Its true, I avoid them whenever I can.
Hahahaha . . . oh, you boys!
All right, well, I'm taking heed (Wolfgang) and I think I'm going to find myself a good translator. Ideally, it would be one of the italians I worked with – they were there. They know the nuances of the language and got the wacky proverbs.
I understand why many people recommended that I just go in (with or without a pro editor) and start cutting – but I think this is an opportunity for me to really sit with what I shot, get to know my characters (and finally learn what was said!) and get a better grasp on my story. And being a Capricorn, an editor, and a writer . . . I think I'm interested in learning myself, first, what my story is, before someone sits and tells me (though I do enjoy collaboration).
So I think that's how I'll move.
You'll find that you won't regret having a real pro do it. In reality, it has to be someone really good, it's not enough to know the language.
All the more, if your documentary is going to be based on these interviews, you can't afford to loose the nuances.
I have done some translations of the sound track of documentaries (same issue except on finished products) and I speak Italian perfectly, so you'd be surprised to find out how many shitty jobs are out there. Sometimes, minor misunderstandings leadot translations that are actually saying the contrary of what was said.
Translating from English, the most common problems regard the mis-translation of American idioms or expressions. When you can't translate literally you need to know how to adapt the sentence to the other langauge and or culture, etc.
getting back to your stuff, you need someone who understands the language and the culture, so they can transalte the fine points without loosing any of the texture, if you know what I mean.
When you've done this part, before you start editing, re-read my posts on the editing phase.
Yes, Wolfgang. I know . . . the problem is, how to find this person who is going to do this. Ideally, it would be my DP – he knew the people, loved them, got their proverbs, and has an excellent command of English. But he's not terribly excited by the prospect.
Tony is right.
If you offer to pay him enough he'll probably accept the job.
Furthermore, it would probably be much easier for him (in Italy, if I remember correctly) to find people to transcribe – with time code references – your interviews.
Absent money, try flattery, perrsuasion, coercion, persistence. If that doesn't work, try showing him your tits.
Of course I'd pay him, but he's gotten dp jobs at $800 a day now, and I know he knows I can't pay him a rate like that, so . . . I think he's just not down with it.
What's a going rate for good translation and how do I know how long it would take to translate 10-16 hours of footage (that he shot)?
Don't believe Tony. I tried showing my tits once and it didn't work.
I tried flattery, perrsuasion, coercion, persistence, and didn't get anywhere with those either.