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Stefanie Dworkin
Thu 30 Sep 2010Link

INTRO TO FINAL CUT PRO CLASS

Taught by Stefanie Dworkin

Whether you are an aspiring video editor or filmmaker, video artist, reporter, photographer or combination of the five, chances are you have crossed paths with Final Cut Pro and wished you knew your way around this powerful and creative editing tool. Here is your chance to establish such a foundation in a small class setting, allowing you the freedom and flexibility to tend to your own creative pursuit.

INTRO TO FINAL CUT PRO– $399 with WIP/NYWIFT/MPEG discount. Regularly $449.

WEEKLY: Tuesday Evenings October 5, 12, 19, and 26 from 6 to 9pm.

INTENSIVE: Thursday & Friday October 28th & 29th from 10am to 5pm.

PREREQUISITES
A working knowledge of the Macintosh operating system Mac OS X.

LOCATION: All classes are held at Showbiz Software (ground floor) at 19 West 21 Street between 5th and 6th Avenues. To reserve your seat, please contact 646-829-0700. Private one-on-one sessions are also available by contacting me directly at learnfcp@me.com.

PAYMENT DETAILS
Payment for the classes may be made directly with Showbiz Software by calling 646.829.0700 or visiting their store, 19 West 21st. Street, Ground Floor, New York, NY between the hours of 8am and 8pm.

INTRODUCTORY COURSE OUTLINE
Class 1: Overview of Final Cut Pro
Launching Final Cut Pro, Final Cut Pro’s Interface, Nonlinear Editing & Workflow Process, Working with Projects, Organizing Media Elements, Playing Clips in Viewer, Navigating Clips and Sequences, Marking Clips, Saving, Quitting and Hiding Final Cut Pro.

Class 2: Capturing, Importing and Editing a Rough Cut
Creating a New Project for Capturing, Previewing and Marking Source Material, Logging Clips, Choosing Clip Settings, Choosing Capture Settings, Choosing Capturing Options, Setting Capture Preferences and Acquiring other Media such as Graphics and Audio. Logging Information in Browser, Creating Subclips, Editing a Rough Cut, 3 Point Edit, Making Overwrite and Insert edits, Managing Timeline Tracks, Adding Audio Clips, Moving Clips in the Timeline, Drag and Drop Editing, Importing Tracks from a CD.

Class 3: Editing a Fine Cut, Transitions and Filters
Trimming, Ripple Edit, Dragging Clips to a New Location and Keeping Linked Clips in Sync. Viewing Transition Options, Modifying, Applying and Copying Transitions. Using the Transition Editor, Changing the Transition Parameters, Previewing and Rendering Effects. Applying and Viewing Filters, Creating a Freeze Frame, Changing Clip Size and Position, Building a Split Screen and Animating Motion Parameters.

Class 4: Final Preparation, Outputting to Tape & Digital Media
Monitoring and Adjusting Audio Levels, Applying Transitions to Fade Volume, Setting Keyframe to Change Volume, Working with Video Generators, Adding a Lower Third, Creating a Title. Understanding File Formats, Exporting Quicktime Files for DVDs & the Web, Outputting to Tape and Backing Up Projects.

INSTRUCTOR
Stefanie Dworkin is an Apple Certified Final Cut Pro Instructor, Editor, and Photographer. Credits include: As The World Turns; The Naked Brothers Band; My Country, My Country; Let the Sunshine In; Save Her O Save Her*; and Can You Hear Me? Stefanie is a member of the Motion Pictures Editor’s Guild and New York Women in Film and Television. She holds a masters degree in Interactive Telecommunications (ITP) from New York University’s Tisch School of the Arts and a bachelor’s from the University of California at Santa Barbara. She is available to teach group and individuals as well as specific Final Cut Pro training for Avid Editors. Stefanie can be reached at learnfcp@me.com

TESTIMONIALS
"Stefanie Dworkin is knowledgeable and adept at encouraging students at all levels. We worked through a basic introduction to Final Cut Pro 6. I came from a fairly tech-phobic background and found that Ms. Dworkin instilled confidence through her clarity and ease working with Final Cut Pro– showing me ways to problem solve based on my instincts while navigating the program. Stefanie keenly answered all questions and tailored the lesson plans and information to each student's individual needs. The class itself, had a very interactive tone with students learning from each other's questions while being guided in a very sure-footed manner by Ms. Dworkin. I highly recommend this class to anyone seeking to get acquainted with Final Cut Pro or sharpen their skills!" D. Cameron-Scorsese, Filmmaker/Actress

"Final Cut Pro 6 is definitely a much needed tool if you want to stay ahead of the game. With a creative innovator like Stefanie Dworkin teaching you the 'ins and outs, you'll be amazed at what you can do frame by frame. The huge sense of accomplishment you feel at the end of each class speaks for itself...For me..the goal was about building from that foundation and making the connection last... Overall, a truly SUPERB class!!"
J. Myers-Bartley, TV Reporter


Felix Endara
Thu 30 Sep 2010Link

POST-PRODUCTION INTERNSHIP for "AN INTERVIEW WITH SIMONE WEIL"

The internship for AN INTERVIEW WITH SIMONE WEIL, a feature-length documentary film by Julia Haslett, offers a unique opportunity to learn about post-production and preparation for a major European film festival premiere in November 2010. To view the trailer and learn more about the film, check out the film's website: www.linestreet.net.

Responsibilities

  • Requesting archival clearances & ordering master tapes
  • Assistant editing
  • Assistance with proposals and letters
  • Helping to manage post-production schedule for on-time delivery
  • Planning and organizing travel arrangements
  • Publicity and promotion of the film for festival circuit
  • Graphic design for DVD and poster art for films
  • Equipment and edit room maintenance and organization

Skills

  • Ability to handle multiple, immediate tasks while paying close attention to detail
  • Ability to work as a member of a team and independently
  • Experience using Final Cut Pro and other related computer programs

Timeframe

ASAP through the end of November 2010.
We need someone who can commit to at least 30 hours a week.

This is a great opportunity for someone with a strong post-production background who's interested in taking their skills and experience to the next level.

Interested applicants should email a resume and cover letter to:

Enrico Cullen
ricocullen@gmail.com


Laura Moire Paglin
Thu 30 Sep 2010Link

English to French translation needed for original screenplay (25 pages).
Negotiate for payment.
Script needed by October 10th, 2010
For more information, contact:
kailyne.waters@yahoo.com


Pola Rapaport
Fri 1 Oct 2010Link

Breaking Through:
An Experiential Workshop for Creative People

Description:
Use powerful Gestalt-based techniques to overcome your creative blocks.
Learn to confront people and situations from your past and present to move beyond obstacles to your creative expression.
Come prepared to engage and play with your favorite internal demons!

"I really loved the whole thing. The bodily-based work in the context of being in the present, different parts of the self talking to each other, embracing 'demons', hearing commonalities in our experiences- all of it, truly, frees up energy. The exercises were well-executed, fun, original. One of the best workshops I’ve ever attended." – R.C.

Who Should Attend:
Anyone who is- or wants to be- involved in a creative pursuit (e.g. writing, acting, starting a business, etc.)

Date: Wednesday, October 6th, 2010, 7-10 PM

Location: Chelsea, NYC

Fee: $75.00
SIGN UP NOW AND RECEIVE A LAST-MINUTE DISCOUNT FOR D-WORD READERS: 10% off- PAY ONLY $68.50

About the Workshop Leaders:
Pola Rapaport, a Guggenheim Fellow and award-winning filmmaker, has trained at Gestalt Associates for Psychotherapy.
Devra Fradin has been a leadership coach and group facilitator for twenty years. She uses experiential techniques to help get people to where they want to go.

To Register: Please register by sending an email to heldrap1@gmail.com
Payment by Paypal to polarap@gmail.com

Due to the interactive nature of this workshop, enrollment in each workshop is limited to 8 people.

To learn more, contact coachnyc@gmail.com

photo credit: Wolfgang Held
www.blindinglightfilms.com


Andy Schocken
Fri 1 Oct 2010Link

Anyone in NYC have a 5d Mark II (body+cards+batteries) available for rent Tue 10/5?


Kai Hsing
Wed 6 Oct 2010Link

We are a Peabody Award-winning youth-driven converged media production company that delivers the best youth news and culture and undiscovered talent to a cross section of audiences.

In the coming months, we are looking for experienced documentary filmmakers with a strong sense of storytelling and style who can tell unique stories for a culturally diverse, sophisticated young adult audience.

Though our budget is limited, we have distribution from public media outlets across the country and we are looking to support innovative shortform storytelling and experimentation.

Please send a short cover letter to videojobs@youthradio.org describing your filmmaking experience and interests, resume and links to relevant clips, as well as a description of your role in each film.


Felix Endara
Thu 7 Oct 2010Link

DocuClub in October!

Our October DocuClub will take place on Wednesday, October 20, 7 p.m., at DCTV [http://www.dctvny.org/], located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).

We will screen a rough cut of AN INTERVIEW WITH SIMONE WEIL by Julia Haslett. What response does seeing human suffering demand of us? Haslett seeks an answer in the controversial French philosopher and activist Simone Weil (1909-1943), whose life and work took on this question in a dramatic way. Adopting Weil as her guide through an engaging and profound moral landscape, Haslett goes on a journey to understand Weil’s loss of faith in revolutionary politics and the spiritual awakening that followed. Driving her obsession with Weil is the interwoven story of suffering within Haslett’s own family – her father's suicide when she was 17 and now her older brother's severe depression. When Weil dies from self-starvation at the height of World War II, Haslett is left wondering if death was the logical conclusion to Weil’s philosophy and her attempt to share the pain of others? The result is a deeply moving and unique documentary about what it means to bear witness to suffering, both near and far.

Director/Editor/Producer Julia Haslett makes expressionistic documentaries about contemporary and historical subjects. She is producer/director of the highly acclaimed WORLDS APART (2003) series about cross-cultural medicine, and producer of the companion hour-long documentary HOLD YOUR BREATH (2005), which broadcast on PBS in 2007. Her documentary shorts HURT & SAVE (2001), FLOODED (2003), ECLIPSED (2007), and PURE & SIMPLE (2008) have screened at numerous venues, including the Full Frame Documentary Film Festival, Rooftop Films, and the Black Maria Film Festival. She has worked at WGBH-Boston, the Discovery Channel, and as a Filmmaker-in-Residence at the Stanford University Center for Biomedical Ethics. Haslett was awarded a MacDowell Colony Fellowship to advance her work on AN INTERVIEW WITH SIMONE WEIL, which is her first feature-length film.

Producer Fabrizia Galvagno has worked as a Project Development Manager and Producer with Arte, National Geographic, PBS, and TV Ontario. She developed LEONARDO DA VINCI: THE MAN BEHIND THE TURIN SHROUD? (2002) for National Geographic; RICE GIRLS (2003, Venice Film Festival) recently broadcast on Al Jazeera International; THE PRIME MINISTER AND THE PRESs (2003) for PBS; and GELATO: AN ENDLESS PASSION (2005), which aired on the Sundance Channel.

Producer Enrico Rossini Cullen is the Director of Development and External Affairs at Arts Engine. He has been a consulting producer on several of Arts Engine’s Big Mouth films, including ELECTION DAY (2008), ARCTIC SON (2007), and PUSHING THE ELEPHANT (2010), which premiered in June at the Human Rights Watch Film Festival in New York City.

Cinematographer Thomas Torres Cordova is a filmmaker and installation artist. He shot the award-winning PBS-broadcast documentary STRANGE FRUIT (2002) directed by Joel Katz. His films/videos have aired on the Sundance Channel and screened at numerous festivals. His latest film, EVERYBODY LOVES THE SUNSHINE (2007), was featured last January in a solo show at the Amie and Tony James Gallery in New York City.

Consulting Editor Jonathan Oppenheim’s editing credits include SISTER HELEN, which won the documentary directing award at Sundance and CHILDREN UNDERGROUND, which was nominated for an Oscar and won the Sundance Special Jury Prize, Gotham, and IDA awards. He edited the classic documentary feature PARIS IS BURNING, and edited and co-produced Laura Poitras’ THE OATH.

Our moderator will be Shaady Salehi, Deputy Director at Active Voice, a nonprofit media strategy organization. Working as the intermediary between film producers and NGOs, Shaady specializes in the use of film and media to support long-term social change. She has spoken at film festivals and conferences nationwide, including SILVERDOCS, Making Your Media Matter, NAMAC and the National Black Programming Consortium's New Media Summit. Prior to joining the Active Voice team, she did her graduate studies in Cultural Anthropology, focusing on the role of the Internet in provoking cultural resistance and social change among urban youth in Iran. She holds an M.A. in Anthropology from the University of California, Davis, and is currently enrolled in Columbia University's Strategic Communications program, with an emphasis in communications for social justice.

Admission is free for current DocuClub members and $6 for non-members.

If you’re planning to attend, please RSVP to docuclub@artsengine.net [docuclub@artsengine.net].

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

http://www.artsengine.net/store/items/docuclub_membership_individual_rate


Gregg Schwenk
Tue 12 Oct 2010Link

In reply to Gregg Schwenk's post on Wed 18 Aug 2010 :

2011 NEWPORT BEACH FILM FESTIVAL EARLY BIRD DEADLINE OCT 22!

The NBFF Early Bird Deadline is approaching! Submit your film now to be part of the 2011 Newport Beach Film Festival and save!

*Receive a discount when you submit through Withoutabox!

EARLY BIRD DEADLINE:
OCTOBER 22

FEATURES: $35
SHORTS: $30

The 2011 festival will run from April 28th to May 5th, 2011

Visit www.NewportBeachFilmFest.com to submit


Katie Cook
Wed 13 Oct 2010Link

Find out HOW TO SUCCESSFULLY SUBMIT TO INDEPENDENT LENS! Join us tomorrow, Oct. 14th for the FREE DOC TALKS live interview with Lois Vossen, curator for the PBS series, Independent Lens. Listen in, ask questions and get the inside scoop on acquisition. Thursday, Oct. 14th 5pm Pacific (8pm Eastern) Register Now! http://bit.ly/3Z5Zjh

Learn more about DOC TALKS at http://www.documentaryhowto.com


Soudabeh Moradian
Thu 14 Oct 2010Link

My personal "SONY HVR-Z5U High Definition Camera" is available for rent.
Contact me via this email address for more details:
soudmore@gmail.com


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