Working on a script for a doc? I guess I don't follow. It's a good
idea to write as much of the script as you can before production,
but since reality throws us a lot of curves, there's a limit to what
can be written before rolling tape. Have you done any taping yet?
As I see it, Steve, the particular documentary I have in mind, to be
successful, requires a fair amount of pre-production research and
writing. I realize that a lot of research and development occurs
during production in documentary film work, and that a doc script has
to be very flexible. I'm also aware that very often the writer of a
script is also the director and/or producer; but this is not likely
to be the case in my project. I want to pass the script on to someone
who can get the job done right, and whom I trust to do it well.
I'm pretty knowledgeable about my subject, and I have a unique story
to tell. Sure, a lot is gonna happen between now and editing, but I
think this project requires special handling before production
begins. Also, it's gonna take somebody like me to show that and why
this story must be told, and why it is best to tell it in the
Oh, by the way, a lot of my footage is almost certain to be stock
(historical) footage--as old as old gets at the beginning, going back
to the first days of the automobile. I'm doing history as much as
anything, though it will move us to the present, and a lot of the
story will be recent history.
Yes, I know stock footage is *expensive* a lot of the time.
And yet, I think I can get ahold of a lot of the video footage I
need for cheap to nothing. This is relatively recent video and film
footage which is pretty indispensable to my project, since it depicts
recent protests and demonstrations, which are now past events, --
which I'm sure were filmed by participants and intersted bystanders,
and sometimes the news media. Many of the people likely to have
documented these events on video/film are natural advocates and
allies of my project, so they are likely to be super happy that I
want to use their stuff -- and I expect some gifts of usage.
We're talking "Critical Mass" bike rides, road protests, "Reclaim The
Streets" events, and the recent story (google it) about the naked
bicycle rides-protests in London and in Spain. This kind of thing. It
actually is pretty zippy imagery!
Thanks for the welcome, Doug. Hope your business is good and happy
At what moment does one become a professional documentary filmmaker,
and become eligible to the other forum reserved for pros? I only ask
because this place is a little slow, and talk would be beneficial.
James, working professionally in the field of documentary is our
basic criterion for the d-word community. the public forum is open to
all, but it's not really geared for the usual utne back and forth.
It is what people make of it, James. I've spread the D-Word gospel
as have others, but we don't force people to join. Part of the lack
of posts, too, is that the "mentors" who answer are often
overwhelmed with their own tasks. Doug is editing his film to appear
on HBO. With that kind of pressure, it's a tribute to him that he
gets around here at all. Look at it this way: Due to the lack of
competing questions, you have everyone's attention -- even
if "everyone," for the moment, is me.
Just signed up yesterday. I'm producing my first documentary
about raising money for AIDS Project Los Angeles by training for
the Dublin marathon and my uncle who's HIV positive. He's the
reason I'm runnning. Anway I was happy to find out about D-word.
My plan is to shoot while I run both in training and during the
marathon, and to tell my uncle's story. This is my first movie as
producer so I've been looking to gather as much info as I can
while I was at ifpwest I found D-Word.
July 2 @ 7am at Griffith Park I have a group training run with
other APLA fundraising marathoners. Then I run during the week.
The run is October 31, but I was planning to go around the 25th
since I lose a day. I want to be able to get used to the weather,
run there before the actual marathon, and possibly drive the
course. Feel free to email me at firstname.lastname@example.org.
Hi. Just signed up. Getting ready to shoot a doc of sorts (could
turn out to be experimental) with a gl-2, me, and a couple of
people helping out to record the music. A US choir tour in Europe
with members aged 8-64. I have some clearance/consent questions,
so I'll head to the mentoring room. Great to be in the fray!
hello. i've been a member for a while. my place got robbed and i lost
all my equipment so i've laid low, but now i've replaced my cam and
computer and have thrown myself into a bunch of projects.
i'm teaching a friend to shoot and edit an art piece he wants to do
for a show in Ghana this fall. he's a metalworker and sculptor, and
he's filming his West Indian customers, employees and friends.
i've worked on a couple of docs and informational pieces for the local
department of education, done a portrait for someone's reality show
application, and am now working on shooting footage for a doc about
teen performers in a musical.
i use borrowed equipment and/or the client's equipment a lot of the
time, but otherwise i'm using a Panasonic GS150 and editing on FCP.
really excited and feeling blessed by the opportunities to shoot these
new projects. thanks everyone for the community!
Benjamin from Puerto Rico. Currently preparing to do a documentary
about the first Puertorrican Governor under USA mandate.
I work as a multimedia specialist for around 18 years. Just finished a
Movie making seminar for new directirs in Puerto Rico and Did my first
shortfilm and creating my first commercial one.