Then check out Broadway by Light by William Klein, 1958 – prepare to be blown away)
Here's the final one of the three this evening: Portrait of Ga by Margaret Tait (1955) – also a gift from Anna
Whoever has not seen 5 broken cameras DO IT (if for no other reason than to question your humanity)
That always packs 'em in. People love to question their humanity.
That's an amazing film, though, all joking aside. See it if you can.
Forgive me if this has been posted elsewhere (I tried searching) but Jane Weiner is trying to raise funds for her film Ricky On Leacock over on Kickstarter and the deadline is January 1st. The film is only around 30% funded so far and it's an incredibly important project about a towering figure in documentary filmmaking. Please check it out and, if you can, support it with a pledge: http://kck.st/sSwdQs
I second your recommendation, James. Jane's an old friend of mine and we've worked together on 3 films as producers (including my own Home Page). But separating that out, it's a project well worth supporting. Leacock is, indeed, a towering figure in doc history.
In reply to Marj Safinia's post on Thu 17 Mar 2011 :
I'm honored to see La Mancha (which I edited) in such esteemed company. It was a tough edit. At times it seemed like our film, too, would suffer the fate of Gilliam's!
In reply to John Burgan's post on Sat 10 Dec 2011 :
Thanks so much for putting up this link to "Glass." I've looked for it online before and never found it.
A recent one that really impressed me was "Better This World", which was on POV last season. Wow. An amazing story, and inspired use of archival and reenactments.
Just saw SENNA....was very impressed w the storytelling, more so w the fact that no orig footage was shot for it....
One of my favorite docs is "Lake of Fire," directed by Tony Kaye. I'm reminded of it, because of his recent narrative feature, "Detachment," which will soon have a theatrical release.
i will never forget "The land of wandering souls" by Cambodian Rithy Panh
A historical curiosity rather than a great work, but fascinating nonetheless: painter Edvard Munch's home movies, shot in Spring 1927 on a PathÃ©-Baby with a 9,5 mm. film cassette
This is not as self promotion, but for "friendship" promotions.
My good friend and former co-producer, Waise Azimi, made this interesting documentary a few years back. It's called STANDING UP and its about an Afghan military unit as they go through recruitment. (I don't want to give too much away).
It's been around in the festival circuit and finally got picked up by a distribution company.
If you want to see another perspective on war, catch STANDING UP!
Here is the official website: http://www.standingupthemovie.com/index.htm
You can purchase the DVD on Amazon.com:
According to several Indonesian environmental NGOs (REDD-Monitor and
WatchIndonesia) â€œCari Hutan" might be the most informative, educative,
yet thrilling and amusing documentary ever made in Indonesia about the
subject of deforestation. â€œCari Hutanâ€ is, above all, a road movie
that takes the audience on an adventurous journey, by hitchhiking and boat, through
Kalimantan in search of the last remaining forests. The filmmaker looks into the issue of deforestation, its causes, its effects on the country and what we can do to improve the situation. Eventually it
follows the traces of destruction to Jakarta and Germany. Not only
locals, the inhabitants of the forests, farmers and loggers are being
interviewed, but also prominent journalists, scientist and most
importantly Prof. Bungaran Saragih, former Minister of Agriculture and
Forestry of Indonesia, who is responsible for a large part of the
I recently saw Gypsy Blood on TV in the UK and was incredibly happy to see this style of doc (no voice over and space between the scenes) on main stream TV with a prime-time slot of 10pm. The trailer makes it look like a doc on bare knuckle fighting. But this, i believe, was just a way to sell it to the masses as in fact it goes much deeper than that, in to a community and their values, as well as the relationship between father and sons. A first ever film, shot by photographer Leo Maguire on a Canon 5D it looks beautiful and i hope gets some festival showings as it deserves to be seen on a large screen.
The embed video would not take this URL for some reason –
Tribute to an almost entirely forgotten documentary filmmaker: Robert Vas came to London as a refugee from Hungary in 1956, to make over thirty films in the next twenty years, most of them for the BBC. This tribute made shortly after his death in 1978 is presented by fellow exile Karel Reisz (note that the film starts very quietly)
Full disclosure: a decade ago, I tried to make a film portrait of Vas with producer John Wyver, but we couldn't get anywhere with the BBC (a certain commissioning editor's explanation being "we're interested in the future not the past"); in the meantime, many of those who knew him have passed on themselves. Check out this entry on Vas, Robert who? on the excellent blog John maintains for his company Illuminations.
Just saw THE ACT OF KILLING at the Telluride Film Festival (its world premiere, I believe). I had to pick up my jaw off the floor after they turned on the lights at the end of the show. This has been one of the most talked about films of the festival and I can't wait to hear the broader doc community react to this one.....
Wow. That looks astonishing.
Fiona, what was your personal reaction, thoughts?
Already heard amazing things about The Act of Killing. What else did you see there that you liked, Fiona?
In reply to Fiona Otway's post on Mon 3 Sep 2012 :
That's amazing. The only other doc treatment of the 65' massacres is in a multi-part Australian doc "Riding the Tiger", which used some B/W footage from the time. (BBC I think). My doc on the Indonesian Student movement of 98 used some BBC footage and interviewed some of the survivors and witnesses. I have a good friend in Indonesia, Lexy Rambedeta, who has also worked on this issue.
Watch Sean McAllister's films for free at Doc Alliance between Sept 10-16
Sean McAllister is a British documentary filmmaker who has brought stories from Israel, Iraq, Japan, and most recently Syria and Yemen. Sean's films portray people with characteristic intimacy and frankness, specifically in the film Japan: A Story of Love and Hate.
Watch the retrospective of a filmmaker who Michael Moore marks as "one of the most brave and powerful filmmakers around" for FREE from September 10 to 16