Hi, I'm Gina and I work for a film distribution company called Passion River. We release many different types of films. Is there any filmmakers interested in learning about film distribution for their film?
Hi, I'm Gina and I work for a film distribution company called Passion River. We release many different types of films. Is there any filmmakers interested in learning about film distribution for their film?
I'm Corey Wascinski a Visual Journalist from Ca. currently living in Brooklyn NY while in post production on my first feature documentary film.
I apologize for being frank but would anyone know where I could obtain a music contract pertaining to film festival usage? I would go the obvious route and contact an entertainment lawyer but can not afford it.
Thank you in advance.
Welcome Stephen, Gina and Corey...
I'm David Ryder and I am working for the photo agency VII, specifically for photographer Ron Haviv. We have some powerful documentary shorts and I am looking for venues. The shorts include 'Blood and Honey,' about the wars in the Balkans, and pieces on the Congo, Sudan, and LA gangs.
Welcome Corey and David. The D-Word made an emergency move to a new server setup today and not everyone was able to reach us. We're glad you were!
It's taken me ages to get around to registering on this site! Doug, we met at Silverdocs and at a Stranger than Fiction soiree.
I'm originally a photographer, mostly editorial portraits and features plus a book, who finished my first documentary film recently (Water Flowing Together) which has won a few awards and aired nationally on Independent Lens in April.
Anyway, I'm beginning a second one (didn't learn my lesson :) and looking for someone to help with fundraising and stuff like that, ideally a production partner who would be excited about the project.
Howdy, Gwendolyn. Glad you finally got your butt here. Congrats on finishing the first and launching it into the world! And tell us about your new doc in the Works in Progress topic.
My name's Jim, and I work, variously, in feature production and festivals. My doc experience is limited, but I'm hoping to change that very soon. Looking forward to getting involved!
Welcome to The D-Word, Jim.
Iâ€™m a professor of media and public affairs at The George Washington University, and the co-author of â€œFinal Cut Pro Workflows: The Independent Studio Handbook.â€ I also own a company called Amigo Media that does a lot of FCP work and consulting. My companyâ€™s motto is Relate, Educate, Create, and that kind of sums up my working attitude.
Iâ€™m very excited to be starting next week on GWUâ€™s International Fellowship in Documentary Filmmaking, headed by Nina Seavey. This is an exciting new program that will bring together filmmakers from around the world for a once-in-a-lifetime experience (clichÃ©, but accurate!)
Iâ€™m an alum of the Documentary Institute masterâ€™s program at UF, and my own filmmaking activity revolves around a long-term project that is waiting to see the light of day.
To wrap up, I think people in this group would get a lot out of our book, because it is a lot different than the typical FCP book, digging into how the program is implemented in the real world. http://www.finalcutproworkflows.com/
welcome, Jason! good to have you with us. that fellowship sounds like a really exciting opportunity. (btw, you don't have to sign your name on your posts b/c it's already there at the top...)
oh yeah, do we get the standard 75% D-Word member discount on the book?
Hey, Chris, what D-Word member discount?...uh, I mean...oh yeah, right! Of course! The discount! Yes, well, Jason, that's something you should know aboutâ€”75% discount. Ya know, time honored D-Word tradition, S.O.P. and all that. Gee, how could I almost forget!
But that's above and beyond the free dvd or book for the first five D-Worders who welcome new members, right?
I'll e-mail you the address to send my book to...
Well, on the real, Amazon is offering a 34% discount:
And on the realer, the book was pirated and available illegally on the web before it ever hit the shelves.
For anyone thinking about writing a book, there is about as much money in it in making documentaries!
Welcome, Jason. I'll be in DC for a screening and workshop with the International Fellowship in June. Hope I'll get to meet you then.
For sure, Doug – I had not made the connection, but now I know why your name was familiar – fantastic!
The fellows are arriving this weekend. We are all nervous and very, very excited. This is totally new territory!
I'm Gerry Potter, from Edmonton, Canada. I worked in theatre for 30 years as a director, writer, dramaturg, producer , teacher and actor, ran a theatre company for 17 years and have been a part-time university teacher of drama for 17 years. Way back, I worked as a newspaper and radio journalist for a couple of years and have been an amateur photographer since I was a kid. I started taking filmmaking courses about 5 years ago, and am active with a film/media co-op called FAVA in Edmonton. Have now made 2 short dramas with another in post, and one short documentary with another longer doc in post. My dramas have played at festivals in North America, and my short doc is being used on a website for a cultural organization. In the two years I've started to get paid for script consulting and doc work, but am not actually making a living at it yet. While I love making works of fiction and imagination, my documentary work appeals to my interest in engaging with the world more directly, and has rekindled my interest in observing and reporting, the things that led me to journalism in the first place.
Which theater company did you run?
I grew up in Edmonton and worked at a couple of Edmonton radio stations back in the early 80s, K97 and CJAX. I was the sports department and 1/3rd of the news department respectively.
My name is Tania. I am from Buenos Aires, Argentina but I live in the San Francisco Bay Area.
I work in educational videos and do documentaries with my husband as well. You can check our work at www.glimmerdocs.com. We have done one short documentary so far, and are on the pre-production/ research phase on the second one. Back in Argentina we used to work on advertising, shooting commercials. After we moved here to do our MFA we decided that documentaries is what we like to do.
Looking forward to "meet" you all,
Thanks for the note--great to hear from an ex-Edmontonian. I started and was Artistic Director, and sometimes General Manager, of Workshop West Theatre for 17 years. I left the company in the mid-90's to teach, write, and, a little later, explore film.
Do you make sports documentaries now?
I am Head of Acquisitions for international documentary distributor, MercuryMedia and for the online pay-per-view documentary channel www.joiningthedots.tv.
Mercury is a boutique distribuitor specialising in high-end one-off documentaries and has been operating for 8 years. www.mercurymedia.org.
joiningthedots.tv launched 2 weeks ago. We are partnered with The Independent newspaper in the UK, who are running a version of jtd via their site. We have launched with 60 films and will be adding 5 – 10 per month. Our next batch of films include the Oscar winning Born into Brothels and the Oscar nominated Waco: Rules of Engagement.
Please feel free to contact me if you have any films that you are looking to distribute or that may be suitable for joiningthedots.tv. We are pay-per-view and work on a revenue share basis.
Welcome to The D-Word, Jason, Gerry and Tania. And keep us updated on joiningthedots.tv, Jason!
In reply to Gerry Potter's post on Wed 21 May 2008 :
I was just about to answer your question with a "no", but then remembered that I am working on a sports doc of sorts now. So yes, but I haven't in the past.
What kind of doc work are you interested in?
I'm thinking about that a lot but have no fixed conclusions. Current doc is about the theatre group I work with, Rising Sun, which is composed mostly of people with developmental disabilities. I'm interested in politics, art, people, thinking. I teach creative thinking and may try to do a doc on that if I can find a creative way in (!)
I'm a documentary maker from Rotterdam, The Netherlands. I'm an editor since 2001 and since 2004 I'm making films myself. I recently founded a documentary production company called Umwelt Films, together with my colleague Debbie Kleijn. We're working on several documentaries for Dutch television.
Welcome, Jan. Good to have you here with us.
I'm Felipe Barral – Momberg, a producer, filmmaker, poet, writer, musician, artist & photographer. I have a Master degree in Philosophy and I'm also a journalist. I live in Atlanta, GA (United States) where I'm working as an Assignment Editor/Producer for CNN en EspaÃ±ol, where I also host and produce a weekly segment called Juego de Palabras (Play on Words). I cover art, culture & literature. My content airs in shows within CNN en EspaÃ±ol, CNN International and CNN. I've produced documentaries for CNN as well.
Right now I'm producing a couple of documentaries with my new production company. I'm looking forward to start sharing visual ideas with you all.
Hi, I'm a local indepentent low no budget filmmaker. I consider myself a baby though I'm not a neophyte. I made one short piece on a Ron Paul enthusiast. Now I'm branching into making a piece (documentary) on an organic farm. I'm aiming for 30 minutes but it might be a 3 part serial, depending on whether I focus on one farm or more than one. I would love some mentoring and advice, but I feel like the best stuff is reserved for the experience! eek thats the trick, the transition one needs to cross isn't it. wink
(I have done other stuff in other capacities but thats the extent of my experience in documentaries)
Howdy and welcome, Felipe and Ara.
Hello all. I found this forum via a posting on another site. I'm currently finishing up a 1 hour HD doc on a shipwreck in 4000' of water in the Gulf of Mexico. Mystery Mardi Gras Shipwreck – http://www.nautilusproductions.com/mardigrasshipwreck.html
I found out about D-word from indie producer Danielle Beverly, who I worked with in San Francisco.
I'm a staff editor at Video Arts, Inc. We are an online/finishing house specializing in high end sd/hd finishing work. I'm lucky enough that the majority of my clients are long-form Doc makers... usually heading off to theatrical screenings at film festivals, and often being broadcast on PBS though ITVS.
I do a large amount of online picture sweetening, and especially color grading work... but as the world turns, I've taken on an awful lot of consulting work as well, helping filmmakers find the most efficient/best quality solutions for using multiple media formats of dv, sd and hd, usually in preparing for HD broadcast, tape-to-film, as well as DVD releasing. I was fortunate enough to do online/color work for Ruby Yang's oscar winning "Blood of the Yingzhou District."
Outside of Video Arts I work as a freelance editor, offlining feature length projects and consulting full editorial strategies. Working from my home studio I edited Michael Wilson's "Silhouette City" as well as providing final edit work on Lynn Hershman's "Strange Culture."
Thanks for having me on the List!
Jesse knows his s**t and is one of the most generous people in the biz.
Welcome, Jesse! Look forward to hearing more from you in the cloisters.
Ditto, welcome Jesse! And Rick, too. Nice to have new blood to suck ;-)
Forgive him, Doug thinks like a lawyer sometimes. But that's probably why he's so suckcessful.
Hi! My Name is Lauren and I am a recent graduate of the University of Georgia with degrees in International Affairs and Telecommunication Arts. I am looking to continue pursuing a career in the Documentary industry, and am currently searching for a PA job, research assistant, or anything else needed to gain some experience!
Hi everyone – Danielle Beverly also steered me into this awesome hive. We worked together in San Francisco, and even at Video Arts (hi Jesse!).
I am a freelance editor slash independent director/producer slash camera person...or what John Burgan described with the one-man-band picture over in the camera posts (though I really do like working with a crew!). Having started out cutting and scratching 16mm, I came to docs for the love of the art of film and the realization you can't think of a better story than reality provides. My favorite current project is a poetic feature documentary film I am directing in West Africa about the ancient art of griots, or djelis as they prefer to be called, and how it is evolving in the face of globalization.
I am terrible at blowing my own horn. I'd rather shut up and make the damn film...but I guess I am here to not be entirely silent...In any case, thanks Danielle!! You have been right these last two years...D-Word is awesome! Happy to be here.
You're quite the accomplished horn-blower, Charity. We're happy to have you here.
Charity! Welcome! How about a pic of yourself? If you are too shy to provide one, I've got a lovely one on my iPhone I can send on over. ;-)
I'll work on the photo Danielle! ...how's Athens?
Cinematographer, colorist, vfx artist.
Operate my own super8/super16 transfer facility so I can make it more affordable to shoot film with other filmmakers.
Rent out my super 8 camera packages and super 16 bolex, super 16 eclair NPR packages. If I'm shooting the project, I throw in supervised transfers at discounted rates.
Love to work in documentary and music video work.
Check the site or the blog for more info.
Nice to find this community forum.
Hi all. I've been a member for a few years, but have been not-so-conspicuously absent the last couple of them. I'm producing short docs and video stories for NPR's Web site – after spending the last few years doing the same thing at washingtonpost.com. What brings me back – besides the sparkling company and conversation, is that I'll be teaching a course at the Maine Media Workshops next month called "Short Docs for the Web." And I was going to troll around and see if you all have any good links/distribution sites I could refer my students to – besides npr and washingtonpost of course ;)
Hi! I'm a FCP/Avid editor. I'm back in Washington DC after several months of feature doc editing in LA. I have a wide variety of doc and news experience. Would love to find filmmakers and/or producers in the DC area interested in collaboration and/or editing services. Thanks!
welcome charity, justin, john and amy. sheesh, it's hard to keep up with all of you.
Hi, I have been a member for some time, but have been absent from this site for a year or two. Just wanted to reintroduce myself. I am a filmmaker and cameraperson currently making my final film about a political songwriter (in German "Liedermacher)starting to also become a political activist. He walked from Dortmund to Munich in order to make people more aware of the decline of social responsibility in Germany. On e of the few people left who still get up to do something.
Looking forward to some new exchanges here at D-word.
I just welcomed you back in Documentary Films .
Just to clarify, Diana's "final film" does not mean that it will be her last. It's her graduation project at the film academy.
Hi, we are producers team "Luxema". Focusing on documentary, telenovelas, TV programs. Among our teams` films: The day I approach myself- participated in Edinburgh Film Festival 2004, European Short Film; La Bataille de Tchernobyl. Film de Thomas Johnson (We shoot Russian part);Miracle of Daniel Charms; documentary serials about well-known people, Hollywood stories (about American film stars: Oliver Stoun, etc...
Founded by the Russian and the Dutch TV producers in 2006, Luxema b.v. (and its Russian subsidiaries – Luxema Film ltd.) is an independent production company for audio-visual programs of the performing arts – whether these be documentaries, portraits of artists, or the genuine rendition of live performances. Hence, our core activities focus on the development of new film projects, the quest for partners to secure co-production agreements and, of course, the final audio-visual production
Looking for this forum members` advices about European and Noth America documentary market.
A good filmmaker friend of ours told us about this site. Species-Being Films is a small 2-person production company at the moment (Amy Hsiung and Thymaya Payne). We just finished our first documentary feature called "Love Limits." The trailer and additional information about the film can be found on our website – www.lovelimits.com.
Love Limits tells a quirky love story about Warren Barrow, an 81-year old African American man and Cory Rudy, his 37-year old Caucasian girlfriend. Both Warren and Cory live with the debilitating effects of cerebral palsy and other disabilities. Despite their physical and mental disabilities, they have an ability to comprehend and love each other deeply. The film captures through interviews, observational documentation and dynamic cinematography, the relationship and lives of Warren and Cory, as well as the inspirational real people whose lives have been transformed by them. The film goes broader then just your typical film about disability as it also explores complex notions of community, family and finally love. Love Limits begs the question – are there ever limits to one's love?
We're excited to get this film out into the world and share it with others. Please check out our website for the film. We look froward to having discussions and sharing experiences with others in this forum!
Love Limits – www.lovelimits.com
Welcome, Michael and Amy. Great work you're both doing. Amy, we don't have company memberships so Thymaya would need to join to participate.
In reply to justin lovell's post on Fri 30 May 2008 :
Good to see you again Justin...
I've worked with Justin Lovell. This guy is one of the best Super 8 colorists around. Well worth the shipping costs to Toronto.
see you around Justin.
Justin, welcome. The recommendation by Stephen that you are a superior Super 8 colorist got my attention. I met, just tonight, a former Vietnam fighter pilot who rigged a Super 8 camera in his cockpit and shot some apparently (from his description, I haven't seen it yet) stunning historical footage of Vietnam and the Philippines during the Vietnam war. He cut it into a 40 minute piece, which exists only on Super 8 and has never been cleaned up or transferred. Is this the sort of thing you do?
In reply to Martin O. Garcia's post on Thu 24 Apr 2008 :
Martin: I'm with an organization focused on international affairs that might have an interest in using "Boliano 52" as the centerpiece of an event. Do you know how I might go about contacting the producer/distributor?
My name is Vincent.
I love nature, they are us. If these animals and
plants should die, mans spirit will die of lonelyness.Therefore I aim to
make wildlfe documentaries .
Most scientists agree that life on earth is now faced
most severe extinction episode since the event that
drove the Dinosaurs extinct. Biologists estimate that as many as
27,000 species are becoming extinct each year.This translates
into an astounding 3 species every hour.
Instead of global climate change, Humans are the
cause of this latest mass extinction. WE CAN DO BETTER
We certainly can, Vincent. Or is it Ochen? The relevant question is are you interested in documentaries? Or, better yet, work in the profession? If so, we're happy to welcome you here.
Name is Ryan David Jahn. From 2004 till a little over a month ago, I was working in reality TV, always waiting for a time when I could make my own film. When the season of the last show I worked on ended the first week of May, I decided to stop waiting and actually shoot something.
For the last month I have been shooting and cutting interviews for my first documentary, tentatively called "Fingered: A Brief History of the QWERTY Keyboard." When I first started working on it, I wasn't sure there was enough of interest to make a documentary, but now I find there's too much – controversy over QWERTY among economists, among historians who argue about why it was developed, among those who use the Dvorak keyboard, an alternative invented in 1932, and allegedly a bunch better, and so much more.
Anyway, I'm sort of drowning in an ocean of QWERTY information right now and loving it. The interview are coming along nicely, I've also found some great government training films for typists, and while there's a lot I find myself fumbling with as I go through this process for the first time, I'm having a blast.
Ryan, that sounds like a really interesting and potentially humorous subject. I've never understood why apple keyboards have the y and z in the wrong places. It's the kind of big-endian small-endian issue that can be really entertaining to work through, fanatics on all sides – like esperanto and all those other artifical languages. And great that there's no human rights violations involved – although I'm sure that some of your inventors/faddists would probably claim that there are.
Hi there, I am sort of new to this whole field. I studied journalism at Concordia in Montreal and went to work for the the corporate sector as a communications advisor. Now that most of my college debts are paid, I am going to follow the main reason why I toiled for so long; I am going to make a doc about Canada's legal and penal system (...details on the exact nature will come at a later time). I just wanted to say that this is a great site and I look forward to using it regularly and finding out about everyone else's projects.
My name is Jason Caminiti. I have been involved in Public Access for about 10 years off and on. I started producing more artistic pieces in the past year and a half since I moved to my new city. I got caught up in a documentary by accident, but find I really like the process. My current project is on a Pawtucket, RI which has revived itself using the arts. There are mills and old industrial spaces that have been turned into artists lofts and workspaces. I am making this to bring back to my city which is in a similar situation with empty mill buildings.
I have been lurking for a few weeks, and have found a lot of useful information here. So thanks to everyone for your insightful posts, and I hope to participate and learn more as I go along.
In reply to Rob Appleby's post on Sat 7 Jun 2008 :
Hey, Rob, glad you like the sound of it.
I identify primarily as director & writer, but I also shoot and produce. While my focus is on narrative film, I've found myself getting more and more involved in various doc projects.
Most recently, I was supposed to direct & shoot a doc in North Korea about a female Olympic gold medalist; one week before my date of departure, I was asked not to come due to security concerns (a disappointment but not a total surprise...how could it be?).
Currently, I'm about to start shooting a doc in a historical Brooklyn neighborhood about a local icon, against the backdrop of the neighborhood's gentrification & the summer heat. Themes include memory, race, space, change. But if that sounds intellectual, it's really about the character/s & character of the neighborhood, which can be pretty hilarious. We shall see how that project develops. I'm working on this in conjunction w/ a journalist who will be making a related radio documentary. I need advice on how to find funding for this.
In addition, I freelance as a shooter on other people's docs. I love to shoot & I also paint occasionally. My background is in English & Art History. I'm also working on my writing, and am an MFA candidate at NYU Grad Film. A bio & some random stuff including a painting, at www.janiceahn.com
Thanks for having me here!
Good to have you here, Janice. Hope to see you around.
I'm Claire and I've just graduated from University here in England. Although I initially believed I held most interest in writing fiction, I have developed a very keen interest in documentary film – I think it's one area of Tv which actually has the potential to be credible amongst the overwhelming amount of 'celebrity' obsessed shows currently on TV.
Im writing a short doc film at the moment – experimenting really. Just thought i'd say hi to everyone and wish you all the best of luck with whatever projects you may be working on!
Hello to all...
This has been a long circle back to where I was some twenty years ago as a doc / journalist camera op in NYC. It been a great ride through just about every type of production you can imagine but I feel like the time is right, both in the world and in my own life to go after a couple of projects that have been percolating away for a few years. Using the time now to sharpen my game up before I make the leap.
Welcome, Claire and Jon. Glad you found your way here.
Diane Ingino here. A few years ago, I made a complete turnaround in my life and decided to drop out of the corporate world (I had been working as an Executive Assistant for over a decade) and attend college for the first time in my... well, I won't tell you how old I am, but suffice it to say that every semester at least one of my classmates mistakes me for the professor. Sigh.
Anyway, I knew I didn't want to just go to school to make my resume look better – I wanted to gain new skills and study something I would enjoy. I almost took a writing program, but opted for a video production curriculum at CUNY. When I first came to NYC quite a long time ago, I studied acting for about five or six years, and I've done some work in plays and indie films. So, show business appeals to me (call me crazy). I started this course of study and discovered – much to my surprise – that I love editing! I also enjoy the process of conceiving and writing a story, directing, and putting all elements together. I thought I'd love operating the camera, because I've always enjoyed photography, but that's actually not my favorite part of production. Of course, since I am at a community college right now (will transfer next year), we don't spend much time on theory but learn by doing – and wind up having to do everything. I have always been drawn to docs, and history, and am hopefully finding my voice. Being an older... ahem, more mature... student, I think I take what I've learned and add a kind of depth and perspective artistically to my projects that comes from experience.
The technology is a different challenge. I am learning every day and feel like there is so much I don't know, but every time I work on something I realize I'm getting a little better at making editing decisions and navigating the software (I use Avid).
I'm also producing a doc series independently for Public Access, and another series of shorts for a musician friend who needed some videos for her blog (only donors to her current album project can view them). I believe in my abilities and creativity, so... hopefully, I'll make documentaries that are meaningful and enjoyable. I also hope I'll be able to contribute something positive here at D-Word.
welcome, diane! it's good to know that there are others out there who got a late start in documentary filmmaking. for almost ten years, i worked in the soul-crushing world of law and banking. and when i finally jumped ship and started my education over at a local community college, i too often felt a bit awkward attending class with pimply-faced 18 year olds. but it was the best thing i ever did. and i wish you the best of luck as you continue. hopefully, the members of D-Word will help you along in your quest.
oh yeah, one small piece of unsolicited advice. even though it's great that you are learning on Avid, make sure that you also eventually get time with Final Cut Pro. if you are currently going to spend most of your time with independent projects (especially editing other people's work), you'll find that FCP is quickly becoming the gold standard in lower-budget films.
Can someone recommend the cheapest/best tripod for a Canon XL H1?
Hello D-Word People!
My name is Neil Benezra and I am a Sound Designer/Mixer/Editor with many award winning films under my belt. I hope my work might be of interest to some of you in your current or future endeavors. I have a small audio post studio in downtown Brooklyn, with a Foley/VO/ADR booth as well as an FTP for long distance projects. Please feel free to call me no matter how big or small your project is.
Jon, Diane, Rivers, Neil – welcome to The D-Word.
Jon – instead of just attaching your picture, upload it to your profile so we can see it next to your posts.
Rivers – in this topic, we introduce ourselves to each other, and so should you. :-) Please ask for tripods in our Mentoring Room .
Neil – You should apply to become a Member of The D-Word. I like the design of your website, but the menu navigation doesn't work, at least on my Firefox. I got stuck on the "Studio" page. (Oh, BTW, we don't sign our posts here so they're more of a continuous conversation. Your contact details go into your profile.)
The site just went up a few days ago and we're working out the kinks, thanks for the compliment and input. I am going to join D-Word it seems like a great place to meet people!
Late to the documentary world? Uh kids.
I work as an Avid editor for Jewish Educational Media, a non-profit in Brooklyn, NY.
I'm in the middle of editing the fourth volume of "The Early Years" series for them, which contains testimony of Rabbi Menachem M. Schneerson's 'early years.' This volume takes us to France, 1940-1941, where the rabbi lived with his wife in Paris. With the Nazi invasion, he moved further south. With a long and complicated struggle, he managed to receive all necessary documents and visas and, hopefully in this volume, he set sail for the USA. You can see more about the film at www.earlyyearsfilm.org.
I'm happy that I found this site, with the help of the Moviemaker magazine, so that I can network and learn from others in this wonderful line of work!
Yanky, sounds like a very good project, I wanted to read more about it on the website, but your server seems to be down.
(And hey, someone did see that The D-Word is #7 or so of the 50 best websites for filmmakers as chosen by Moviemaker!)
I'm sorry the site isn't working. It's working for me though, from my home computer.
Perhaps there is a long-distance issue. :)
Just tried again and it worked.
Very interesting website Yanky. I like the look. I wasn't able to watch the trailer but I think that's my issue.
The site is simple, but effective. It has that antique style which works well with the film.
You can see more of what we do, including a rather aggressive archival restoration project, at www.jemedia.org.
In reply to Ben Kempas's post on Sun 15 Jun 2008 :
Um, Ben, maybe you'll calm down when you realize the Moviemaker list is alphabetical.
Meanwhile, welcome, Yanky.
I didn't actually see the list, it was John Mounier who told me about it. But hey, people do find us this way!
So who else is out there?
I saw the Moviemaker article in Nina's office last week. It was a really stupid description of The D-Word. Something like "MySpace for documentary filmmakers." Where do they come up with that stuff?
they must have only been reading farmer herman's posts...
"The D-Word – where docoholics converse."
Back to introductions now...
In reply to Doug Block's post on Sun 15 Jun 2008 : But we admit they are some of the best posts on d-word. Just when everything gets too self-important or serious, David describes piglets birthing...
We're going to shoot a doc in LA in january. The team is just two people, a small camera and no fixed locations (we're travelling with a guy). HOw would I get a permit for this? How do you guys do this in LA (or USA for that matter). Is there a small team permit or a documentary permit or should I just shoot without a permit? Any answers are welcome.
Johan, this topic is for introducing yourself. We have a place called The Mentoring Room where Enthusiasts can ask questions. So, let me just add... welcome to The D-Word.
uhum...oh, sorry. I had a hard time finding the forum....or maybe I didn't give finding the forum any time....
Welcome, Johan. You're actually a full Member now, so you've got the full choice of topics on The D-Word and won't be limited to the Mentoring Room with your questions. Anyway, tell us a little about yourself here, please.
Hey Johan, welcome to the D-Word. We met in Berlin at the HdK back in 2000. Now I'm living in Denmark and you're back in Finland. Good to have you here!
Hello everyone. I've been following some of the discussions as a ghost reader whenever member Paul Devlin walks away from his computer for any length of time and leaves the forum up...I really like what I see and am excited to join. I live in Brooklyn and co-edited Paul's latest movie, "Blast". I made the transition a few years ago from working primarily on PBS docs to now independent non-fiction films. Somehow more work/less money does end up equaling richer rewards and I really look forward to connecting with the world of people out there who are just as crazy to go for it. I'm currently editing a personal doc for another filmmaker and Doug's ten rules are coming at the perfect time. Thanks for those, Doug.
Welcome Laura. Sounds like you should apply for full membership.
In reply to Gita Pullapilly's post on Mon 21 Apr 2008 : Welcome new D-Worders! A big welcome to Gita! Nice to see you here. Saw a 20 minute rough cut reel of Gita & Aron's film and it's amazing! Gita & Aron are active Connect the Docs members.
Doug's ten rules? What did I miss here?
Oh, I was sent a link for a blog that I thought was connected to D-word, but now I realize it's a separate site.
The Ten Rules of Personal Documentary Filmmaking. Painfully and amusingly helpful.
That one is D's Word. Currently on extended vacation. Glad you found the "rules" helpful, Laura. And welcome to The D-Word. By all means feel free to sign up for full membership ...
I'll just try again.....till I get the hang of it, how this forum works. I've been working more or less as an independent filmmaker since 2002...where I met John Burgan....that's actually we're I started. John got me interestd in Chris Marker...I'm very thankful for that, and it's very nice to find you here, John! Well, I've been working six years (doing art, shorts and documentaries). I have a broadcaster in Finland that buys my stuff and I guess that makes me a whole lot less independent – since they have to have their say about everything. Can they read this? Am I talking too much?
Anyway. I'm sick of television and want to do stuff where I'm more free...but for now, I'm going to use television money to take me to LA because I don't need another finnish winter.
Glad to have been of assistance, Johan! Good to hear you've been so busy. What's the LA project about?
Welcome, Johan. You can rest assured that no Finnish broadcasters hang out here. So feel free to speak your mind.