In reply to Doug Block's post on Wed 22 Dec 2010 :
Sorry. And a happy New Year.
In reply to Doug Block's post on Wed 22 Dec 2010 :
Sorry. And a happy New Year.
Hello everybody. I'm a brazilian filmmaker, this year I've showed in some brazilian festivals my first film, a short documentary called "Hands of October". This film proposes a new way of looking at CÃrio de NazarÃ© in the city of BelÃ©m, Brazil, using the perspective of the hands. A poetic, almost surreal approach. The characters are the hands of marchers, workmen, sculptors, and others. The voices are just their memories. The duality of hands, which simultaneously suggest materialness and spirituality, constructs one of the biggest faith marches in Brazil. If you're interesting, visit film's website (unfortunately not translated to the English yet): www.maosdeoutubro.com
Welcome, Vitor. Good to have you here at The D-Word.
In answer to your question: Yes the proposal would need to be very polished; not just idea stage but well researched on its subject, characters, relevance and uniqueness.
Betty, would be great if you registered as a full member , which would give you access to all 50 of our discussion topics, including fundraising and distribution.
My name is Mark. I am a software developer and film student. I decided to go to film school because I had a documentary that was set to go twice and the production company flaked on me both times. The story is so close to my heart that I decided to learn how to do the doc my self. That was in 2008 and I have just finished preproduction. Production to start in March.
Welcome, Mark. You may find the story of D-Word member Jon Foy inspiring. He was in the same boat as you, now heading off to Sundance with his first doc.
Hello, I'm Nancy, communications coordinator for the British Columbia chapter of the Documentary Organization of Canada. I'm gonna be in here every week or so looking for news and stuff to share with the DOC BC membership and I'm curious to hear what other people are up to in terms of financing and developing their own films.
Welcome to The D-Word, Nancy! (Blame it on the holidays that nobody has greeted you yet...)
You should also apply for Professional status here ...
Welcome, Nancy :)
Hello folks, and Happy New Year!
My name is Errol, and I'm a documentary cinematographer based in Baltimore, Maryland. Last year turned out to be a particularly good year for me with the film that I shot, 'Music by Prudence', winning an Academy Award for Best Documentary Short – most easily remembered as the film behind the "Oscar Kanye moment." lol. Since then, I've worked on projects in various African countries and along America's eastern seaboard.
In Summer 2010 Elinor Burkett & I finished another documentary, 'iThemba,' which went on to premiere at IDFA this past November as well as showing at various other festivals in Europe and Africa. iThemba is now in the distribution stage.
In Brooklyn NY, I'm working with director, Michele Stephenson on 'An American Promise' – a coming-of-age documentary that's 11 years in the making, about 2 African-American boys and explores the dynamics that surround them as they matriculate a private High School in Manhattan.
Additionally, in the Catskill Mountains of Upstate New York, we've begun shooting a nature-doc in the fall with director, Mike Mathis, on the life of Naturalist & Essayist, John Burroughs, who grew in notoriety for his research and activism in the early 1900s. For this shoot, all the footage (sans the interviews) was shot solely on the, now popular, Canon HDSLRs. There are many pros and cons to this new technology, but while working with the camera for the entire shoot, I was able to find ways to combat the issues that normally plague video shot on the any Canon HDSLR.
My forte is shooting – it's what I love doing and have been doing since 2003. Every day I try to learn something new, whether it be from other docs or from simply watching a TV Show and picking scenes apart. I'm a stickler for good sound and lighting and am maniacal about shooting things right, even if it means agonizing over a shot for another minute or two til it's just right, time permitting, of course.
Now where editing is concerned, I gained about 40,000 hours of my editing experience with Final Cut Pro while still in college, which helped greatly post-college when I started my documentary career in 2008. I do documentary editing but not nearly as much as I shoot. I find myself spending many hours now soaking up all I can about video and various technology because the more I know, the better I am able to become creatively. Plus I'll be prepared when it comes to video troubleshooting which I do a lot of for people when they're stuck in say, a Final Cut Pro problem...right upon a deadline, or making suggestions for their next camera/equipment purchase. So I hope I'll be of some help on some of the threads on the D-Word.
With this new year, my goal is to create more great work with great people, make new contacts and build friendships in this close-knit weave which is the documentary film world. I wish you all a very productive and successful 2011!
Welcome, Errol. Great to have you here with us. There's a lot of collective knowledge in the various discussion topics for you to soak up. And I'm sure we'll be learning a lot from you, too.
Hi Everyone – I'm a Director/Producer/ Camera-person from Asheville, North Carolina. Last year I finished a film called ON COAL RIVER with my wife/co-director and we're starting another project now. I signed up for D-Word a few months ago, but I'm just now starting to poke around the threads and appreciating the resource this is! I'm looking forward to learning a lot :)
Good to have you come out of the darkness at last, Adams.
Hi Adams, saw On Coal River at STF last year. Great job, good luck with your new film.
I just heard the sad news about Judy Bonds from On Coal River. My condolences.
Hello everyone – Thanks to a tip from another doc maker I've been lurking about the forums for months now, trying to soak up as much wisdom as possible, but as 2011 dawns I figure it's time to wave hello.
I'm a writer/director currently stationed in Los Angeles and am in post on my first documentary project: a series about five starkly disparate elementary and high schools in New Orleans and Baltimore, the unusual historical origin they all share, and the stories of what it's like to educate inside their respective walls today. Thanks, all of you, for creating such a great collective resource and community, and Happy New Year!
Welcome, Steve. Feel free to register as a professional member. You'll gain access to all 50 discussion topics.
Thanks for the welcome, Doug!
Good to have you joining us, Steve. Say goodbye to all your free time ;-)
Hi D-Word. Happy to be here. I just finished my first feature doc this past year and its been on the festival circuit having a pretty good time. The film is called A Life Ascending. You can find a trailer at ALifeAscending.com Im starting to enter the world of hybrid distribution and anxious to learn from others and share what Im learning along the way. Im also looking for some interns to share some of the experience with and to help with some of the research and marketing work. cheers, Stephen
Congratulations on completing your film, Stephen and welcome as a full D-Word Member too – feel free to explore the place. You may also wish to re-post your request for interns (perhaps with some more details) in the Public Classifieds Topic
Iâ€™ve just joined the D-Word, thanks to John Burgan for the connection. It seems like a terrific space/collective resource. I hope to make a useful contribution. Here are some headlines re my background.
These days I work at the intersection of documentary and participatory media. I was co-founder and producer of BBC2â€™s award winning Video Nation project, for which people across the UK recorded everyday life in the 90s, which we edited, with their approval, into over twenty hours of diverse TV output. I was Executive Producer of the BBC Capture Wales digital storytelling project, the first major initiative of its kind in the UK, which was informed by the work of The Center for Digital Storytelling in Berkeley, and resulted in a wealth of autobiographical stories made in workshops around Wales, and contributed to a continuing.digital storytelling culture here.
I still live in South Wales though Iâ€™m now a Research Fellow at the Digital Cultures Research Centre, at the University of the West of England in Bristol. My research explores the emergence of collaborative online documentary. Iâ€™m interested in how a collaborative approach and the online network might enhance documentaryâ€™s role in the public sphere.
I blog at http://collabdocs.wordpress.com/
In the 90s I was a producer/director of documentary and arts TV. My work pursued themes of culture and identity â€“ in Hilda at Darjeeling for Channel Four British women looked back on their role in India under the Raj, in Meeting the Masai Mob for BBC2, Aboriginal Australians met with Masai people to share experiences over land rights. Iâ€™ve also made work about culture and media â€“ Pictures in the Post (BBC2) was a history of the 20th century told through postcards and their messages. Verite Today (BBC2) looked at ideas of truth in British documentary and included interviews with Jean Rouch Nick Broomfield and Richard Leacock. How the West was Lost (Channel 4) looked at Native American representations in Hollywood, and in Navajo Media.
Right now Iâ€™m looking for participants for a web based collaborative project. Within my practice based research Iâ€™m revisiting Jean Rouch and Edgar Morinâ€™s seminal 1960 documentary, Chronicle of a Summer, in particular the question which opens the film, in the classic vox pops sequence, Are you happy? You can see a clip on the site homepage – â€¨http://theareyouhappyproject.org/
Iâ€™m seeking collaborators who are interested in getting involved by asking that question on video in their locality. This could be an interesting brief for media studies or documentary students. â€¨If that interests any teachers here I could offer a briefing via Skype, and could put the call to action into context, both of the original film and of the growing field of collaborative online documentary. (I should mention that I have some teaching experience. ) â€¨Thanks for reading. â€¨My email â€“ email@example.com
What a fascinating background, Mandy. We did a bunch of collaborative projects here at The D-Word in our first few years, but sadly none since then. A shame since such great potential exists for it within a strong and supportive worldwide community like this. So certainly hope your presence helps inspire some more collaborations.