcripts, editing and music, by the first viral video band in Kenya. In fact, the first $1000 donor can meet the talented Just a Band – comics, photos, videos, music and teaching computer literacy to teenagers in Kibera, Africa's largest slum – at their video installation in NYC in late August, their first USA trip.

One YWI KS backer says:
"I have no connection to this project, other than I think it is very cool and the goals are near to my heart. I pledged $125, did a favor for someone and they pledged $100; posted it on Facebook and said this is what I wanted for my birthday and people pledged various amounts. My birthday wish was to be a funding "angel" and I hope you'll join me....every little bit not charged if goal not reached."

Review rewards at –and welcome to our community! Kickstarter is the new networking tool!

Qs to: Diane Hendrix at twitter: @ynginventors
blog: PLS LIKE us

Jennilyn Merten

Working on a feature documentary premiering at TIFF in 3 weeks! We need a 3-5 second piece of stock footage ASAP.

3-5 seconds
HD or 35mm (Most of the film was shot on HD DVCPro 23.98 960x720)
High Production Value
Daytime, medium sunlight (it is London...)
Driving shot FROM inside of a car of an ICONIC London area/street. (Need to ID our subject is in London)
*A wide beauty shot of the city might work as well or in addition to the driving shot.
We need it immediately.
*Would love to get footage in return for a film credit, but can negotiate a purchase price.

You can respond directly to:



Richard Burst-Lazarus

Call for entries, Paley Center Pitch Workshop. Deadline Aug. 31

The Paley Center for Media in Manhattan is now accepting entries for its 12th annual documentary pitch workshop for emerging directors with work-in-progress films. The late entry deadline is Wednesday, August 31.

This is a competition for a $5,000 finishing grant for a relatively new documentary directors (two or less projects) with a project they've started but haven't finished. This year's sponsor is The Documentary Channel.

To apply, you'll need to submit ten minutes of selects from your project. PCM chooses five finals to pitch their projects in Manhattan in late October in front of an audience and a panel of judges, who choose the winner of the grant.

Andrea Swift

Looking for documentary/reality TV series teachers for the Fall. You'd be teaching in The Documentary Program of The New York Film Academy, which is different from other college programs in a few crucial way. Most importantly, classes do not have to meet at the same times each week and rarely require an entire semester's commitment.

If you have relevant experience and are interested in teaching, please email me at: ASWIFT [at]NYFA [dot] edu

Andrea Swift
Chair, Documentary Department
New York Film Academy

jessica miller

Audio transcription services – what to offer
When you reckon audio transcription services of any array; audio and video interviews, conference calls, dissertations, business meetings, seminars, focus group meetings, podcasts, insurance claims, depositions or police investigation; should be on top of your contact list.
Years of overall experience, fully qualified and trained team of transcriptionists based in USA, specialized editorial staff to fine tune the output and experts on different subject areas on call as consultants; together they form a formidable team to tackle challenging accents and to filter accurate transcripts out of any audio, even when filled with disturbances or of low quality.
Our transcriptionists are on call 24 x 7 to attend to your requirements:
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2. Seminars or Conferences
3. Sales calls or Focus Group Meetings
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6. Training Sessions
7. Symposiums and Dissertations
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9. Speakers and Authors
All audio supplied will be saved to disc, accurately transcribed and returned to customers precisely within the committed turnaround time, either by disc, by email or through hard copies.
If so desired, verbatim transcripts of important conferences and meetings can be faithfully reproduced under the related tariff provided in our costing ready reckoner.
Prospective authors can also speed up the writing process now, even from paper scribbles, tapes or digitally transferred text files that can be transcribed and returned in a jiffy to let the creative juices flow uninterrupted.
For a free trial, first time customers can upload their sample audio to our server and five minutes of audio will be transcribed without any obligation for quality assessment. Upload your audio here.
All insurance claim processing and police investigation records can be transcribed to customer specifications, in strict confidence. Encrypted transcripts are seen only by a handful of senior staff members and returned by secured email, FTP, US mail or by overnight delivery.

Jeff Johnson


I am in Cairo for another two weeks shooting for my project "Egypt: Profiles of a Modern Revolution." It is only my second project as a documentary filmmaker. The project has been sponsored by a non-profit journalism org out of seattle called the Common Language Project. They have enabled supporters of the project to make a tax-deductible donation through their website. Please, if you have an interest in Cairo, Egypt, The Arab Spring, or the progress of the Arab world in general, please help out in any way you can, whether it be sharing our links with others, or by providing a donation. Also, you can follow the progress of the production at my blog. Good luck to all indy filmmakers out there and thanks for any support!

Project page link:
Blog link:


Felix Endara

DocuClub in September!

Our July DocuClub will take place on Tuesday, September 20, 7 p.m., at DCTV, located at 87 Lafayette (at Walker).

This month, we will screen a rough cut of ZIPPER by Amy Nicholson. On a small rented lot in Coney Island, Eddie Miranda proudly operates a 38-year old contraption called the Zipper. When the property is sold, Eddie becomes the victim of a power struggle between an opportunistic developer and the City of New York over the future of the famous amusement park. A story about politics, greed, land use and public policy, ZIPPER chronicles a critical period in Coney Island’s history and examines the impact of economic development on an American icon.

Director/Producer Amy Nicholson's first non-fiction film, BEAUTY SCHOOL, a wry portrait of the New York School of dog grooming, premiered at Hot Docs in 2002 and aired on PBS and the Documentary Channel. Her following documentary, MUSKRAT LOVELY, premiered at the Hamptons International Film Festival and went on to screen at Silverdocs, the Florida Film Festival, and Brooklyn International, among others. It was also broadcast nationally on the 2007 season of Independent Lens. She has also directed several commercial projects and consults as an advertising creative director. ZIPPER is her third film.

Co-Editor Jonah Moran has edited the award-wining Sundance Channel series ICONOCLASTS with director Joe Berlinger, and the ambitious Discovery Channel series SAN QUENTIN FILM SCHOOL, with Bruce Synofsky. Co-Editor John Young is commercial editor at Homestead Editorial. A graduate of Tisch School of the Arts, he has cut 30-second spots for major multinational advertising clients like MTV, ESPN, Chevrolet, L’Oreal, Reese’s and Verizon Wireless (“Can you hear me now?”). His most recent work includes campaigns for Dell, the NHL, Project (RED) and Nationwide Insurance. John’s feature film credits include the Parker Cross comedy Fortunes, and the documentary feature MUSKRAT LOVELY.

Assistant Producer Katy Jacobs graduated from New York University’s Maurice Kanbar Institute of Film and Television in 2009. In addition to her duties with ZIPPER , she is an Associate Producer to Academy Award-nominated filmmaker Alice Elliott, director of TTHE COLLECTOR OF BEDFORD STREET. Jacobs has assisted with programming and operations for several film festivals including Brooklyn International, Rural Route Film Festival and DOC NYC. She also serves as the Director of Educational Distribution at VSM Productions and is a member of the New York Film & Video Council.

Our moderator will be Fernanda Rossi. Internationally-renowned speaker and story consultant Fernanda Rossi doctored over 300 films, including Academy Award nominees® THE GARDEN, by Scott Hamilton Kennedy, and RECYCLED LIFE by Leslie Iwerks. She has also consulted on hundreds of trailers, many of which received funding from ITVS, NYSCA and NFB. She is the author of "Trailer Mechanics: A Guide to Making your Documentary Fundraising Demo." For more info on Rossi, please go to:

If you’re planning to attend, please RSVP to docuclub(at)

Admission at DCTV is free for current DocuClub members and $6 for non-members.
Tickets will be sold at the door, cash only.
Doors open at 6:30 p.m. No admittance after 7:15 p.m.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

Follow us on Twitter!
Stay abreast of DocuClub’s latest:

John Henion

Looking for an outgoing production assistant for a one day gig this thursday night in Houston. Please email me offline if interested:

Elizabeth Westrate

Seeking a skilled Mongolian to English translator, preferably in New York City, to translated raw interview footage. Any leads appreciated: beth(at)fivespotfilms(dot)com. Thanks!

Erica Ginsberg

Docs In Progress Screening This Wednesday Night, September 14 (DC area)

This work-in-progress screening provides an opportunity for local and visiting documentary filmmakers to screen their unfinished films to an audience and get valuable feedback. After screening each film, facilitators from Docs In Progress moderate a feedback session with the audience. This honest and constructive feedback is aimed at helping the filmmakers get to the next stage of completing and distributing the film.


LIFE AS A COLLAGE (22 minute rough cut)
by Sitar Arts Center Students
Tim Gabel’s classes in Landscape Painting and Collage brought generations of families together through art at Washington DC’s Sitar Arts Center. As Gabel faces liver cancer, a group of students participating in a Meridian Hill Pictures video production class document the life and legacy of a beloved artist and teacher.

OUT FOR GOOD (19 minute rough cut)
by Nico Columbant
Eddie Ellis spent 15 years in prison, most of them in supermax. Now a “homecomer” returning to Washington DC, Ellis is trying to do the best he can to help himself, former prisoners and current prisoners, as well as society in general avoid the prison curse.

Suggested Donation: $10. At the door. Cash only. No advance tickets or RSVP required.

This program is organized by Docs In Progress, a non-profit documentary film organization. Special thanks to the Writer's Center for sponsoring the venue for this program. This program is also made possible through support from the Arts & Humanities Council of Montgomery County, the Maryland Humanities Council, and the Maryland State Arts Council.

More info: