The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Doug Block
Host

Angela, as a Professional member you don't want to be posting in the Mentoring Room, which is dedicated to Enthusiasts without access to all the other topics. Besides, Professional members rarely check out this topic – some do but most don't. We never encourage people to double post, but in this case you should re-post this in the Fundraising topic.

asdfadgasd dafggfda
Fan

Thanks Doug and Riley,

I think we're moving away from the RED. Anyone with experience on the Sony FS100? That's a camera system we're looking at. Seems to have everything we need. Any pros cons and using that camera?

Riley Morton
Pro

i haven't used it – my big concern would be ergonomics. i'd make sure i tried it before committing.

Laura Moire Paglin
Pro

Yes – you certainly can't hand hold it without some sort of stabilization (which I'm still working on). I think you can get used to the buttons – although in cold weather, I'd probably find it impossible to use. Just like with the DSLRs you'll need to transcode the footage, which is a pain. You'll need ND filters since there isn't one built in. I'd also probably (and am planning to buy) the Atimos recorder – so you can record in Prores and or have a back up to those flimsy cards.

Kevin Hallagan
Fan

Compared to the cameras you guys have been talking about, I feel foolish asking about the ones I'm looking at.... but I'm going to do it anyway.
I am going to start my first Feature Doc this fall if not sooner, but I honestly only have about $5000 in my bank account and have no car, need to pay for food, rent, etc. so I'm looking at most in the range of the Canon 5D Mark II or the Pentax k-5... Snapsort helped me narrow it down to those two, but something about it makes me feel uncomfortable. I know it's my first doc but I feel like these cameras are just unprofessional. I don't want to be seen as a student making a movie, but I also don't have a car so getting my gear from place t place needs to be a compact operation and I can't afford anything nicer... any suggestions?

thanks
-Kevin

Ps. here's the Snapsort comparison: http://snapsort.com/compare/Canon_EOS_5D_Mark_II-vs-Pentax_K-5

Kevin Wells
Pro

In reply to Kevin Hallagan's post on Wed 2 May 2012 :
If price is a constraint and you want to use a dslr, I would suggest one of the cheaper dslr's. I love my 5D Mark II, but something like a 60D or t3i would work just fine (and have an adjustable lcd screen). Also, the Panasonic GH2 can produce a wonderful image – you have to take the crop factor into account, but it's a nice doc camera as well. For all of these you'll need an external audio recorder – Zoom H4n is great.

I would recommend a shift in thinking over whether a camera is professional or unprofessional. They are tools – if you can get something cheaper that helps you do what you need to, get it. People take cues from how you conduct yourself. And often times, using a dslr helps on a doc shoot because you are hassled less from police, guards, etc because it's unassuming...

Peter Brauer
Pro

What Kevin says is right on. I shoot a 7D and love it most of the time. But the 60D and t3i is nearly as good as the 7d. Spend your money on audio. Get a good mic. Good sound is probably more important to seeming professional. Ultimately its not the camera that will make things look and sound good. Its you. Good luck.

Kevin Hallagan
Fan

thank you, Kevin and Peter. time for me to redirect my camera research.

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