I've rsvp'd for a preview screening of Armadillo this Wed night. Very eager to see it.
Death by plastic? This powerful short film was recently produced and shot by D-Worder Riley Morton.
Thanks for making that Riley. Thanks for sharing it, John.
Thoroughly enamored by the Bill Cunningham New York film. Best doc I have seen in a very long time.
Been eager to see it. Where is it playing? I missed it at the Film Forum.
It's now at IFC and City Cinemas East Village.. and a couple of other places. Really worth seeing in my book.
In reply to James Longley's post on Sun 10 Apr 2011 :
i just watched INSIDE JOB, and i must say... yawwwwwnnnnn! i was really looking forward to it, but it was just so uncinematic and uninspiring. i suppose if one had their head in the sand for the past few years – or stuck in Pakistan/Iran – and had no knowledge of the financial crisis already, then it could have been educational. but having listened to This American Life's radio series on the crisis, and having read a whole bunch of newspaper articles on the same, it just did not add anything new.
i really think it is regrettable that an unimaginative doc like INSIDE JOB gets nominated for an oscar, but films like LAST TRAIN HOME and THE OATH get left behind.
Heh. You know, even when in Pakistan I still listen to TAL and Planet Money podcasts every week. I also went through several books on the subject, including the highly recommended The Big Short as well as The Black Swan and 13 Bankers and also The Quants just for fun. But still, even though I thought Inside Job was cinematically standard and even dullish, it was still a film I'm happy got made – and I know people who only really got their heads around the financial crisis after watching it. Not everybody is a public radio policy wonk. That said, I also wish that The Oath had been nominated.
The Oath is brilliant. Laura Poitras is fearless. So bummed she was not nominated.
Here is what will probably be Tim Hertherington's last film (he just died while shooting a project in Libya). Harrowing and poignant.
Docalliance has a wide range of docs online (legally, unlike many portals), some to download at small cost or even free, others streamed:
From April 18 to May 2, you can watch five unique, multiply awarded documentary films by Polish director Marcel ÅoziÅ„ski for free. Enjoy the best of the past twenty years of a filmmaker who is â€œtrying to influence the reality around him while following the outcome with opennessâ€.
I don't know if any of you have seen Catfish, but it was really interesting. I watched it the other day and found it to be mildly creepy and I certainly did not expect the ending.
I saw several great docs at SF Int'l this year, but the one I was moved enough to come here to post about it was BUCK, Audience winner at Sundance. I think it's getting a release soon. Don't miss it.
SIFF is showing Buck June 8 (SIFF Cinema) and June 9 (Kirkland).
In reply to John Burgan's post on Sun 17 Apr 2011 :
Heart-breaking, but great work. Any plans to do a feature length doc on this subject?
Academy-Award nominated filmmaker (and long time member of The D-Word) James Longley (IRAQ IN FRAGMENTS) has made his 2002 documentary GAZA STRIP available for free online in its entirety:
great little film about the Salton Sea and the strange community that used to surround it and what's left of it.
Working on a crash course with a motivated student, I noticed how many great docs are on Netflix streaming these days. Thought I'd share a sample here:
Harlan County USA
Last Train Home
Man on Wire
When We Were Kings
It Might Get Loud
In reply to James Longley's post on Sun 10 Apr 2011 : I agree. It muckracks to the point that it glosses over some of the real story. but, too, i wonder how else it might have been done.
I tend to get on a high after seeing a great movie – but Last Train Home was a masterpiece.
In reply to Kurt Engfehr's post on Tue 17 May 2011 :
Some gorgeous footage in there... I've seen several docs popping up about the Salton Sea lately... Here's one I'm eager to check out:
Just finished "Genghis Blues", re: Paul Pena and Tuvan throatsinging (netflix). It is great! I swear I put it on my queue because of something I recently read here, but can't find the posting. I read Fyneman's "Tuva or Bust!" years ago. I'm sure I have the companion record somewhere around the house.
It's one of my favs!
Thoroughly enjoyed Page One. Caught it recently at a special screening at a brunch event for Film Forum supporters. David Carr and Brian Stelter are brilliant. As a lifelong journalist, it thrilled me. Two of my favorite docs this year take place behind-the-scenes at The Times– this one and Bill Cunningham NY.