The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Deleted User
Fan
I'm not so saavy about this forum yet, please forgive me if this was
posted elsewhere. (it contains a new question)

I'm a filmmaker (12 years in the industry) and I'm about to embark
on my first documentary feature.

My topic is rather unique, so I can't reveal it online. Due to the
timely nature of my piece and my relative inexperience in the field,
I'd like to ask some seasoned pros a few key questions regarding:

1. co-productions, ie. finding the right partner(s) to help finance
and/or distribute my feature doc.
2. acquiring film clips and still photos, fair usage laws and public
domain.
3. the discovery of copyrights for films already made, plus
discovery of underlying literary rights of such films.

Any help would be appreciated! I can be reached at
philnoir@earthlink.net

Thank you.
Doug Block
Host
It would help if you could ask more specific questions, Steven. And
maybe one at a time?
Deleted User
Fan
I'm researching a possible film topic and have spent hours trying to
find comprehensive doc film libraries so I can check out what other
films have been made on this topic. I don't feel like I'm hitting
gold yet. Any sites you would recommend? Thanks.
Doug Block
Host
Donna, have you tried doing a Google search? First, by your subject
+ "documentary film". Then under "documentary film, distributor".
Then you might contact the more prolific doc distributors (ie.
Filmmakers Library, California Newsreel, First Run Features) and
collectives for self-distributed docs like New Day Films.
Deleted User
Fan
Thank you Doug, both for your honest welcome to the list (although I
notice by your bio that you are a thriving working doc
filmmaker...afraid of the competition, perhaps!? ;> ) and for the
quick reply to my querry.

My approach was exactly as you described, using Google. I'll check
out the distributors. Aside from the Canadian National Film Board
that approach hadn't occurred to me. Gotta dust off my research
skills I guess. And maybe there just haven't been many films made on
the topic I'm working on.
Doug Block
Host
I always try to scare away the newbies, Donna ;-) Way too many of
them out there. Those damn cheapie dv camcorders are to blame!

But clearly there's no scaring you off, so God bless.... And, yep,
ya gotta do your homework.

By the way, I wouldn't be scared off even if there have been other
films done on the subject. There's always room for diff. approaches
and p.o.v.'s.

And yours will be better, of course.
Deleted User
Fan
So, Doug, maybe we could carry on this therapeutic exchange off-
list. How much do you charge to provide witty words of encouragement
to newbies in need?
Deleted User
Fan
Hello all,

I have a 43 minute English language doc for which I am looking to create a
Spanish language version. I have a good translation, which will be read by
the subject of the doc, who is a native speaker. My question is this: can
anyone recommend some good NYC firms that would be good to work with
on creating the new soundtrack, from recording the Spanish dialogue,
matching to picture, etc. I am looking for people with lots of experience in
this specialty area.

TIA

James LaVeck
Rebecca Romani
Pro
Olympia~ hope your festival circuit is going well. I had the same
problem as well as asking myself is this realy as interesting as I
would like to think it is (answer:well, that depends...)Anyway, I
looked at past program descriptions of festivals I was interested in
to dtermine what kind of work they show, but more importantly how do
the programming people describe the material. That was really helpful.
Byrd Mcdonald
Pro
Hey D-Word, thanks for your continued existence.

I have visited these forums sporadically over the last year, but rarely posted.
I'm posting now because I'm having a major melt down and I want other
opinions or some perspective.

i'm in the painful final stages of completing a documentary I've worked on for 3
years about people in the haunted attraction industry. The film profiles
various men and women who have been building and directing "haunted
houses" for years. It's a portrait of a strange, unusual industry, but more
importantly a portrait of the creators, and what makes them do what they do,
and what makes patrons pay money to be scared.

In researching haunted houses, I of course read about "hell houses" and even
went to one in Denver for a week, where I shot some of the best footage I
have. (For those not familiar, hell houses are church ran haunted houses that
intend to scare morality into patrons through skits involving abortion, drugs,
homosexuality). However, the hell houses always stuck out as not belonging
in my movie, which is very much a valentine to Halloween and people who
draw some creative energy from this time of year.

Then, George Radcliff's HELL HOUSE emerged and begain getting raves at
different festivals.

My issue is that i fear people are going to compare my film to HELL HOUSE in
some way. HELL HOUSE is a wonderful movie (I've seen it), but very different
from my film. however, they are both about haunted houses, just opposite
ends of the spectrum.

I know this happens every day, that people get "scooped" before their film is
done. But, I am looking for advice on how to position my movie so that it
doesnt' get compared to HELL HOUSE and doesn't get perceived as a small
subject which another movie has already covered.
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