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Matt Sharp
Wed 11 Nov 2009Link

BRIDGE INT'L SCREENPLAY COMPETITION – Call for Scripts 2009
Creating opportunities for writers on a global scale!

Accepting screenplays thru Nov 19, 2009.

Back by popular demand is the 2nd Annual Bridge International Screenplay Competition. We are currently accepting screenplays and teleplays from around the world. Don't miss this priceless opportunity to have your work in front of over 8,500 industry professionals. Submitting your script is fast and easy with our simple online entry form.

Thanks to the overwhelming response we received last season from writers world-wide, we're able to offer $10 entry fees this year! You have nothing to lose and everything to gain. Submit today!

$10 ENTRY FEES – Submit Your Script Now!

http://www.submitbridge.com/submit.php


Stefani Saintonge
Fri 13 Nov 2009Link

MFA Documentary Program at Hofstra University is hosting a screening of Made in L.A. tonight at 7pm. The film will be shown on the university campus in Breslin 211 following a guest speaker.

Information about the film:
Emmy award-winning feature documentary that follows the remarkable story of three Latina immigrants working in Los Angeles garment sweatshops as they embark on a three-year odyssey to win basic labor protections from a trendy clothing retailer.
Guest Speaker: Nadia Marin, Attorney / Executive Director, the Workplace Project of Long Island.


Matt Peterson
Sun 15 Nov 2009Link

Ongoing series of non-fiction screenings in NYC: Red Channels (www.redchannels.org). Today we start a Jackie Raynal retrospective at UnionDocs in Brooklyn.


Tailinh Agoyo
Mon 16 Nov 2009Link

NEW DOCUMENTARY RESOURCE WEBSITE that offers weekly free teleseminars/webinars.

www.documentaryhowto.com

The DocuMentors website gives you a fun, supportive, money-saving way to stay ahead of the curve in the documentary industry. If you are new to the field, membership will save you years of time navigating the ins and outs of a very complex field. If you are a veteran, there’s plenty here for you too – the latest equipment info, funding updates, and filmmaker case studies. New features and content are being added weekly.

DOC TALKS
Enjoy privileged access to DOC TALK calls, our teleseminar series with documentary industry experts. You don’t want to miss this biweekly event, packed with the latest info on everything from raising documentary money to getting into the best film festivals and more. Plus, listen to the inspiring and encouraging real world stories of how award-winning filmmakers have made their films a reality. You’ll have access to the DOC TALK Archive and can listen to the recorded calls at your leisure.

DOCUMENTORS TOOL KIT
Get exclusive access to everything you need to make your documentary happen now. This rich, up-to-the-minute treasure trove of documentary resources includes:
Fundraising Materials that will guide you down the tricky path of fundraising
Sample Trailers that have raised hundreds of thousands of dollars from various foundations and funders
Funded Proposals that have been awarded monies from sources such as ITVS and the Sundance Institute
Actual Budgets—Real budgets from real films. A must-have for any beginning filmmaker. A good, realistic budget gives funders confidence in you, giving you a huge edge when seeking documentary money. You’ll also get blank budget templates. (coming soon)

Templates:
Release Forms
Budget Templates (coming soon)
Crew Agreements (coming soon)
Production Forms (coming soon)
Composer Agreements (coming soon)
Distribution Agreement Templates (coming soon)

And More!

www.documentaryhowto.com


Gregg Schwenk
Tue 17 Nov 2009Link

In reply to Gregg Schwenk's post on Tue 20 Oct 2009 :

2010 NEWPORT BEACH FILM FESTIVAL THANKSGIVING SPECIAL DEADLINE

Submit your film now and save!

The deadline is NOVEMBER 20-

Features $45

Shorts $40

Submit on the web with Withoutabox.com and receive a discount! You can find
the NBFF submissions link to withoutabox at
www.NewportBeachFilmFest.com<http://www.newportbeachfilmfest.com/>

For more updates and news on special events follow us on Twitter!
twitter.com/nbff

2010 Newport Beach Film Festival
April 22-29th, 2010

Amanda Salazar
Associate Director of Programming
Newport Beach Film Festival
4540 Campus Drive
Newport Beach, CA, 92660
(949) 253-2880 ex 226
amanda.salazar@newportbeachfilmfest.com
www.newportbeachfilmfest.com

The 11th annual Newport Beach Film Festival will run April 22nd – 29th, 2010


Rob Jackson
Wed 18 Nov 2009Link

Serac Adventure Film School has spots available for the 2010 Colorado Backcountry Adventure Film School this Jan. 25th – Feb. 2nd!

Travel deep into the Rocky Mountains for life-saving avalanche training, winter backcountry skills and weather forecasting, all while making your very own film. The trip includes high-elevation snow camping and 2 overnights in a rustic backcountry cabin, part of the 10th Mountain Division Hut circuit.

What will you film? Everything from in-depth character stories and stunning landscape sequences to breathtaking powder skiing shots—you decide!

Check out the website at:
http://www.adventurefilmschool.com/expeditions/colorado_backcountry_2010/expedition_summary.php

Or, check out Behind-the-Scenes footage from last year's backcountry film school at:
http://www.adventurefilmschool.com/expeditions/colorado_backcountry_2009/expedition_overview.php

Edited Wed 18 Nov 2009 by Rob Jackson

Melis Birder
Fri 20 Nov 2009Link

We're in the process to produce DVDs for an award winning documentary The Visitors.

The film is about the passengers of a charter bus that leaves New York City every weekend for various prisons located in upstate New York, most of them long hours away from the city.

The DVDs will be available for sale from our website that is currently being updated:

http://visitorsdocumentary.com/

We need a part-time/freelance outreach, marketing person to help us bring this film to as many people as possible.

Duties include:

- Take part in our online grassroots outreach campaign by identifying audience segments and how to effectively reach them.

- Enlist fans to spread the word.

- Generate sales through partnerships with other sites, organizations, and blogs.


- Develop and manage film’s Facebook page 


- Field film screening and distribution inquiries

- Email list creation and management.

Skills Required:

• Online marketing and outreach experience
• Familiarity with film business
• Bachelors degree; film or business degree preferred
• Interest in criminal justice issues

This is a non-paid but commission based job. And some of the profits will go help the families of the incarcerated.

Thanks
Melis


Felix Endara
Wed 25 Nov 2009Link

DocuClub in December!

Our December DocuClub screening will be on Wednesday, December 2, at 7 p.m., at Goldcrest Post (799 Washington Street, between Horatio and Gansevoort), in New York City’s West Village.

We will screen a rough cut of Jill Morley’s FIGHTING IT. While taking a personal journey into the boxing ring, FIGHTING IT explores the complexities of depression, post-traumatic stress disorder, racism, and the importance of pursuing your dreams no matter what they are, what issues surround them, or gender you happen to be. It also emphasizes the value of being present and using the past to fuel your journey forward. FIGHTING IT views overcoming adversity, coping with trauma and healing from the past through the lens of boxing. The fact that such healing can take place in what many consider a violent sport is what makes these boxers’ journeys so unique and compelling.

Director Jill Morley’s STRIPPED ran on the Sundance Channel and won Best Documentary at the Women’s International Film Festival in Sydney. Her play, TRUE CONFESSIONS OF A GO-GO GIRL, was recently made into a Lifetime Movie of the Week and was published in Women Playwrights: The Best Plays of 1998. Heading the Paul Taylor Dance Company Video Archive project, Morley shot, edited, and directed the company’s repertoire for their video archive. She also worked with Michael Moore as a producer and correspondent for THE AWFUL TRUTH. In addition, Morley’s Shooting Ninjas Productions specializes in corporate videos, events and performances. Some clients include Gerber, Activision, TIME Magazine, and Kiehl’s.

Our moderator will be Danielle DiGiacomo, Community Manager at IFP, the nation's oldest and largest membership organization, and premiere advocate, for independent filmmakers. Previous to that, she was Head of Documentary Acquisitions for IndiePix Films, building up the documentary feature catalogue and spearheading the successful multi-platform releases of films such as Jeremiah Zagar's IN A DREAM, Kristi Jacobson's TOOTS, and Jason Hutt's ORTHODOX STANCE. She also developed and produced the first and second annual Cinema Eye Honors for Nonfiction Film. DiGiacomo has programmed in conjunction with the Woodstock Film Festival, Brooklyn Independent Cinema Series, and Rooftop Films, and has presented on panels about film distribution and production at the Newport International Film Festival, Hunter College, Big Sky Documentary Festival, Sheffield Doc/Fest, and Krakow Film Festival, among others. In addition, she has taught "Contemporary Documentary" and "Documentary Distribution and Marketing" at New York University.

This is DocuClub’s last screening in 2009, so come out to support your filmmaker peers!

Admission is free for current DocuClub members and $6 for non-members.

If you plan to attend, please RSVP to: docuclub@artsengine.net.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

http://www.artsengine.net/store/items/docuclub_membership_individual_rate


Joe Moulins
Wed 25 Nov 2009Link

I'm in Edmonton for a screening of "A Tribe of His Own: The Journalism of P. Sainath", and to install Sainath's photo exhibit "Visible Work, Invisible Women" at the U of A extension campus gallery. The gallery is in the Bay building at Jasper Ave and 103rd St. The photos will be open to viewing by the public here until January 2010.

If you're interested in bringing "Visible Work, Invisible Women" to your community, please contact me at jmoulins@gmail.com.


Edwin Gailits
Wed 25 Nov 2009Link

I'm looking for a location sound recordist in the Ft Lauderdale, Florida area in the middle of December for 4 days.
The film I'm working on, and have been for the last several years, is a self-funded dance documentary, and I don't have the budget to pay top industry rates.

I'm paying but I'm looking for someone willing to work with me on the rate.
I'm also looking for someone familiar with documentary location sound recording.
I have all the audio gear, but I assume most sound people prefer to use their own.

Let me know if you want more details, or if you can pass on the name of any sound recordist, it would be much appreciated.

Thanks

Edwin

Toronto
gus.to@sympatico.ca


Tracie Holder
Wed 25 Nov 2009Link

From Festivals to Cinemas to Broadcast to Digital: Surveying Your Distribution Options

Next Wed. Dec. 2 | 6:30-8:30pm | WMM Office | $50/$40

Knowing your options for distribution and establishing a clear set of goals for your film—as early as the pre-production phase—are essential for your film’s success. This workshop presents how to explore the different markets (i.e. theatrical, educational, broadcast, home video, public screenings, digital/download) and determine the right fit.

Topics include: developing the public image of your film; navigating the film festival circuit; pitching to buyers; negotiating contracts; and making decisions in a digital age. An essential workshop for any filmmaker who wants their work to be seen! Presented by Women Make Movie's Executive Director, Debra Zimmerman.

Register today! Space is limited. The $40 discount rate is available to D-Word members.


Stefani Saintonge
Sat 28 Nov 2009Link

Anyone in the Long Island area? If so, and you would like to receive information about free, public documentary screenings and events e-mail MFADocprogram@hostra.edu.


Monica Rosales
Sun 29 Nov 2009Link

CALL FOR ENTRIES!! DOCUMENTARY FILMS! DocMiami May 28-30, 2010!

Submit Your Film Now!
http://docmiami.org/Festival.html

Feature Documentary
Feature Documentaries with a total running time from 61 – 180 minutes. (All films in a language other than English require English subtitles)

Documentary Short
Short Documentaries with a total running time between 4 and 30 minutes. (All films in a language other than English require English subtitles)

MiniMovies
Very short documentaries and fiction forms plus all experimental genres allowed with a total running time of under 4 minutes (this is up to 3 minutes and 59 seconds, not a second more!) – Go to the limit of documentary film making: free form – free content –(All films in a language other than English require English subtitles)

Documentary Medium-Length and Essay Forms
Medium length documentaries and documentarian film essays with a total running time between 31 and 60 minutes. (All films in a language other than English require English subtitles)


Miranda Yousef
Wed 2 Dec 2009Link

Hello fellow D-Worders,

FCP Editor available!

I just got back from a 2-month stint in New Orleans editing a fellow D-Worder's documentary, and really enjoyed that experience. I'm looking for my next gig, and wanted to introduce myself to those of you who are looking for an editor.

I am a Final Cut Pro editor with several years of experience, and a number of post-production feature documentary and television credits. Projects I have worked on include an Academy Award short-list nominee, and the winner of the 2008 IDA Audience Award.

I have supervised post-production for broadcast television as well as for theatrical film-outs, and am proficient in After Effects, Photoshop, and all aspects of Final Cut Studio.

I have an excellent grasp of story structure, a good eye for comedy as well as drama, and the ability to pull out the poignant moments that make audiences love (or hate!) the characters.

You can find my reel and resume online at my website; please contact me directly (see my member profile page) for URL and login info.

Thanks, and good luck with all your projects!
- Miranda


Tailinh Agoyo
Thu 3 Dec 2009Link

How to be more competitive when applying for funding from ITVS' OPEN CALL (deadline 1/15/10) – FREE TELESEMINAR Thursday, December 3rd.

Join DocuMentors for a free DOC TALKS teleseminar with Richard Saiz, Senior Programming Manager at ITVS (Independent Television Service), this Thursday, December 3rd, at 5:30pm PST for one hour. We'll talk to Richard about how to be more competitive when applying for funding from ITVS' major initiative OPEN CALL (deadline on January 15th, 2010). ITVS is a champion of independent filmmaking and a major source of programming for PBS, providing over $10 million in licensing fees to filmmakers each year through their many funding initiatives.

COST: Free
DATE: Thursday, December 3rd, 2009
TIME: 5:30pm PST (6:30 Mtn, 7:30 Central, 8:30pm EST) for one hour

To register, follow link below.

http://documentaryhowto.com/free-documentary-teleseminar-registration


Pablo Navarrete
Fri 4 Dec 2009Link

Hola D-Word Community,

Wanted to let you know about the following:

Inside the Revolution: A Journey into the Heart of Venezuela (USA Screenings/December 2009)

http://www.alborada.net/insidetherevolution-usa-screenings-2009

More info on the film here:
http://www.alborada.net/alboradafilms

Best wishes,

Pablo


J Damon Chang
Sun 6 Dec 2009Link

=======================
Looking for a Mandarin Speaking Editor

We have three documentary films in post-production. All were shot and based in Taiwan and have bi-cultural storylines.

Currently, I'm looking to hire an EDITOR or ASSISTANT EDITOR for each film.

A. The editor can be located in Los Angeles or San Francisco.

B. The assistant editor needs to be bi-lingual (Mandarin / USA), and have experience editing documentaries.

C. The feature editor needs to have FEATURE documentaries in their portfolio/resumes.

This is a PAID position.

Here's a quick synopsis on the three projects:

1. Asian American actress with US TV credits goes back to Taiwan to confront the father who left her and her mom when she was two. Father married 5 wives in the span of 25 years, and is still running.

http://www.subtitledfilms.com/

  • Then click on the 1st post under "Press Release"...(It's a China Post article)

2. A documentary on the shifting landscape of dating in Taiwan. How has the economic explosion of Taiwan in the last 40 years affected the current generation's views on dating and marriage.

3. A personal documentary for the new Taiwanese singer 袁詠琳
(Cindy) the new singer from Jay Chou's record company JVR.

============================

If interested, email: producer@subtitledfilms.com

Edited Sun 6 Dec 2009 by J Damon Chang

Amelia Hanibelsz
Wed 9 Dec 2009Link

Hi Everyone – I am looking to sublet my fabulous SOHO studio apartment while I am away.

Just steps away from the C&E train on Spring Street and very close to many other subway lines.

Walking distance to East Village, Little Italy , Chinatown and Tribeca.

Would love to sublet to a fellow D-Word -er :-)

Dates : 18th of December – 9th of January

Price $120 a day with a refundable $500 dollar deposit.

Let me know if you are interested – amelialiveart@yahoo.com.sg

Many thanks – Amelia


Tailinh Agoyo
Thu 10 Dec 2009Link

This Thursday, December 10th, DocuMentors will be hosting a DOCUMENTARY BUDGETING webinar. This live, interactive tutorial will cover Accurate Documentary Budgeting and the newly created DocuMentors Budget Templates in detail. Members will receive access to the tutorial, the templates, and Going Rates Table – everything you need to create excellent budgets! If you are a member, you will be sent registration information for the template tutorial webinar. If you are not a member yet, but would like to sign up, go to www.documentaryhowto.com
DATE: Thursday, December 10th, 2009
TIME: 5:30pm Pacific (6:30pm Mtn, 7:30pm Central, 8:30pm Eastern) for 90 minutes
FOR MEMBERS ONLY. BECOME A MEMBER TODAY! MONTHLY MEMBERSHIP RATES WILL BE GOING UP IN THE NEW YEAR!


Tailinh Agoyo
Thu 10 Dec 2009Link

MENTORING CONSULTATION: Become a member of DocuMentors by December 20th, and you will receive a complimentary 30 minute private consultation with either Hank Rogerson or Jilann Spitzmiller about any aspect of documentary filmmaking with which you need help.
Visit www.documentaryhowto.com to JOIN and get your complimentary 30 minute consultation! Jump start your project!!


Tailinh Agoyo
Thu 10 Dec 2009Link

DON'T MISS THESE UPCOMING DEADLINES (and see over 100 more extensive listings in our Funder Database in our Members Area – www.documentaryhowto.com )

ALL ROADS SEED GRANT PROGRAM AND FILM PROJECT – National Geographic's All Roads Seed Grant Program funds film projects by and about indigenous and underrepresented minority-culture filmmakers from all reaches of the globe, with an emphasis on first-person storytelling.
Deadline: December 15, 2009

ITVS U.S. OPEN CALL – ITVS funds, distributes and promotes new programs primarily for public television. We work with independent producers to create and present programs not usually seen on public or commercial television. Open Call provides finishing funds for single non-fiction or Animation public television programs on any subject, and from any viewpoint. Projects must have begun production as evidenced by a work-in-progress video.
Deadline: January 15, 2010


Tailinh Agoyo
Thu 10 Dec 2009Link

Now up in the Members Area (www.documentaryhowto.com) in the DOC TALKS archive – our conversation with Richard Saiz, Senior Programming Manager at ITVS. ITVS' next OPEN CALL deadline is January 15th. Listen to this incredibly informative DOC TALKS to find out how to make your application much more competitive. Richard gave us a behind-the-scenes look at how ITVS decides on which projects to fund, and how much money ITVS will give to any one film – you'll be surprised and inspired!


Doug Block
Thu 10 Dec 2009Link

Tailinh, whatever those folks are paying you it's not enough.


Leila McCullough
Sat 12 Dec 2009Link

IN SEARCH OF MEMORY at IFC CENTER
Friday January 8, 2010 - Thursday January 14, 2010
from 8:00pm11:00pm
IFC Center
323 Sixth Avenue
New York City, New York 10014

"Memory is everything. Without it we are nothing," says neuroscientist Eric Kandel, winner of the Nobel Prize for his groundbreaking research on the physiology of the brain's storage of memories. As he explains, memory is the glue that binds our mental life together and provides a sense of continuity in our lives.

IN SEARCH OF MEMORY is a compelling blend of autobiography and history that recounts the life of one of the most important neuroscientists of the 20th century and illuminates scientific developments in our understanding of the brain's role in recording and preserving memory. In addition to archival footage and dramatic re-creations of Kandel's childhood experiences in Nazi-occupied Vienna and his formative years as an emigrant in New York, the film features discussions with Kandel, friends and family, as well as his public lectures in Vienna and New York, which explore both his professional and personal life, especially his emotional ties to Judaism.

Both through its personal journey into the memory of this amazingly spry and witty 79-year old, especially his traumatic experiences during the Holocaust, and a visit to his Columbia University laboratory, where Kandel and his colleagues demonstrate their experimental research, IN SEARCH OF MEMORY examines how the brain stores memories, the difference between short-term and long-term memory, Alzheimer's and age-related memory loss, and structural modifications to the brain that enhance memory.

In revisiting the people, places and objects of Kandel's lifetime experiences, IN SEARCH OF MEMORY reveals how everything we undergo changes the brain, even our genetic make-up, and can determine the focus of a life's work.

http://icarusfilms.com/new2009/mem.html
http://www.ifccenter.com/about/


Gregg Schwenk
Sun 13 Dec 2009Link

2010 NEWPORT BEACH FILM FESTIVAL SUBMISSION DEADLINE APPROACHING!

Friendly reminder that the regular deadline to submit your film to the Newport Beach Film festival is DECEMBER 18, 2009.

Check out our festival on YouTube at:
http://www.youtube.com/watch?v=r2iPH8M3Zuw

Submit directly at Withoutabox:
http://www.withoutabox.com/login/1249

Newport Beach Film Festival runs April 22-April 29, 2010
www.NewportBeachFilmFest.com

Follow us on Twitter:
www.twitter.com/NBFF


Tailinh Agoyo
Tue 22 Dec 2009Link

Hi Doug.
In reply to Doug Block's post on Wed 9 Dec 2009 :


Tailinh Agoyo
Tue 22 Dec 2009Link

It's today! December 21, 2009 from 12-4pm. DocuMentors is having their 50% off sale. This includes How To's, DVD's, and Mentoring Services (they will consult with you on any stage of your project or process). Coupon code: YA1221

Also, be advised that Membership rates will be going up in the New Year, so if you join now, you can start benefitting from things like DOC TALKS with ITVS, Sundance Film Fest and more, and the new Budgeting Templates and Tutorial in the Members Area. Many of the upcoming DOC TALKS and tutorials will be for Members Only in the New Year.


Doug Block
Tue 22 Dec 2009Link

In reply to Tailinh Agoyo's post on Mon 21 Dec 2009 :

Still not enough, Tailinh. You need to have a talk with those Mentors, especially now that their rates are going up ;-)

Edited Tue 22 Dec 2009 by Doug Block

Erica Ginsberg
Wed 23 Dec 2009Link

Any folks in the DC area who are still looking for a special gift for themselves or a loved one...Docs In Progress starts up with a new round of classes and workshops in January. Here's what's coming up:

Saturday, January 23: Documentary Fundraising 101 (an all day workshop)

Tuesday, January 26 – Tuesday, March 2: Intro to Final Cut (a six week
evening class limited to 6 participants)

Wednesday, January 27 – Wednesday, March 3: Documentary Filmmaking
from A to Z (a six week evening class aimed at new filmmakers or
filmmakers transitioning into independent documentary filmmaking)

Thursday, January 28 – Thursday, February 11: The Art of Writing
Documentary Treatments (back by popular demand in a longer workshop
format)

Saturday, January 30 – Saturday, March 6: Documentary Production (a
six week Saturday morning class aimed at first-time filmmakers)

More information on these programs plus screenings, salons, guest experts, and more on the Docs In Progress website at http://www.docsinprogress.org.

If you have any additional questions, please contact Director of
Programs and Services Adele Schmidt at adeleATdocsinprogressDOTorg


Rachael Rakes
Sat 26 Dec 2009Link

Hello, I'm writing to let you all know that the call for entries for this year's Garrett Scott Documentary Development Grant is online. More info below:

http://www.fullframefest.org/garrett2010.php
Garrett Scott Documentary Development Grant

What: This grant funds first time documentary makers for travel and accommodations at the Full Frame Documentary Film Festival, April 8-11, 2010. For four days, grant recipients will be given access to films, participate in master classes and be mentored by experienced filmmakers. TWO filmmakers will be chosen for the grant in its third year.

Deadline: Applications must be RECEIVED BY Friday, February 5, 2010. Applicants will be notified by email in early March.

About the Grant: Garrett Scott made a distinctive mark in documentary during his short career. Without any formal training in film, he directed Cul De Sac: A Suburban War Story, examining the case of a methamphetamine addict who stole a tank from an armory and went on a rampage through the San Diego suburbs. The film prompted Filmmaker Magazine to cite Scott as one of 25 New Faces of Independent Film. He went on to make Occupation: Dreamland, co-directed with Ian Olds, about U.S. soldiers in Falluja, Iraq. It won prizes at Full Frame and the Independent Spirit Awards. Both films were broadcast by the Sundance Channel. In 2006, Scott died of a heart attack at age 37.

Scott's work examined how the forces of state power and economics impact individuals. Stylistically, his films broke convention, giving audiences new perspectives on familiar milieus like suburbia or war torn Iraq. He was a beloved member of film communities in San Francisco and New York City and several points in between.

His friends, family and colleagues established this development grant to help other emerging filmmakers reach their potential. The grants selection committee looks especially for filmmakers who somehow fulfill Scott's example, by bringing a unique vision to the content and style of contemporary documentary making.

Previous grant recipients include Elinyisia Mosha and Cameron Yates in 2009, Rebecca Richman Cohen, Nathan Fisher and Mai Iskander in 2008 and Robin Hessman and Lee Lynch in 2007.

Criteria: Applicants must be a U.S. citizen or green card holder and live in the continental United States; any age 18 or older. By "first time filmmaker," we mean someone who is in the early stage of their documentary career and has not yet received significant recognition (such as major festival play or broadcast). All applicants should anticipate finishing their first project by March 2011. You still qualify as a "first time filmmaker" if you've made shorts or student projects, worked professionally as a crew member on other people's films, or if you've recently completed a documentary that hasn't been released yet. The grant is open to students and non-students alike.

How: Applicants should send a 2 page letter addressing these areas:

1) Project summary: Describe the documentary you're working on. It doesn't matter whether the film is a short or a feature, though the judging tends to favor more ambitious projects. Describe the characters, structure, visual approach and what stage you're at.

2) Director's statement: Describe how you came to filmmaking and how you've trained as a filmmaker. It doesn't matter whether you went to film school or are self-taught. Describe what you want audiences to take from your film.

Work sample: Applicants must send a 5-10 minute DVD sample of a work-in-progress or a past work. You may send a longer work sample, but judges may only review the opening minutes.

Submit TWO COPIES of both the letter and DVD along with your...

Name:
Address:
Phone:
E-mail:

Send to:
Full Frame Documentary Film Festival
ATTN: Garrett Scott Documentary Grant
324 Blackwell Street. Suite 500
Washington Building, Bay 5
Durham, NC 27701

Question or comment? e-mail us submissions@fullframefest.org
Thanks, RR


Mercy Murugi
Mon 28 Dec 2009Link

A friend is looking for a local fixer in Guatemala City and also in Honduras for shoots in January 2010.

Email him – paulk@storytellersinternational.com


Tailinh Agoyo
Tue 29 Dec 2009Link

an awesome new blog post from Jilann just went up on DocuMentors. it's an interesting and super informative take on documentary budgeting. here's an excerpt:

How the heck are you supposed to know what your film is going to cost before you even begin shooting it? I am working on a budget right now for the film that we wa...nt to shoot this summer, STILL DREAMING, and it’s a bit like dreaming up your treatment when you don’t know how your film is going to play out. It’s a series of creative and educated guesses that can dramatically impact your film. The way I start the budgeting process is...

READ MORE at http://documentaryhowto.com/documentary-blog


Tailinh Agoyo
Tue 29 Dec 2009Link

lol Doug.
Happy holidays. :)
In reply to Doug Block's post on Tue 22 Dec 2009 :


Dean Hamer
Mon 4 Jan 2010Link

GRAPHICS DESIGNER needed for the Out in the Silence film and community engagement campaign. We need to create a "look" for posters, marketing items, the discussion guide, toolkit, etc. Prefer DC based but not essential. The project is supported by the Sundance Institute and the David Haas fund and focuses on human rights in rural America.

Please email DeanHamer@aol.com with your resume or links to samples.


Dean Hamer
Mon 4 Jan 2010Link

Seeking a PUBLICIST or COMMUNICATIONS EXPERT to help with message development and media relations for the Out in the Silence film and community engagement campaign. Experience with social issue films and/or LGBT rights preferred. The project is supported by the Sundance Institute, David Haas fund, Active Voice, and multiple outreach partners.

Please email Deanhamer@aol.com with resume.


Jill Morley
Mon 4 Jan 2010Link

Looking for a DP in Toronto and one in London to do a 5 minute interview / spot. Please have a simple light kit for one person. Fine to use DVX100A. Can pay $350. It's actually for a corporate client's website, but I figure I'd hook a brother or sister up here!


Tailinh Agoyo
Mon 4 Jan 2010Link

Free teleseminar with Food, Inc. producer, Elise Pearlstein. Thursday, January 7. It's free and open to everyone. Register at www.documentaryhowto.com.

We'll discuss how Elise and director Robert Kenner navigated the very treacherous waters of the Industrial Food complex and came outwith an incredibly engaging, as well as eye-opening film.

We'll talk with Elise about working with Participant Media and Magnolia Pictures, two of the foremost companies in the documentary industry today.

Visit www.documentaryhowto.com to register for the teleseminar.


Danielle Beverly
Thu 7 Jan 2010Link

I will be speaking at Notre Dame on February 5th. It's free, so please come join if you happen to be in IN. I look forward to meeting you!

http://performingarts.nd.edu/index.php?page=detail&event=1196


Doug Block
Thu 7 Jan 2010Link

I'm traumatized I won't get to hear you speak, Danielle. Have fun.


Danielle Beverly
Thu 7 Jan 2010Link

The Amtrak goes directly from Penn Station to South Bend. Only takes 17 hours. See you there!


Doug Block
Thu 7 Jan 2010Link

Tempting...


Gregg Schwenk
Thu 7 Jan 2010Link

Final Call For Entries – 2010 Newport Beach Film Festival

The 2010 Newport Beach Film Festival will screen over 350 feature length and
short films. The 2010 NBFF will also host red carpet Opening and Closing
Night Gala Celebrations, International Spotlight events, an Action Sports
Film Series, an Environmental Film Series, a Family Film Series, a
Collegiate Showcase, a Youth Film Showcase and a free Seminar Series. Come
be a part of the 2010 Newport Beach Film Festival.

The FINAL deadline for film submissions to the 11th Annual Newport Beach
Film Festival is JANUARY 25, 2010.

Submit your film at
*www.NewportBeachFilmFest.com<http://www.newportbeachfilmfest.com/>
*

The Newport Beach Film Festival runs April 22-April 29, 2010!!


Rose Vincelli
Fri 8 Jan 2010Link

D-Worders-
I'm looking for first-time documentary directors in post-production to participate in IFP's Documentary Lab – a free week long workshop to help you strategize the finishing and most professional release of your film. The illustrious Doug Block is a mentor for this program, among many other top producers and directors. Apply yourself or spread the word to anyone you think might be interested. Email me at rvincelli@ifp.org if you have any questions or if you want to discuss your project- more details are below.

IFP'S 2010 INDEPENDENT FILMMAKER LABS OPEN FOR SUBMISSIONS
Documentary Lab – April 12–16, 2010; Application deadline FEBRUARY 12
Narrative Lab – June 7–11, 2010; Application deadline MARCH 26

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Felix Endara
Thu 14 Jan 2010Link

DocuClub in January!

Our January DocuClub will take place on Wednesday, January 27, 7 p.m., at the 92YTribeca, located at 200 Hudson Street (at Canal). You can take the E, 1, or 6 trains to Canal.

We will screen a rough cut of UP HEARTBREAK HILL by Erica Scharf. The documentary chronicles the lives of Thomas, Tamara and Gabby – three Native American teenagers in Navajo, New Mexico –as they navigate their senior year at a reservation high school. As graduation nears, they must decide whether to stay in their community– a place inextricably woven into the fiber of their being – or leave in pursuit of opportunities elsewhere. Largely isolated from mainstream America, they hesitate to separate from their families and traditions, rooted to home in equal parts by love, obligation and fear. Tribal elders urge members of the younger generation to leave, acquire an education or learn a trade, and return home with the skills to help their people. But, with an unemployment rate near 58% and a per capita income under $4,600, Navajo has few prospects. Thomas, Tamara and Gabby each bear amazing strength and promise, but all are products of their environment, and it is the same community that has set before them so many challenges that now asks them to become the leaders that will reshape the Navajo Nation. Their battles to shape their identities as both Native American and modern American lie at the heart of the film.

Director Erica Scharf has spent much of her career in documentary film and television. Most recently, she worked as an editor on Investigation Discovery’s documentary television series, THE SHIFT. She has shot, produced and edited numerous episodes of THE FIRST 48 (A&E). She directed and edited MARNEE: A GARAGE SALE RETROSPECTIVE, which was the First Place Winner at Movie Making Madness 2005, and edited CIY (Best Short Film, 2007 Aspen Shortsfest). Other credits include SWAT (A&E), MIAMI INK (TLC), and LAST SEEN ALIVE (Discovery). In 2005, Scharf was the Assistant Editor on GOD GREW TIRED OF US (Grand Jury Prize and Audience Award, 2006 Sundance Film Festival). Scharf is a graduate of New York University’s Tisch School of the Arts and has a B.F.A. in Film and Television.

Producer Christina D. King’s body of work spans news, documentary, and film. After producing broadcast news in her home state of Oklahoma, King went on to associate produce the documentaries ELECTION DAY (PBS), BAD BLOOD, and human rights projects for the ACLU. Recently, she line-produced WE SHALL REMAIN: TECUMSEH’s VISION directed by Chris Eyre and Ric Burns. King also field produced for Michael Moore’s recent documentary, CAPITALISM: A LOVE STORY. A Native American of Creek/Seminole/Sac & Fox descent, King has a B.A. in Film Studies and Mass Communication from the University of Tulsa.

Executive Producer Chris Eyre’s film EDGE OF AMERICA received a 2005 Peabody Award and he was recognized with a Directors Guild Award. His first feature film, SMOKE SIGNALS, won the Audience Award and Eyre received the Filmmaker’s Trophy at the 1998 Sundance Film Festival. His other credits include A THIEF OF TIME and SKINWALKERS for PBS’s MYSTERY! In 1995, Eyre received a Rockefeller Foundation Intercultural Film Fellowship. A Cheyenne/Arapaho Native American, he earned his M.F.A. in Film and Television at New York University’s Tisch School of the Arts.

Editor Cindy Lee has worked extensively in documentary and narrative film, television, and commercials. Her feature editing credits include NO END IN SIGHT (Academy Award nominee 2008, New York Film Critics Circle 2007 Best Documentary, Sundance Special Jury Prize 2006), HOTEL GRAMERCY PARK (Special Jury Mention, Tribeca Film Festival 2008) and MANHATTAN, KANSAS (SXSW Film Festival 2006). She holds a B.A. from Wellesley College and an M.A. from Lund University in Sweden.

Editor Isaac Wayton honed his editorial skills while cutting short form documentary films, as well as various television and web projects. His documentary short, CHILDREN IN THE FIELDS (2004), has been used by multiple foundations to raise awareness about the lax child labor laws among migrant workers in the United States. He has collaborated with music artists Keith Urban and Sir Paul McCartney to create unique featurettes for the artists’ websites. His television credits include MYSTERY DIAGNOSES (Discovery Health), THE DETONATORS (Discovery), and IT TAKES A THIEF (Discovery). Wayton received his B.F.A. in Film and Video from the Rochester Institute of Technology.

Our moderator will be filmmaker Almudena Carracedo. Born in Madrid, Carracedo is the Emmy-award winning Director and Producer of the documentary MADE IN L.A. Funded by ITVS, POV and the Sundance Documentary Fund, the film has received critical acclaim and international awards, including an Emmy Award, a Henry Hampton Award and a Special Mention of the Jury at the Valladolid International Film Festival. Her previous documentary on Tijuana as a border town, WELCOME, A DOCU-JOURNEY OF IMPRESSIONS, received the Sterling Award for Best Short Documentary at SILVERDOCS and screened in numerous national and international festivals. Carracedo is the 2008 recipient of NALIP's (National Association of Latino Independent Producers) ESTELA Award, and has served as a jury in several film festivals, including the SILVERDOCS, Valladolid International Film Festival and Santiago's International Documentary Festival in Chile (FIDOCS).

Admission is free for current DocuClub members and $8 for non-members.

Only DocuClub members who plan to attend need to RSVP at: docuclub@artsengine.net.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

http://www.artsengine.net/store/items/docuclub_membership_individual_rate


Vicki Vasilopoulos
Thu 14 Jan 2010Link

I'm looking for recently completed feature docs for Cinewomen On Screen, a series I help to program for NYWIFT (New York Women in Film and Television). We screen at Anthology Film Archives in Manhattan and we have a slot open for our March program. Please contact me ASAP at vickiv34@comcast.net. We will also consider short docs for future programs. Check out the lineup for our January 27th event: http://nywift.org/article.aspx?id=2107


Danielle Beverly
Fri 15 Jan 2010Link

Cool Audio Producer job in NYC just posted by The National Black Programming Consortium:

http://www.blackpublicmedia.org/BLACKstream/?p=550


Erica Ginsberg
Sat 16 Jan 2010Link

ATTN: DC-area documentary filmmakers

Docs In Progress is holding an all-day workshop next Saturday, January 23 in Silver Spring which is focused on fundraising for documentaries. This workshop is appropriate for documentary filmmakers of all experience levels – whether you have never raised funds for an independent documentary or have been frustrated by your efforts to do so.

The focus will be on providing participants with concepts and tools that can help you learn how to develop a fundraising plan, track the fundraising effort, research potential donors, conduct a fundraising drive, and solicit grants from corporations and foundations. There will be plenty of handouts of samples. The workshop is being led by Sam Hampton, an experienced fundraiser. Dr. Hampton, in addition to being the Director of Planning and Special Projects for Docs In Progress and a documentary filmmaker himself, is also the Founding Partner of Hampton Consulting, LLC which works with nonprofit, philanthropic, corporate, and public sector clients on building their strategic plans and increasing their chances of fundraising success – elements which apply just as easily to documentary filmmaking.

WHEN?
Saturday, January 23, 2010 from 9:00 am – 3:30 pm

WHERE?
Docs In Progress Documentary House, 8700 First Avenue Silver Spring, MD (walking distance to free parking and the Silver Spring Metro)

FEE?
$250 (or $225 if you join Docs In Progress' new Docs Insider Program which gets discounts to many programs)

Since space is limited, advance registration is STRONGLY RECOMMENDED. Please visit our website for more details or contact Adele Schmidt, Director of Programs and Services, at adeleATdocsinprogressDOTorg or (301) 789-2797.


Juan Manuel Leguizamon
Mon 18 Jan 2010Link

"Haitian film students are on the ground shooting and uploading footage from devastated Jacmel. Volunteer editors are needed in NEW YORK to edit earthquake footage. Please contact Alana at 212 334 6260 if you can help and please repost and pass on to all NYC film professionals."

Post by Arts Engine NY.


Ines Sommer
Mon 18 Jan 2010Link

2010 TALKING PICTURES FESTIVAL (www.talkingpicturesfestival.org) – January 22 deadline coming up!

This very doc-friendly festival invites independent filmmakers to submit their films to its annual festival competition in Evanston, Illinois (next to Chicago). Run by filmmakers, the Talking Pictures Festival seeks films that are thought-provoking, intriguing, entertaining, vibrant, authentic, artful and informative.

Festival takes place in May 2010 and attracts filmgoers from the entire northern Chicago metro-area. Low entry fees. Free for international entries. Cash awards for winning entries.

Last year's fest lineup included well-known docs alongside lesser known, international and regionally produced films. Doc award-winner was "Body & Soul: Kathy & Diana" by Alice Elliott.

Regular postmark DEADLINE: January 22, 2010
Late postmark DEADLINE: February 1, 2010

Entry form and more info at: www.talkingpicturesfestival.org

Submit your entry at: www.withoutabox.com/login/8776

Questions? Contact: filmvideoforum@yahoo.com


Erica Ginsberg
Mon 18 Jan 2010Link

ATTN: DC area documentarians...

Docs In Progress is excited to welcome two guest experts to our workshop offerings at the Documentary House in downtown Silver Spring, MD:

Jay Schlossberg from Media Central will be speaking next Monday about working internationally with a focus on how to navigate carnets, insurance, finding a local crew and fixer, and budgeting for things you may never have had to consider when filming in the U.S.
WHEN? Monday, January 25 (6:30 Networking/7:00-8:30 pm Presentation and Q&A)
FEE? $35 ($30 for Docs In Progress DocsInsiders). Because of limited space for only 15 participants, advance registration is highly recommended.
MORE INFO? http://www.docsinprogress.org/index.php?option=com_events&task=view_detail&agid=41&jevtype=jevent&year=2010&month=01&day=25&Itemid=1


Christine Intagliata's presentation on Writing Documentary Treatments was so popular last Fall that we've brought her back to lead a three-night workshop on the same subject. She'll focus on how to take the film in your head and translate your ideas into words to help with fundraising or working with a specific client. Participants will receive samples of successful treatments and, because this is a longer session, will get to develop their own treatments during the course.
WHEN? January 28 – February 11 (three consecutive Thursday nights from 7:00 – 9:00 pm)
FEE? $250 ($225 for Docs In Progress DocsInsiders). Because of limited space for only 10 participants, advance registration is highly recommended.
MORE INFO? http://www.docsinprogress.org/index.php?option=com_events&task=view_detail&agid=39&jevtype=jevent&year=2010&month=01&day=28&Itemid=1

For more information on these and other Docs In Progress programs and how to become a DocsInsider, visit our website at http://www.docsinprogress.org or contact Adele Schmidt, Director of Programs and Services, at adeleATdocsinprogressDOTorg or (301) 789-2797.


Pablo Alvarez-Mesa
Thu 21 Jan 2010Link

Warning: Double-post ahead.

I'm looking for a room in Vancouver for Feb and March. If someone in Vancouver has and apartment or spare room, or knows of someone who might have one please let me know!

Thanks!


Joanna Rabiger
Sat 23 Jan 2010Link

Looking for a Paris based French and English speaking PA to work on a UNESCO shoot 3 through 5 February at a rate of 150 euros per day. Email me at jorabiger@fastmail.fm if interested. Thanks.


Christopher Pavsek
Sun 24 Jan 2010Link

DVX100a for sale. Very few hours. Great shape. All original accessories plus a uv filter, polarizing filter and a padded shoulder bag.

Make an offer. They sell for about 1000 US on ebay.

email me directly at monkeybz (at) telus dot net


Tailinh Agoyo
Mon 25 Jan 2010Link

What's it like to be in the middle of the Sundance buzz? Stressful? Thrilling? Fun? Expensive? Find out on Monday, as Hank talks live from the Sundance Film Festival with filmmakers Annie Sundberg and Ricki Stern. Their film, JOAN RIVERS: A PIECE OF WORK, is premiering that very night in the Documentary Competition. REGISTER now to hear the latest fest news and how Ricki and Annie are faring under the pressure and excitement of Sundance. Find out the back story on how they made this eye-opening portrait of one of America's most interesting icons.

DATE: Monday, January 25th, 2010

TIME: 10am PST (11am Mtn, Noon Central, 1pm EST) for one hour

REGISTER NOW! You can listen in via your computer or phone, and can email questions in to the filmmakers.

go to www.documentaryhowto.com and click on free teleseminar


Tailinh Agoyo
Tue 26 Jan 2010Link

Check it out Hank's Sundance Blog – Entry #2 -Sundance Scene and Overherd

...People come to the fest to walk main street and troll for celebs. I heard Ben Affleck was creating quite a crowd, and I passed Michael Chiklis today. The sidewalks are continuously blocked by flocks around someone 'famous'. I am so outa da loop that I am not recognizing many faces in these spontaneous crowds. I passed by one gaggle yesterday, and did not recognize the guy who was signing autographs. Then a young lady said she wanted to tell him how much she loved him on General Hospital. Main Street is always good for a chuckle.

At a panel yesterday on Media Marketing, a panelist referred to 'District 9' as an “independent film,” because it had a budget of $30 million. The crowd groaned. More proof that the 'indy film' label has become as ubiquitous as 'fat free'...

READ THE REST OF HANK'S BLOG AT http://www.documentaryhowto.com/documentary-blog/114-hanks-sundance-blog-entry-2


Doug Block
Tue 26 Jan 2010Link

Don't take this hard, Tailinh, but passing Michael Chiklis on the street doesn't exactly make me wanna go run to read Hank's blog. On the other hand, hearing Ben Affleck was creating quite a crowd is pretty damn exciting, gotta give you that.


Dempsey Rice
Thu 28 Jan 2010Link

Independent Documentary Filmmaker Seeks Outreach and Marketing Intern

I am an award winning documentary filmmaker based in Brooklyn, New York who is just finishing a new experimental short documentary about remembering called FORGET ME NOTS.
I am seeking an intern who can help me research the markets I have targeted for the distribution of this film and to help me focus my audience outreach strategy. This person must be able to employ critical thinking skills, work independently and be familiar with Mac computers. Knowledge of Excel and/or FileMaker are a plus.
This is an opportunity to get hands on experience for a very small company (rather than answering phones at a big firm) and would be ideal for someone studying marketing/outreach and/or a documentary film student who wants to learn what grass roots distribution is all about.
To learn more about the film and my work please visit www.dempseyrice.com
To ask questions or to apply for the position please email a resume and cover letter stating your experience (as a student or professional), why you are interested in working for a small production company and what you bring to the table.
dempsey@dempseyrice.com

Thank you!


Tailinh Agoyo
Thu 28 Jan 2010Link

In reply to Doug Block's post on Mon 25 Jan 2010 :

ok. slow down Brooklyn. i moved out of there years ago. I can't keep up with the snarky banter. have a nice day!


Tailinh Agoyo
Thu 28 Jan 2010Link

REBEL DOCS
Rebel against the entrenched establishment. Reject authority, fight the power. Re-new your right for freedom and individuality. Docs can help us do that....right? Redford has said many times that docs are our last bastion of reliable truth since the traditional media... “has gone the way of the dodo.” And the docs this year at Sundance cover everything from Iraq to a female comedian's struggle to keep going despite the impenetrable boy's club. But do these films do anything to actually change the way Coke, Chevron and Citibank run the world?.... READ THE REST OF HANK'S BLOG
http://www.documentaryhowto.com/documentary-blog/116-hanks-sundance-blog-entry-4


Doug Block
Fri 29 Jan 2010Link

Just a little snark, Tailinh, and it's good for body and soul. Actually, Brooklyn's getting more and more like Santa Fe every day.



Ines Sommer
Fri 29 Jan 2010Link

The 2010 TALKING PICTURES FESTIVAL is happy to announce that The ONION: America's Finest News Source and AV Club Chicago have joined us as co-presenters of several of our upcoming festival programs!

Be part of the fun and don't miss the LATE postmark DEADLINE for this very doc-friendly festival: February 1

We seek films that are thought-provoking, intriguing, entertaining, vibrant, authentic, artful and informative. From dramatic films to hard-hitting documentaries, comedic shorts, experimental films, or music videos, we invite independent filmmakers to send us their work for consideration. All genres, styles and lengths welcome. Cash awards for winning film entries.

Now in its second year, the 2010 Talking Pictures Festival will take place on May 7 – 9, 2010. The festival will once again draw audience members from across the northern Chicago metro-area to this annual celebration of independent films from around the world. The inaugural 2009 Talking Pictures Festival received much press coverage and attracted 1,100 filmgoers over the course of a long weekend. True to its name, screenings at The Talking Pictures Festival are often accompanied by discussions with filmmakers, guest speakers or community groups.

Late postmark DEADLINE: February 1

Extended DEADLINE
Withoutabox submissions only: February 8

Entry form and more info at:
http://www.talkingpicturesfestival.org

Submit your entry at: http://www.withoutabox.com/login/8776

The Talking Pictures Festival is produced by Percolator Films (www.percolatorfilms.org), a non-profit film organization that also organizes the popular ten-year-old Reeltime film and discussion series.


Linelle Schultz
Tue 2 Feb 2010Link

Be Discovered in HOLLYWOOD! Great Networking Opportunity! Http://www.hollywoodfestival.com

The 14th Annual Hollywood Film Festival is now open for submissions in the follow genres: Features (drama & comedy), Docs, and Shorts.

Visit the Hollywood FILM Festival, Hollywood Comedy Film Festival, and Hollywood HORROR Film Festival to submit. Http://www.hollywoodfestival.com

P.S Hustle and Flow’s Craig Brewer was discovered at the HFF and last year’s winner for Best Documentary, “Garbage Dreams” was nominated for an Oscar.

Keep up to date with the latest news at http://www.hollywoodnews.com/ . Also follow us on twitter: http://twitter.com/hollywoodscoop and facebook: http://www.facebook.com/hollywoodfilmfest


Sari Gilman
Tue 2 Feb 2010Link

Beautiful Brooklyn Sublet. March 15-May 1, possibly longer. Spacious 1-br apartment in a doorman building in Prospect Heights. $1950/month. Steps from the park, transportation (2/3 and Q trains). It's on the top (6th) floor with views of Manhattan and the Empire State Building. There is a beautiful shared roofdeck. The apartment is clean, comfortably furnished with cable and internet. Laundry in the basement. Near great restaurants, cafes, etc. Pics available upon request.

email me at sarigilman@yahoo.com


Nina Numankadić
Wed 3 Feb 2010Link

DOC ALLIANCE FILMS
The New Deal for Feature Documentaries

Doc Alliance Films – www.docalliancefilms.com – the new online documentary portal for Video on Demand. Doc Alliance is a partnership between five key European documentary film festivals: CPH:DOX Copenhagen, DOK Leipzig, IDFF Jihlava, Planete Doc Review Warsaw and VISIONS DU REEL Nyon.

www.docalliancefilms.com offers permanent access to over 250 outstanding documentaries selected by the five partner festivals. New films are added monthly and each one can be acquired through streaming or download.

The aim of the Doc Alliance initiative is to support the diversity of feature documentaries and to convince audiences of the fascinating, moving and instructive aspects of the cinéma du reel where reality surpasses fiction and becomes spectacular.

Doc Alliance was born with the awareness that new initiatives are needed to promote remarkable films to a general market that is less permeable to their circulation and commercialisation and to approach various audiences in every conceivable manner, ranging from cinema, television, DVD to VOD, and other networks.

Its objective is to create an inventive and dynamic distribution platform for filmmakers and producers by offering attractive alternatives, debates, choices and perspectives.

Doc Alliance Films is proud to announce that it can now be found on YouTube and other social networking platforms such as Facebook and Twitter. Please keep checking the www.docalliancefilms.com for promotions and opportunities for viewers and filmmakers, as well as updates on new directions and initiatives of Doc Alliance, website upgrades and where you can find us next, from online publications to blogs and social networks.

For more information please contact pr@docalliancefilms.com

Edited Wed 3 Feb 2010 by Nina Numankadić

Nicole Cattell
Wed 3 Feb 2010Link

DVX 100a in very good condition for sale. 142 hours of operation. Asking $1200. contact nicolecattell@gmail.com


Tailinh Agoyo
Wed 3 Feb 2010Link

TODAY! Join Jilann for a special Q&A call about a new Coaching Circle that she is forming to HELP YOU RAISE MONEY FOR YOUR FILM. This DocuMentors Coaching Circle will be designed to give you concrete tools to raise money effectively, as well as support in a small group environment so you're not going it alone. Join for a special 30 minute call to let you know what you can get out of the Coaching Circle and how it will be run. If you haven't yet registered, and you are interested, please REGISTER NOW for the Q&A call (no obligations to join the group ) and send her your questions thru the event web page that you receive when you register. DATE: Tuesday, February 2nd, 2010TIME: 5pm PST (6pm Mtn, 7pm Central, 8pm EST) for 30 minutes. To register click on the link below and go to free teleseminar.
www.documentaryhowto.com


Dempsey Rice
Thu 4 Feb 2010Link

NYC (Brooklyn) – I am in need of an assistant editor or a newbie editor who is looking for some experience but won't cost me much at all. I need to edit some materials for the DVD extras on a couple of projects (it's mostly cutting down interviews and similar stuff). Do any of you know anyone that is just starting out who might be interested? This is going to be in my home, so it's gotta be someone sane!

dempsey@dempseyrice.com


Amanda Woods
Fri 5 Feb 2010Link

Affordable Web Design for Documentary Filmmakers

My name is Amanda Woods... I've posted here once before but it was many months ago and I'm sure my post is buried now, so I'm posting again.

I'm a beginning web design with a passion for documentaries. If you're in need of a website for yourself as a documentary filmmaker, or for a film, I'd love to work on it for you. I strive to keep my prices affordable and am willing to work within your budget. I'm also happy to work out payment plans if you're tight on cash.

My designs are clean and simple, nothing too fancy... not yet, anyway (I'm getting there). I would love the opportunity to work on more film sites, particularly ones in which a filmmaker can provide me with large still images from the film so that I can get a bit more creative/sophisticated with the design. Of course, I'll also work with your input.

You can learn more about my services and take a look at my samples on my website. Thus far, I've done mostly writer sites, so I'm not sure how well those will give you an idea of what I can do with a film site. But if you're interested in a website and if you're able to send me large images and a little bit of copy, I can play with those and give you some examples of what a site for you may look like before you commit to hiring me.

Here is my url:

http://www.plainbellysneetch.com

You can contact me using the form on the website, or email me directly at:

plainbellysneetch@gmail.com

Thank you and I look forward to hearing from you!

Amanda


Jonathan Archer
Tue 9 Feb 2010Link

Live Streaming Event tonight with ITVS!

The Independent Television Service is streaming a special live filmmaker event online, tonight at 7:30pm from San Francisco!

In conjunction with the SF Film Society and New Doc Editing, ITVS will be discussing innovative structural approaches to documentary filmmaking.

What: Thinking Outside the Doc Box
When: Monday Feb 8, 2010 @ 7:30pm PST
More info and Watch Online: http://bit.ly/docbox

If you're in SF, there still may be tickets available from SFFS.org. It's going to be held at Mezzanine in downtown SF.

Hope you can join us!

– Jonathan Archer (ITVS)


Gabriel Sedgwick
Tue 9 Feb 2010Link

I'm on the hunt for an assistant/intern to work for D-Word founder, omnipresent host, and all-around galactic overlord Doug Block ("51 Birch Street") in the distribution and outreach phase of his new film, "The Kids Grow Up", as well as some work on several other feature docs. Our ideal candidate has a clear interest and ambition to work in documentary production, is a fast learner and fearless starter, and does not shy away from hard work. Internship would begin ASAP. Social media skills a plus.

Our office is located in Dumbo, Brooklyn. This is an unpaid internship, but a small travel- and meals stipend will be given – not to mention priceless knowledge and contacts. Also, we're small enough that a prospective candidate would find her- or himself in the middle of the hurricane, so to speak, but we're also big enough to work with some of the top broadcasters in the world.

If you know someone fitting, or want to apply yourself, please send an email to gabriel@hardworkingmovies.com telling me a bit about who you are, what you hope to learn from interning with us and working for Doug, and what you hope to achieve in the future. Thanks – we're looking forward to hearing from you!


Steve Holmgren
Tue 9 Feb 2010Link

On Friday nights in January, February and March, UnionDocs will screen six excellent films, all of which have been named named Pare Lorentz Award Winners by the International Documentary Association.

We are very fortunate to also have the opportunity to conclude the festival by showing four important works by this pioneer, Pare Lorentz. All of these are documentaries that inspire the best in all of us – films that address issues of social justice, political strife, and survival in a world with declining natural resources. Each screening will be followed by a discussion, with filmmakers and special guests in attendance.

UnionDocs is giving away 5 tickets per show (good for you and a guest) to the first 5 people who reach out to me. E-mail me at steve.holmgren@uniondocs.org and let me know you are interested in attending.

Sugihara: The Conspiracy of Kindness
Friday, February 12th, 2010 at 7:30 pm
Directed by Rob Kirk
103 Minutes

Mandela: Son of Africa, Father of a Nation
Friday, February 19th, 2010 at 7:30 pm
Directed by Jo Menell
118 Minutes

Berga: Soldiers of Another War
Friday, February 26th, 2010 at 7:30 pm
Directed by Charles Guggenheim
85 Minutes

The Plow That Broke The Plains (1936) & Nuremberg (1948)
Friday, March 5th, 2010 at 7:30 pm
Directed by Pare Lorentz

The River (1938) & The Fight For Life (1941 )
Friday, March 12th, 2010 at 7:30 pm
Directed by Pare Lorentz

For more program info, please visit www.uniondocs.org.
UnionDocs is located at 322 Union Avenue, in Williamsburg, Brooklyn.

Edited Tue 9 Feb 2010 by Steve Holmgren

Mark Freeman
Wed 10 Feb 2010Link

Dhondup Wangchen is a Tibetan filmmaker recently sentenced to 6 years for subversion in China. Amnesty International fears that he is being tortured.

Wangchen’s 25-minute documentary, Leaving Fear Behind (www.leavingfearbehind.com), shows Tibetans in the Amdo region expressing their views on the Dalai Lama, the Beijing Olympics and Chinese legislation.

Please help spread the word and please sign the petition at:

Reporters without Borders
http://www.rsf.org/en-petition33442-Dhondup_Wangchen.html

More Information:
http://www.amnestyusa.org/actioncenter/actions/uaa18909.pdf

http://www.nytimes.com/2009/10/31/world/asia/31tibet.html?_r=1&scp=1&sq=Dhondup%20Wangchen&st=cse

thank you,

Mark

Mark Freeman
Professor
School of Theatre, Television, and Film
San Diego State University
5500 Campanile Dr.
San Diego, CA 92182-7601
Ph 619 594-5497
Fax 619 594-1391
http://www.markfreemanfilms.org

"Freedom of expression is the matrix, the indispensable condition, of nearly every other form of freedom." – Benjamin Nathan Cardozo


John Burgan
Wed 10 Feb 2010Link

Good call, Mike. Thanks for posting.


Felix Endara
Wed 10 Feb 2010Link

DocuClub in February!

Our February DocuClub will take place on Wednesday, February 24, 7 p.m., at DCTV, located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).

We will screen a rough cut of PAUL GOODMAN CHANGED MY LIFE by Jonathan Lee. The first documentary about Paul Goodman, the late social critic, poet, philosopher of education, or, as he called himself, "man of letters in the old-fashioned sense," it follows a biographical through-line and is structured around interviews with family, friends, peers, and activists from the peace, educational reform, and gay movements who today are found in Maine, Minnesota, Massachusetts, California, West Virginia, New York City, Vermont, Paris, and Catalonia, Spain. The interviews are interwoven with archival footage of Goodman and major events in which he was involved and photos made available by his widow Sally. Some interviewees include Noam Chomsky, Judith Malina, and Grace Paley. See a trailer here: http://www.paulgoodmanfilm.com/trailer.shtml.

Director/Producer Jonathan Lee served as producer of the FEAR OF DISCLOSURE PROJECT, a series of videos that explore the act of revealing that one is HIV+ or has AIDS, which began with a video by the late Phil Zwickler and David Wojnarowicz. Under Lee's direction, the project produced and distributed (IN)VISIBLE WOMEN, Ellen Spiro and Marina Alvarez, NON, JE NE REGRETTE RIEN (NO REGRET), Marlon T. Riggs, and OUT IN SILENCE & NOT A SIMPLE STORY, Christine Choy. From 1995-2003, Lee was the founder/director of the Maine Speakout Project, a statewide organization that trained and deployed volunteer speakers to share their personal experiences as sexual minority Mainers with mainstream groups throughout the state. In 2003, Lee returned to New York City to begin working on PAUL GOODMAN CHANGED MY LIFE.

Associate Producer Robert Hawk has been a longtime advisor to filmmakers and film festivals, has had his own business, ICI (Independent Consultation for Independents) for over 13 years, and been a part of the independent film scene for 23 years. Producer credits include Dan Geller and Dayna Goldfine's acclaimed documentary, BALLETS RUSSES. Starting with his involvement in documentary as a researcher on Rob Epstein's Oscar-winning THE TIMES OF HARVEY MILK, he has been credited with discovering and/or nurturing the talents of such filmmakers as Epstein, Nathaniel Kahn (MY ARCHITECT), Kevin Smith (beginning with CLERKS), Ed Burns (BROTHERS McMULLEN), David Siegel and Scott McGehee (DEEP END; BEE SEASON), and Geller & Goldfine. He has also consulted on hundreds of documentaries, including Oscar winners/nominees such as COMMON THREADS: TALES FROM THE QUILT, COMPLAINTS OF A DUTIFUL DAUGHTER, and REGRET TO INFORM.

Editor Kimberly Reed is a filmmaker living in New York City. She was named one of Filmmaker Magazine’s “25 New Faces of Independent Film,” and has been awarded a Yaddo Artists’ Community Fellowship, a Squaw Valley Community of Writers Workshop Fellowship, and a spot in Al Gore’s Current TV Symposium on the Future of Non-Fiction Film. Her work has been featured four consecutive years at IFP’s Independent Film Week. Her film PRODIGAL SONS — a co-production with BBC Storyville, Sundance Channel, and CBC/Canada — has been shown around the world in festivals and on television. It was also screened in rough cut at DocuClub in April 2008.

Our moderator will be Basil Tsiokos, who has been a Programming Associate (Documentary Features) for the Sundance Film Festival since 2005. He also serves as a consultant for filmmakers and festivals, offering project feedback and advice on festival and promotional strategy. He was the Executive and Artistic Director of NewFest: The New York LGBT Film Festival between 1996 and 2008. Tsiokos has also served as a Coordinator of the IFP’s No Borders Co-Production Market and has guest curated at the Jacob Burns Film Center and for the Miami Gay and Lesbian Film Festival and Germany’s touring Verzaubert Film Festival. Basil has served on festival juries and panels for the Atlantic Film Festival, Berlin International Film Festival, Cleveland International Film Festival, Full Frame, IFP, LaCinemaFe, Outfest, SXSW, and the AIVF. His writing occasionally appears in indieWIRE, and he can be found on Twitter as @1basil1.

Admission is free for current DocuClub members and $6 for non-members.

If you plan to attend, please RSVP at docuclub@artsengine.net. Our previous screenings have sold out and although admission for non-members is on a first-come, first-serve basis, it is highly recommended if you let us know that you’ll be attending.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

http://www.artsengine.net/store/items/docuclub_membership_individual_rate


Tailinh Agoyo
Thu 11 Feb 2010Link

TONIGHT!!!!! How do you find the most amazing images for your film amongst the billions of frames out there in the Archival world? And how can you get the most affordable ones, at that? We're talking to Rosemary Rotondi, foremost Archival Film Researcher with credits such as BAND OF BROTHERS this Thursday, February 11th on DOC TALKS. We're going to get the low-down on saving tons of money and time and getting the very best footage and stills for your film.
DATE: Thursday, February 11th, 2010
TIME: 5pm PST (6pm Mtn, 7pm Central, 8pm EST) for 30 minutes
This call is for Members Only. Join us!
www.documentaryhowto.com


John Burgan
Fri 12 Feb 2010Link

Rosemary Rotondi is also a full member of The D-Word – we already value her as a generous and knowledgeable expert in this complex field.


Donald Goldmacher
Sat 13 Feb 2010Link

In reply to Tailinh Agoyo's post on Thu 11 Feb 2010 :

How do I get on the call?


Doug Block
Sat 13 Feb 2010Link

I imagine you'd click on the link in Tailinh's post to find out, Donald.


Ben Dorf
Wed 17 Feb 2010Link

Tribeca Cinemas Presents: Doc Series 2010

From the team behind the Tribeca Film Festival, Tribeca Cinemas Presents: Doc Series is an exciting new series of interesting, innovative and thought-provoking documentary films. Join us every other Monday night at Tribeca Cinemas for another must-see film.

This bi-weekly series represents a powerful and varied mix of overlooked gems, out-of-print and cult classics, niche audience favorites, and seminal works that have helped to shape the non-fiction film landscape.

While dealing with a wide variety of subjects, each film has both connected with its core audience and resonated with a broader audience that isn’t always associated with traditional documentary film. In short, Tribeca Cinemas Presents: Doc Series is here to bring you the must-sees of documentary cinema.

2.22.10: Dark Days

3.8.10: Johnny Cash at Folsom Prison

3.22.10: Nerdcore Rising

Tickets are $10, $8 for seniors and students with a valid ID and can be purchased online.

All TC Doc Series screenings start at 7:30 pm at Tribeca Cinemas, 54 Varick Street (at Laight, one block south of Canal).

Share a cocktail with your fellow doc lovers before or after each screening in the Tribeca Cinemas bar!

We look forward to seeing you at the movies.


John Burgan
Wed 17 Feb 2010Link

You only need to post in one Topic (this one is fine). Use Introduce Yourself to tell us who you are and what brought you here.


Tailinh Agoyo
Thu 18 Feb 2010Link

Documentary Tip – LIGHTS, CAMERA, INSURANCE: HOW MUCH INSURANCE DO I NEED? By Winnie Wong http://ning.it/95MjAZ


Tailinh Agoyo
Thu 18 Feb 2010Link

In reply to Donald Goldmacher's post on Fri 12 Feb 2010 17:54 UTC :

Hi Donald, Sorry I missed your post. If you would like to join the next teleseminar on documentary insurance on Feb 25, go to www.documentaryhowto.com and click on free teleseminar.


Tracie Holder
Fri 19 Feb 2010Link

WOMEN MAKE MOVIES – JOB POSTING –
PRODUCTION ASSISTANCE PROGRAM COORDINATOR


Dear WMM Friend,

We are pleased to announce that we are accepting applications for our Production Assistance Program Coordinator position. Please feel free to pass along the information below to any interested parties. Your help is greatly appreciated!

PRODUCTION ASSISTANCE PROGRAM COORDINATOR

Founded in 1972, Women Make Movies (WMM) is a non-profit feminist, media arts organization dedicated to the distribution and exhibition of films by and about women. Women Make Movies’ Production Assistance (PA) Program provides assistance to emerging and experienced women directors in the production of new documentaries, fiction and experimental films.

WMM is seeking a Production Assistance Program Coordinator who will report directly to the Executive Director and work with our Program Consultant. The PA Program assists women filmmakers to independently produce films by providing fiscal sponsorship, workshops, seminars, and various online resources. The Coordinator will manage the fiscal sponsorship program, including review of applications, administering contributions and disbursements, preparing government funding reports, and handling production assistance inquiries. Additional responsibilities include organizing and scheduling workshops and seminars, updating information resources and the PA section of our website, and promoting the program and its activities.

Skills, Qualifications and Other Requirements:
At least two years experience working in a non-profit arts organization
Must have some familiarity with foundation/government fundraising
A basic knowledge of film production and/or financing.
This position requires someone to be extremely detailed, computer savvy, and who can successfully juggle multiple tasks in a productive and positive manner.
Excellent written and verbal communication skills and ability to meet deadlines.
Flexibility, professionalism, a positive attitude, and a sense of humor, of course, are mandatory!

HOW TO APPLY: Please email resume with and letter noting relevant experience and salary requirements to jobs@wmm.com. Please indicate Production Assistance Program Coordinator in the subject line and tell us where you saw the posting. Women Make Movies offers a competitive salary based upon experience, as well as an excellent benefits package including employer-paid medical and dental insurance, long term disability, retirement plan, vacation, and paid holidays. Women Make Movies is an equal opportunity employer and encourages women of color, lesbians, and older women to apply.

About WMM:
Women Make Movies is the world's leading distributor of independent films by and about women. For three years in a row, films from WMM have taken home top prizes at Sundance. In 2009, ROUGH AUNTIES by acclaimed filmmaker Kim Longinotto won the World Cinema Documentary Jury Prize; and in 2008 THE GREATEST SILENCE: RAPE IN THE CONGO received the Special Jury Prize in Documentary. Additionally, WMM's well-established Production Assistance (PA) Program helps American women directors get their stories to the screen. Recent films of note from the Production Assistance Program include Oscar-nominated NERAKHOON (THE BETRAYAL) by Ellen Kuras and EL GENERAL, by Natalia Almada, winner of the Sundance Directing Award in U.S. Documentary. For more, visit our website at www.wmm.com.

Women Make Movies • 462 Broadway #500 • New York • NY • 10013


Brian St. Denis
Fri 19 Feb 2010Link

As part of the Documentary Organization of Canada's ReBoot project lab running from February 16 to 19, www.docspace.ca has launched a new ReBoot page featuring video presentations created by leaders in cross-platform media including Blog Cinematech's Scott Kirsner, the National Film Board's Kat Cizek, cross-media expert Lance Wieler and Upian.com's Alexandre Brachet. You can also post questions and comments for the ReBoot presenters. New presentations uploaded daily. Find out more about ReBoot and how to register for the wrap-up event on February 19 in Toronto at www.docorg.ca.


Christopher Quinn
Sat 20 Feb 2010Link

Documentary Director Looking for Cameraperson in Nairobi.

A friend asked for help in finding a cameraperson to hire based in Nairobi. Shooting in HD for one week beginning 2.31.10. Filming at a school outside of Nairobi. Interview set up and additional filming in the regional area. If anyone has suggestions, please let me know or contact:

Adam Del Deo
ADelDeo@EndgameEnt.com
310.714.0700

Thanks


Koen Suidgeest
Sat 20 Feb 2010Link

2.31.10 ??


James Longley
Sat 20 Feb 2010Link

Perhaps Christopher means Sunday, February 28th? Or Monday, March 1st? Or perhaps the numbers have been switched around such that the actual date is Sunday, March 21st – or 03.21.10? Only one way to find out, I guess.


Christopher Quinn
Sun 21 Feb 2010Link

In reply to Christopher Quinn's post on Fri 19 Feb 2010 :

Hey Koen and James, Good catch. I hotfooted the details to post. The producer and director are traveling now but I am certain she intended to mean Sunday, 2.28.10.

Someone in the member classifieds has already connected them with a potential cameraperson in Nairobi but let me know if you have other recommendations.

James, thanks for the tip on d-word, it has already brought grist to the mill.


James Longley
Sun 21 Feb 2010Link

Great to see you here, Christopher – looking forward to seeing you in person next time we're in the same town.


Doug Block
Sun 21 Feb 2010Link

It'll put meat on your bones, too, Christopher. Just give it time.


Tailinh Agoyo
Wed 24 Feb 2010Link

DocuMentors DOC TIP #7: Writing a Strong Treatment

Treatments are an invaluable tool at any step of the way in the filmmaking process. They are a succinct and descriptive way to get across the elements of your film to others. They are usually 1-2 pages and contain only the essential information about your project. (Sometimes a treatment can go up to 4 pages, and then would include a longer narrative story summary, and more character information). The writing should be well-organized, grammatically correct and exciting and tantalizing to read. You want to hook your reader and get them interested in your project so that they want to know more and so that they become a supporter of the project.

It’s essentially a marketing tool that is helpful in fundraising, distribution, and many other steps of the filmmaking process. Writing a treatment can also really help you sharpen your own ideas and concept of your film.

Your treatment should contain the following elements:

...for the rest of this doc tip, go to www.documentaryhowto.com and click on DOCUMENTARY TIPS.


Matt Marxteyn
Tue 2 Mar 2010Link

CALL FOR ENTRIES
Held beneath the red rocks of Zion National Park, the international 4th Annual Red Rock Film Festival comes back in November of 2010 with more excellent programming that will both challenge and educate the mind. The Xtreme sports docs and off-the-charts dramatic features are just the accessories to the festival’s staple of political documentaries and foreign film.

The festival boasts a strict "no back-door" fairness policy directing all competition entrants, including friends and "high-profile" films to submit online where every film entered goes through "the red mill" previewing and selection process. Early entrants are treated to feedback upon request so they can resubmit new versions of their film, and we offer extremely low entry fees ;)

ENTRY FEES & DEADLINES
Triple Chance Deadline**: March 31, 2010, $13
Double Chance Deadline*: April 30, 2010, $14
Regular Deadline: May 30, 2010, $15
Late Deadline: June 30 2010, $20
**Enter 3 versions of the same film
*Enter 2 versions of the film
You may enter on withoutabox or at http://www.redrockfilmfestival.com/RedPages/entries.html


Felix Endara
Wed 3 Mar 2010Link

DocuClub Co-Hosts screening of PRODIGAL SONS on March 4, 7:20 p.m., New York City.

After a successful festival run full of accolades, Kimberly Reed’s autobiographical tour-de-force [www.prodigalsonsfilm.com] premieres in New York City at the Cinema Village on February 26, and then makes its way through San Francisco, Seattle, Boston, Philadelphia, among other cities.

DocuClub is proud to co-present New York’s screening at Cinema Village (22 East 12th Street, between Fifth Avenue and University Place), on Thursday, MARCH 4TH, at 7:20 p.m. Director Reed will be available for a Q&A post-screening moderated by DocuClub’s Felix Endara.

Advance tickets are available for PRODIGAL SONS at Cinema Village can be purchased here:
http://www.cinemavillage.com/chc/cv/show_movie.asp?movieid=1760

SYNOPSIS:
Returning home to a small town in Montana for her high school reunion, filmmaker Kimberly Reed hopes for reconciliation with her long-estranged adopted brother, Marc. But along the way she uncovers stunning revelations, including his blood relationship with Orson Welles and Rita Hayworth, intense sibling rivalries and unforeseeable twists of plot and gender that forces them to face challenges no one could imagine.

Winner of the FIPRESCI Prize at the Thessaloniki Documentary Film Festival, Best Documentary Jury Prize at NewFest, and Special Jury Prizes for Fearless Filmmaking at the Florida Film Festival and Bravery in Storytelling at the Nashville Film Festival, PRODIGAL SONS is a raw and provocative examination of one family’s struggle to come to terms with its past and present.

PRODIGAL SONS is opening throughout the U.S. in March. For specific dates and locations, check:

www.firstrunfeatures.com/prodigalsons_playdates.html.


Stephanie Vevers
Fri 5 Mar 2010Link

Seeking Manhattan Apt. Rental for March 24 – April 4 (11 days)

I am posting this for a friend:

Rental needed in Manhattan, for the visiting family of documentary film student :
2 parents, (architect/administrator) and 2 siblings (ages 15 and 28).
They are visiting from Madrid, Spain to see their daughter, Caye, who is studying film in NYC at Hunter.

They speak English, are quiet, and are non-smokers, and courteous housekeepers.
Because they will have to do a hotel reservation very soon if they don't find a rental, kindly reply ASAP.

LOCATION: if near East 23rd Street or Union Square is a plus, but not required. Convenient Williamsburg might work also.

Reply to:

ccaayyee@gmail.com
917-600-6448


Saralena Weinfield
Sat 6 Mar 2010Link

Hi. I'm selling my nearly new Panasonic DVX 100B. The camera is in great shape and comes with a camera bag, charger, and three batteries.

All included for $1800 or best offer.

Please email sweinfield@gmail.com if you are interested.

Thanks!


Tailinh Agoyo
Sat 6 Mar 2010Link

DOCUMENTARY TIP #7: Distribution Strategies for a Changing World

The current state of Independent Film Distribution is complex and ever-shifting. Below is a run-down of a recent talk given at IDFA by indie film distribution guru and strategist Peter Broderick, as reported by our staff member, Carol Ann Short.

Seize the Future: The Cutting Edge of Distribution

There are currently unprecedented opportunities and challenges in what Peter Broderick calls the “New World of Distribution.” As traditional distribution has continued to decline, a growing number of filmmakers are using state-of-the-art models to maximize both audience and revenues. Peter consults with filmmakers and media companies to develop strategies to maximize distribution, audiences, and revenues.

First of all, Peter believes that the cornerstone of every distribution plan must include a Web site and a meaningful Distribution List. Many strategy steps will stem from these two items.

Here are some things to think about when crafting the distribution and marketing plan for your film.

Read more...

http://www.documentaryhowto.com/documentary-tips/138-documentary-tip-7-distribution-strategies-for-a-changing-world


Marisa Murgatroyd
Mon 8 Mar 2010Link

I've worked with Peter for almost 6 years. He's a pathfinder in the world of documentary distribution and a fabulous person. If you're interested in distribution, he's the man to work for.

Associate (part-time)

Join us at the cutting edge of distribution. I'm Peter Broderick, an independent film consultant and distribution strategist. I'm looking for a resourceful, friendly, and committed teammate. You will manage scheduling, billing, and database of contacts; handle filmmaker relations; and research new distribution models. This is a great opportunity to provide support for exceptional films and pioneering filmmakers.

You must have an engaging personality, be diligent, and extremely well-organized. A passion for independent film is important, and a knowledge of documentaries a plus. Must be a self-starter with solid writing, typing, research, and Mac computer skills (owning a Mac laptop is essential). Flexible schedule--25-30 hours/week split between work at home and Westside Los Angeles office. Must be reachable outside scheduled hours for urgent questions. Minimum commitment of one year.

To learn more about Paradigm Consulting, visit www.peterbroderick.com.

To apply, send a resume and cover letter to associate at peterbroderick dot com with the exact subject line "Associate Application." The cover letter should state: why you want this job; your qualifications and relevant experience; and your long-term goals. Please write your letter with care since it will give me a sense of who you are, what's important to you, and how well you express yourself.

Please do not call.

Good luck!
Marisa


Emma Bailey
Tue 9 Mar 2010Link

DocHouse & The Grierson Trust present: a day of award-winning documentaries
Spend the day at The Riverside Studios where you can watch the best docs of the year on the big screen, meet the directors and other filmmakers and have lunch or coffee with friends in the sun along the river

Saturday, 20 March 2010, Time: 12:30 – 23:00
Location: Riverside Studios, Crisp Road, W6 9RL, London, UK – www.riversidestudios.co.ukwww.dochouse.org – Box Office: 020 8237 1111 – Tickets: £5 per film or £18 for a day pass

AT 12:30 pm – BURMA VJ – Best Cinema Documentary
Anders Østergaard, Norway/Sweden/Denmark, 2009, 84 mins
Winner of over 40 International Awards and Academy Award® Nominee

Acclaimed filmmaker, Anders Østergaard follows Burma’s video journalists, who risk torture and life in jail by keeping the flow of news coming out of their closed country. Armed with small handycams, they smuggle out undercover reports, broadcast them back into Burma via satellite and offer them as free usage for international media.

AT 2:15 pm – THRILLER IN MANILA – Best Historical Documentary
Plus Q&A with Director John Dower
John Dower, UK, 2008, 91 mins
Sundance Film Festival Grand Jury Prize World Cinema Documentary Nominee

Joe Frazier, now 63, takes us on an emotional journey back to 1975 and the most hyped boxing match in history. Frazier has never forgiven Ali for his racial taunting calling Frazier 'Gorilla' and 'Uncle Tom’. Although Ali beat Frazier in Manila in 1975 in their third and final fight, Frazier says, 'I clearly won the fight. The proof is in the pudding. I'm walkin', I'm talkin', I'm still havin' fun at 63’.

AT 4:30 pm – THE MONA LISA CURSE – Best Arts Documentary
Plus Q&A with Director Mandy Chang
Mandy Chang, UK, 2009, 75 mins

The Mona Lisa Curse is a timely polemic by internationally renowned art critic Robert Hughes which examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums,the production of art and the way we experience it, have radically changed in the last 50 years.

AT 7 pm – AFGHAN STAR – Best Documentary on a Contemporary Issue
Plus Q&A with Director Havana Marking
Havana Marking, UK/Afghanistan, 2009, 87 mins
Sundance Film Festival Audience and Directing World Cinema Documentary Award Winner

Afghan Star was watched by a third of the population of Afghanistan. Over 11 million people, in voting for their favourites, experienced a taste of democracy. Afghan Star is a small but significant unifying force for the country's diverse ethnic groups; a celebration of hope in the midst of adversity, 'the aim is to take the people’s hand from weapons to music'.

AT 9pm – THE YES MEN FIX THE WORLD – Most Entertaining Documentary
Andy Bichlbaum/Mike Bonanno, France/USA/UK, 2009, 87 mins
Berlin International Film Festival Panorama Audience Award and IDFA DOC U! Award Winner

Andy Bichlbaum and Mike Bonanno are two guys who just can’t take “no” for an answer. They have an unusual hobby, posing as top executives of Corporations they hate. Armed with nothing but thrift-store suits, they lie their way into business conferences and parody their corporate nemeses in ever more extreme ways – basically doing everything they can to wake up their audiences to the danger of letting greed run our world.


Erica Ginsberg
Tue 9 Mar 2010Link

Come join us in downtown Bethesda, MD Tuesday night for a Docs In Progress work-in-progress screening.

The Docs In Progress work-in-progress screenings provide an opportunity for Washington DC-area and visiting documentary filmmakers to screen their unfinished films to an audience and get valuable feedback. After screening each film, facilitators from Docs In Progress moderate a feedback session with the audience. This honest and constructive feedback is aimed at helping the filmmakers get to the next stage of completing and distributing the film. These programs are open to all.

WHAT'S SCREENING?

Sex, Lies and Asperger (13 minute rough cut)
by Richard Concepcion
Is there a connection between the high functioning autism known as Asperger's Syndrome and predilection for sexual crimes? This short documentary looks at the case of an Asperger's patient, Jacob Heinz, who was jailed in 2006 in a sting operation for having sexual conversations online with an underage girl.

Chiben Without Notes (40 minute rough cut)
by Yan Chun Su
Chiben is an emblematic musical instrument for the Lisu people in China, just south of Tibet. By following the daily life of a master Chiben maker and musician Ah-Cheng, this film explores the complexities facing an instrument which is losing audience and practicioners and by extension, the traditional life of an ethnic minority in modern day China.

WHEN?
Tuesday, March 9, 2010
7:00-9:30 pm

WHERE?
The Writer's Center
4508 Walsh Street
Bethesda, MD 20815
In downtown Bethesda, a 10 minute walk from the Bethesda Metro.
Directions: https://www.writer.org/contact/index.asp

FEE?
This screening is free. However, donations are always welcome to support this and other Docs In Progress programs. No advance tickets or reservations are required.

ABOUT DOCS IN PROGRESS AND THE DOCS IN PROGRESS SCREENING SERIES
Docs In Progress is a 501(c)(3) nonprofit organization based in Silver Spring, MD. Our mission is to give individuals the tools to tell stories through documentary film to educate, inspire, and transform the way people view their world. We do this through an array of programs including work-in-progress screenings, classes, workshops, one-on-one consultations, and documentary discussion groups.

The Work-in-Progress Screening Series is the flagship program of Docs In Progress and takes place in Washington DC and Bethesda, MD. It would not be possible without the support of our sponsors, The Documentary Center at the George Washington University and The Writer's Center. The Bethesda screenings are also supported in part through grants from the Arts & Humanities Council of Montgomery County and the Maryland State Arts Council.


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