Is there any word out there about how people are finding Final Cut
Express. I am planning to shoot only on an XL1s and am about to
purchase software. The savings on Express would really help but am I
going to regret it later?
Thanks in advance, this is such a helpful site!
Gillian, you seem to be confusing Final Cut Pro with Avid DV Express.
But both are fine programs that you won't regret using.
Well I'll be an uncle's monkey! Next thing ya know they'll have Avid
Hi everyone, I'm new here. I registered a couple of days ago and
have been educating myself quite a bit with all the terrific info on
this forum. Many thanks to all who contribute to this forum and those
who take their time to give advice.
Now, I need a little guidance myself, if you don't mind. My partners
and I had an idea for a documentary. I don't want to go into it too
much, but the subject was a French athlete who is virtually unknown
in the states. We contacted her American agent with the proposal and
the agent requested we send a resume of ourselves with a description
of the project, which we kept pretty general. This morning we got
the call and were told that she had already committed to another
documentary. Needless to say, I'm pretty disappointed. We already
had private funding and a crew in place.
Do I think that she's involved in another documentary? Highly
unlikely. Do I think the agent talked with her about this project?
Highly unlikely. The agent admitted she really doesn't deal with
her. Perhaps, the agent contacted her people in France and they
turned it down. I really don't know. Sorry, I'm babbling. I really
felt this could have been an unique and entertaining project. Could
it be that we were not award-winning docu filmmakers? I don't know.
Our backgrounds are in funding, producing, directing and writing
small indy and short films. Though, I doubt that HBO, BBC, etc. are
knocking down her door.
I could go on and on, but this message is long enough. Here's my
question? Has the fat lady sung yet? Should we contact her agent in
France? Should we try to gain contact with the athlete and pitch to
her directly? I've met her before and she seems very personable.
Any advice to this problem would be greatly appreciated!!
Joanne, if you're gonna give up because her agent says no then you're
gonna have a very short career as a documentary filmmaker. A no means
maybe. Or try again later. Or try again in a different way.
I'd try to get to the athlete directly. Use your ingenuity, your
charm and your passion for the film. Be honest and sincere. And
don't even think of giving up so easily.
Doug, thank you so much!! It's just what I needed to hear.
Oh, didn't I mention I get 10% of the funds you raise? ;-)
how did you get funding in place without a deal with the subject?
You may not be a known quantity as a doc filmmaker but you do make
the grade in the funding category. Care to fund-raise for a known
hello to all,
i'm a new member to the forums... been reading a lot of the
posts... and very happy to be a part. as a new shooter/editor i've
happened upon some opportunities to document weddings and
am interested in exploring this.
the "clients" are interested in verite style, natural sound... i share
this sensibility and am excited about doing it.. but would love to
hear from others with experience doing this type of thing... how
they approach the day... interact w/ guests, etc. any advice would
be greatly appreciated... i've picked up a few things... and
purchased 83 min dv stock for the ceremony...(hope that's long
enough) have a backup camera and batteries just in case... love
to hear some thoughts... many thanks