It's a far different thing recommending someone else's doc that you admired than to recommend your own. Whether yours is a good film or not, it then becomes an act of self-promotion.
Jazz Dance. Just pure perfection.
In reply to Erica Ginsberg's post on Sun 20 Mar 2011 :
Heddy Honigman website:
Maybe not her newer films but at least 3 other Heddy Honigmann films now available on Netflix: Dutch Junkies (2007), Forever (2006) and O Amor Natural (1996)
and as a DVD boxed set also: http://www.fnac.pt/Antologia-de-Heddy-Honigrann-sem-especificar/a30230?PID=7&Mn=-1&Ra=-3&To=0&Nu=1&Fr=0
Her facebook page: facebook.com/heddy.honigmann .
Meanwhile Icarus Films has 2 competing facebook pages for her, from their own angle.
I loved Pawel Pawlikowski's films Serbian Epics and Tripping with Zironophsky, shame that he only does fiction now. Here is a timecoded clip from a scene of Serbian Epics when Radovan Karadzic sees his mother
Straight, No Chaser. A beautiful Thelonuis Monk story with mostly "found" footage and Charlotte Zwerin as an editor. It's a true testament to the power of the edit to create something from discovered footage years later. Aside, from that, it's awesome to see inside the genius. Same with Charles Mingus, 1968...follows him through his eviction from his apartment/studio. Found it on vimeo
There are so many... FACING ALI & also love the ESPN Series 30 in 30, a collection of sport documentaries.
Here's a link to the ESPN series Tim (those of us outside the US won't necessarily know ESPN)
I have NOT seen this doc, but am so blown away by the scene select and the process that I thought I would share. This is The Arbor by Clio Barnard. She created the film out of audio interviews which actors then lip-synched to, verbatim, while acting. It is supposed to screen in NYC sometime this month and am definitely going.
Agree, Nadia. Looks fascinating.
I loved http://www.kinshasa-symphony.com/index.php?id=8&L=0
for cinematography and characters.
I was just about to post about The Arbor in Doc Films. It's playing at SF Int'l later this month. Can't wait to see it.
And thanks for the recommend on Kinshasa Symphony as it's playing close by next weekend and I wasn't planning to see it.
I recently saw Brian Winston speak in support of a (very expensive) documentary on Robert Flaherty, â€˜A Boatload of Wild Irishmen,â€™ for which he wrote the script. There is a little interview with Leacock in the film where he talks about working as Flaherty's cameraman on "Louisiana Story." Leacock's career was a truly expansive one.
Here's a link to Leacock's recollection of this experience of working with Flaherty from his website:
Hi Poppy. Glad to see you here.
In reply to Alessandro Gallo's post on Thu 31 Mar 2011 : Thanks for letting me know about the Kinshasa Film. I lived in the Congo for 2 yrs (85-87) and have just now put my name on the waiting list for the DVD. It looks incredible.
Brett Morgan did one of the ESPN 30 On 30 pieces about the historic day in sports in which OJ was chased through LA, the NBA Finals were taking place and Arnold Palmer was playing his last round of golf. Good storytelling and he only used available footage. Also, just watched 'Weather Underground' – couldn't believe how well-paced it was. A few holes, but it moves so well.
In reply to Suree Towfighnia's post on Mon 28 Mar 2011 :
One of my favorite music doc for sure!
I finally saw Inside Job this evening. Very worthy film – does a good job of laying out the financial crisis and its roots. I hope everyone sees it. However, style-wise I felt the same kind of sinking feeling I get in so many issue docs these days – a kind of Inconvenient Truth slideshow malaise, where all cinematic feeling is lost. Honestly, though, I am at a loss to imagine how else he might have made this particular doc-as-indictment film, so I probably shouldn't complain too loudly. It's another one of those movies I hope other people watch, even though I feel it continues the trend of documentary-as-lecture that has been degrading the genre from the point of view of cinematic experience over the last decade or so. It was a film you could have playing in the living room while you make dinner in the kitchen without missing much.
In reply to Ellen Brodsky's post on Sun 3 Apr 2011 :
Happy to hear this, i am pretty sure you gonna love this film.
In reply to James Longley's post on Sun 10 Apr 2011 :
By contrast, Armadillo was great. A very strong work of documentary cinema about foreign troops in Afghanistan, at last. I hope it gets a wide release.
In reply to James Longley's post on Mon 11 Apr 2011 :
I absolutely agree with you, i saw it and i was quite impressed.
I've rsvp'd for a preview screening of Armadillo this Wed night. Very eager to see it.
Death by plastic? This powerful short film was recently produced and shot by D-Worder Riley Morton.
Thanks for making that Riley. Thanks for sharing it, John.
Thoroughly enamored by the Bill Cunningham New York film. Best doc I have seen in a very long time.
Been eager to see it. Where is it playing? I missed it at the Film Forum.
It's now at IFC and City Cinemas East Village.. and a couple of other places. Really worth seeing in my book.
In reply to James Longley's post on Sun 10 Apr 2011 :
i just watched INSIDE JOB, and i must say... yawwwwwnnnnn! i was really looking forward to it, but it was just so uncinematic and uninspiring. i suppose if one had their head in the sand for the past few years – or stuck in Pakistan/Iran – and had no knowledge of the financial crisis already, then it could have been educational. but having listened to This American Life's radio series on the crisis, and having read a whole bunch of newspaper articles on the same, it just did not add anything new.
i really think it is regrettable that an unimaginative doc like INSIDE JOB gets nominated for an oscar, but films like LAST TRAIN HOME and THE OATH get left behind.
Heh. You know, even when in Pakistan I still listen to TAL and Planet Money podcasts every week. I also went through several books on the subject, including the highly recommended The Big Short as well as The Black Swan and 13 Bankers and also The Quants just for fun. But still, even though I thought Inside Job was cinematically standard and even dullish, it was still a film I'm happy got made – and I know people who only really got their heads around the financial crisis after watching it. Not everybody is a public radio policy wonk. That said, I also wish that The Oath had been nominated.
The Oath is brilliant. Laura Poitras is fearless. So bummed she was not nominated.
Here is what will probably be Tim Hertherington's last film (he just died while shooting a project in Libya). Harrowing and poignant.
Docalliance has a wide range of docs online (legally, unlike many portals), some to download at small cost or even free, others streamed:
From April 18 to May 2, you can watch five unique, multiply awarded documentary films by Polish director Marcel ÅoziÅ„ski for free. Enjoy the best of the past twenty years of a filmmaker who is â€œtrying to influence the reality around him while following the outcome with opennessâ€.
I don't know if any of you have seen Catfish, but it was really interesting. I watched it the other day and found it to be mildly creepy and I certainly did not expect the ending.
I saw several great docs at SF Int'l this year, but the one I was moved enough to come here to post about it was BUCK, Audience winner at Sundance. I think it's getting a release soon. Don't miss it.
SIFF is showing Buck June 8 (SIFF Cinema) and June 9 (Kirkland).
In reply to John Burgan's post on Sun 17 Apr 2011 :
Heart-breaking, but great work. Any plans to do a feature length doc on this subject?
Academy-Award nominated filmmaker (and long time member of The D-Word) James Longley (IRAQ IN FRAGMENTS) has made his 2002 documentary GAZA STRIP available for free online in its entirety:
great little film about the Salton Sea and the strange community that used to surround it and what's left of it.
Working on a crash course with a motivated student, I noticed how many great docs are on Netflix streaming these days. Thought I'd share a sample here:
Harlan County USA
Last Train Home
Man on Wire
When We Were Kings
It Might Get Loud
In reply to James Longley's post on Sun 10 Apr 2011 : I agree. It muckracks to the point that it glosses over some of the real story. but, too, i wonder how else it might have been done.
I tend to get on a high after seeing a great movie – but Last Train Home was a masterpiece.
In reply to Kurt Engfehr's post on Tue 17 May 2011 :
Some gorgeous footage in there... I've seen several docs popping up about the Salton Sea lately... Here's one I'm eager to check out:
Just finished "Genghis Blues", re: Paul Pena and Tuvan throatsinging (netflix). It is great! I swear I put it on my queue because of something I recently read here, but can't find the posting. I read Fyneman's "Tuva or Bust!" years ago. I'm sure I have the companion record somewhere around the house.
It's one of my favs!
Thoroughly enjoyed Page One. Caught it recently at a special screening at a brunch event for Film Forum supporters. David Carr and Brian Stelter are brilliant. As a lifelong journalist, it thrilled me. Two of my favorite docs this year take place behind-the-scenes at The Times– this one and Bill Cunningham NY.
Barbara, the trailer reads like a fiction. The soundbites are phenomenal.
Loved it, Danielle.
here's a newfangled 'interactive documentary' supported by our good friends from the north, the NFB. it's a look at a small town in Canada that was closed! http://pinepoint.nfb.ca/#/pinepoint
it's part photo album, documentary and oral history. real interesting stuff.
That is FASCINATING! Thanks.
1. Capitalism: A Love Story
In reply to Kurt Engfehr's post on Tue 14 Jun 2011 :
how interesting! thanks for the rec!
Not sure if I should ask here or somewhere else. I'm wondering if anyone knows of a "first person" documentary film? Meaning, the film is about a person but it is filmed from their perspective. For example, I'm the director, the film is about my story and I film everything from my view.
There's a whole slew but a seminal work in this genre is Ross McElwee's Sherman's March.
Yay! Thank you Ramona and Eliaichi, I will check both of these out today.
Well, most of the films directed by D-Word founder Doug Block are first-person docs...
In reply to Reid B. Kimball's post on Sun 19 Jun 2011 :
My pick would be AMERICAN HARDCORE.
As a lifelong music freak (and former employee of WNEW-FM NYC, the world's GREATEST rock station ever) it moved me in ways no other film has. I always thought punk rock was noise, but this film really got me into the artistry of it, the characters involved, and after I watched it, I bought more songs on iTunes than I had in a long time by bands I never knew much about-Bad Brains, Dead Boys, Minor Threat, etc.
Most touching of all was the story of how Johnny Ramone stole Joey's girlfriend and married her-it was a scar the shy/sociall awkward Joey carried with him until he died-really showed that these artists are dimensional and above all, very human. I couldn't recommend this film more highly.....
Got to give it up to just a few of my favorite films with the word "Devil" in the title: http://www.youtube.com/watch?v=2qtFPOxDMs4
Part II: The Devil's Miner
I have just watched Danfung Dennis's 'Hell and BAck Again' – WOW! It raises the bar for camera and editing. In the recent glut of war docs this one really holds its own.
I'll re-rec IRAQ IN FRAGMENTS and add a few others to the list:
THE GLEANERS AND I (Anges Varda)
F IS FOR FAKE (Orson Wells)
MONDO VINO (Jonathan Nossiter)
GASLAND (Josh Fox)
THE UP SERIES (Michael Apted)
Hi Reid! i would recommend, "The Gleaners and I" and the "Queen and I"In reply to Reid B. Kimball's post on Sat 18 Jun 2011 :
Alternative list compiled by London doc producer John Wyver to the current Morgan Spurlock/Current TV series: 50 (more) docs before you die
In reply to Scheffee Wilson's post on Tue 14 Jun 2011 :
+1 on Capitalsim: A Love Story
D-Worders may remember that we did a special topic two years ago on the controversy surrounding the release of Fredrik Gertten's film, BANANAS!*.
For those of you who (like me) didn't have a chance to see the film on the festival circuit, you can now watch it on Distrify – and finally make up your own minds.
Congratulations to distrify for having Bananas on the platform (which is looking terrific, by the way – I always loved the triangles as their logo)!
It's more of a matter of Dogwoof partnering with Distrify for their entire online distribution. Fredrik didn't even know BANANAS!* was up there. :-)
I#m just wondering if the above rental works anywhere or whether it's been geo-blocked for UK availability only?
I clicked on the rent and it put a "sign up for email notification for when it's available in your area" notice. So, I think it is geo-blocking...
Yeah, I did too and that sign-up notice appeared and that made me not want to continue. I sort of tune off sites that ask for my emails for basic access.. was that just because of geo-blocking? or do users have to register to watch a film?
Eli – At the moment, it's even doing that here in the UK although Dogwoof is a UK distributor. I've emailed Peter to find out.
Pablo – What do you mean, "for basic access"? You need to register in order to make a purchase (VoD or DVD) or to access your previous VoD purchase. You don't need to register to watch the trailer.
Update: the bug is fixed, but the film may still not be available in all territories. (You might have to empty your cache before you try again.)
In reply to Ben Kempas's post on Wed 21 Sep 2011 :
Fair enough.. I guess I just sort of expected to be directed to a page with a slot for a credit card number and then to the film in two simple steps. Its a great service, don't get me wrong... Thing is i just unconsciously seem to close pages that ask for email addresses up front..
Glass is a 1958 Dutch short documentary film by director and producer Bert Haanstra. The film won the Academy Award for Documentary Short Subject in 1959. (thanks to my former student Anna in Barcelona for sending this)
It's great – where did I see this before?
Only I can't stand the sound of jazz vibraphone in film soundtracks. But the editing is pretty terrific.
Then check out Broadway by Light by William Klein, 1958 – prepare to be blown away)
Here's the final one of the three this evening: Portrait of Ga by Margaret Tait (1955) – also a gift from Anna
Whoever has not seen 5 broken cameras DO IT (if for no other reason than to question your humanity)
That always packs 'em in. People love to question their humanity.
That's an amazing film, though, all joking aside. See it if you can.
Forgive me if this has been posted elsewhere (I tried searching) but Jane Weiner is trying to raise funds for her film Ricky On Leacock over on Kickstarter and the deadline is January 1st. The film is only around 30% funded so far and it's an incredibly important project about a towering figure in documentary filmmaking. Please check it out and, if you can, support it with a pledge: http://kck.st/sSwdQs
I second your recommendation, James. Jane's an old friend of mine and we've worked together on 3 films as producers (including my own Home Page). But separating that out, it's a project well worth supporting. Leacock is, indeed, a towering figure in doc history.
In reply to Marj Safinia's post on Thu 17 Mar 2011 :
I'm honored to see La Mancha (which I edited) in such esteemed company. It was a tough edit. At times it seemed like our film, too, would suffer the fate of Gilliam's!
In reply to John Burgan's post on Sat 10 Dec 2011 :
Thanks so much for putting up this link to "Glass." I've looked for it online before and never found it.
A recent one that really impressed me was "Better This World", which was on POV last season. Wow. An amazing story, and inspired use of archival and reenactments.
Just saw SENNA....was very impressed w the storytelling, more so w the fact that no orig footage was shot for it....
One of my favorite docs is "Lake of Fire," directed by Tony Kaye. I'm reminded of it, because of his recent narrative feature, "Detachment," which will soon have a theatrical release.
i will never forget "The land of wandering souls" by Cambodian Rithy Panh
A historical curiosity rather than a great work, but fascinating nonetheless: painter Edvard Munch's home movies, shot in Spring 1927 on a PathÃ©-Baby with a 9,5 mm. film cassette
This is not as self promotion, but for "friendship" promotions.
My good friend and former co-producer, Waise Azimi, made this interesting documentary a few years back. It's called STANDING UP and its about an Afghan military unit as they go through recruitment. (I don't want to give too much away).
It's been around in the festival circuit and finally got picked up by a distribution company.
If you want to see another perspective on war, catch STANDING UP!
Here is the official website: http://www.standingupthemovie.com/index.htm
You can purchase the DVD on Amazon.com:
According to several Indonesian environmental NGOs (REDD-Monitor and
WatchIndonesia) â€œCari Hutan" might be the most informative, educative,
yet thrilling and amusing documentary ever made in Indonesia about the
subject of deforestation. â€œCari Hutanâ€ is, above all, a road movie
that takes the audience on an adventurous journey, by hitchhiking and boat, through
Kalimantan in search of the last remaining forests. The filmmaker looks into the issue of deforestation, its causes, its effects on the country and what we can do to improve the situation. Eventually it
follows the traces of destruction to Jakarta and Germany. Not only
locals, the inhabitants of the forests, farmers and loggers are being
interviewed, but also prominent journalists, scientist and most
importantly Prof. Bungaran Saragih, former Minister of Agriculture and
Forestry of Indonesia, who is responsible for a large part of the
I recently saw Gypsy Blood on TV in the UK and was incredibly happy to see this style of doc (no voice over and space between the scenes) on main stream TV with a prime-time slot of 10pm. The trailer makes it look like a doc on bare knuckle fighting. But this, i believe, was just a way to sell it to the masses as in fact it goes much deeper than that, in to a community and their values, as well as the relationship between father and sons. A first ever film, shot by photographer Leo Maguire on a Canon 5D it looks beautiful and i hope gets some festival showings as it deserves to be seen on a large screen.
The embed video would not take this URL for some reason –
Tribute to an almost entirely forgotten documentary filmmaker: Robert Vas came to London as a refugee from Hungary in 1956, to make over thirty films in the next twenty years, most of them for the BBC. This tribute made shortly after his death in 1978 is presented by fellow exile Karel Reisz (note that the film starts very quietly)
Full disclosure: a decade ago, I tried to make a film portrait of Vas with producer John Wyver, but we couldn't get anywhere with the BBC (a certain commissioning editor's explanation being "we're interested in the future not the past"); in the meantime, many of those who knew him have passed on themselves. Check out this entry on Vas, Robert who? on the excellent blog John maintains for his company Illuminations.
Just saw THE ACT OF KILLING at the Telluride Film Festival (its world premiere, I believe). I had to pick up my jaw off the floor after they turned on the lights at the end of the show. This has been one of the most talked about films of the festival and I can't wait to hear the broader doc community react to this one.....