Thanks, Jack. Appreciate the kind words. And very glad you found your way to The D-Word. I think you'll like it here.
Just got hip to D-Word last night after the Doc U event at Cinefamily. Thanks, Marj! Incidentally--and I said as much to her last night--I so appreciated how Marj handled the panel. Very linear and easy to follow discussion, one panelist at a time. Everybody got their turn and was able to fully state their point of view on distributing your documentary.
Hi Ryan. Well done for joining up! As I said last night, D-Word is the single smartest resource when trying to get your doc done and out there. Jump right in!
BTW, thought of a VW doc I saw last year you might be interested in checking out: http://www.pbs.org/itvs/globalvoices/beetle.html
Hi everyone, my name is Magela and Im originally from Uruguay but have been living in the US for almost 10 years now. Im a cinematographer working both in fiction films and documentaries, I fell in love with documentaries while studying at nyu with George Stoney, an amazing professor and human being, and Im excited to join this fine community of people.
Hi. I am the director of the Legacy Film Series (www.legacyfilmseries.com), presenting films celebrating older adults at various venues, and renting the films to various organizations. Also the director of the Legacy Film FEstival on Aging (www.legacyfilmfestivalonaging.org) slated for presentation in March 2011. I am also looking for Tina Flemmerer, who has a nice film Leslie Day, City Naturalist, that I would like to represent.
Love documentaries, so if anyone has one on the subject of aging, please contact me.
Welcome, Sheila. I'll be contacting you about 51 Birch Street for the Legacy Film Series.
Hey D-Word. I've got a doc project in mind. Tell me what ya'll think: Whenever people talk about New Orleans they say, "it's such a wonderful city. The music is great, the food is great, and the culture . . ." That's all true, but it doesn't capture why this city is important. New Orleans is magic. For real. A primordial groove seeps down all the streets. Even the buzzing locusts and the dripping drain pipes keep a rhythm. New Orleans moves you, whoever you are.
But this is a city in crises. The wetlands are sinking at the rate of one football field every 38 minutes. Without the wetlands, we have no protection from hurricanes. In order to save this city, a lot of money and time needs to be spent on rebuilding the wetlands. This isn't happening nearly as quickly as it needs to be.
Many films have been made on this topic, the most recent being the Big Uneasy. But most of what's been done focuses on the political problems and the higher-up people in charge.
I would like to make a mood-doc, akin to Searching for the Wrong-Eyed Jesus, about the feeling of New Orleans. I want to give people around the country a sense of why this city is a cultural epicenter, why it's vital to our American identity, and why it's so wierd wild and wonderful.
If anybody wants to help or contribute ideas, let me know.
I am a professor by training but I have been working on my camera skills for years. I have written five books and I as start my sixth book I will no longer simply write. I am putting my documentary skills to work as this new book will be packaged with a documentary. I love making films and I have been doing this for years but now I am committing my life to the documentary form as a teaching tool (for me and my students). As I embark on this adventure I want to swim with documentary film makers who know of the waters I am about to explore more deeply.
Welcome Ralph. Feel free to register for full member status here to gain access to all 50 discussion topics.
Welcome, as well, Will. Good luck with your project.
Hi Doug. I am a first time doc filmmaker with a short called The Marina Experiment. I'm having a bit of trouble understanding how to navigate this forum – the information I need ASAP is about getting an educational license for my 18 minute film so I can sell it for more money to libraries. Specifically, a public library just purchased my film at my retail price and would like to amend this right away. I don't know what I need or where to get it. Please help!
Marina, I've moved the follow-up discussion to the Marketing and Distribution topic. I'll reply to you there.
(Marth, I removed your post from here and moved it to M&D, as well, because the Introduce Yourself topic is public and will show up in Google searches. Be very careful about giving out email addresses and cell phone numbers in this topic everyone!)
Hello, I am an editor, director, producer of short films and a feature.
Several years ago I sat in line with Star Wars fans for three weeks and created the documentary "The Big Line". My current project is working with Marth on "Walk Right In" the Yale summer high school movie.
Here are some more tidbits from a bio that I have used in the past:
Eric Morgret is co-owner of Maelstrom Productions. With this company he has directed/edited several shorts and the feature film: â€œStrange Aeonsâ€. As he crawls around in the nether regions of Seattle film he is working on several different projects. Eric is the Festival Director and Head of Programming for the Maelstrom International Fantastic Film Festival, a genre film festival in its 3rd year. MIFFF brings the best genre films to the SIFF Cinema in Seattle.
Hello, I have been lurking around here and would really like to get involved with this community. I am documentary director with a feature currently in post. I could really use the support that seems available in this community. Any pointers on where or how to get involved? My films website is www.glacierdocumentary.com.
Just keep posting away, Cory. That's all any of us involved people do.
Eric, welcome, as well, and feel free to register for full membership.
I figured I'll re-introduce myself and see if I still qualify to stay in D-Word :)
I am a Screenwriter & Filmmaker newly relocated to Beirut, Lebanon.
I worked for 5 years at Al Jazeera Network in Doha, Qatar and at the same time was completing my MFA in Screenwriting at Hollins University in Virginia, USA.
I am now back to unemployment, or freedom, or independent filmmaking :) Just got me a Canon 7D and a MacBook Pro to try and keep up with short doc production along my narrative career.
I'm a member of D-word since 2004 (?) probably but I was busy for a while and now I am intending to tune in regularly to benefit from al the great things I learned – and can definitely still learn- from this home.
Peace all around :)
Welcome back Niam!
I'm a new member and interested in opportunities to help people with their projects. Let me tell you a bit more and if you're interested please contact me at firstname.lastname@example.org.
I'm a recent NYU grad film grad and here is a link to some of my doc work:
I've done both camera and some sound before, and I won a short doc contest last year called Madrid Dares You that was covered in the NY Daily News:
In addition to being a filmmaker I was a journalist for 10 years, so I have lots of applicable skills.
I've worked exclusively on student projects before so I'm most interested in helping people at the 'professional' level (or pretty close), people who have made documentaries before that have been distributed or broadcast, and are savvy about the nuances of getting projects funded. I'm glad to work for free right now to get the experience. I'd particularly like to become more technically proficient with the nuances of doing docs with tiny or no crews, such as how to do camera, sound and lightning all by yourself.
Much appreciated either way, and thanks for having a Web site like this.
Welcome, Neil, and great to have you back, Niam.
I am working on my first documentary. I am eager to pick your brains on lots of topics like funding and labor. I currently work at one of the three televison networks in New York.
In reply to Doug Block's post on Tue 25 Nov 2008 : Doug
I don't know whether you remember me but I had the pleasure to work along side you for a very short period of time. You were finishing 51 Birch Street. (brillant) I knew nothing then and I know just a little more now. I have started a documentary on the 'undocumented Irish in New York' and I have a trailer and treatment. I look forward to reading more on this website.
Thanks, Charles. I remember you well and greatly appreciated your help on 51 Birch. Glad to see you made your way here and best of luck with your doc.
Hi, I'm Stephanie Wang-Breal, the filmmaker behind Wo Ai Ni Mommy (I Love You, Mommy). I am consulting producing on another film that I think would do well at the Hotdocs Pitch forum. anyone pitch their film there? did it result in any pre-sales/ or funding? and is it just plain worth the costs? looking forward to being part of this online doc community.
Hey, Stephanie, great to have you posting here. However, this is the topic for people to introduce themselves. I'll repost your questions in the Finding Funding topic.
Hello to all of you,
I am a sociologist and I have been researching on immigration and youth here in Barcelona, for about 3 years now. This has implied a lot of workfield in different public spaces on peripheral neighbourghoods. This adds to my interest in visual culture and in documentary practice, I have attended to some courses on technical matters ("experimenting with documentary") and also visual anthropology. Some days ago, I met, together with a colleague, a group of enthusiastic young men from Dominican Republic, who started to produce short films about "street-stories". We proposed to them to help on technical matters (lend them a better camera, script development), and at the same time we learn a lot from them and film the process of making this short film they want to present to a local competition (ending the 20th of december). We all want to continue with the experience after the competition ends, offering to them formation on script development, and they allow us to keep filming the process, with the idea of making a doc on their experience in a context such as the society, and the neighbourghood they live in.
It would be great if I could learn from the experience of others who have underwent these kind of processes... as well as sharing what I have learnt from the sociological (or anthropological) ethnography practice, "participational observation", etc.
Welcome Stephanie and Nadia :)