Introduce Yourself: Sign In Here First

Introduce Yourself

  • Public

Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Doug Block
Host
hmm, why film a documentary and not film the natural climax (ie. the
concert). that's like following a boxer for a year and not filming
the championship fight. and don't give your violin away, give it to
me ;-)

anyway, welcome to the d-word, beth.
Beth Tom
Fan
thanks, doug.

good question. i guess the idea is: what's so special about
another concert? is the value in the performance or the work that
goes into it? the documentary will be more about the process and
experience rather than the climax. anybody can go out and buy any
number of recordings of the Mendelssohn. but can anybody see what
it's like for an average joe to entirely and singularly devote
themselves to any one thing? and then be done?

anyway, this idea is so new for me and still pretty unformed - i'm
not quite sure yet that i'm not full of shit. but i don't think i
am. ;-)

any camera or recording suggestions? thanks for anything! i really
appreciate it! - beth
Steve Holmes
Pro
Welcome to D-Word, Beth. The documentary may be more about the
process than the climax, but Doug's right in that the climax needs
to be in there. What sounds valuable to me is the experience of
seeing someone learn something difficult, step by step. Legal
question, though: Will the orchestra agree to having the concert
taped and used in the film? What would they charge? You may not know
the answers, but these are questions that will come up if you
include the concert.

Where are you in Arizona? Do you have a budget and a crew yet?
Beth Tom
Fan
hi steve.
thanks for your input. i am in tempe, az. i have no budget, and no
crew! i thought i might check in with some schools that offer
documentary courses and see if i could put together some people
from there. my lessons and practicing will start feb. 5, so i need
to find a camera for at least me to use before then. any
suggestions? i also have a former teacher, my very first teacher,
in fact, from 5th grade, who performs with the cincinnati
symphony. i am hoping they will take an interest and donate their
services... i sound pretty naive and idealistic, don't i?!? :-)
Steve Holmes
Pro
Beth: Tempe, huh? How about making contacts at ASU? Unless you're
going to set the camera on a tripod and let it run as you practice,
you'll need a shooter. As to the Cincinnati Symphony donating its
services, it never hurts to ask. They might want the PR.
Amy King
Pro
Beth,
I'm by NO means any kind of expert, but here are my two cents.
I agree with Steve- doesn't hurt to ask Cincinnati Symphony if they
will agree to the recording. Perhaps there is a middle ground, like
they agree that you can audiotape the entire performance, which will
not be reproduced and only a certain amount of the audio will be used
in the film. Perhaps you get some establishing shots of the orchestra
but then the remainder of the scene focuses solely on your performance
and it is like they are not in the room. You could pitch that you
donate the violin to a music school of the orchestra's choice, or sell
the violin on e-bay and give the profits to your director/producer!
Or give it to Doug Block! :)
This sounds like a really interesting arty short film (20-40mins) with
some experimental first person narrative mixed in. I'm sure you could
get a director/producer from ASU or UofA to work with you for a highly
reduced fee. I went to U of A - some great students come out of their
Media Arts program - call Prof. Guilio Scalinger there if you want
some referrals. You could also try the person who manages the student
crew at KUAT in Tucson, as they may be even more doc focused.
Danny Anker, director of MUSIC FROM THE INSIDE OUT may have some
practical advice for you - not sure if he is on D-Word, but here is
his web site: http://www.mftio.com/ The Philadelphia Orchestra was
the subject of his award-winning doc.
Good luck!!!
Steve Holmes
Pro
Longshot, Beth, but picking up on Amy's comment about KUAT, you
might approach KUAT or the Tempe PBS affiliate about a co-production
through the ITVS LInCS program, which provides funds to such
partnerships. As with the Cincinnati orchestra, it doesn't hurt to
ask.
Nicholas Skidmore
Fan
Greetings from Windy Bristol,
I'm an aspiring documentary filmmaker - having just finished studying
philosophy at university. I'm working in a bookshop for the
time-being, but I'm ditching it all and going off to Eastern Europe
with my camera in September in search of the 'European Soul'.
Doug Block
Host
wow, not exactly an unambitious subject, nicholas. lots of luck and
welcome to the d-word.
Steve Holmes
Pro
I thought at first your name was Windy Bristol.

Welcome, Windy.
Loading...