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Gina Abatemarco
Thu 24 Feb 2011Link

For New York Folks:

FEATURE DOCUMENTARY SEEKS EDITOR

PROJECT: The Kivalina Project: The Story of America's Climate Change Refugees

ABOUT: Set in the modern Arctic, "The Kivalina Project" tells the story of a slow and insidious disappearance of an entire American town and the sea wall that is meant to save it.

EDITOR POSITION: "The Kivalina Project" is looking to hire a passionate and eloquent storyteller. An editor with experience in verite or character driven narratives, along with a feature documentary credit is a plus, but not a requirement. This is a good project for those who are interested in climate change and exploring it beyond a traditional journalistic narrative.

Looking to hire an editor for 8 weeks to begin cutting the backbone of the feature in preparation for final shoots in summer and fall 2011. Salary is a flat rate/lowbudget. ("The Kivalina Project" has been supported by Tribeca All Access, IFP's Spotlight on Documentary, Vague/Columbus Film Award, Berlinale's Berlin Today Award, and IDFA.)

CONTACT: Director/Producer Gina Abatemarco
gabatemarco@gmail.com


Erica Ginsberg
Fri 25 Feb 2011Link

For DC-area filmmakers...

March 7: Panel on Self-Distribution Success for Documentaries

Are you thinking of self-distributing your documentary, but are worried your documentary may have too narrow an audience? Don't be. This Docs In Progress panel will focus on how to harness the power of the niche audience to get your film out there in the marketplace. It will focus on real-world strategies filmmakers without a traditional distributor can take in reaching a target audience who can help drive online interest, press coverage, and ultimately DVD sales. You'll learn from filmmakers who have used the power of social media, bloggers, Amazon reviews, and non-festival public screenings to build a following and a market for their films.

WHEN?
Monday, March 7, 2011
6:30 pm Networking
7:00-9:00 pm Panel Discussion and Q&A

WHERE?
Docs In Progress
8700 First Avenue
Silver Spring, MD 20910

REGISTRATION FEE/PROCESS

Registration fee is $25 if registered and paid in advance. $30 at the door. Advance registration is highly recommend since seating is limited to 20.
More info and link to Registration here:

More on the speakers in the hidden section.

Show hidden content

Felix Endara
Tue 1 Mar 2011Link

DocuClub in March!

Our March DocuClub will take place on Wednesday, March 9, 7 p.m., at DCTV, located at 87 Lafayette (at Walker).

This month, we are thrilled to try something new, and will screen trailers for documentaries in the early stages of production. We are delighted to present the following projects and filmmakers:

1. Betting the Farm by Cecily Pingree:
The documentary follows three farm families as they launch a new milk company in a desperate attempt to save their farms. Will their gamble rescue them—and with them an entire way of life—or will it leave them worse off than when they started? For more info, go to:
www.pull-start.com/btf.

Cecily Pingree is a filmmaker based in Maine. Betting The Farm is her debut documentary feature. Cecily formed a production company, Pull-Start Pictures, with Jason Mann in 2008. Cecily also teaches video workshops within the Maine public school system for The Telling Room.

2. Florence, Arizona by Andrea Scott:
The town of Florence, Arizona may have its roots in the 1880s, but at present, it is a place built firmly upon the foundation of prisons. In just 8.2 square miles, Florence houses 32,000 residents, three schools, and nine correctional facilities. In 2011, Florence will break ground on its 10th prison, while over on the other side of town, unsustainable desert development continues to thrive in the form of Anthem, a very different kind of gated, suburban community. As the debate over illegal immigration roars on in Arizona, and new allegations over private prison corporations’ involvement in the writing of Arizona’s sweeping immigration law come to the fore, Florence, Arizona will explore the consequences of a prison economy and venture to answer the question: What happens to a place and its people when the force that drives its economy, and by extension, much of life, is the incarceration of other individuals?

Andy Scott is a Brooklyn-based documentary filmmaker and writer. Her current work explores the vast world of Americana, from Jewish bikers to home movies to Mah Jongg. For three years, she worked as an associate producer and assistant editor for Academy Award-winning documentary filmmaker, Cynthia Wade. Currently, she works as associate producer and assistant editor for the forthcoming feature-length documentary, Hungry In America, directed by Kristi Jacobson and Lori Silverbush. Scott is also currently at work on a project about the universality of the coffee shop throughout the world. Her recent forays into Super8 film and experimental sound work have been screened at New York’s premiere Super8 festival, FlickerNYC.

3. Kathleen and Eddie by Desireena Almoradie:
Feature-length documentary about three left-wing women activists from radically different ideologies, who are torn apart – and ultimately brought together – by a single act of terrorism.

Desireena Almoradie is a media activist whose works have been exhibited around the globe. She co-directed, produced, and edited the short narrative film Green Stalk, which screened at the British Film Institute among other venues. She produces for public television, and, in 2009, won a GLAAD Media Award for the story "Funding the Marriage War" that aired on the PBS show In the Life.

4. Battle for Jerusalem by Liz Nord:
Battle for Jerusalem follows five young, Jewish artists and activists living in Jerusalem who fight to keep their city vibrant, open and religiously tolerant in the face of a rapidly growing ultra-Orthodox community and its desire to control all aspects of life in the ancient holy city. To find out more about this project, go to: www.battleforjerusalem.com, twitter: @lizfilm.

Liz Nord is a documentary filmmaker who has produced and exhibited work in Europe, the Middle East and throughout North America. In 2006, Nord toured the world with another film made in Israel, her critically acclaimed documentary about rebellious young musicians, Jericho’s Echo: Punk Rock In The Holy Land. In 2008, she ran MTV’s Street Team ’08 – an Emmy Award-winning project wherein 51 state-based citizen journalists covered the 2008 presidential elections from a youth perspective, across all media platforms. In 2009, she shot a documentary on-location in Haiti for musician Wyclef Jean’s charitable organization. She is also a media educator, lecturer, and columnist.

5. TBD. We will pick one 5th trailer to workshop tonight! If you are a current DocuClub member (you must join by February 28, 2011, to qualify) and have a 3-8 minute trailer you wish to workshop with us tonight, please bring 2 DVDs. The lucky participant could be you!

Our moderator will be Fernanda Rossi. Internationally-renowned speaker and story consultant Fernanda Rossi doctored over 300 films, including Academy Award nominees® The Garden, by Scott Hamilton Kennedy, and Recycled Life by Leslie Iwerks. She has also consulted on hundreds of trailers, many of which received funding from ITVS, NYSCA and NFB. She is the author of Trailer Mechanics: A Guide to Making your Documentary Fundraising Demo. For more info on Rossi, please go to: www.documentarydoctor.com.

This DocuClub event is open to the public. If you’re planning to attend, please RSVP to docuclub@artsengine.net.

Admission at DCTV is free for current DocuClub members and $6 for non-members.
Tickets will be sold at the door, cash only.

Doors open at 6:30 p.m. Please note that in order to allocate adequate feedback for all projects, we will start promptly at 7 p.m. No admittance after 7:15 p.m.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

http://www.artsengine.net/store/items/docuclub_membership_individual_rate

Follow us on Twitter!
Stay abreast of DocuClub’s latest: twitter.com/docuclub.


Michael Kantor
Tue 1 Mar 2011Link

Looking to rent an AVID system (version 5.0 or later preferred) for use in my NYC office. We will provide the hard drive storage for the media, but the editing system needs to be complete with three monitors (including a so-called "client monitor), speakers, keyboard, mouse, all necessary cabling as well as a mixing board. Mac CPU preferred if possible. Rental is for 19 week term, to be adjusted as necessary, preferably to start on March 15th, 2011. Equal opportunity vendor – email at MK@Ghostlightfilms.net


christopher koo
Wed 2 Mar 2011Link

Hello,
I'm no director or film writer, well...not professionally anyway, I'm just a fan of cinema.
Anyway, I came on to D-Word.com to ask other enthusiast and professionals 3 questions.
But before that let me explain myself.

As I said, I am but a lonely observer, a fan, an audience member and I humbly come before you all to ask your opinion about 3 things.

1st – What to you makes a documentary (Independent or big budget) good?
For me, its whether or not the documentary can catch my eye, draw in my attention and teach me something about a culture, person, ideal, cause, etc all while being entertained.

2nd – I came across a trailer for an up and coming documentary called "Dumbstruck." For those of you who havent heard anything about the film, it was filmed during 2007 at a convention called "Vent Haven." This convention is for ventriloquist and those who are interested in ventriloquism. The movie follows several "Vents" and appears to tell their individual tales of how they became practitioners of the art of ventriloquism. My question is, obviously with a topic like ventriloquism the movie is geared toward a specific audience. But how does the director or production company for that matter successfully go about plugging the movie to audiences that 1) know nothing about ventriloquism and more importantly 2)hop over the hurdle that is the "Creepiness" of dummies and ventriloquism?

MY 3rd and final question would be simply be...based on the trailer...would you watch this film? And if not...what would you change to target ALL audiences and not just practicing "vents"

Check out the trailer and see information on the select cities that will be showing the film on the movies facebook page.

http://on.fb.me/gX25Dg


Michael Kantor
Wed 2 Mar 2011Link

WANTED: An experienced editor with AVID editing system to create a one hour historical documentary intended for national broadcast on public television. Editor must have at least seven years of experience editing historical documentaries for national broadcast, and experience coordinating work with graphics companies, stock music houses, and music composers as well as supervising all aspects of post-production including online, color correction, and audio mix. AVID system requirements include the AVID supported most current CPU (Processor: Two 2.66GHz 6-Core Intel Xeon (12 cores); Memory: 6GB); Graphics: ATI Radeon HD 5770 1GB Hard Drive – 1TB; 7200-rpm Serial ATA 3Gb/s; One 18x SuperDrive) with software (version 5.0 or later), three monitors (two computer monitors minimum 19” and a so-called NTSC "client monitor), speakers, keyboard, mouse, all necessary cabling as well as a mixing board (at least 8 channels). Ghost Light Films will provide storage media. Total term is expected to be 19 weeks, to be adjusted as necessary, preferably to start on March 15th, 2011. All compensation will be dispensed as weekly payroll.

Ghost Light Films is an equal opportunity employer, who gives preference, to the extent practical and economically feasible, for products and services that conserve natural resources, protect the environment, and are energy efficient.

Contact Mk@Ghostlightfilms.net


Jason Boyce
Wed 2 Mar 2011Link

Calling all screenwriters, it's time to climb out from your den! The 2011 Community of Writers at Squaw Valley is now accepting applications for our summer 2011 Screenwriting Program!

The Community of Writers at Squaw Valley Screenwriting Program focuses on individual attention and works-in-progress, mentored by award-winning writers and writer-directors. Crystallize the story you want to tell, and excise extraneous elements. Designed for both screenwriters and filmmakers, this unique program invites both narrative features and character-driven documentaries that are currently in development. Our goal is to assist writers who want to improve their craft and move them closer to production.

Deadline for application is May 10th. Check our website for further details: http://www.squawvalleywriters.org/swriter_ws.htm


Ethan Isenberg
Fri 4 Mar 2011Link

Looking for someone to shoot a post-screening discussion in Manhattan on Sunday, March 13, in the late afternoon – early evening.

You'll need to set up before 3 PM, when the screening begins. The actual discussion should start at around 4:45 and is slated to run until 6, but could go over.

Equipment needed:
SD Prosumer Mini-DV camera (such as the DVX-100) w/ tripod
wireless cardoid with stand (can be rented)
mounted shotgun mic (can be rented)

Please contact Ethan Isenberg if interested, at ethan@secondlookproductions.com


Erica Ginsberg
Fri 4 Mar 2011Link

TONIGHT IN DC:

Docs In Progress returns to the George Washington University on Friday, March 4 with new documentary rough cuts ready for your honest and constructive feedback. This program is organized by Docs In Progress and is sponsored by The Documentary Center at the George Washington University. It is open to the public.

WHAT'S SCREENING?

It's Only (a) Natural (rough cut of a documentary short)
by Richard Lewis and Yoland Lee
Actress Yolanda Lee has decided to cut her trademark curly natural. What starts out as a hairstyle choice sparks a heated conversation about race, relationships and charging dogs.

The Legend of Cool "Disco" Dan (rough cut of a documentary feature)
by Joseph Pattisall and Roger Gastman
Amidst the backdrop of Washington DC's former claim to fame as the murder capital of the United States and its unique urban culture centered around Go Go music, Cool "Disco" Dan emerged as an underground celebrity in the late 1980s and early 1990s. He graffitied his moniker all over the city until it seemed as though no wall, rooftop, street sign, or Metro bus had been forgotten. Somehow he managed to survive while legions of his peers were killed, incarcerated, or became utterly adrift. This film looks back at Washington DC's own folk hero and what has become of him today.

WHEN?
Friday, March 4 from 7:00-10:00 pm.

WHERE?
George Washington University's Media and Public Affairs Building
Lower Level Auditorium (B-07)
805 21st Street, NW (corner of 21st and H Streets)
Washington DC 20052

Closest Metro: Foggy Bottom. Limited street parking free after 6:30 pm. Garage parking nearby on H and I Streets.

TICKETS?
$10 suggested donation ($5 suggested for Docs Insiders). Cash only. At the door (No advance tickets or RSVP required). Seating on a first come, first served basis.

More info: http://www.docsinprogress.org/index.php?option=com_events&task=view_detail&agid=109&jevtype=jevent&year=2011&month=03&day=04&Itemid=1

Edited Fri 4 Mar 2011 by Erica Ginsberg

Jon Dieringer
Fri 4 Mar 2011Link

FLAHERTY NYC: "PSYCHOGEOGRAPHIES"

Monday, March 14, 7:30pm, Anthology Film Archives

For the March installment of the Flaherty NYC monthly screening series, The Flaherty will present PSYCHOGEOGRAPHIES: work by Kathryn Ramey, Jason Livingston, & Joel Schlemowitz, a program of four 16mm films about places that are both real and imagined. There will be a post-screening discussion with the filmmakers, moderated by Colin Beckett, Critical Writing Fellow at UnionDocs.

Program Description

Yanqui WALKER and the OPTICAL REVOLUTION (Kathryn Ramey, 2009, 33min)
An experimental documentary about William Walker, an American expansionist and military dictator. Through military force and coercion, Walker became president of Nicaragua in 1856. The film blends found footage, documentary photography, ethnographic inquiry and personal travelogue with hand-processing, optical printing and hand conducted time-lapse to detour and derail the various approaches to history-making that have been applied to this story. Yanqui WALKER not only tells us something about history and how it connects to current political, social and economic situations, but also how art and poetry can be a means to subvert and transcend even the most oppressive of narratives. Winner, “Best Short Doc” at Athens International Film and Video festival; Jury selection (1st prize) at the Black Maria Film Festival.

"The stylized strategy of Kathryn Ramey captures the mythology of her allusive subject in this unusual work." –Black Maria Film + Video Festival

Weimar (Joel Schlemowitz, 1996, 8 mins)
This little film took root while reading Henri Murger's Bohemian Life and Alex De Jong's Weimar Chronicles, while feeling admiration for the quiet heroism of Rudy Burckhardt's movies, while the next NYFA rejection arrived, and while a little free film was slipped my way, befitting a project about the value of art in people's lives, and ironically commenting on such through the thrift of its production. No plot. No story. Just a series of suggestive tableaus. The bohemians are played by: Stephen Callahan, Marchette DuBois, Lee Ellickson, Genese, Gary Goldberg, Rebecca Hampden, Alice MacIntyre, Bridget Meeds, Wanda Phipps, Jennifer Todd Reeves, Madeline Schwartzman, MM Serra, and Stuart Sherman.

Tombeau for Arnold Eagle (Joel Schlemowitz, 1994, 4 mins)
A memorial film for my mentor, who was once Robert Flaherty’s cinematographer.

“Joel Schlemowitz is a wizard of cinema. Each [film] is a unique gem – quirky, provocative, playful, often handmade, and always daring – celebrating Joel's astonishing mastery of the tools of filmmaking, and his poetic grasp on the art of cinema.” –Alan Berliner

Under Foot & Overstory (Jason Livingston, 2005, 35 mins)
Local environmentalists, the Friends of Hickory Hill Park, work to protect nearly 200 acres of unique urban parkland in Iowa City, Iowa. The organization's mission statement must be produced. The inaugural Hickory Hill Park calendar must be completed. Nature images run parallel, collide or drift beside the demands of group writing, open space and the park's changing boundary. There will be a 6 minute intermission. Winner of a Jury Prize at the New York Underground Film Festival.

“The best piece on Program 6 [from Onion City] is another unusual documentary, Jason Livingston's Under Foot and Overstory; the sound track recording of a friends of the park committee trying to draft its mission statement combines with fragmented images to remind us that parks are works in progress." -–Fred Camper


Karen Torres
Sun 6 Mar 2011Link

Wanted: Documentary film editor so absurdly wealthy he or she doesn’t need a paycheck. Perhaps you have so much money you need multiple wallets. Or perhaps you’re building a career and want a great new building block for a resume. Or perhaps you’d just be willing to pitch in for a fortnight of serious unpaid work on a cool and equally serious documentary. Set at the edge of the Brooklyn waterfront, its panorama is parkland and politics, it pits developers, environmentalists and park enthusiasts against each other, and it provides a collection of compellingly current interviews against a tapestry of background history. I am fun to work with and may even buy you a slice of pizza now and then. It won’t take forever; but I promise you a good, compact, and meaningful passage in your career. Write to Karen. Thanks.


Marina Lutz
Sun 6 Mar 2011Link

NYSCA helper needed for The Marina Experiment, Part II & III

I am a first time filmmaker applying for a NYSCA grant. I have a budget, but need help breaking down specific expenses for the NYSCA application. Part I of my film is made from found footage, so I need someone who who can look at my budget and break out specific expenses for Parts II & III of the film, especially Part III, which will be all new footage. Since I have never shot a film, I do not know what this entails as far as specific costs.

I can pay a stipend now and offer deferred pay when the grant comes through. I am applying for many other grants as well, so hopefully I will get money from someone that will enable me to pay you.

The NYSCA deadline is April 1, but I would like to submit as soon as possible. I have completed all the "writing" part of their application, so just need help with the financials.

The video here is kind of a trailer for Part II. You can see Part I on my website http://themarinaexperiment.com

Contact: marinalutz@gmail.com


Christa Majoras
Sun 6 Mar 2011Link

Looking for some shooters for upcoming events in LA and SF.

Richard Noble, an LGBT activist, is walking from the Golden Gate Bridge to the Statue of Liberty in support of full civil rights and the American Equality Bill.

There is a send-off tomorrow in West Hollywood:

March 7 · 7:00pm – 10:00pm
West Hollywood Park Auditorium
647 N. San Vicente Blvd
West Hollywood

The walk begins March 12th in SF with a send-off beginning at 10 am at Crissy Fields.

Unfortunately, I cannot offer pay, but only camera credit. If anyone is interested in helping out, please contact me.


Tchavdar Georgiev
Mon 7 Mar 2011Link

Don't miss New York Magazine's Critic's Pick, Russian Art Documentary, The Desert of Forbidden Art at Cinema Village March 11-18 in NY! The filmmakers will be there for a Q&A on the weekend of March 11-13.

Also playing at Laemmle Music Hall 3 in LA starting March 18-25. Filmmakers in person.
www.desertofforbiddenart.com


Doug Block
Mon 7 Mar 2011Link

Nice to have you here on The D-Word, Tchavdar, and much congrats. In the future, though, posts like this belong in the Shameless Self-Promotion topic.


Tchavdar Georgiev
Wed 9 Mar 2011Link

Sorry about that Doug. I am still learning my way around here but LOVE the web portal you have created. :)


Matthew McFadden
Thu 10 Mar 2011Link

In reply to Mike Paterson's post on Mon 14 Feb 2011 :

My 5 year old can make a better website!


Jason Hutt
Thu 10 Mar 2011Link

Wanted to let people know about an interesting lecture series happening in Brooklyn:

What: The Holocaust in Film with A. O. Scott
When: Sundays March 20, 27, April 3, 10 @ 7 PM
Where: Park Slope Jewish Center, 1420 8th Avenue (@ 14th St) Brooklyn 11215 718-768-1453 /www.psjc.org / F to 7th Avenue or 15th St. / Prospect Park

Tickets: $20/session & $60/series (members: $15/session & $40/series). Contact the PSJC office to register: 718 768-1453 or office@psjc.org.

The Park Slope Jewish Center is proud to present The Holocaust in Film, a four-session lecture series taught by A. O. Scott, New York Times film critic, with illustrative clips.

More than a quarter-century after Claude Lanzmann's landmark documentary "Shoah" and nearly twenty years after Steven Spielberg's "Schindler's List," the Holocaust remains a perennially popular subject in American and European cinema. This course will explore some of the ways that a uniquely horrific and painful historical experience has been commemorated, reconstructed and even turned into entertainment. We will survey the various genres of the Holocaust film--from documentaries and non-fiction-based dramas to fantasies and action-adventure stories--and address some of the ethical challenges they raise. Each of the four sessions will be organized around a particular theme, with clips from relevant films. These will include well-known recent Hollywood productions (like "Inglourious Basterds," "Defiance," and "The Reader") as well as European films ("Voyages," "Fateless," "A Secret") that may be less familiar to American audiences.

  • March 20: Introduction and overview: History of the Holocaust on film.

  • March 27: Reconstructing and remembering: Documentaries, eyewitness accounts and survivors' stories.

  • April 3: Reckoning: Movies about the psychology of the perpetrators and the moral dilemmas of the victims.

  • April 10: Revisionism, Resistance and Revenge: Movies as alternative history.

A rare opportunity to hear insights from one of the nation's leading film critics on this important topic.

Sundays at 7:00 p.m.

Cost is $15 a session for members or $40 for the whole series; $20/$60 for non-members.

Call the PSJC office to register: 718 768-1453.

For more information about the series, please contact Dale Rosenberg at dale.rosenberg@psjc.org


Ashish Srivastav
Sat 12 Mar 2011Link

Flames of the snow is film about the peoples armed struggle to overthrow the 250 year old monarchy in Nepal. this film gives an insight into the vigrous maoist struggle

Film "Flames of the Snow" is The first documentary in South east Asia to go for a Theatrical release in a country in 42 theatres.

Pls see the following links

The Writeup in Screen

http://epaper.screenindia.com/1619/Screen-/4-10-March2011?show=clip#page=31:w=870:h=1658:l=0:t=0

New Delhi Film Society
http://newdelhifilmsociety.blogspot.com/2011/02/flames-of-snow-on-silver-screen.html

Flames of the snow in Theatres (Images)
http://www.facebook.com/album.php?aid=282605&id=666859403&l=400c09ece0

and see the theatrical trailer of Flames of the snow at
http://www.youtube.com/watch?v=2rcyjGAmRng

Indian Television.com
http://www.indiantelevision.com/aac/y2k11/aac172.php

Times of India
http://timesofindia.indiatimes.com/city/mumbai/Maoists-are-not-terrorists/articleshow/6454199.cms?intenttarget=no

Hindustan Times
http://www.hindustantimes.com/Nepal-celebrates-Indian-docu-on-Maoist-insurgency/Article1-663614.aspx?sms_ss=email&at_xt=4d70fcceb3c6ac76%2C0

Real Bollywood.com
http://www.realbollywood.com/news/2011/02/indians-chronicle-nepal-maoist-war-screen.html.


John Burgan
Sat 12 Mar 2011Link

Congratulations, Ashish – hope this will be shown widely

The first URL again in shorter form: The Writeup in Screen


Jo-Anne Velin
Sat 12 Mar 2011Link

In reply to Ashish Srivastav's post on Sat 12 Mar 2011 :

What international documentary festivals will you be applying to with this film? In Europe?


Mildred Achoch
Sat 12 Mar 2011Link

Hi everyone. I have a question. In terms of copyright and legal issues, is it okay for me to publicly screen trailers of documentaries without asking for permission from the relevant persons?


Koen Suidgeest
Sun 13 Mar 2011Link

In reply to Mildred Achoch's post on Sun 13 Mar 2011 :

Mildred, are you talking about permission from the relevant directors/producers, or is this a trailer of a film you are making and you're talking about the characters?

Trailers are confined to the same copyright rules as any other audiovisual work. This generally means that you require people's permission to reproduce their work (in case of the author) or voice and likeness (in case of characters in a film you're making). There are exceptions though, like when your film is about a public figure, say a politician.

If you're talking about other people's work: many times filmmakers will fully copyright their documentary but assign a Creative Commons license (creativecommons.org) to the trailer, so it can be freely shared without permission (although often not altered). So this would differ from trailer to trailer.


Mildred Achoch
Sun 13 Mar 2011Link

Hi Koen. Thank you for your detailed reply :-)

I would like to screen a collection of rock documentary trailers since getting permission and/or the money to pay the producers so that I can screen their full documentaries is rather hectic (I'm speaking from experience). I was thinking that screening the trailers would be a kind of shortcut in that I would showcase the various documentaries without the related expenses.

Thanks for the info about the Creative Commons license. I will explore this.


Jon Dieringer
Mon 14 Mar 2011Link

FLAHERTY NYC: "PSYCHOGEOGRAPHIES"

!! TONIGHT !!

Monday, March 14, 7:30pm, Anthology Film Archives
32 2nd Ave, New York, NY | $9

For the March installment of the Flaherty NYC monthly screening series, The Flaherty will present PSYCHOGEOGRAPHIES: work by Kathryn Ramey, Jason Livingston, & Joel Schlemowitz, a program of four 16mm films about places that are both real and imagined. There will be a post-screening discussion with the filmmakers, moderated by Colin Beckett, Critical Writing Fellow at UnionDocs.

Program Description

Yanqui WALKER and the OPTICAL REVOLUTION (Kathryn Ramey, 2009, 33min)
An experimental documentary about William Walker, an American expansionist and military dictator. Through military force and coercion, Walker became president of Nicaragua in 1856. The film blends found footage, documentary photography, ethnographic inquiry and personal travelogue with hand-processing, optical printing and hand conducted time-lapse to detour and derail the various approaches to history-making that have been applied to this story. Yanqui WALKER not only tells us something about history and how it connects to current political, social and economic situations, but also how art and poetry can be a means to subvert and transcend even the most oppressive of narratives. Winner, “Best Short Doc” at Athens International Film and Video festival; Jury selection (1st prize) at the Black Maria Film Festival.

"The stylized strategy of Kathryn Ramey captures the mythology of her allusive subject in this unusual work." –Black Maria Film + Video Festival

Weimar (Joel Schlemowitz, 1996, 8 mins)
This little film took root while reading Henri Murger's Bohemian Life and Alex De Jong's Weimar Chronicles, while feeling admiration for the quiet heroism of Rudy Burckhardt's movies, while the next NYFA rejection arrived, and while a little free film was slipped my way, befitting a project about the value of art in people's lives, and ironically commenting on such through the thrift of its production. No plot. No story. Just a series of suggestive tableaus. The bohemians are played by: Stephen Callahan, Marchette DuBois, Lee Ellickson, Genese, Gary Goldberg, Rebecca Hampden, Alice MacIntyre, Bridget Meeds, Wanda Phipps, Jennifer Todd Reeves, Madeline Schwartzman, MM Serra, and Stuart Sherman.

Tombeau for Arnold Eagle (Joel Schlemowitz, 1994, 4 mins)
A memorial film for my mentor, who was once Robert Flaherty’s cinematographer.

“Joel Schlemowitz is a wizard of cinema. Each [film] is a unique gem – quirky, provocative, playful, often handmade, and always daring – celebrating Joel's astonishing mastery of the tools of filmmaking, and his poetic grasp on the art of cinema.” –Alan Berliner

Under Foot & Overstory (Jason Livingston, 2005, 35 mins)
Local environmentalists, the Friends of Hickory Hill Park, work to protect nearly 200 acres of unique urban parkland in Iowa City, Iowa. The organization's mission statement must be produced. The inaugural Hickory Hill Park calendar must be completed. Nature images run parallel, collide or drift beside the demands of group writing, open space and the park's changing boundary. There will be a 6 minute intermission. Winner of a Jury Prize at the New York Underground Film Festival.

“The best piece on Program 6 [from Onion City] is another unusual documentary, Jason Livingston's Under Foot and Overstory; the sound track recording of a friends of the park committee trying to draft its mission statement combines with fragmented images to remind us that parks are works in progress." -–Fred Camper


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