The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Derek A. Reuter
Pro

At the very least I want to be able to do a light triangle w/background light that gives a good rim on the subject and would be a bit too much during the night. Any suggestions on a package or combination that would work well and is travel friendly?

James Longley
Pro

Derek – here's a pro bono promotional video I made for a school in Pakistan using a Canon 7D and a monopod. Edited using Final Cut Pro on a laptop – it was almost free to make it, apart from a few days of my time. I'm not sure that's exactly the style you're going for, but it's cheap and fast and fairly easy.

http://www.vimeo.com/12450414

Jessamy Meyer
Fan

Hi,
I am starting to edit a trailer together for a doc project in the beginning stages of editing. I need to get the trailer to show and help with some financing. The doc is very archival heavy and has a main character with a lot of published philosophies on various topics of interest to the film. So, the director and I are playing with the idea of including text in the trailer so I'm looking for some advice on maybe good examples of films that use text in a way that is informative and also stylistic interesting and significant. Beyond examples, any experiences with using text/quotes in films? Thanks in advance for any feedback!

Kristen Kellogg
Fan

Hi everyone. I am just breaking into the world of film making, and I have a great idea on a unique story in Bali and how a couple that moved there is changing the way we eat throughout the world. There is much more here, but that is the gist. They have responded to my interest and want to know my proposed plan. I have never made a film before, and want to find someone to work with me on this project who is a cinematographer. Also I need to get back to them and let them know my ideas this week. Any suggestions how to approach this? Thanks, Kristen

Bill Jackson
Pro

In reply to Nadia Hennrich's post on Mon 29 Nov 2010 :
Hi, Nadia. Sorry I didn't get right back to you. I have been on a couple of projects that have consumed all of my time, and I haven't been on D-Word for several weeks.

If you still haven't mixed yet, get in touch with me. My schedule opens up after tomorrow.

Kristen Kellogg
Fan

In reply to Daniel McGuire's post on Mon 20 Dec 2010 :

Hi Dan. I am currently in Australia, but do you have skype? Maybe we could have a chat on there? Or shoot me an email kellogg.kristen (at) gmail.com Would love to hear about what you just wrapped up as well.

Kristen Kellogg
Fan

Can anyone recommend any great websites (other than this one) where I can get help on how to make my first documentary?

John Burgan
Host

Not sure a website or a book can replace the experience you will gain by launching in and actually making a short doc exercise – ideally something in your own back yard – walk before you run. I presume you have access to a basic DV camera and edit software? How about a 2-minute portrait of "someone at work" – that's always a classic subject. Try to interpret it in visual terms, rather than relying on interview/talking heads.

Also search for "documentary filmmaking" on amazon.com – check out Andy Glynne's Documentaries and How to Make Them and Michael Rabiger's much more comprehensive Directing the Documentary

Timoty Gibbs
Fan

Can anyone talk about educational distribution? Who are the game players? Can it be lucrative? Is it a difficult market to crack?

Christopher Wong
Pro

In reply to Kristen Kellogg's post on Mon 20 Dec 2010 :

If you need to come up with a proposal quick, watch as many documentaries as you can. Make sure you have a good mix of different genres, old and new. Then, figure out what you want to borrow from each, and start conceiving the proposal from there. A quick list of varied docs might be:
SALESMAN (Maysles Brothers)
GRIZZLY MAN (Werner Herzog)
HARLAN COUNTY USA (Barbara Kopple)
IRAQ IN FRAGMENTS (James Longley)
DARWIN'S NIGHTMARE (Hubert Sauper)
BOWLING FOR COLUMBINE (Michael Moore)

this list could go on forever... but other than making docs, watching docs is the best way to learn.

Kristen Kellogg
Fan

John-Thanks for the book recommendations. I read Documentaries and How to Make Them by Andy Glynne today. A lot of clarification and great insight.

Christopher-I have been watching a variety of films the last few days and it's been a tremendous help.

Justine-many thanks for the site! So many helpful hints!

Thanks everyone for helping me take the necessary steps to making my vision become a reality.

Jaggy Singh
Fan

hey...

sorry for the loud introduction.

hope everyone is well.

I am currently in my final year at university, over here in the UK.
I am studying Film production and Technology, and am working on a dissertation, which is based on, the technology used for cinema release documentaries.

I have started the research, and have noticed, i am getting much more information to do with the theory, artistic and issues and debates in documentary, more than the technology side of documentary film making.

I was wondering if anyone could assist me with any articles, books or websites I could look at which focus on the technology side of film making for documentaries in cinema.

Also, I'm amazed at how there are so many different people on this website. wow! this is like a small community within it self.

Also, are there any camera men, sound recorders and editors and cinematographers, which i could maybe interview through email, just so i can get an insight of those who work in the industry, with first hand experience, that would be so great.

if anyone can help, that would be great.

Thank you for your time.

Take care

Jaime Cruz
Pro

Hi Jaggy

Perhaps your interest for this topic is only about docs production in the "first world". Anyway, you will find a very broad range of technologies used in docs, from the oldies (but goodies) dvx 100´s to the DSLR´S. So maybe your question should be more in the perspective of "how and why" the diverse options of cameras, sound gear, etc., are being used by documentaries filmakers. Well, is just a suggestion.
Saludos

Jaggy Singh
Fan

In reply to Jaime Cruz's post on Thu 23 Dec 2010 :

Hey Jaime,

Thank you for writing back man, appreciate that! yh I am looking into those camera's at the moment. I am analysing the technologies through time, in reference to films. from the 20's to the 60's and to the 21st century. so I am looking at films such as, man with a movie camera, gimme shelter and touching the void. I want to look at why 35mm were used, why did people stop using them, then 16mm came in to action and now the 35mm is getting back in documentaries. I know the general idea, but i want to get in to more detail. also what the future may look like for documentaries. i wish i could change the title, I really do...but I am stuck with it now, so I just have to get on with it and learn to love it.

cheers Jaime!

Bill Kerrigan
Pro

Jaggy... because of my age, I might be able to help.
When I started... feature docs were shot on 35mm.
I filmed some pickup shots for 'Janis' and 'The Man Who Skied Down Everest'.

If you wish, you can write me off forum.

Jaggy Singh
Fan

In reply to Bill Kerrigan's post on Thu 23 Dec 2010 :

hey Bill, hope your well.

That's great.Seriously, I would love to hear from you, and your work. Thank you for replying back to my post, really do appreciate it Bill.

Is it possible I could maybe get your email add, so we can talk about this?

Thank You

John Burgan
Host

You'll find the email address of any D-Word member if you click on their name or photo.

Jaggy Singh
Fan

hey, thanks for the help lads.

thats great Bill, ill email you now.

Merry Christmas everyone

Christina Antonakos-Wallace
Pro

Hi there,

I recently completed a 20 minute version of the feature-length film I am directing (www.withwingsandroots.com) which is targeted for educational use. The film comparatively explores the immigration debate in the U.S. and Europe through the stories of children of immigrants in Berlin and New York. The film was shot half in Germany, and a very big German educational distributor is interested. They have given us a generic contract to look over, but I have no idea of the terms are decent or terrible, plus it is in German! Basically, they seem to be offering us no money upfront, but 50% of all profit from sales. They would get exclusive access to all German-speaking countries and Goethe Institutes for three years. I know that I need to find a German entertainment lawyer to speak with before signing anything, but it would be great if anyone could share any of the terms they have gotten in educational distribution contracts, or even send a sample contract.
Thank you so much for your help!!!

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