In reply to John Burgan's post on Wed 6 Feb 2008 12:30 UTC :
Thanks John. Much better than spending 80 dollars!
Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!
Please include a LOCATION. Spam will be deleted.
As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)
In reply to John Burgan's post on Wed 6 Feb 2008 12:30 UTC :
Thanks John. Much better than spending 80 dollars!
Then you should read Eisenstein. Karel took his tiny bit of editing philosophy from him. Most of the book is about the mechanics of editing film. Another series of books worth reading are by EDWARD DMYTRYK. Called "On Screen Directing" "On Film Editing" etc.
Another good book would be "Story" by Robert McKee. Don't forget, editing is storytelling.
Nor-Cal Filmmakers, Show your chops!
The Sacramento International Film Festival is giving people two chances to screen work. One is the 48 Hour Film Festival where teams complete a short movie in 48 hours.
The second is Current Visions. In conjunction with Current TV, Filmmakers are asked to submit a 10 minute documentary for screening. The documentaries can be about on any topic including: Bio, Humanities, Politics or other. The top documentaries will also be picked up for broadcast by Current TV.
Thanks Gentlemen, I appreciate it!
Yep, clearly Eisenstein is key. I'm really enjoying the war films of Humphrey Jennings; the way he combines music with a documentary (Listening to Britain) and poetry with a documentary (Words for Battle) is masterful. And although he clearly is influenced by montage, Jennings is singularly British as well.
I'm also enjoying how King Vidor weaves sound and scene in Our Daily Bread and his work generally (The Crowd).
And I remain a serious devotee of Bunuel and his editing throughout his very long career.
I'm interested in exploring new avenues in what role sound plays in a documentary and how to weave that into the editing process. Any reading suggestions you might have along these lines would also be warmly welcomed.
Thanks for all the help!
If you're enjoying the Jennings, a must-read is Dai Vaughan's "Portrait of an Invisible Man: The Working Life of Stewart MacAllister, Film Editor". Remember that "Listen to Britain" credits Jennings and MacAllister as co-directors.
It's the single most inspiring book on editing documentary I know, written by the most experienced documentary editor in the UK. It's out of print, but you can still find copies via websites like http://www.abebooks.com
Thanks John, I'm enjoying the heck out of Jennings. That fellow is masterful in so many ways and way, way ahead of his time.
That's an awesome tip about McAllister. Thanks!
The Streaming Festival is now accepting submissions for its 3rd edition in October 2008.
Deadline for submissions is 01 September 2008.
Accepted genres are documentary, animation, video art, flash and narrative.
No entry fee.
Send submissions through postal service, or provide a website link with a preview to the submission.
The Streaming Festival is an international artfilmfestival on the internet. Films are presented full screen on streaming servers with high image quality.
The 3rd edition will start in October, and lasts four days. The Streaming Festival is based in the Netherlands but has no geographic boundaries. Viewers can visit from any location in the world, at any given time and plug into one of the festival streams.
Hello all . . . I'm working on a project in which I would like to use entries from an old diary I've uncovered. However, I'm having the hardest time reading a large portion of what the person wrote. Does anyone out there know of a good hand-writing expert who may help me "translate" the entries? Any help/suggestions would be much appreciated. Thanks!
Still looking for experienced fixers for PBS documentary for:
Jo'burg, South Africa
Please reply directly to me if you have any recommendations or resumes.
To "Anonymous Please", we've deleted your post because we have a policy at The D-Word that no one can post anonymously. We're not censors – if you identify yourself, and are willing to confirm it should we feel the need, then feel free to post it again.
Adam, for Guatemala, you can probably get a good lead from Jan van Bilsen who is based in Nicaragua but has worked all over South America for 25+ years. He is/was a member of D-Word but I've not seen him post here. I know him from 2-pop, 6 years ago. Please share my best regards. This is the last email I have for him. firstname.lastname@example.org and if you google his name you'll notice his credentials...
Docs In Progress is partnering with NomadsLand to curate a special international edition of our popular works-in-progress screenings. After a worldwide call with excerpts from the finalists posted on the NomadsLand.com website, we have selected two documentary rough cuts to be screened and critiqued by a live audience with out-of-town filmmakers participating in the discussion via Skype.
WHEN? Sunday, February 17 at 6:30 pm. The screening will end no later than 10 pm.
WHERE? Busboys and Poets 2021 14th Street (at V Street), NW Washington DC. Closest Metro: U Street/Cardozo Metro Station. PLEASE NOTE THIS IS A DIFFERENT LOCATION FROM OUR USUAL WASHINGTON DC PROGRAMS.
HOW MUCH? $5 (cash only, at the door). Cost includes the screening and discussion only. Food and drink are available at cost from Busboys and Poets.
COMRADES by Dean Hamer
Struggling against 5000 years of Confucian tradition and a communist government that views any type of organizing with suspicion, China's gay community is finding novel ways to fit into the fabric of modern society without hiding who they really are.
CASA (HOUSE) by Luis Alaejos and Raúl Díez Alaejos
In what was once the tallest building in all of South America, 1500 neighbors of all social classes co- exist. This is a portrait of Montevideo's Palacio Salvo and its occupants: artists of little and great renown, recent arrivals attracted by the building's bohemian atmosphere, those who want to leave, but can't, and those who are the ghosts of a building's faded past.
Please come join us and pass the word on. Filmmakers and non-filmmakers alike are welcome to attend and participate.
More at http://www.docsinprogress.org
I'm looking for a Spanish speaking boom operator in the San Diego area. Must have a valid passport. Shoot is March 1st to approx. March 10th. Will fly with a charter plane from San Diego to the San Ignacio Lagoon where the majority of the shooting will take place. Return will be by plane, if we're lucky, or by bus (14 hrs). Can pay $600 plus all expenses. Two-person crew, this is the fourth shoot. I'm an MFA student at the U. of Texas, Austin, and this is my thesis, a documentary about eco-tourism (whale watching), environmental conservation, and the displacement of local people. If interested contact email@example.com. Or if others on D-Word know of people who might be interested, let me know!
I am looking for a HD cameraman and a sound man based in Chicago- for a shoot this thursday and friday.
The camera is the Sony F900. It will mainly be interviews and some b-roll .
Please contact me directly at : firstname.lastname@example.org
Many thanks !!
we are a film production company that produce and co-produce features,shorts and documentaries for theatrical release.Our philosophy is a simple one:We don't make films for you.We make them with you.
our web site:www.gffilm.tv
EXPERIENCED ASSISTANT EDITOR NEEDED TO ORGANIZE LARGE SCALE DOCUMENTARY
I need an Assistant Editor to come to Cleveland for several days, a week, or however much time necessary, to come up with organization system for a long form doc containing 200 – 300 hours of footage and numerous characters. Footage needs to be logged and searchable, interviews need to be transcribed and we need to be able to train interns to do much of the rudimentary work. Editing HDV material in Final Cut.
Fee negotiable plus travel/living expenses and accommodations. Could eventually be an ongoing position depending on funding. Prefer someone within a 1000-mile vicinity of Cleveland (i.e. New York).
Please email resume to:
You can read about my other work here:
Synopsis of current documentary available upon request.
Hi Laura, do you want the AE to transcribe the interviews? I'm sure that will take much more time...
No. The idea would be to come up with the best system so we can train interns to do the actual grunt work. For example, should they be given clones of QT files? How will they log the time code? etc.
But if anyone has a better idea on how to start organizing a project for an editor before you can afford to pay one, please let me know!
Your best solution is to get all 200 hours onto hard drives. Then make clones of sections of the materials that can be loaded into an edit system so people have control over the material. Let them make subclips with notes about the material. The transcript project should be done by a professional who can insert time code into the documents. That said, I wouldn't bother with transcripts of all the material. Too expensive. Just transcribe the 20% that may make it into the film.
Robert – thanks for responding. I'm going to post my question and response to yours in the editing section.
what would be the best options in terms of camera to shoot a shoestring budget documentary which requires a lot of outdoor shootings following a subject discreetly in different local public places and some indoors for interviews- (pretty much guerilla/ news style)?
here are the options:
-Panasonic DVX 100b
-Panasonic AG-HVX200(P2 cards + camera =outside our budget range-unless somone knows a great place to buy it cheap)
- Sony HDR-FX1 (someone told me good but not so great)
now i have been told, since the film style will be pretty much hidden camera style (almost) , to use may be a high end HD consumer camera so i can hide it even in pocket.
does anyone know anything about the quality of these cameras below:
-Panasonic HDC-HS9 (HD & 24p)
Canon HV20 HDV (HD & 24p)
any suggestions or help?
Just saw this info on the IDFA Summer School. Posting it here, so enthusiasts can see it too:
it's nice that IDFA wants to do this, but c'mon, that's friggin expensive. first and second time directors who are currently in the midst of producing their films do NOT have the money to jaunt off to amsterdam for a bit of mentorship. to go from the u.s., you'd have to spend about $2500-$3000 for tuition, airfare, and accomodations. no IDFA Summer School for me.
This might well be a question for the mentoring section.
That said, the Canon HV20 is probably the best disposable high definition camcorder you can buy. Because of its plastic parts, it is unlikely to last you much more than one film. But for what it is, a disposable HD camcorder, it can't be beat. It has a very nice lens and superior image stabilization. Ranked as product of the year (2007) by Videomaker magazine.
I must add that one nearly fatal flaw in the Canon HV 20 is the sound. In my book, any camcorder that uses mini-jacks for its mike inputs is completely unacceptable for almost all serious work by any documentary professional.
You can, however, bring the sound quality of the HV20 up to a level that will be acceptable to the vast majority of viewers by using good mikes connected to an XLR adapter (such as a Beachtek). That XLR adapter then plugs directly into the HV 20.
or use new Sennheiser shotgun
(recently posted by D-worder Rafael La Luz in members-only "Sound and Music" topic)
Matt, I was interested to know how you went about getting permission to film in Mecca, Saudi Arabia.
An XLR adapter will do nothing to improve sound quality for an HV20, or any camcorder. The adapter plugs into the mini-jack, so you're still dealing with that bottleneck. Plus, you're adding another noisy connection to the path between mic and tape, and the pots in the adapter itself which will get dirty and add their own noise. In fact, even when they're not dirty they're pretty noisy.
There are some decent mics available (Rode, Sennheiser,?) with 1/8 inch plugs. I'd go with one of those, or record audio to a separate recorder altogether.
Thanks for the clear thinking Joe!
Nigel, one of the qualifications for being a Member here is that I need to be of demonstrable use and benefit to the professional documentary community. As things appear to stand now, I need to wait until completion of one of my films before I am granted membership. Unfortunately for me, that will be next year.
I do not object to that requirement. I am willing to play by the rules; that's fine. I am not complaining about the rules and I am not attempting to change them.
If you can assist me in becoming a member sooner, then I am willing to share what I know about this with you and others immediately upon receipt of Group Membership. I am aware this decision is not up to you.
As a member, you have much more power in this group than I do. You have access to all sorts of discussions that I am not privy to, that I would benefit enormously from.
Until that fine day when I become a member, I have to zealously guard certain crown jewels which I do possess. Otherwise I would be at a complete and absolute disadvantage to every member here.
Nothing personal at all. It's just part of paying my dues.
Very best wishes to you.
Thank you for the info. I am going to post the question on mentoring as per your suggestion. This is one crew person filmmaker who is trying to reach a professional as much as he can. so any help about shooting tips (camera, cinematography, sound) is VERY VERY welcome! :-))
Thanks for your support.
No worries Matt. The question comes from just an inherent interest for 'all things production' in the Middle East. I worked there for a few years and wondered if there had been any significant changes in access to Mecca. You stated you are a newcomer and I was impressed that you had this kind of access, the assumption I made was that you weren't affiliated with any large media group. I wasn't looking for any hard earned personal contacts just some basics, in the past we used crews out of Egypt because it was difficult to get any non-muslim producers into Mecca. I should have phrased the question differently, apologies. My days working in the Middle East are, in all likelihood, over.
You are right in assuming that I have no influence here and can do nothing to help you become a member quicker, I'll leave that to Doug and the more senior members here who have invested years of their lives creating this invaluable resource and support network.
I will say this though, it surprises me how little the mentoring section is used by enthusiasts, you mention you are not privy to a wealth of information, I disagree, all you have to do is ask a question, the members are incredibly generous with their time and advice.
In reply to Matt Dubuque's post on Sun 24 Feb 2008 :
Matt, I may be speaking out of school here, as I'm a fairly new member and not one of the hosts. This forum is, in my limited experience (though I have read every post since the beginning and found a wealth of useful information) one that is, almost above all, based on a selfless spirit of generosity and community. Established filmmakers help each other, and they also help newcomers to the field in public forums, such as this one. I haven't seen any quid pro quo requests here... if someone requests information or assistance the response is always generous and unqualified. Paying it forward, to use a trite phrase. I should think that your providing a member with requested information would be automatic and not come attached with conditions. You could request the member's e-mail and provide the info in private if you did not want to share your "crown jewels" with the public (members do this all the time). It's only my way of thinking, but if you demonstrated through your posts in the public threads that you could indeed be a productive participant in this little village by EXCHANGING information unconditionally with both members and enthusiasts in an intelligent, thoughtful, and professional manner, it might very well accelerate your admission as a member even though you are an inexperienced filmmaker. Food for thought. And don't get me wrong: it's great to have you here participating.
DOCUCLUB “IN-THE-WORKS” AT SILVERDOCS – CALL FOR ENTRIES
DocuClub is pleased to announce its participation in the 2008 SILVERDOCS: AFI/Discovery Channel Documentary Festival with an “In-the-Works” program.
The deadline for submissions is APRIL 18, 2008. SILVERDOCS takes place June 16-23, just outside Washington DC. For more information about the Festival, go to:
DocuClub is currently accepting submissions for an “In-the-Works” program at SILVERDOCS. The “In-the-Works” program offers filmmakers a safe environment to screen a rough-cut of their documentaries before an audience of their peers and lovers of the form. The audience is encouraged to give constructive feedback about the structure, content, characters and clarity of the film in a post-screening discussion facilitated by an experienced filmmaker.
Past films that have screened “In-the-Works” include BORN INTO BROTHELS, METALLICA: SOME KIND OF MONSTER, and THE BOYS OF BARAKA, which won an Audience Award at SILVERDOCS.
Submission requirements for the “In-the-Works” program at SILVERDOCS include the following:
• Films must be in rough cut stage and thus ready to be screened;
• Films must be no longer than 90 minutes and no less than 45 minutes;
• Filmmaker should be able to articulate specific challenges that you wish to workshop.
To apply, please mail a clearly labeled DVD screener to the address below. (Please note that your screener will not be returned unless you provide a SASE.) :
Filmmaker Services Coordinator
Arts Engine. Inc.
104 W. 14th St. 4th floor
New York, NY 10011
DEADLINE FOR SUBMISSIONS: Friday April 18, 2008
For more information, contact:
(646) 230-6368 x 221
In reply to Jamila Gaskins's post on Sat 6 Oct 2007 :
Hi Jamila, Kent is fine. Not much film activity but my teaching is going well. Sorry it took so long to reply, I don't always check this site.
I'm still looking for projects to work on.
I introduced myself, now let me introduce Ginger Ink Films.
Ginger Ink is a film and television production company based in Nairobi, Kenya and, as you will see from the following, we give creative input and practical support for any production from commercials through to documentaries and feature films filmed all over Africa.
• We have recently filmed documentaries for such clients as Crocs Inc in Malawi, “Soles United in Africa” http://www.solesunited.com/solesunited.mov,
and DHL in South Africa, Nigeria and Ghana;
• Facilitated crew and equipment in Ethiopia on the feature film, “The Athlete”, for the German-based Grand Hotel Pictures/Invicta Entertainment, which will be released in 2008;
• Filmed and produced television shows for National Geographic – “Hunter, Hunted” & “Is it Real?” ; the Travel Channel – “Stranded with Cash Peters”, and Virgin Media TV – “Take Me to the Edge” , the latter of which is to be shown in the UK in July 2008;
• Produced commercials for the African market for blue chip companies as Unilever, Reckitt Benckiser and Diageo and have a team of producers, directors, cameramen, soundmen, art department, location scouts and managers, casting agents, assistant directors, production assistants, grip and lighting crew, etc.
We also have inhouse camera and sound equipment. Grip and lighting equipment can be hired in Kenya.
For your next project in Africa, give us a shout.
Kenya has been one of my all time favorite places.
Nowadays it seems to be in a big storm?
I'm not complaining. But I think it would be incorrect to state that being a Member is identical to not being a member.
I remember as a law student the first time I entered the Stanford Law Library. The wealth of information there is staggering. The general public is not allowed in, for good reason.
But being allowed to study in those stacks of 18th and 19th century books, where the majority of thoughts are in complete paragraphs, was a revelation indeed.
And I have lots of questions about Vertov. For example, what influence did his films have on the very famous German actress Leni Riefenstahl before she started directing many years later? She must have seen his films; they were a smash in Europe. What influence did Vertov have on Bunuel?
And James Longley (member and 3 time Academy award nominee) is the only person I know of who has spent 2 years in Russia absolutely immersed in Soviet montage. I know he's a member here, but I've never seen him post in the Mentoring section. And I'm sure he has the kind of deep, specialized knowledge I seek.
I'm not being ungrateful or complaining. I'm simply able to make distinctions between my specialized inquiries and the general needs of others.
If you are ever at the SF Doc-u-Link I'd love to meet you.
And I'm glad you understand my point about crown jewels, even if others do not. One thing I can say, for me it just seems essential to have an Islamic film crew filming in Saudi Arabia, especially given what I intend to film there. All my analysis starts from there.
In reply to Robert Richter's post on Fri 29 Feb 2008 :
The big storm slowed to a tiny squall. Now it looks like it's a beautiful breeze!
Things have gotten back to normal(what is normal anyway?)... and i have a deep-seated feeling that they will stay so.
Hey everyone I'm helping out with marketing and distribution for this feature documentary "Rapping With Shakespeare." Directed by Emmy Award-winner Michael King, it tells the story of how five Crenshaw High School students integrate Shakespearean literature with modern day urban music culture to express adolescence in South Central LA. We had a sold-out debut in Wisconsin and our next screening will be at the Palm Beach International Film Festival. Any support or help getting the word out on this project would be greatly appreciated!!!
My email if you have questions
I sincerely hope you are right! I look forward to another visit, and this time a side trip to Lamu.
CALL FOR ENTRIES [Deadline April 9, 2008]: LOOK Presents: Things To Come... A Sci-Fi Film & Music Festival
FILMMAKERS: Deadline: April 9, 2008: We are seeking short films with themes of Innovation, Man vs. Technology, Globalization, Conspiracy, Big Brother, the Apocalypse, Time Travel, Alternate Reality, etc. –- all are welcome.
Go to http://www.LOOKpresents.com/events/thingstocome.html for further details.
Also Appearing that evening will be DJ Chris Alker on the mix spinning a unique blend of space dance rock,
go-go dancers decked in the height of futuristic chic, and to close it out a very special performance by one of our interplanetary live bands.
GUESTS: Open to everyone. We hope to see you all there April 27th.
Otto de Owl
Cozy private office space with a great view in Midtown West Manhattan. 130 square feet. Would easily accommodate 2 desks plus extra storage and receptionist area. We are filmmakers and would like to share our space with others in the filmmaking community. The rent is $800 plus minimal extra charges. Contact email@example.com or 212-216-9315.
Video Advertising Creators Needed
In this digital world, the demand for video is hot. And the demand for video ads by big companies is even hotter! Come join an up-and-coming creative media company that is giving exposure to some of the web’s hottest video makers and is getting work from some of the world’s biggest brands – Nestle, Unilever, New Line Cinema, Anheuser-Busch and more!
We pay our best creators to do excellent work for us and our clients. Are you up to it? We’re looking for you!
Learn more at http://xlntads.com. Join us today!
Seeking English speaking producer and/or videographer based in Santiago.
Please send resume to: firstname.lastname@example.org before March 14 after which time search will be closed.
Time is of the essence—
We're looking for a small doc video crew, based in Dubai, to shoot March 8th, 9th and 10th. The gig is shooting a prestigious art opening for J.P. Morgan Chase.
We need a professional broadcast format (i.e. Beta, Digibeta, high-end DVcam.) We're shooting 16:9 NTSC but tapes can be converted from PAL or SECAM
Please send resume to Tina DiFeliciantonio, Producer, Naked Eye Productions Ltd., Tina@NakedEyeProductions.com
Try my friend Basheer email@example.com. I don't know if he's a producer himself, but he was a good coordinator for me at the Dubai Film Festival, very helpful. I think he'd be able to point you in the right direction.
In reply to Robert Richter's post on Fri 29 Feb 2008 :
Lamu is fantastic... well, at least the beach though. Was there for Christmas and they have let the street (their version of 'streets') get filled with donkey crap, which makes sight seeing hard as you have to walk with your eyes fixed to the ground...a pity, there is so much to see!
Holla when you are around, will help you get make the best out of your trip!
A recommended posgraduate course (diplomado) in "creative documentary" in Cali, Colombia.
I’m looking for a flat for 2 person in the period between 15th April – 12th May in New York (Lower East side, East Village, LES…). I’ll be there shooting a documentary for the French- German channel “arte”. My name is Alessandro Cassigoli and you can contact me at:
I have a friend who recently got a job offer to work in ROME and EGYPT for a year – for a Discovery documentary. If anyone has any contacts or advice please do pass it along. She will be moving at the end of March !!
Oh and i am looking for a LA sound guy for a shoot from the 19th – 22nd of March
Any suggestions ?
Amelia: I know a good sound guy in L.A. E-mail me for details...
For folks in New York:
TWN Wednesday Night Seminars
Walk-in seminars on production topics you need – from fundraising to budgets, to media management. All classes are $20/$10 (low income) unless otherwise noted. Register now at firstname.lastname@example.org.
March 19, 6:30PM, Production Planning and Budgeting with Ann Bennett
Preparing to produce your film – from research and preproduction to post production and distribution, with a special focus on preparing budgets. With lots of useful handouts! Led by Producer/Director Ann Bennett, who has worked for WGBH, WNET, HBO, The History Channel, England's Channel Four, and the renowned Blackside Productions.
March 26, 6:30PM, Byron Hurt, Director of Hip Hop: Beyond Beats and Rhymes
Byron Hurt, an award-winning documentary filmmaker, writer, and anti-sexism activist, talks about making his recent documentary, Hip-Hop: Beyond Beats and Rhymes, which premiered at the Sundance Festival and was broadcast on the Emmy award-winning series Independent Lens, and his film I Am a Man: Black Masculinity in America. A former graduate of the TWN workshop, Hurt aims to make films that help make change. Free Workshop!
April 2, 6:30PM, Fundraising: Grant Proposals and Producing a Winning Sample with Dorothy Thigpen
Just in time to talk about the NYSCA proposal and sample, Dorothy Thigpen, Filmmaker and Executive Director of TWN, goes over useful tips on grant writing and sample production. Bring your proposals and samples for critiques!
April 9, 6:30 PM, Techno Organizing with Rolando Brown of the Hip Hop Association
This workshop demystifies using the new age of Web 2.0 online services instead of desktop applications, and details how storing data online rather than onto one's desktop or laptop hard drive can help with the overall effectiveness and value of the information being created, stored and/or distributed among the community.
April 16, 6:30 PM Sound Tips with JT Takagi
April 23, 6:30 PM, Camera/Hard Drive/P2
Third World Newsreel
545 8th Avenue, 10th Floor
between 37th and 38th streets
1, 2, 3, 7, A, C, E, N, R, Q, W to Times Square 42nd street
212 947-9277 x 304
Register by emailing: email@example.com.
In reply to Amelia Hanibelsz's post on Mon 10 Mar 2008 :
Amelia, Advice first..we had to get permits for everything when we filmed there, and literally had to pay the police to stay off our backs.
Contact – we used a guy called Tamer Abass from Egypt Productions –
Good luck to her!
In reply to Amelia Hanibelsz's post on Mon 10 Mar 2008 :
Amelia – what exactly is your friend in need of? I have a friend teaching in Rome right now. If she is looking for a place to stay, he might know of something. IF she is looking for any other advince, i lived in Rome for 5 months and short a few little projects there.
Eyes of the World Media Group is looking for an enthusiastic and committed video sales and marketing representative for METH INSIDE OUT, an innovative educational DVD series on methamphetamine addiction and recovery produced in partnership with UCLA. The series is geared towards users in recovery, their families and the counselors who treat them. You will be selling the best product ever created in this marketspace. The series combines cutting-edge motion graphics and 3D animation, compelling first person accounts, and the most up-to-date research using an effective and engaging presentation style. We need someone with the passion and experience to effectively get the series to the people who need it most.
Eyes of the World Media Group is a dynamic, team-oriented company that specializes in socially conscious media. Visit our website (www.eyesoftheworldmediagroup.com) for more information about us and METH INSIDE OUT. Please submit a resume and cover note to firstname.lastname@example.org.
Schedule: Part-time, flexible
Pay: $14/hour plus commission
Minimum commitment: 1 year
Start date: ASAP
Location: Work from home with bi-weekly meetings at our Culver City office
Qualifications: Experience in product sales to large organizations, companies or institutions is necessary. Experience in DVD or educational video sales a plus. Knowledge of online networks and strong internet research skills essential. Excellent telephone, writing, and interpersonal skills. Responsible, self-motivated, good attention to detail.
Minimum education: Bachelor’s degree
Thanks for your interest. We look forward to hearing from you.
CALL FOR REPORTS & DOCUMENTARIES SHOW
This here is a call for art in any medium that accounts the result(s) of some inquiry, investigation, or experiment and purports to document reality in one fashion or another. This may include science fair reports, news reports, book reports, progress reports, process reports, re-enactments, etc… Video documentaries will be played on our small in-store TV's. DVD's for play and sale welcome.
DROP-OFF DATES at the beginning of the show: Apr 12 and 13, noon to 7pm
Duration of show/ Arterrarium dates available: Apr 20 to Jul 13, 2008
Address: 515 Balboa Street, San Francisco 94118
ADD TO THE SHOW DURING THE SHOW by making art in the arterrarium
People of all ages, of all skill levels, are invited to make artwork in any medium in response to the show's theme. The show grows as more people participate. You can make an arterrarium appointment by emailing email@example.com. Or if you don't like to plan ahead, Thursday nights are drop-in arterrarium nights,6-9pm.
the frankenNews hour
Add your local news via our drop boxes. Or come read the news or do a segment on air with us. See our website for taping times – www.frankenartmart.com.
Writing, drawing, and photography (B&W only, 4 pages max.) submissions will be "published" in the frankenmagazine once a month during the show.
We need TV's, DVD players, and a digital video camera for this show. If you could lend us any of these for the duration of the show, we would be forever grateful. Thanks!
leslie, reuben, and zeke
515 balboa street
(((Screen Your Movie in Cambodia!!!)))
CAMBOFEST: Film and Video Festival of Cambodia continues to accept entries for its 2nd year, the 2008 Edition, to be held in Siem Reap (Angkor Wat City), CAMBODIA
To submit, or for more information, visit WWW.CAMBOFEST.COM
the iPOD MOVIE ZONE seeks content!
Sell your movie from the iPOD Movie Zone as a download, viewable on portable players like iPods, Zune, and more
Contact firstname.lastname@example.org to discuss
*OFFICE/EDIT SPACES FOR RENT* (Chelsea, New York)
We are a small production company in New York looking to share our extra space with likeminded creatives.
We have several gorgeous furnished and unfurnished offices in a variety of sizes, Edit Suites with or without systems available for short or long-term rentals. Desk rental is also available in large shared office space. We are in a great location, close to subways and restaurants. High ceilings, lots of light, in a quiet and newly refurbished building.
Please call/email Edna to schedule a viewing and discuss options.
PALESTINE DEMOLITION FOOTAGE?
I'm a film student in City College of San Francisco working on a short doc on Palestinian Home Demolitions by the Israeli military. I need some more demolition footage to finish my film. Does anyone out there have demolition footage I could use or know anyone who does?
Thanks so much for your help.
In reply to Amelia Hanibelsz's post on Mon 10 Mar 2008 :
Amelia, I live in Roma, if she wants to contact me for any kind of infos she's welcome to do so. Better via e-mail: e-mail is just "info" and then the @ and then "marioberlinguer.com" ( without the "s of course, sorry I'm trying to keep my e-mail spam free).
DocuClub’s first session for 2008 is scheduled for Thursday April 3rd, at 7:30pm, at the screening room of our partner Goldcrest Post (799 Washington Street, between Horatio and Gansevoort. For map with directions, go to www.goldcrestpost.com), in New York City.
We will watch Kimberly Reed’s PRODIGAL SONS, the story of “a brotherly rivalry between a man and a woman... and Orson Welles.” Reed was named one of Filmmaker Magazine’s 25 New Faces of Independent Film for 2007. Our moderator will be DocuClub founder Susan Kaplan.
If you are planning to attend, please RSVP at: email@example.com.
Thanks and I look forward to meeting you on April 3rd!
Filmmaker Services Coordinator
Arts Engine. Inc.
104 W. 14th St. 4th floor
New York, NY 10011
T. 646-230-6368, x 221
Arts Engine, Inc. supports, produces and distributes independent media of consequence and promotes the use of independent media by advocates, educators and the general public.
I saw an early cut of Prodigal Sons about 6 months ago and, while it needed more work, it's an utterly fascinating (very!) personal story. I hear Kim's put narration in so can't wait to see it again.
Yes, it's an incredible story with many twists and turns, and it will benefit from the input of DocuClub's smart and dedicated audience.
To all NYC-area doc makers seeking funding for prod. and/or post...
>> Are you working on a feature-length documentary that is in
> production or post-production with the intended premiere exhibition
> in 2009? Does your film examine or document people who are
> ignored, ostracized or otherwise marginalized; people fighting for
> social or political change; or broad social movements? If the
> answer is yes, then you should know about the Gucci Tribeca
> Documentary Fund.
> The Fund will provide finishing funds to documentaries that promote
> social change and illuminate issues in need of comprehensive
> coverage currently missing in mainstream media. Grants ranging from
> $5,000 – $30,000 will be awarded in 2008, totaling $80,000.
> Come hear more and bring your questions for Ryan Harrington who
> will answer questions and share information about the application
> Gucci Tribeca Documentary Fund
> Thursday, March 27th, 7:00PM – 8:00PM
> WMM Office, 462 Broadway, 5th Floor. (Between Broome and Grand in
> RSVP: firstname.lastname@example.org
> Space is limited, RSVP today!
Questions and details go to http://WMM.com
Women Make Movies
462 Broadway, Suite 500WS (at Grand Street)
New York, NY 10013
tel: 212-925-0606 fax: 212-925-2052
Office Hours: 10am to 6pm, Monday through Friday
Subway: Canal Street Station (J, M, N, Q, R, W, Z, and 6 trains)
Hello again. As i said on my "introduce yourself" post, I'm available for composing original music for interesting documentaries.
Some of my work can be heard on my website at http://www.marioberlinguer.com.
Best way to contact me is at "info" and then the @ and then "marioberlinguer.com" (without the " of course).
Thanks and keep up with the good work!
Hmmm, the D-Word is a 34 year old male residing in New York New York. Who knew?
Your city, my age, and John's good karma.
We had to set these things, there was no way to hide them.
I am interested in advice on how to find right person (film maker) and fund a small documentary style effort and what might be interesting goals / benefits that makes it a win/win for company and film producer. Budget would likely be shoestring, but could be an interesting experience.
Say you have a big event every year like MacWorld (AppleWorld) or an auto show (but put on by only one company, not a tradeshow)... you show off your latest products, you launch 2 or 3 new things, and you show a vision of where your company is going (concept cars, or other physical immersive manifestations). You have to entice the media and your top customers to attend and you want to broadcast and create discussion around all 3 parts of this event experience...
I am exploring how a highly experiential event with similar attributes could leverage film/documentary storytelling in interesting, meaningful ways – meaningful to the company, its stakeholders, and the film maker...
Some nice to have goals for company might be:
+ capture people's reactions around new product innovation at large/major event in Eastern Europe (new product concepts around several themes, dramatic event experience in major city, new products being launched, other interesting products being demonstrated/show for sales in both business to business and business to consumer arena)
+ capture value design is adding to business
+ possible interviews with CEO/CMOs from top companies
+ many other areas that could be mutually interesting if discussed... but trying to understand if this might be interesting to a qualified independent film maker or high potential starting out
There could be two cuts... both would likely be very people-focused. But, one could capture essence of business value and the other could be all around creative/design side of things.
Need help getting your doc funded? I've written and gotten grants and fellowships from ITVS, NEA, LPB, Guggenheim, Jerome Foundation, NYSCA, NYFA and more. I can help you make your proposal successful. Email for more information: nicolecattell at gmail dot com.
Nicole, I see from your profile you helped Natalia Almada write a proposal that got her ITVS funding. Nice. Natalia's an old friend – be sure to say hi if you're still in touch. She's also a D-Word member who hardly ever posts, so nag her for me.
Glad to have you here as a member, too. Be sure to say howdy in the Introduce Yourself topic.
Looking for a NW based HDV Camera Operator to do 5-10 days of shoots (monthly) across the country. The shoots are boring and simple, seminars and green-screen standups. Non-doc, just commerce. And you get paid.
More info here:
Seeking experienced, professional grant writer in Dallas area with high success rate to help fund a major doc project. If interested please make contact asap. Thanks
Hey thanks to all who sent Rome contacts etc- i will pass them onto my friend. I just got back from a week long shoot – so sorry for the delayed vote of thanks !!
If anyone needs sound in LA – drop me a line .
Recently set up this portal to sell iPOD / portable-ready MP4s of my own titles BOOKWARS, SUSAN HERO, and others, and am now offering the platform to other filmmakers who may want to sell MP4 versions (non- DRM) of their work.
No guarantees re: revenue, but probably worth a try, especially for older releases that aren't well repped in the digital space.
In reply to Bill Buchanan's post on Thu 27 Mar 2008 :
I've emailed you details of a D-Worder in TX who may be the right person for the job.
Hi all, if any of you know a qualified individual who would be interested and available in helping out with film festival submissions and marketing for this feature documentary, please let me know!!!
ABOUT THE FILM
A feature doc on five students at Crenshaw High School who express teen life in South Central LA through a mix of hip-hop and Shakesearean literature. Directed by Emmy Award-winner Michael King.
WHO YOU WILL BE WORKING WITH
The producer/exec producer who has plenty of contacts and experience in the TV, music, and film business. You might work with me a bit if I stay with the project and/or if I end up training you.
PRIMARY DUTIES: KEEP UP WITH FILM FEST DEADLINES
Manage and update Withoutabox.com acct
Help maintain calendar of film fest dates, deadlines, fees
Submit/send films and fees to film festivals; meet deadlines
Communicate with film festivals to request deadline/submission fee waivers
This is the top priority but in the event that the film gets accepted to a fest, you'll need to help out with publicity work ranging from updating our Myspace and website to making calls to radio stations. Please contact me if you're interested or have more questions. We are looking for someone who is flexible and follows through with tasks. Help out with as much as you can, and whatever you can't do, let us know and we can work something out. I started with the internship not long ago and it has been a great experience. My availability has changed so I am looking for an assistant/replacement. Thanks!!
or you can email me. Please do not merely reply as a post here as I don't check these forums daily. Thanks!!!
Le, you can subscribe to email updates on single topics, so you don't need to log on here every day.
"A powerful seminar that was jam packed with great information from the first hour to the closing night. Barely three months later I am now in production directing my first feature length documentary thanks to their guidance and wisdom." Shane Harvey, Producer/Director, Vancouver
As spring brings awakens creativity in all of us, we here at The Documentary Film Makers Course give you not one, but two, chances to get your non-fiction storytelling juices flowing. Filmmaker, consultant and author of The Documentary Film Makers Handbook, Andrew Zinnes gives you tips and advice on how to get your film MADE and how to avoid TRAPS.
Times and dates below. Go to http://www.script-tonic.com or call 310-941-2168 for more information or to register.
When: April 26-27, 2008, 9AM-6PM
Where: Filmmakers Alliance, 1030 W. Hillcrest Blvd., Inglewood, CA 90301
Price: $299 (organization and student discounts available – call for more info)
When: May 3-4, 2008 10AM-6PM
Where: East Bay Media Center, 1939 Addison St., Berkeley, CA 94704
Price: $299 (organization and student discounts available – call for more info)
DocuClub, a New York-based film series of works-in-progress documentaries, is seeking submissions for 2008.
The format of DocuClub is to screen a rough cut and to have a moderator facilitate a discussion of the film between filmmaker and audience. Past films that have been screened at DocuClub include "Born Into Brothels," "The Boys of Baraka," and "Metallica: Some Kind of Monster."
DocuClub is accepting entries that fit the following criteria:
- They are in the rough cut stage and thus ready to be screened
- They are no longer than 120 minutes and no less than 45 minutes
- They have specific challenges that you wish to workshop
If you would like to be considered, please mail a clearly-labeled DVD screener to the address below. (Please note that your screener will not be returned unless you provide a SASE.)
Membership in DocuClub includes free admission to all our events. To join, please go to: www.artsengine.net/store/#tools_consul
Thanks and I look forward to hearing from you.
FREE Screening: Cynthia Wade's FREEHELD, The New School, April 11
The New School presents
The Sixth Annual Dorothy H. Hirshon Film Festival – Vision and Risk: The Films of Cynthia Wade
Date: April 11, 2008
7:00 p.m., with panel discussion and reception to follow
66 W. 12th Street, New York City
Free and Open to the Public
Screening and Discussion: FREEHELD, winner of the 2008 Academy Award for Documentary Short Subject
FREEHELD chronicles Detective Lieutenant Laurel Hester’s struggle to transfer her pension to her domestic partner, Stacie Andree. With less than six months to live, Laurel refuses to back down when the elected officials of Ocean County, New Jersey, deny her request to leave her pension to her partner, an option granted only to heterosexual married couples. FREEHELD captures the media frenzy and passionate advocacy campaign spurred by Laurel’s plight; it also tells the quieter, personal story of the deep love between Laurel and Stacie as they face the reality of losing each other, creating a powerful, nuanced study of a grassroots fight for justice.
YIKES! MIAMI-AREA DP / CAMERA OP NEEDED IN A HURRY!
Just received an opportunity for a talking-head intvw with a movie star that's very pertinent to my doc. It's in Miami Beach, this week, probably during business hours. Only about one hour of actual intvw, but then set-up and breakdown on top of the one hour.
If anyone fits this bill, is a DP with professional credits and his/her own camera (Sony DVCam preferred) and light kit, drop me a line at:
cultmovies [at] hotmail [dot] com
This is for an in-production feature-length doc that already has some interest from cable and has other movie-star intvws in the can.
Can anyone recommend a production fixer in Peshawar Pakistan.
Contact D-Word Members Cameron Hickey and Lauren Feeney. They shot close to the Afghan border in Pakistan. Maybe they can help?
The Utopia Film Festival, a community festival for which I have been serving as Program Director, is now accepting submissions. Would love to see any D-Worder submissions. No premiere requirements and we do accept films made within the past two years. Here's our blurb...
The Utopia Film Festival showcases short and feature-length works which entertain and enlighten audiences of all ages. Fiction, Documentaries, Animations, Music Videos, and Experimental Films are all welcome. This year's festival will take place from October 24-26, 2008 in Greenbelt, Maryland.
The Utopia Film Festival is an annual cinematic event, now in its fourth year. It reflects the utopian ideals of Greenbelt, Maryland – one of America's first planned communities. Located between the urban centers of Washington DC and Baltimore, Maryland, Greenbelt was designed and built under the Roosevelt Administration's New Deal Federal Works Program in the 1930s. It remains a vibrant community and its historic city center (where many of the festival events take place) has been designated a national historic district.
While we encourage all submissions, these are special strands which we have planned for 2008:
UTOPIAN VISIONS: Films which address themes of community building, promoting diversity, bettering social and economic conditions, or preserving the environment.
KID VIDS: Family-friendly animated or live-action works. Films produced by children and teenagers are especially encouraged.
HALLOWEEN SCREEN: Since our festival coincides with the week of Halloween, we welcome submissions of serious or spoofy horror films appropriate for the season.
Submit now to take advantage of the early bird discount rate on submission fees.
Early-Bird Deadline: April 25, 2008
Regular Deadline: June 13, 2008
Late Deadline: July 1, 2008
Looking for a cinematographer in Minneapolis/St. Paul to film one interview and possibly broll of a rally for the Service Employees International Union (SEIU). Prior interviews were shot on a Sony HDV camera – would prefer to keep this look. Shooting date will be either April 10th or 11th. Please contact me for more information: email@example.com.
Looking for a cinematographer in Los Angeles to film an interview for the Service Employees International Union (SEIU). Prior interviews were shot on a Sony HVR VIU and we want to keep a consistent look. Would like to use natural light as much as possible, but anticipate using lights as well. It should be a half day shoot on April 13th – there is some flexibility. Please contact me for more information: firstname.lastname@example.org.
I just wanted to let you know about an opportunity for anyone who's
interested to create a financed short that could broadcast nationally
on PBS. The WGBH Lab has joined with P.O.V. and is seeking compelling
pitches for video shorts about the 2008 Election. If selected,
producers receive $2,000 production funds, get feedback from industry
professionals, and their work may be broadcast nationally. The
deadline for pitches is May 2nd, 2008.
If you'd like to submit a pitch or want more information, visit: