The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Wolfgang Achtner


I have no difficulty admitting that some of my posts were long-winded. But does that make me a "bully?"

And you didn't even take off your shirt for me...

Guys, allow me to say my intentions were – are – good and I feel that I've been misinterpreted. Anyway, for me 'nuff said.

If you all don't mind, I'd prefer to drop this matter and get back to ... answering questions and reading interesting answers.

Erica Ginsberg

Guys, guys. I'm not sure if you are all going back and forth in good fun or not, but we should remember that the mentoring room is part of the D-Word public forum, so whatever is posted here may show up anywhere. Not everyone in here knows our backstories, backposts, or personality quirks and it may not make some folks feel welcome to have fighting in here nor any discouragement of questions or discussion.

I'm no topic cop, but might make a citizen arrest to suggest any further discussion of who is in the right or wrong be taken to the private forum parking lot, so we can focus here on providing constructive advice.

Doug Block

Erica's right. You're certainly welcome to meet in the Parking Lot and go 15 rounds (you could even take your shirts off first). One of the pleasures of professional membership.

Darla Bruno

Totally not sure what's up here. Wolfgang, you answered a question I never asked.

Doug, is there a limit on posts?

I asked a question that I never asked before – how best to get my footage into a format with time codes to give to the translator. Sometimes, since I'm very new at this, I don't always know how to ask the question most eloquently.


Darla Bruno

By the way, thanks Rob, and Erica, and Christopher – and of course, all of you.

My footage is on PAL (yes, I know you all know this), so I've gotta get someone with a PAL camera deck to run my tapes through FCP and then do time codes (assuming I will also edit in PAL) and put all that back out on either DVDs or Quicktime files to give to my translator. I think I'm understanding this correctly.

I'm close to NYC, so I guess I can just pay someone to do this for me. I really don't have too many other resources (no camera, no FCP).

Wolfgang Achtner


If your tapes are DVCAM, a DSR 11 deck will do and these are easy to find (rent). You would also need a laptop with FCP.

If you know someone or have a friend who has a Mac with FCP, they could capture for you. Then it would be simple for them to burn DVDs with timecode. And then you could mail or ship the DVDs to your dp in Italy. For safety, keep copies for yourself.

Allow me to suggest that, while you're at it, you might want to buy a small external disc (200 GB would do and is relatively cheap, US$299.00).

This way, you'll have a backup and – more importantly – you'd already have your video ready to be logged, whenever you decide to do the edit. Furthermore, a 200 GB hard disc will provide more than enough space to edit your doc.

Sam Rabeeh

To everyone who replied, thank you for your time. I know I have to be diligent and creative. It's that now I have to walk the walk of documentary making. For me personally feeling all those things is different than understanding them, or studying them first. i.e. storylines wavering. Thanks for the inspirational kick in the rear from Erica, Jennifers and everyone else.

Erica, I contemplated including myself in the story but I don't want it to be about me, or run through me. I'm actually scared of bringing the attention, or focus on myself. I want it to be about Egyptians. I guess want and get may be two different things but I hope not in this case.

p.s. transcribing english takes a heck of alot of time. I'm awesome at english, and humble ;-). I think I need to start transcribing even though I don't have alot of hours. Not to mention there is audio.....

Did I mention d-word rocks?

Ma' Assalam from Sharm El Sheik

Lucia Duncan

I'm going to be directing short interviews with people at a union convention. This might lead to short videos about a theme or union campaign. We are trying to figure out what kind of backdrop and lighting to use for the interviews. One idea is to use a white backdrop, lit fairly flat, and change up frame lengths – inspired by the look of Errol Morris's Move On ads:
Another option would be to use a purple backdrop – the union's color. The lighting kit that's been reserved by the conference organizers includes one 350 fresnel, one 150 fresnel, a 650 fresnel, plus chimeras and gels. I don't know a lot about lighting, so I'm looking for advice about whether these lights are appropriate for achieving this kind of a "natural" look. Whether a white backdrop will be more challenging to light than purple... also, what to use as the backdrop – cloth draped somehow or a firm backdrop of some kind? Thanks for any suggestions!