I finally saw Inside Job this evening. Very worthy film – does a good job of laying out the financial crisis and its roots. I hope everyone sees it. However, style-wise I felt the same kind of sinking feeling I get in so many issue docs these days – a kind of Inconvenient Truth slideshow malaise, where all cinematic feeling is lost. Honestly, though, I am at a loss to imagine how else he might have made this particular doc-as-indictment film, so I probably shouldn't complain too loudly. It's another one of those movies I hope other people watch, even though I feel it continues the trend of documentary-as-lecture that has been degrading the genre from the point of view of cinematic experience over the last decade or so. It was a film you could have playing in the living room while you make dinner in the kitchen without missing much.
In reply to Ellen Brodsky's post on Sun 3 Apr 2011 :
Happy to hear this, i am pretty sure you gonna love this film.
In reply to James Longley's post on Sun 10 Apr 2011 :
By contrast, Armadillo was great. A very strong work of documentary cinema about foreign troops in Afghanistan, at last. I hope it gets a wide release.
In reply to James Longley's post on Mon 11 Apr 2011 :
I absolutely agree with you, i saw it and i was quite impressed.
I've rsvp'd for a preview screening of Armadillo this Wed night. Very eager to see it.
Death by plastic? This powerful short film was recently produced and shot by D-Worder Riley Morton.
Thanks for making that Riley. Thanks for sharing it, John.
Thoroughly enamored by the Bill Cunningham New York film. Best doc I have seen in a very long time.
Been eager to see it. Where is it playing? I missed it at the Film Forum.
It's now at IFC and City Cinemas East Village.. and a couple of other places. Really worth seeing in my book.
In reply to James Longley's post on Sun 10 Apr 2011 :
i just watched INSIDE JOB, and i must say... yawwwwwnnnnn! i was really looking forward to it, but it was just so uncinematic and uninspiring. i suppose if one had their head in the sand for the past few years – or stuck in Pakistan/Iran – and had no knowledge of the financial crisis already, then it could have been educational. but having listened to This American Life's radio series on the crisis, and having read a whole bunch of newspaper articles on the same, it just did not add anything new.
i really think it is regrettable that an unimaginative doc like INSIDE JOB gets nominated for an oscar, but films like LAST TRAIN HOME and THE OATH get left behind.
Heh. You know, even when in Pakistan I still listen to TAL and Planet Money podcasts every week. I also went through several books on the subject, including the highly recommended The Big Short as well as The Black Swan and 13 Bankers and also The Quants just for fun. But still, even though I thought Inside Job was cinematically standard and even dullish, it was still a film I'm happy got made – and I know people who only really got their heads around the financial crisis after watching it. Not everybody is a public radio policy wonk. That said, I also wish that The Oath had been nominated.
The Oath is brilliant. Laura Poitras is fearless. So bummed she was not nominated.
Here is what will probably be Tim Hertherington's last film (he just died while shooting a project in Libya). Harrowing and poignant.
Docalliance has a wide range of docs online (legally, unlike many portals), some to download at small cost or even free, others streamed:
From April 18 to May 2, you can watch five unique, multiply awarded documentary films by Polish director Marcel ÅoziÅ„ski for free. Enjoy the best of the past twenty years of a filmmaker who is â€œtrying to influence the reality around him while following the outcome with opennessâ€.
I don't know if any of you have seen Catfish, but it was really interesting. I watched it the other day and found it to be mildly creepy and I certainly did not expect the ending.
I saw several great docs at SF Int'l this year, but the one I was moved enough to come here to post about it was BUCK, Audience winner at Sundance. I think it's getting a release soon. Don't miss it.
SIFF is showing Buck June 8 (SIFF Cinema) and June 9 (Kirkland).
In reply to John Burgan's post on Sun 17 Apr 2011 :
Heart-breaking, but great work. Any plans to do a feature length doc on this subject?
Academy-Award nominated filmmaker (and long time member of The D-Word) James Longley (IRAQ IN FRAGMENTS) has made his 2002 documentary GAZA STRIP available for free online in its entirety:
great little film about the Salton Sea and the strange community that used to surround it and what's left of it.
Working on a crash course with a motivated student, I noticed how many great docs are on Netflix streaming these days. Thought I'd share a sample here:
Harlan County USA
Last Train Home
Man on Wire
When We Were Kings
It Might Get Loud
In reply to James Longley's post on Sun 10 Apr 2011 : I agree. It muckracks to the point that it glosses over some of the real story. but, too, i wonder how else it might have been done.
I tend to get on a high after seeing a great movie – but Last Train Home was a masterpiece.
In reply to Kurt Engfehr's post on Tue 17 May 2011 :
Some gorgeous footage in there... I've seen several docs popping up about the Salton Sea lately... Here's one I'm eager to check out:
Just finished "Genghis Blues", re: Paul Pena and Tuvan throatsinging (netflix). It is great! I swear I put it on my queue because of something I recently read here, but can't find the posting. I read Fyneman's "Tuva or Bust!" years ago. I'm sure I have the companion record somewhere around the house.
It's one of my favs!
Thoroughly enjoyed Page One. Caught it recently at a special screening at a brunch event for Film Forum supporters. David Carr and Brian Stelter are brilliant. As a lifelong journalist, it thrilled me. Two of my favorite docs this year take place behind-the-scenes at The Times– this one and Bill Cunningham NY.
Barbara, the trailer reads like a fiction. The soundbites are phenomenal.
Loved it, Danielle.
here's a newfangled 'interactive documentary' supported by our good friends from the north, the NFB. it's a look at a small town in Canada that was closed! http://pinepoint.nfb.ca/#/pinepoint
it's part photo album, documentary and oral history. real interesting stuff.
That is FASCINATING! Thanks.
1. Capitalism: A Love Story
In reply to Kurt Engfehr's post on Tue 14 Jun 2011 :
how interesting! thanks for the rec!
Not sure if I should ask here or somewhere else. I'm wondering if anyone knows of a "first person" documentary film? Meaning, the film is about a person but it is filmed from their perspective. For example, I'm the director, the film is about my story and I film everything from my view.
There's a whole slew but a seminal work in this genre is Ross McElwee's Sherman's March.
Yay! Thank you Ramona and Eliaichi, I will check both of these out today.
Well, most of the films directed by D-Word founder Doug Block are first-person docs...
In reply to Reid B. Kimball's post on Sun 19 Jun 2011 :
My pick would be AMERICAN HARDCORE.
As a lifelong music freak (and former employee of WNEW-FM NYC, the world's GREATEST rock station ever) it moved me in ways no other film has. I always thought punk rock was noise, but this film really got me into the artistry of it, the characters involved, and after I watched it, I bought more songs on iTunes than I had in a long time by bands I never knew much about-Bad Brains, Dead Boys, Minor Threat, etc.
Most touching of all was the story of how Johnny Ramone stole Joey's girlfriend and married her-it was a scar the shy/sociall awkward Joey carried with him until he died-really showed that these artists are dimensional and above all, very human. I couldn't recommend this film more highly.....
Got to give it up to just a few of my favorite films with the word "Devil" in the title: http://www.youtube.com/watch?v=2qtFPOxDMs4
Part II: The Devil's Miner
I have just watched Danfung Dennis's 'Hell and BAck Again' – WOW! It raises the bar for camera and editing. In the recent glut of war docs this one really holds its own.
I'll re-rec IRAQ IN FRAGMENTS and add a few others to the list:
THE GLEANERS AND I (Anges Varda)
F IS FOR FAKE (Orson Wells)
MONDO VINO (Jonathan Nossiter)
GASLAND (Josh Fox)
THE UP SERIES (Michael Apted)
Hi Reid! i would recommend, "The Gleaners and I" and the "Queen and I"In reply to Reid B. Kimball's post on Sat 18 Jun 2011 :
Alternative list compiled by London doc producer John Wyver to the current Morgan Spurlock/Current TV series: 50 (more) docs before you die
In reply to Scheffee Wilson's post on Tue 14 Jun 2011 :
+1 on Capitalsim: A Love Story