Public Classifieds and Announcements

Public Classifieds

  • Public

Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!

Please include a LOCATION. Spam will be deleted.

As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)

Mikal Jakubal

Looking to buy one or two batteries for the Panasonic HVX 200, either old style or new style w/adaptor. I need them by Thursday (8/9) morning in L.A. or Wednesday morning in the Bay Area.
mjakubal at gmail daht com.

Leonard Fenton


Hi! I would like to make a short documentary of about 15 minutes in length about a very unusual house in Los Angeles. We are thinking along the lines of the old A&E series "America's Castles."

The challenges are that we need it done quickly and the budget is limited.

Are you interested in making this film, or do you know someone in L.A. who might be? Please let me know.



bottlerockfence at g mail dot com

Garret Savage

Announcing the Open Call for the 2013 Karen Schmeer Film Editing Fellowship

Annual Fellowship Provides Extensive Opportunities for Emerging Documentary Film Editors;
Open Call for Submissions Begins AUGUST 1, 2012
Received by deadline is SEPTEMBER 28, 2012

LOS ANGELES / NEW YORK – The Karen Schmeer Film Editing Fellowship assists emerging documentary editors by supporting and developing their talent, expanding their creative community, and furthering their career aspirations. In conjunction with American Cinema Editors (ACE) and other partners, the Fellowship, in its third year, offers a wide array of opportunities. The Fellowship is targeted at documentary editors; fiction experience is welcome, though not required.

Past recipients were Erin Casper (“Our School”) and Lindsay Utz (“Bully”).

Awarded once a year, the Fellowship honors the memory of gifted editor Karen Schmeer (“Fog of War”; “Fast, Cheap & Out of Control”; “Bobby Fischer Against the World”), who was killed in a hit-and-run car accident at age 39, on January 29, 2010.

OPEN CALL FOR SUBMISSIONS – the Fellowship will accept applications now through September 28, 2012. The Fellow will be notified in January 2013. More details about the Fellowship and application requirements/forms can be found online: <>

The 2013 Fellowship benefits include:

• ACE EDITOR MENTORSHIP – with guidance from American Cinema Editors, the Fellow will be given a mentorship with an established ACE editor who fits the Fellow’s particular interests.

• ACE EDITFEST IN NEW YORK & LOS ANGELES FULL PASSES – the Fellow will be provided with full passes to both EditFest NY (June) and EditFest LA (August); weekend seminars with working experts in the field of editing. <>

• MANHATTAN EDIT WORKSHOP CLASS – free class at New York City’s Manhattan Edit Workshop; an Apple, Adobe & Avid Authorized editing and training facility. <>

• SXSW FESTIVAL FILM BADGE – full access to films, panels, mentor sessions and more at the South By Southwest (SXSW) Film Festival in Austin, Texas. <>

• IFFBOSTON FESTIVAL CHROME PASS – full access to films, panels and more at the Independent Film Festival Boston. <>

• TRAVEL EXPENSES / ACCOMMODATIONS– the fellow will be provided with travel and accommodations to two of the events/classes above, based on the fellow’s preference (3 nights hotel, airfare, per diem).

• ROOFTOP FILMS SUMMER SERIES TRIPLE MEMBERSHIP & $1000 EQUIPMENT RENTAL– free entry for the fellow and two guests to all regularly priced Summer Series shows at New York’s long-running outdoor film festival, plus an equipment rental credit for up to $1000 for projector, sound system, screen, etc.

• STRANGER THAN FICTION PASS – a season pass to the Stranger Than Fiction documentary film series at New York City’s IFC Center.

• DOCUCLUB YEAR-LONG MEMBERSHIP– a year-long membership to New York City’s DocuClub; a film screening series of works-in-progress documentaries.

• $1000 CASH AWARD

• $250 POWELL’S BOOKS ONLINE GIFT CERTIFICATE – an online gift certificate to Powell’s Books (Karen’s favorite), based in Portland, Oregon.­­­

KAREN SCHMEER, A.C.E., was an award-winning film editor whose work included Errol Morris’ “The Fog of War” (Academy Award Winner for Best Documentary), “Mr. Death,” and “Fast, Cheap and Out of Control.” She edited “Sketches of Frank Gehry,” directed by Sydney Pollack, “The Same River Twice,” “My Father the Genius,” and “American Experience: A Brilliant Madness.” Her fiction film “American Son” premiered at the 2008 Sundance Film Festival. For the HBO film “Sergio,” Karen won the Best Editing Award at Sundance in 2009. Karen was born and raised in Portland, Oregon, and attended Boston University. On her way home from editing Liz Garbus’ “Bobby Fischer Against the World,” Karen was struck and killed by a car fleeing a robbery in New York City on January 29, 2010.

AMERICAN CINEMA EDITORS (ACE) is an honorary association of professional film editors that celebrates & promotes the art of editing. Editors are included on the basis of professional achievement, dedication to educating others, and commitment to the craft of editing. <>

Contact information:
Garret Savage
Board President, KSFEF

Find the Fellowship on Facebook and Twitter @KarenSchmeerFEF


Gabriel Sedgwick

I'm looking for a room/space/suite in NYC (downtown Manhattan or Brooklyn) that could be turned into a good editing suite. No existing editing equipment necessary, just the space itself. Needs to have room for two people plus desks; quiet, safe, and accessible by subway.

This would be from September 1st, and lasting for 10-12 months. Any ideas? Sitting on any cool spaces? Email me at gabriel (at) Thanks!

Laura Hoover

Hi D-worders> I'm new here..and very excited to tell you about a new doc I am producing, called The Strength of Strings: Appalachian Music at Rocky Branch. It takes place in TN, and we have a trailer and a Kickstarter video about to launch! Is anyone interested in this project? Especially if you are a grantwriter..or know someone who is..please contact me ( laura) at watchyerlanguage (at) Yahoo <dot> com Thanks ever so!~ L.

Ben Crosbie

Selling a Sigma DC 18-50mm f2.8 EX D lens for Sony Alpha/Minolta mount. I purchased it new about 5-6 years ago, and it is still in good condition. Asking $300. Also selling a Minolta Maxxum 5D digital SLR if anyone is interested.

Email ben[dot]crosbie[at]eidolonfilms[dot]com if you want more details or pictures of any part of the lens.

Claire Ratinon

Documentary production company is looking for an experienced Production Co-ordinator who can speak fluent Spanish for one week's work.

Please send a cover letter and resume to claire (at) flickerflacker (dot) com


Theodore James

I'm looking for a grant writer to work with us on submitting to a few grants. We've had films play at Tribeca, Sundance, Slamdance, HotDocs and many other high profile festivals. Also had previous films air on HBO, PBS, Nickelodeon, CNN and other networks. Please email me at

This would be a paid gig.

kevin sarnoff


We are looking for an editor to begin cutting a documentary about the rise of A&M records. Production in full swing. Interviews to date:
Herb Alpert, Lou Adler, Lani Hall, Sergio Mendes, Burt Bacharach, Dave Alpert.

Please email Kevin at


Guy Mossman

We are subletting a room in our Downtown Los Angeles office. We're located in the heart of LA's historic district in a building full of filmmakers, sound-mixers, artists, and other creative professionals.

The room is on the 10th floor and is a perfect place for a small production office or editing suite. Rent includes access to wired & wireless internet, phone, printer, in addition to our common area / conference room.

If interested, please send an email to

Mattie Akers

Hello everyone,

I'm looking for a PA for a doc shoot during the DNC next week in Charlotte, NC. PA would need to have their own car and be able to drive crew for short distances around the DNC. There is pay.

If you have any recommendations, please send them my way!

Mattie Akers
Cabin Creek Films

Doug Block

Mattie, I highly recommend you contact D-Worder Cynthia Hill, a North Carolina filmmaker who co-founded the Southern Documentary Fund. She could probably give you some leads.

Darren Coyle

"The Real Stuff" is a series of interviews with the makers of unscripted tv and film.

My guest this episode is Angie Brown.

Angie is the head of casting and development for a production company in Washington, D.C.

You know those people who corner you at a party and tell you they’ve got a great idea for a reality show? And then they tell you and it’s a terrible idea. All of those people need to sit down with Angie and get a little schooling as to what makes for a good television show idea.

Listen on my site streaming or subscribe to it on iTunes.


Garret Savage

Attn: Doc Editors

The deadline for the 2013 Karen Schmeer Film Editing Fellowship award is just three weeks away. The ‘received by’ deadline is Friday September 28.

We’re looking for editors who have cut at least one documentary but not more than three. (Our focus on doc editors is new this year.) It’s important that their career focus is editing and not editing-directing or another hyphenate. And they’ll need to be based in the US for 2013. The Fellowship is open to men and women.

Are you an emerging editor? Do you know any emerging editors who might be good candidates? If so, please take a look at our website or encourage others to do the same.

Our website, with the application and FAQ is here:

Also: The FEF hosts occasional get-togethers for experienced and emerging editors and filmmakers. If you’d like to join our mailing list to hear about our events, you can do so here:


Jeremy Pevar

Canon C300 Camera Package Available For Rent

-Competitive Rates
-A comprehensive array of support gear and lenses
-Located in Philadelphia, but able to ship anywhere in the US
-Full selection of grip and electric gear also available

For details contact Expressway Grip & Electric:

James Sheridan

Hello all!

Tomorrow, September 12th is the final day for submissions for the Paley Center Documentary Pitch Workshop! The winner will receive $5,000 for their work-in-progress documentary!

The Paley Center for Media Announces Call for Entries for

PALEYDOCFEST2012 Documentary Pitch Workshop

The PALEYDOCFEST2012 Pitch Workshop – deadline for entries September 12th

New York, NY—The Paley Center for Media has announced a call for entries for its celebrated Art of the Documentary Pitch Workshop at PALEYDOCFEST2012, which will be held at the Paley Center in New York on Saturday, October 20, 2012. In this workshop/competition—now in its ninth year—a panel of documentary executives and producers discuss the process of developing a documentary and will hear and evaluate pitches from five preselected up-and-coming filmmakers who are hoping to sell either a nonfiction concept or a documentary work-in-progress. The winner of the pitch competition in October will receive a $5,000 grant to be used towards the completion of their project.

This call for entries is to be selected as one of the five filmmakers who will participate in the workshop in October.

Complete submission guidelines and entry forms can be found at or filmmakers can submit electronically through Withoutabox, a free online resource that helps filmmakers connect with film festivals, at .

The deadline for entries:

Withoutabox Extended Deadline: September 12, 2012 ($55 / $40 for Withoutabox members)

Past winners include: The View from Bellas Luces directed by Christa Boarini; Charge by Mike Plunkett; From Texas to Tehran by Till Schauder; Circo by Aaron Schock; The House that Herman Built by Angad Bhalla; Whatever it Takes by Christopher Wong; and Asparagus! (A Stalk-umentary) by Anne de Mare and Kirsten Kelly

The Art of the Documentary Pitch Workshop is part of PALEYDOCFEST, the Paley Center's annual Festival celebrating the documentary—featuring premieres, works-in-progress, classic documentaries, the pitch workshop and special events—which will take place this October. Further details, including a complete line-up of the Festival, will be announced at a later date. Visit for updates.


The Paley Center for Media, with locations in New York and Los Angeles, leads the discussion about the cultural, creative, and social significance of television, radio, and emerging platforms for the professional community and media-interested public. Drawing upon its curatorial expertise, an international collection, and close relationships with the leaders of the media community, the Paley Center examines the intersections between media and society. The general public can access the collection and participate in programs that explore and celebrate the creativity, the innovations, the personalities, and the leaders who are shaping media. Through the global programs of its Media Council and International Council, the Paley Center also serves as a neutral setting where media professionals can engage in discussion and debate about the evolving media landscape. Previously known as The Museum of Television & Radio, the Paley Center was founded in 1975 by William S. Paley, a pioneering innovator in the industry. For more information, please visit

Mai Iskander

I am currently seeking an outreach coordinator to assist with outreach for our documentary film, WORDS OF WITNESS.

WORDS OF WITNESS follows a young female journalist navigating historical times in Egypt. It premiered at the Berlin Film Festival and the Los Angeles Film Festival in 2012.

A minimum commitment of 6 months is required. Candidate should have his/her own laptop. Pay is $15/hr. Candidates must be able to commit to 5-20 hours a week. Candidates must have a flexible schedule and are able to work remotely. Previous experience in outreach not necessary. Training is provided, but training period is unpaid. Job opening opens in late 2012- January.

This is a perfect position for someone that is interested in learning more about distribution.

To apply, please email a cover letter and resume to


Depending on your interest, responsibilities may include:
+ Work directly with the Director and distributors
+Assist with administrative tasks around screenings
+ Extensive knowledge of Twitter, Facebook, and other Social Media
+ Coordinate events and screenings
+ Responsible film festivals submission and distribution

+ Candidate should have good oral and written communication skills
+ Comfortable working on Mac environments and with applications like Word, Excel, internet, Mail, etc.
+ Ability to think outside of the box and multi task while paying close attention to detail
+ The ideal candidates will be highly motivated self-starters, able to work independently and collaboratively

Kelly Brennan

Documentary Film Internship Available

Cabin Creek Films, Barbara Kopple's Academy Award winning documentary production company is seeking fall interns to assist us on several feature length independent documentary films.

Duties will include research, logging footage, transcribing interviews, field production assistance on shoots (only if the opportunity arises), running errands, and general admin duties. Having a laptop is helpful, but certainly not required.

We require that interns work a minimum of 2 days/week. Our hours are 11 AM – 7 PM. The internship is unpaid, but we offer a $20/day stipend to cover meals and travel. We are located in Soho in Manhattan.

Cabin Creek Films has produced many award winning nonfiction films including Harlan County USA, American Dream, Wild Man Blues, My Generation, A Conversation with Gregory Peck and Shut Up and Sing. Our nonfiction productions for television include House of Steinbrenner, Woodstock: Now and Then, Fallen Champ: The Untold Story of Mike Tyson, Disney’s Friends for Life: Living with AIDS, ABC’s The Hamptons, A&E’s Bearing Witness, and most recently HBO's Gun Fight.

Please send resumes and cover letters to No phone calls please.

Ruth Somalo

Can anyone recommend a "friendly rates" After Effects editor?

I am premiering a short film at the Architecture and Design Film Festival in NY next month. The film is 5 minutes and completely edited but I need to add a few effects in 3 scenes. I would prefer someone in NYC but this could also be done remotely.

Would love to establish a good connection with such person for future projects too.

Please write to
Much appreciated,

Nancy Fishman

I am releasing David Fisher's excellent documentary, SIX MILLION AND ONE, at Lincoln Plaza Cinema in NY on September 28-October 4 and Laemmle's Town Center in LA on October 19-25. It won Best Documentary at Dokfest Munich. Synopsis: Four siblings in search of history set out on a remarkable journey in this eloquent and surprisingly humorous documentary about retracing their father’s steps during the Holocaust. for info and trailer.

Rob Hatch-Miller

A friend of mine is looking for a doc shooter for his wedding in DC on Saturday, October 13th. The rate is $2000 and best of all NO EDITING is required. You'd just have to hand over the footage to me, I'll cut it for him as a wedding gift. Email me if you're interested or have someone to recommend, my address is in the hidden section.

Ruth Somalo

Looking for a producer in London to help me deal with West End Union licenses (BECTU/EQUITY) for a low budget documentary.

I am in the final stages of a feature doc about an original rock musical that started as a youth workshop in 2008 and has made it all the way to the West End in London.

All London Theatres are unionised and as such we cannot film without prior negotiation and, subsequently, until agreements are in place with the unions and the theatre
I need to start shooting in october but I need to have the agreements in place or at least in process before I fly to London.

Any idea who could help with this? Thanks a million.

Please write to

Erica Ginsberg

Docs In Progress will be taking our popular Work-in-Progress Screening program on the Springdale, Utah which is not only known as the gateway to Zion National Park, but is also home to the Red Rock Film Festival (and D-Word's own Matt Marxteyn).

This is the first time that Docs In Progress is bringing its signature work-in-progress screening program outside of the Mid-Atlantic, giving more filmmakers the opportunity to get this beneficial feedback.

Deadline to Submit is October 15 and there is no fee to submit. Please click here for guidelines and a link to the online submission page.

Are you too close to your documentary? Do you have a rough cut, but need a reality check from someone beyond your circle before you lock picture? Or are you already submitting your film to festivals and wondering why it isn't being accepted? Docs In Progress screenings can give you that reality check with a screening and facilitated feedback session from real audiences.


Deadline to Submit is October 15. There is no fee to submit.

Submissions must be rough cuts. No completed works or trailers.

Submissions must be documentaries. Both short and feature-length are accepted (maximum length for a feature is 90 minutes).

Filmmaker must be open to feedback on the work-in-progress with the aim of drawing from that feedback to make changes to the final edit of the film.

If selected, the filmmaker must be able to attend in person the screening on Saturday, November 17 between 2:00-6:00 pm. The screenings are scheduled to take place on Saturday, November 17 in Springdale, Utah (just outside of Zion National Park, about 45 minutes from St. George, UT or 2 1/2 hours from Las Vegas, NV).

If selected, travel to the festival would be at the filmmaker's own expense although the festival may have some discount arrangements with local hotels and will provide filmmakers a festival pass and access to the Closing Party.Filmmakers will be notifed of acceptance by October 26 to allow adequate time to make travel arrangements.

More info:

Greg Vander Veer

Hi , I am posting this for my friend. By modest pay, I know they are going to pay as fairly as they can within their tight budget.

Seeking Editor for documentary feature on Austin Pendleton. Beginning late October early November.

Story about a 72 year old stuttering actor who never quite made it to the top yet is considered one of the most gifted actor/director/teachers by hundreds of thousands of students and many of the giants of Hollywood.

The film is an examination, among other things, of how you define success.

Modest pay. 4 months work. Please contact

Gabrielle Weiss

I will filming in the Yuma, AZ area on October 15-17th and am looking for a PA to help with setting up gear, doing boom, general help with the shoot. We are filming in some schools in and around Yuma, AZ as well as out in the field. And...This is a paid gig.
Please contact

Thanks very much!

Jason Hutt

Wonderful office is available for share. The office is clean and large with wood floors, high ceilings, great natural light and central air conditioning/heat. The building is safe and quiet with lots of friendly, creative neighbors on the floor: doc filmmakers, photographers, etc. Great location, a few blocks from either the 7th Avenue or 15th Street/Prospect Park F stops and lots of great bodegas, cafes, Prospect Park, Celebrate Brooklyn, etc.

Space is available November 1 for short or long term rental. The ideal candidate is someone who works independently or creatively and is not on the phone all day. You'd get a large work space that includes wireless internet, refrigerator and espresso/coffee machine. There is currently an oversized desk, chair and shelves for your use or you can bring your own.

Rent is $300, and somewhat negotiable depending on your work schedule (nights, weekends, days, etc) so please let me know what kind of work you do and your typical work week--if you have one.

Photos can be seen here:

Theresa Loong

I attended "Escape Fire" at the Paley DocFest last night. Thought-provoking and the Q&A was interesting, also. Here's the discount code (was told I could share it :)):
Use PaleyDOCS as code for discounted $10 tickets

Roselly Torres

Third World Newsreel and NewFilmmakers Present Closer to the Dream
(New York, NY)— Third World Newsreel (TWN) and New Filmmakers are proud to present Closer to the Dream. An electoral road move about Barack Obama and the movement that united Americans across party, racial and ethnic lines. In 2008 Haitian-American filmmaker Guetty Felin, her husband, French filmmaker Hervé Cohen and their two biracial sons embark on a journey to witness the historical grassroots movement that elected the first US Black president. Shot in verité style, the film introduces us to the new face of America, ready to mark a new chapter in the nation's history.

October 11, 2012 at 6:00 PM
Anthology Film Archives
32 Second Avenue at 2nd Street
F train to 2nd Ave, R train to 8th Street
Admission: $6

Jennifer Howd

Are you witnessing EXTREME WEATHER and CLIMATE CHANGE first hand?…

BE A PART OF THE GLOBAL MOVEMENT taking a stand with former U.S. Vice President Al Gore and The Climate Reality Project to reveal the complete truth about the climate crisis.

SUBMIT YOUR VIDEO about how extreme weather and climate change is affecting you.

WATCH LIVE as we share our favorites as part of a global live broadcast "24 HOURS OF REALITY" event on November 14-15, 2012.

Potential stories could include:
• A home owner whose property has been damaged by extreme weather …
• Hunters or anglers affected by shrinking rivers …
• Farmers encountering drought and smaller crops …
• Business owners affected by reduced tourism …

Everything from home videos shot on handheld cell phones or webcams, to fully produced, professionally crafted shorts are welcome and encouraged. We’re looking for anything from heartbreaking to funny — and everything in between.

Tell us your story in under 5 minutes, and your video could be chosen to be included in the upcoming 24 Hours of Reality: The Dirty Weather Report global live broadcast event hosted by The Climate Reality Project.

Last year’s live Ustream broadcast garnered more than 8 MILLION VIEWS, and we want to share YOUR story with an even BIGGER audience this year.


1. UPLOAD YOUR VIDEO to YouTube, Vimeo or other video hosting site.
2. EMAIL A LINK to your video’s URL to: videos "at" climatereality "dot" com*

To be eligible for inclusion in 24 Hours of Reality: The Dirty Weather Report, all submitted videos must be received by MIDNIGHT (PST) OCTOBER 26, 2012.

  • Any person appearing in your video needs to sign an appearance release form. Please download, sign and email this release to us, along with your video’s URL.


Content creators whose work is chosen to be included in the webcast will receive credit in the webcast credits and/or on the dedicated webpage. Limited-edition 24 Hours of Reality gifts will also be given as tokens of appreciation.

The 24-hour, global event will begin November 14th and carry through each time zone around the world to conclude on November 15th and can be viewed at

SUBMIT YOUR STORY TODAY. With your support, we can create a global conversation about the climate crisis – and help ignite people around the world to take action to solve it.

For more info about the climate reality project, visit:

Thank you!

Jordan Melamed

Hi –

I"m writing with a last minute invite to a screening in New York of my doc "In the Shadow." We just found our we're premiering in competition at IDFA this November and this is our last chance to get feedback. The film is a first person account of my return to document the death of the world built by my father, the Chicago trading pits. For those of you with social calenders as empty as my own, I'd really appreciate if you'd attend. Please email if you're interested and I'll send you the details. jordan (dot) melamed (at) Thanks!

Niki Bhattacharya

For anyone who has considered an MFA in Documentary Filmmaking we are hosting an Information Session on November 3rd from 2pm-4pm and December 3rd from 6pm-8pm in the MFA Social Documentary Filmmaking department at the School of Visual Arts in NYC (136 W 21st street, ground floor). These events will provide a clear sense of what the SocDoc program is all about and will feature faculty, staff, current student and alumni presentations followed by a Q&A session, department tour and a mixer hour.

More about the program:

To RSVP for a session please visit:

Beth Levison

Hi folks,

It's been about a year since I posted. I've gotten so many terrific leads through D-Word so here I go again.

I'm looking for a talented director/shooter/editor or small doc team in Paris! I'm looking for someone, or some folks who ideally, who have (or have access to) a 5D or an HD video rig to do a short piece for us here at Etsy. We publish a 3-4 minute doc short every other week to the web, and this one would require someone (or some folks) with not only a strong eye, but a sense of humor, to boot. This would be a portrait of a maker ... of an unusual sort!

An example of our most recent short is here: (directed, shot and edited by LA talent James Mann). If anyone has any recommendations or connections in Paris, please let me know. I would be so appreciative!

Thank you so much!

917.687.5894 m

Doug Block

Beth, I highly recommend you contact Heidi Fleisher who lives in Paris. She's a producer but can probably steer you to the right team.

Gregg Schwenk


The NBFF Early Bird Deadline is approaching! With over 350 films from around the world, the Newport Beach Film Festival offers filmmakers a unique opportunity to be a part of the largest entertainment event in Orange County. Submit your film now for a chance to be a part of the 2013 Newport Beach Film Festival!




*Receive a discount when you submit through Withoutabox!

The Festival will run from April 25th to May 2nd, 2013.

Visit to submit!

Anjali Khurana

Looking for Cinematographers for an Exciting Nationwide Dance Project

National Dance for Obama is a multi-city flash mob happening in 20 major cities across the country at the same time TOMORROW. The flash mob starts at 3 p.m. EST/2 p.m. CST/12 p.m. PST/11 a.m. AKST/9 a.m. HST sharp and lasts less than 3 minutes. Shooting would involve getting some wide shots, closeups and some reaction shots, and possibly talking to some participants. Therefore, the commitment is no longer than about 30 minutes tomorrow (Saturday, 10/13/12). If cinematographers/camera people in any city across the US are interested, please contact me,

It's a total volunteer, grassroots effort, independent of the Obama campaign happening around the country. See the promo put together by our NYC group at their rehearsal last week: and you can check it out on fb too: and

It's going to be amazing and we would love your support. Please spread the word widely.

Thank you,
Anjali Khurana

Like our facebook page (share us too):

Join our facebook event page (invite others):

Visit our Website:

Follow us on Twitter:

Amanda Micheli

Help! I am looking for a sound recordist in Portland or Eugene this Tuesday and am coming up dry. Anyone have a referral?



David Spodak

An update on the doc about Kubrick's Paths of Glory. A moderately successful Kickstarter campaign in the beginning of the year allowed us to finish the film. Now we are raising funds in pursuit of distribution on Indiegogo.
If you or anyone you know may be interested in this project about the craft and art of narrative film-making, please support us in anyway you can.

Rachel Shuman

In reply to Amanda Micheli's post on Sat 13 Oct 2012 :
I am happy to finally have a recommendation to make after receiving so much help from others in this group. For a sound recordist in Portland/Eugene OR you should contact the fantastic Anna Rieke
at: runawaytrains [at] gmail [dot] com or (646) 594-8566. She has done sound on some very top notch documentaries and she is a warm and wonderful person all around. If she can't do it, she'll certainly know someone who can.

David Pultz

Hi, I am looking for work as colorist on independent productions with limited budgets in the New York City area. I have many years of experience in color grading, and now work freelance. I'm willing to work within the independent budget.

Erica Ginsberg

Docs In Progress is pleased to welcome Fernanda Rossi back to Washington DC for a weekend of providing insights into how you can better pitch and package your documentary for fundraising. The earlybird registration deadline is this Friday, October 19.

The “LSD” Fernanda will be discussing stands for Loglines, Synopses, and Demos. How can these three elements (as well as Pitches) make the difference between getting your documentary on screen or not seen? During this full-day workshop at the George Washington University’s Media and Public Affairs Building, you will learn how to best represent your project verbally, in writing, and with audiovisual material to potential funders and distributors. The workshop will cover:

• Key elements of a pitch, proposal and demo
• Opening and closing techniques for pitching, proposals and trailers
• Different lengths of demos and what they are for
• Analysis of before/after cases studies
• View successful synopsis and fundraising samples

There will be a raffle for a gift certificate. Also the latest edition of Fernanda’s book Trailer Mechanics (2nd Edition released March 2012) will be available at a discount with signing after the presentation.

Saturday, November 3, 2012 from 9:30 am – 6:00 pm

The Documentary Center at the George Washington University
Media and Public Affairs Building – Auditorium B-07
805 21st Street, NW
Washington DC 20037

This program is made possible through special support from the Academy of Motion Picture Arts and Sciences and is co-sponsored by The Documentary Center at the George Washington University.

Fernanda will be giving three small group clinics at the Docs In Progress Documentary House in downtown Silver Spring on Sunday afternoon. This is an opportunity to get some individualized attention from Fernanda about your documentary work-in-progress. These small group one hour sessions will have maximum of three participants each.

Sunday, November 4, 2012
Registrants can select one of the following sessions:
3:15-4:15 pm
4:30 pm – 5:30 pm

Docs In Progress
8700 First Avenue
Silver Spring, MD 20910

You can select the “Premium Documentary Doctor Weekend Package” to attend both the Master Class and the Small Group Clinic or you can attend either program a la carte.


Earlybird (registered and paid in full by midnight on October 19)
Saturday Master Class Only – $150
Sunday Small Group Clinic Only – $125
Weekend Package: Master Class + Small Group Clinic – $255

Regular Online (registered and paid in full between October 20 and by 5:00 pm on November 2)
Saturday Master Class Only – $175
Sunday Small Group Clinic Only – $150
Weekend Package: Master Class + Small Group Clinic – $305

*Additional discounts for members of Docs In Progress' Docs Insiders Program

At the Door (Pay onsite by credit card or check on Saturday, November 3)
Saturday Master Class Only – $200 (no Docs Insiders discounts)
No Walk-ins for Small Group Clinics


Internationally renowned speaker and story consultant Fernanda Rossi has doctored more than 300 fiction scripts, fundraising samples and documentaries, including two nominated for the Academy Award® and many that went on to receive funds from ITVS in the U.S. and NFB in Canada. She has given her workshops and lectures in more than 12 countries for more than 40 film organizations and at all major world markets and conferences, including Hot Docs in Canada, Silverdocs in the United States, Sunny Side of the Doc in France and Sheffield Doc/Fest in the UK. In addition, she’s a much sought-after trainer for special programs and grant evaluator for foundations. Her columns and articles have been published in trade publications, such as The Independent in the United States and DOX in Europe. She is the author of the book that, according to industry professionals is the bible on demo production now in its second edition: Trailer Mechanics: How to Make Your Documentary Fundraising Demo.

Kiley Kraskouskas


We are looking for a designer for a map of West Africa for Essakane Film (www.essakanefilm). We need the map designed then animated to show the creation of post colonial nation-states. We are on a short deadline for our SXSW application.
Please email with work samples. I can send the edited scene if you want to see it.

Also, we are looking for a designer for our lower thirds and title so we would love to see work sample or receive recommendations. We are working on a small budget, but we do have some money for this and are very interested in working with something that can really capture the feel of our film into these graphics. We are open to a graphics package for all of these elements.


Michael Collins


I need someone affordable to help get our Quickbooks in order and maintain them for a small production company in NYC. I'm hoping this would only be a couple days per month. If anyone has worked with someone they recommend or has suggestions please let me know. Thank you!

Feel free to contact me directly at

Jill Woodward

For Sale:
Voitlander 17.5mm f0.95 lens with micro four thirds mount
It's a sweet lens that is just amazing in low light, shoots things that should not be possible. Suitable for filming with Panasonic GH2 or similar, or shooting stills.
A 17.5mm in micro four thirds world is the equivalent of a 35mm. $1000.


Olympus Zuiko 9-18 mm f4-5.6 zoom lens with four thirds mount similar to this
Note this is a four thirds mount, not a micro four thirds, but I will include the Panasonic adapter, so the total is $450 for the lens and adapter.

Both lenses used for a single six week project, the Voitlander was brand new in August. Original packaging, ships from NYC.

Eden Seiferheld

CALL FOR ENTRIES – 2013 Art of Brooklyn Film Festival

From Boerum Hill to Bergen Beach, Fort Greene to Flatlands: It's only Brooklyn when you count every neighborhood and every community. The Art of Brooklyn Film Festival is the first to showcase emerging filmmakers who are Brooklyn-born, Brooklyn-based and/or Brooklyn-centric. We are as diverse, vital and international as the borough itself.

Submissions are now open for the 2013 Art of Brooklyn Film Festival!

If you are a filmmaker living and working in Brooklyn, or can demonstrate a meaningful connection to the borough you are welcome to submit. For example: Your film was shot in Brooklyn, your screenwriter or director was born here, your film is influenced by Brooklyn, etc. (In the past, in addition to Brooklyn born/based filmmakers, we have screened a documentary by an Italian filmmaker about a Hassidic Brooklyn rapper, a Turkish film inspired by Brooklyn's diversity, and a claymation short by a young animator who was born and raised in Brooklyn, NSW, Australia.)

For more information please visit our website!aobff/cz4i

Alessandra Bellizia

Seeking interns to work with award winning documentary film director currently producing a documentary on the ongoing conflict and resulting humanitarian crisis in Sudan and South Sudan.

Responsibilities include but are not limited to transcription, errands and basic editing. Position is unpaid. College credit is available. A commitment of two to three days per week is expected.

Director's previous work includes films on the war in Iraq and the oil-conflict in the Niger Delta region of Nigeria made with support from the Sundance Documentary Film Institute and other organizations.

We are a small team doing exciting work and offer opportunities for hands on experience in various aspects of documentary filmmaking.

If interested, please send resume and availability to ali[dot]bellizia[at]gmail[dot]com.

John Burgan

Film fans & music lovers in NYC, check out GYPSY DAVY at DOC NYC

How did a blond Californian with Alabama roots become a Spanish Flamenco guitarist in Andalucian boots? Gypsy Davy tells the story of David Jones, a.k.a. “David Serva”— of Counting Crows “Mr. Jones” fame. We hear from the perspective of five women in his life and his five children—including the director.

Ben Kempas

If you're at DOK Leipzig, try and catch this wonderful film which we're distributing:

Will also be at IDFA in Amsterdam later this month.

Annie Berman

Here we go! Launched a Kickstarter campaign THE FAITHFUL, my film 10+ years in the making.

One filmmaker's meditative journey into the worlds of ELVIS PRESLEY, POPE JOHN PAUL II and PRINCESS DIANA exploring fans, faith & image.

Thanks for taking a look and passing it along to those you think share an interest in the intersection of visual culture, religious expression, commerce, and copyright.

Annie Berman

Gregory Crewdson: Brief Encounters, NYTimes Critic's pick by NYC D-Worder Ben Shapiro,
OPENS TODAY (Sat. Nov 3rd) at 4PM, at Film Forum, now that the electricity has been restored!

Thursday November 8th, Gregory Crewdson in person!

Doug Block

Congrats, Annie (and Ben). Sorry you had to open under trying conditions. It's hard enough to open a doc theatrically. I'll do my best to get to the Film Forum this week. I've been looking forward to your film for a long time.

Kiley Kraskouskas

local freelance social media producers/coordinator to help in ST. LOUIS, TUCSON &
SAN FRANCISCO for their screenings of FAME HIGH to create social media
content before, during and after screenings for our upcoming Kickstarter
campaign and film outreach.

Ideal person is available for full days to take photos, videos, and
conduct post-screening interviews then quickly turn that content
around to our social media manager for "live" updates on Facebook,
twitter, and Kickstarter. Social media producer will also manage collecting e-mail
addresses from audience attendees on an iPad directly following

Tucson: November 10, 11
St. Louis: November, 15 – 17
San Francisco: November 18

This is a great opportunity to work with an award-winning director and
social media marketing team.

please send resumes asap to:

Not a huge budget for this, but paid position.

Gregg Schwenk


The NBFF Thanksgiving Special is almost over! The 2013 Newport Beach Film Festival will spotlight over 350 films from over 40 different countries, including short and feature length narrative, documentary, animated and student films. In addition to film screenings, the Festival hosts premiere galas, an industry seminar series, spotlights, and question and answer sessions with filmmakers.

Submit your film now for the chance to be part of the 2013 Newport Beach Film Festival!



The Festival will run from April 25th to May 2nd, 2013.

*Submit on the web with and receive a discount!

For more information, visit

Laura Heckman

History and the NYTVF awarding development deals for original unscripted, reality and doc TV programming.

Submit your casting tape and series concept for the opportunity to receive funding, win $10k and participate in pilot production with History.

The History Unscripted Development Pipeline
History, home of factual entertainment hits including PAWN STARS and AMERICAN PICKERS, is collaborating with the NYTVF on a new initiative to give independent artists and production companies a chance to develop fresh unscripted programming for cable's number two network.

Unscripted formats of all genres are welcome. Submissions should focus on charismatic male characters living in surprising worlds or with fresh points of view. Male-skewed docusoaps featuring buddies, groups of guys and extended families working together are of interest, as are "Man vs. Nature" themes and game shows.

FREE to submit. Just include:

  • A short treatment (1-2 pages) describing your original unscripted format.
  • A brief video (2-4 minutes) introducing your subject(s).

  • One winner will receive $10,000 and an opportunity to work with History Programming to produce a pilot presentation of their winning submission.
  • Twenty-five semi-finalists will be reviewed by the network with five finalists receiving development funding to produce additional tape.
  • All 25 finalists will receive designation as 2013 NYTVF Official Artists and an exclusive invitation to participate in the 9th annual New York Television Festival, held in NYC in 2013. Details here:

Submission Deadline:
Monday, February 25, 2013 (noon EST)
For more details and to download an Entry Packet visit:

About the NYTVF:
The NYTVF is a pioneer of the independent television movement, connecting its community of over 12,000 independent creative artists with leading networks, studios, agencies, production companies and brands. In 2012 alone, the NYTVF handed out over 25 network and studio development deals to independent artists totaling nearly $500,000 in production and development funding.
Full details on the NYTVF here:<>. See a list of 2012 NYTVF partners here:

Current NYTVF initiatives:
NYTVF is also currently accepting original comedy and unscripted/nonfiction submissions for these initiatives:

Stay in the loop on upcoming NYTVF initiatives:

* Join us on Facebook (
* Follow us on Twitter (@nytvf)

Rachel Shuman

The Karen Schmeer Film Editing Fellowship is hosting an informal get-together of editors and filmmakers this Tuesday night, November 13, during DOC NYC. We've hosted similar meetups at SXSW and IFFBoston, and it’s been a great chance to see old friends, meet some new ones, and celebrate Karen.

Here are the KSFEF get-together details:

Tuesday, Nov. 13, from 9 PM onward
Vol de Nuit Belgian Beer Lounge
148 W. 4th St., near 6th Ave.
Cash Bar

More information about the KSFEF and DOC NYC in the hidden section below.

About the KSFEF: Awarded annually, the Karen Schmeer Film Editing Fellowship was created to honor the memory of gifted editor Karen Schmeer. It is a year-long experience that encourages and champions the talent of an emerging editor. It creates opportunities to help cultivate an editor’s artistry and craft, and expand his or her professional and creative community. One of the key benefits of the Fellowship is a mentorship opportunity with an ACE member. The 2011 Fellow was Erin Casper (“Our School”), the 2012 Fellow is Lindsay Utz (“Bully”) and the 2013 Fellow will be announced in March of next year.

On the same Tuesday at 10:30 AM at IFC Center, KSFEF Board President Garret Savage will moderate a DOC NYC panel called “Finish Your Doc Masterclass: Editing” with editors Sloane Klevin (“Mea Maxima Culpa,” “Taxi to the Dark Side”) and Andy Grieve (“Can’t Stand Losing You,” “Standard Operating Procedure”) They'll be talking about particularly challenging assignments and discussing the process of collaborating with directors and producers.

Details and tickets are here:

We hope you can make it to one or both events!

Ben Kempas

World premiere at IDFA in Feature Length Competition in less than 10 days (green arrow for screening details):

I AM BREATHING, a film by Emma Davie and Morag McKinnon, in the thin space between life and death.

If you care about it, make sure to click that Share button.

Greg Cruse

Hello all documentary film lovers!

I would really love to share with you my documentary Website

It is brand new and any feedback would be massively appreciated. Any suggestions on improvements will be welcomed!!!

Thanks for your time in advance :)

James Longley

Hi Greg – could you please remove my documentary from your website?


You should be aware that the films on your site are protected by copyright laws and that you may be subject to fines or prosecution for violating those laws – just a word to the wise.

I have already made my full Gaza Strip documentary film available for free on my own website for anyone who wants to watch it.

John Burgan

Greg – your application for Full Professional Membership of The D-Word states:

I own a documentary website and have extensive knowledge of the industry. I wish to share knowledge, and experiences, and gain the same in return.

It looks like your strategy is to share filmmakers' work without asking first – your site seems to include many films that are currently being sold commercially on DVD. Have you got prior permission for all these?

Greg Cruse

In reply to James Longley's post on Fri 9 Nov 2012 :

James, I am well aware of copyright law, and I am in full support of it. I have removed the documentary.

I would urge anyone visiting my site to read the Terms of Use and Privacy Policy page, which states our stance on copyright issues.

which states:

" understands the issues surrounding International copyright law and is focused on keeping to that law. respects what copyright law stands for. As all videos are embedded from external and unrelated websites, does not have the power to remove media from the internet, however is always willing to remove said material from and its related websites. does not actively review embedded content, but will remove videos, images and content upon request."

Just to clarify, there is no video material on our server space. No one from DocumentaryON has uploaded material to the internet which breaks copyright law.

All videos on documentaryON are embedded, and can be found on places such as youtube.

I really can understand your frustration, and documentaryOn's purpose is to open peoples eyes to the truths of the world. Not to rip off hard working individuals.

I hope that this clarifies things.

John Burgan

I think this is exactly where the problem is, Greg – filmmakers are not inclined to trust someone whose policy is to share filmmakers' work without asking first – your "terms of use" might sound pseudo-legal but does not absolve you of responsibility.

You might fare better if you consider rewording your policy to something like " actively reviews all links to avoid copyright violations" – in other words a curated site which selects legally cleared content.

Also, your website has no "real world" contact details, just a web form – why is this if you are a legitimate outfit?

A good model that you might be interested in is the Distrify platform

Greg Cruse

Thanks John.

I will take an in-depth look into the Distrify Platform you have suggested, on first view it looks very interesting.

Our contact page is a way of reducing spam and nothing else, as we have found that spam software can crawl web pages and extract the info.

I do find it some what confusing that James Longley who commented above, has chosen to upload his own material to a website which gives anyone the ability to legally embed this content anywhere else on the web, of course this is all stated within their policy and terms of use.

As I am sure you are aware, embedding acts as a window through a website, giving the ability to view content from another. The original copyright issue is held within the place of origin. It is the originators lawful responsibility to monitor and remove this content.

I would like to reiterate, I am not looking to upset, annoy or breach anyones liberties.

New ways to improve our service and experience will always be looked into. And in most cases implemented.

You have given some valid feedback, and I thank you for that.

Marth Christensen

Greg, but you avoided directly responding to John's suggestion to "...actively review[] all links to avoid copyright violations."

Is that something you are directly considering?

Ben Kempas

Hey Greg,
The whole point here is that you want filmmakers to be your friends. Anything that alienates them – no matter if they've actually authorised content to be on the platforms from which you're embedding or not – won't help you.
It doesn't hurt to ask first. Just be nice cause it's nice to be nice. :-)

Ben Kempas

Good point about Distrify by the way. Rights owners and curators embrace a model that makes sense for both. Voilà.

James Longley

Not to get too embroiled in the legal aspects of this question, but my impression is that other sites, like The Pirate Bay, also did not host the content on their own servers. This fact did not protect them from prosecution.

As you know, large film studios hire firms to actively police the internet and flag cases copyright infringement. Independent filmmakers usually don't have the resources to do this: When I find one of my films posted on YouTube or elsewhere I have to personally fill out all the forms to have it removed, only to have it pop up again in a few weeks. Being in Afghanistan, where YouTube is blocked, makes it temporarily impossible for me to remove illegal copies of my films from that site.

Just because you find a film on YouTube or some other site doesn't mean that the filmmakers have given permission for it to be there. The only way to be sure the content on your site is legitimate is to have written permission from the copyright holder. Just assuming that if it exists on the Internet it must be fair game is extremely problematic, and could get you into trouble, both on a personal level with filmmakers and possibly with their lawyers or their distributors' lawyers.

John Burgan

We don't want to knock you for your enthusiasm for documentary, Greg, but you did say at the very start "any feedback would be massively appreciated". The D-Word is a Community of independent documentary filmmakers, not a large faceless corporation. If you are serious about engaging with filmmakers, you might reflect on the comments here rather than simply copy/pasting your "terms of service".

Put yourself in our shoes: why should we trust you?

Rosemary Rotondi

In reply to Annie Berman's post on Sat 3 Nov 2012 :

Annie, very much look forward to seeing this documentary. He is a favorite art photographer of mine. So sorry that Sandy interfered with your opening week but people seem so happy to get back out and back to the movies again!

Rosemary Rotondi

In reply to Greg Cruse's post on Fri 9 Nov 2012 17:39 UTC :

Greg, have you asked permission of filmmakers to post any of the documentaries on your new site? Without asking permission first you skipped an essential step. By skipping this step you and your colleagues have taken away potential income producing opportunities for the filmmakers (i.e. sale of DVDs and downloads from their own sites or their distributors' sites); plus you have opened up their work to be copied and passed around. You may believe your site is "homage" to great documentaries ~but that is naive. Before filmmakers have to go through all of the trouble to ask their films be removed why not simply gain their permission first? Why does the burden of requesting their own work be removed have to be placed in their lap?

Bryan Donnell

Hi. Selling a Sony EX3. Very good shape, minor scratching, everything working great, no bad pixels. I've been the only owner and I've cared for it well.

Accessories that come with it:

Sony wide angle adapter
3 BPU90 batteries
2 battery chargers
Anton Bauer gold mount adapter
2 32GB SxS Pro cards
2 Hoodman SD card adapters + 2 32GB SD cards
Kata carry-on size bag

I don't know how much to charge for this but know the accessories cost about $3k on their own, new, of course. I'm interested to see what the interest is, if any.

Rafael De La Uz

I'm selling some audio gear, because I own too much stuff
- Audio Technica At4073a shotgun with a Rode camera mount---$400
Great shotgun for on camera, it sounds great, it color less the off axis than 416, it's shorter that most shotguns in the market, less noise floor than Sanken cs1 and it has very hot output, so you don't crank your preamps of your camera too much what means you have less hiss in your audio. I'm first owner, it shows some little wear (the grid is totally perfect) but works great.
- Two lavaliers Sennheiser Mke2, this standard lav in broadcast TV. One shows its age, but sounds perfect, thw second one is in great shape. The old one $100, the better looking $150
If somebody wants everything, I take $600 for shotgun, mount and two lavs.
You can ask around D-word, other people have bought sound stuff from me before.

Jason Hutt

Can anyone recommend the following:

1) An inexpensive illustrator, animator or GFX whiz to create a simple end credit logo that moves. The idea is set and it should not take more than a day to execute.

2) An inexpensive website designer to re-skin my site and it bring it up to date?


Summers Henderson

My friend David Lim in San Francisco is an editor, but he also does great motion graphics work. Your logo job sounds like something he could do, and he may be available for short-term work.

Rachael Morrison

EQUIPMENT NEEDED TO RENT – for shoot in TUCSON, AZ – JAN. 18-21, 2013

I need to rent the following equipment in Tucson in January. If anybody out there in the area has the following, or leads to filmmakers and/or rental companies, please let me know. Thanks!

2 Diva kinoflo (32k/56k tubes)
2 1x1 LED lite panels (bicolor)
2 50' Edison singles
2 25' quad boxes

2 beefy baby (steel)
2 lightweight 750 stands (aluminum)
2 heads
2 end jaw cardellini
4 sandbags
1 2x3 sandwich (1 silk, 2 nets, 2 flags)
1 flexfill 42"
2 safety chains

Rafael De La Uz

AT shotgun is sold, if anybody needs lavs, those are still available

Annie Berman

Dear friends, The race is on! Anonymous supporter committed $4K in matching funds during the next 24 hours! If we raise $4K, we get $8K and then viola! Goal met. Film, 12 yrs in the making, complete! Game over. Imagine that! More here, including new rewards!

Filmmakers: please join people like Larry Lessig, founder of Creative Commons, in supporting this project. Here's why Lessig thinks this is an important film:

"Elvis is what happened to the brains of millions of people and the fact that anyone would try to use the law to take control of that and limit how it is used is totally anathema to what the law is there for...[by making this film] you're doing us all a service because there are many many creators who have not been able to take that risk and who sit silently, instead of creating."

Pledge today and it will count doubly. Support Creative Expression! Campaign ends this Friday. THANK YOU!

Jacob Bricca

Hello, fellow doc makers! We've got some great rewards on offer for contributing to our film 'Tatanka', a doc about one man's journey through the Sixties. Among them: script note sessions with Exec Prod (and Hollywood screenwriter) Mark Bomback, who wrote the Denzel Washington thriller Unstoppable and the latest Die Hard sequel; doc consultation with Producer Jonathan Crosby, producer on Amir Bar-Lev's first film 'Fighter' and the SXSW Best Short Doc winner 'Looking for Sly'; and editing help from your truly (Lost in La Mancha, Con Artist, two Independent Lens films).

Visit us at the following URL:

Laura Moire Paglin

Writer Needed!

Looking for a writer to convert a verite documentary – currently 67 minutes – into a TV hour. This will be more than a matter of condensing the piece. The documentary needs to be re-worked into a more "guided" (spoon fed) less "experiential" program (clearer presentation of issues, more set-up, clear pay-off). Please post or email me off line ASAP if you or someone you know fits the bill!

Laura Harrison

Located on the Italian Riviera in the village of Bogliasco, The Bogliasco Foundation provides one-month residential fellowships for qualified international artists and scholars in the following disciplines: Archaeology, Architecture/Landscape Architecture, Classics, Dance, FILM/VIDEO, History, Literature, Music, Philosophy, Theater, and the Visual Arts. Previously awarded Film/Video projects have encompassed all styles (fiction, documentary, animation, installation, new media, etc.), formats, and phases of production. All Fellowships include free room and board and a separate studio space.

To be eligible for a Fellowship, applicants should demonstrate significant achievement in their disciplines, commensurate with their age and experience. Bogliasco Fellowships are not awarded to students currently in a degree-granting program. Deadlines for the submission of applications are as follows: January 15, 2013, for residencies during the fall-winter semester beginning in September 2013 and April 15, 2013, for the winter-spring semester beginning in February 2014.

For complete program information, eligibility and application procedures, please visit the Bogliasco Foundation’s website at

Jacob Bricca

Hello, fellow doc makers! We've got some great rewards on offer for contributing to our film 'Tatanka', a doc about one man's journey through the Sixties. Among them: script note sessions with Exec Prod (and Hollywood screenwriter) Mark Bomback, who wrote the Denzel Washington thriller Unstoppable and the latest Die Hard sequel; doc consultation with Producer Jonathan Crosby, producer on Amir Bar-Lev's first film 'Fighter' and the SXSW Best Short Doc winner 'Looking for Sly'; and editing help from your truly (Lost in La Mancha, Con Artist, two Independent Lens films).

Visit us at the following URL:

Jamie Hay

Hello doc makers!

I've just finished my first human rights documentary. This summer we embarked on a 3,000 mile journey across Europe to meet with people affected by HIV/AIDS. And came back with this story.

Would love to hear your thoughts and also any advice on documentary marketing would be really appreciated!

Thanks, Jamie

B Johnson

Hello all!

I know of a feature-length documentary that will be screening on Wednesday, December 12 at 7:00pm in Hollywood. Filmed in 18 countries across all 7 continents, the 80-minute documentary explores how the airplane has changed the world.

The film is nearing completion, and the filmmakers are looking for a general audience to provide some feedback. It's important that the audience members are truly "general," and not filmmakers or aviation enthusiats, but at least interested in watching documentaries.

If you, or anyone you know, would like to attend, please RSVP for details to: Thanks!

Erica Ginsberg

It’s that time of year again. Celebrate the season with Docs In Progress at our Winter Holiday Party in downtown Silver Spring, MD just outside of Washington DC. This is a chance to mix and mingle with other documentary filmmakers and film fans and get a sneak peek at what’s coming up at Docs In Progress in 2013.

Come anytime this Friday, December 14 between 7:00-10:00 pm. Directions to Docs In Progress can be found here.

This is also a time of giving when you can show your support for what Docs In Progress does all year long – from free public screening programs to providing professional development and educational programs for aspiring and emerging documentary filmmakers of all ages. Docs In Progress is a 501(c)(3) nonprofit organization and donations are tax deductible to the full extent of the law. For every $25 you donate at the event, you can enter to win some great door prizes, including a Docs In Progress “Is there a documentary in the house?” t-shirt, one-year Docs Insiders membership, or a free pass to your choice of three winter workshops – "Camera as a Tool for Visual Storytelling," "Lighting on the Fly" or "The Big Picture of Documentary Structure."

RSVP here: (Note: Although the option is there, you do NOT need to donate online in order to RSVP that you are attending)

Doug Block

Important announcement:

From here on, all discussion and promotion of Kickstarter and other crowdfunding campaigns belongs EXCLUSIVELY(!) in our new Crowdfunding & Kickstarter topic.

Gregg Schwenk


Submit your film today to be a part of the 2013 Newport Beach Film Festival! The Newport Beach Film Festival regular deadline is DECEMBER 21.


*Receive a discount when you submit through Withoutabox!

The Festival will run from April 25th to May 2nd, 2013.

For more information, visit

Greg Vander Veer

I am renting out my work/live loft in Clinton Hill, Brooklyn. It comes fully furnished along with my editing system, so a great space for someone who wants to come to New York and edit for a while. It is available from the dates 12/19/12 – 1/17/13 and i am willing to rent it out by the week.

Price is $700 per week or $2000 for the entire duration. It is a large 1100 sf loft with a small bedroom attached and 13 foot ceilings. The neighborhood is nice and very close to the subway.

My editing system is Mac Pro Tower 2010 with a 29 monitor and 20 inch monitor. Includes Final Cut 7

I think this is a very good deal for such a nice space and I'm looking for someone trustworthy to rent it to.

Please contact Greg at if you are interested.