Public Classifieds and Announcements
Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!
Please include a LOCATION. Spam will be deleted.
As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)
Hey Everybody! My name is Kevin Hallagan. I am a cinema student but my goal is to become a documentary filmmaker. Do you know of any Independent documentary filmmakers who are looking for an assistant this summer or wouldn't mind having a shadow? I have earned a lot academically and I am a videographer for my university, but I am looking for some in-field experience this summer because I know I haven't learned a lot of things I'll need to know if I'm going to dive into filmmaking right out of college.
so... is anyone looking for some helping hands?
Good luck on your endeavors
– Kevin Hallagan
Call for Entries!
A&E and the New York TV Fest seeking treatments for original unscripted TV shows;
Five finalist projects will receive development funding from the network with one winner earning $10,000 and the opportunity to participate in pilot production. FREE to enter. More info below and at http://www.nytvf.com/2012_ae_pipeline.html
The A&E Unscripted Development Pipeline
A&E Network and the New York Television Festival are back with the second installment of an innovative program seeking original unscripted television treatments from independent producers and doc production companies.
The A&E network is seeking submissions that focus on big characters in exciting and fresh worlds that are highly entertaining and of the moment. Producers must include:
* A short treatment (1-2 pages) describing their original unscripted format
* A brief video (2-4 minutes) introducing the subject(s).
- 25 semi-finalists will be presented to A&E development executives. All semi-finalists are invited to participate in the 2012 New York Television Festival, Oct 22-27, as Official Artists (details below).
- Five finalists, selected by A&E, will receive notes on their projects and $2,500 to shoot additional tape.
- One winner, selected by A&E, will be awarded $10,000 and the opportunity to participate in pilot production.
Deadline: Tuesday, April 3, 2012 (noon)
Free to enter.
Additional opportunities for Semi-Finalists:
Official Semi-Finalists will be invited to participate as Official Artists at the 2012 New York Television Festival in NYC in October, with exclusive access to:
*Participate in NYTVF Pitch, offering guaranteed development deals from: Bio Channel, Hasbro Studios, Logo, SevenOne International, Sundance Channel, Channel 4
*Network, meet and collaborate with over forty U.S.-based television networks, studios, agencies, fellow TV creators and MORE.
Full details about the NYTVF Artist Experience here: http://www.nytvf.com/artists.html
Want to participate in these exclusive Artist-Only programs? Only NYTVF Official Artists are invited to take part, so submit to one of NYTVF's current initiatives now!
NYTVF is also accepting entries to:
The 2012 Independent Pilot Competition
- Win guaranteed deals from the following US network partners IFC, MTV, and VH1. More info here: http://www.nytvf.com/2012_ipc.html
Regarding the ad above, I"m curios as to what other people think about this. Although it does seem like an interesting contest, from what I can tell after reading their rules/regulations, it appears that basically by entering the contest you are forfeiting any right to your concept and material and that A&E can basically take whatever they want and don't owe you anything for it. So by doing this contest, they potentially get the rights to thousands of concepts and only have to pay $10,000 to a winner who will be able to "participate" in the production of a pilot but also, from what I can tell, will actually not have any right to their concept.
There are many "contests" like this, Greg. Many people still submit.
Also, when one submits cold to Discovery, for instance, you basically have to sign something similar before anyone will look at your stuff. From their point of view, they get thousands of submissions, many for ideas that look pretty similar to each other, and would rather be protected from what they see as reasonable-looking, but actually not, stolen ideas. Particularly if the submitted does not have an industry track record.
IDA's DocuDay is almost here. An all-day orgy of documentary deliciousness featuring back to back screenings of all the nominated shorts and features. Happening in LA and NY. LA screenings feature the filmmakers and subjects in attendance. You can buy a single tickets or an all-day pass. It's a heap of fun.
Story Consultant needed – After working on my political documentary for 4 years, I realize that I need someone experienced with fresh eyes who help shape what I've put together into an exciting must watch documentary. Since this is a political documentary, the subject matter won't be for everyone, as I'm telling a story, not pushing an agenda.
Pay would be in some combination of salary and equity. This is an independent film, however, so keep that in mind. DBLasdon AT ca.rr dot com
On Monday night in LA, I'll be moderating a special International Documentary Association Doc U dedicated to the pursuit of the little golden man, and how the Academy's new Oscar rules might change that lovequest in the coming year. Join me and Steve Pond (The Wrap), Dana Harris (IndieWire), James Moll (AMPAS) and Dusty Smith (Roadside Attractions) at Cinefamily @ The Silent Movie Theatre on Monday at 7:30pm. I plan to ask a lot of questions :)
Sounds good. Is there a D-Word promotional code? IF not, no probs!
Nope. But $15 if you're an IDA member. You ARE an IDA member, right Jill? Not that I'll fight with you over it, but ya know...
In reply to Laura Heckman's post on Fri 9 Dec 2011 :
Don't Miss Out! Deadlines are fast approaching for both initiatives! Submit Now!
Call for Entries! The New York Television Festival is seeking original, independently produced TV pilots for the UK Section of their Independent Pilot Competition. Warner Bros. International Television Production and Fox Television Studios, in conjunction with Apostle, are each offering development opportunities exclusively to UK producers through the competition! Submissions should be 4-22 minutes in length – more info here: http://www.nytvf.com/2012_ipc_london.htm
DP and Sound Needed in Minneapolis, MN in July, 2012
I will be shooting a series of interviews in Minneapolis for a week in July. Not sure of the specific dates quite yet. The film is about a blind telephone hacker, who spent the last part of his life (he passed away in 2007) living in Minneapolis.
Please send me an email if you are interested with links to work, previous experience, whether you own equipment and if so what.
Feel free to post elsewhere.
Award winning editor/writer/producer/director Doug Blush (that's me!) is offering up documentary project consultations on Kickstarter to support our latest film, OF TWO MINDS. Two different levels of consultation, that also come with lots of other goodies, in the rewards section of our campaign page here:
Five time Sundance filmmaker, multiple Tribecas and SXSWs, PBS, HBO, and network films, nine theatrical releases...I can help your film too! Please pass this on to friends' projects also...join us and help out our new film, premiering soon!
I am a tv producer working in unscripted tv in DC. I have been making a podcast about the creators of unscripted film and tv called "The Real Stuff". It's direct, one-on-one interviews. You can listen for free on my site www.darrencoyle.com or you can subscribe on iTunes for free. Please give it a try, and if you like it tell a friend. It relies on word of mouth. I think most people who go to this site will want to check it out!!
Last minute tickets are still available for tonight's IDA/DOC U event in Los Angeles. We'll be discussing the Academy Award for Documentary, and the new rule changes. How will they affect the environment for doc makers? What were the problems they were trying to solve, and do the new rules actually address them, or make them worse.
Join me and Steve Pond (The Wrap), Dana Harris (IndieWire), James Moll (AMPAS) and Dusty Smith (Roadside Attractions) at Cinefamily @ The Silent Movie Theatre on Monday at 7:30pm.
I've also now secured a D-Word discount for the event. You can buy tickets at http://doc-u-feb-20.eventbrite.com/?discount=DWORDDOCU and enter the discount code DWORDDOCU.
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The Documentary Center at George Washington University is currently recruiting for the position of Executive Associate to the Director.
The role of the Executive Associate at The Documentary Center is an exceptionally important one. This position acts as the right hand, and frequently on behalf of, the Center Director. We are a small office but have a very large mandate, which is to teach documentary production, to host screening exhibitions, and to produce award-winning films for international audiences.
Ranked as one of the top ten documentary programs in the nation, it is the responsibility of the Executive Associate to maintain the standards and presence of The Documentary Center to many and varied communities. The person in the position has daily responsibilities for the administrative and fiduciary organization of the Center, responds to inquiries from potential students and manages our admissions process for The Institute for Documentary Filmmaking, oversees our digital production and post-production technologies as our students move through the Institute process, plans and executes all screening and special events that frequently include partnerships with embassies, film festivals and other academic institutions, conducts all of our social media, marketing, advertising, and promotional campaigns, manages our web presence, and provides general assistance in the support of Documentary Center films and distribution.
The ideal candidate is someone who has superior writing and organizational skills, with a strong foundation in social media, website, digital media and post-production technologies and applications, can manage many kinds of projects at the same time and who can work well independently.
The position is full-time, compensation is between $40,000-$45,000 with full health, dental, and tuition benefits.
In order to apply go to: https://www.gwu.jobs/postings/7392
The position is listed as an Executive Support Assistant III in the Center for History in the Media (now known as The Documentary Center)
No phone calls, please
Hi D-Word Community-
First met Doug Block in Thom Power's Documentary Producing class at NYU last year and I'm glad to be here.
Anyway, we all know the power of a really great doc trailer as a calling-card to open doors and build production teams – so we're looking for a editor / "trailer doctor" in NYC to re-cut our 10min trailer down to less than 3 min (see link to YT). The doc is called "Get It All Out" – and it's a story about the power of a long-lost music songbook to survive decades in the hearts and minds of those who first heard it and made it. It's cross-platform project that includes a feature, an album, an eBook and a 10 piece orchestra (down from 13 last year, due to market conditions).
Give it a look and let us know what you think by sending along an email to info(at)mediagroove(dot)com with your CV/resume, experience and links to your previous editing work.
Hey, Will, glad to see you made it here. I edited your post only to change your email address (spelling out the "at" and "dot"). Since this is a public topic, you'd be subjected to spammers, otherwise.
Thanks, Doug – forgot about that! I hope to see you at DIY Days this year.
Love DIY Days, so hope to go again this year. Have they announced when it is?
COMMUNITY ENGAGEMENT 101
I Made a Film, Now What?
Mar. 22, 6-10 pm, New York City
This is a hands-on workshop for independent filmmakers. We'll provide you with the tools for creating a working outreach plan. You'll leave with the draft of your outreach outline, the basic building block for your film's campaign. Come prepared to engage!
creative outreach strategies
social media--platforms & tools & strategy
Limit: 12 participants.
Requirements: laptop equipped for wifi; a film you're working on (at any stage)
Note: If space is still available, registration at the door will be $100 for members of partner organizations/students/seniors and $125 for the general public.
NYC Partner Organizations: I Can Still Do That Foundation, Shooting People NY, D-Word.
"I really truly couldn’t have done this without you."--Director Ben Kalina, Shored Up, writing about his successful Kickstarter campaign
MocaMedia specializes in creating and implementing community engagement campaigns for independendent filmmakers. Films we've represented include A Sea Change, Mothers of Bedford, Saint Misbehavin': The Wavy Gravy Story, Women in the Dirt, and Mission of Mermaids.
REGISTER at: http://a3.acteva.com/orderbooking/bookEvent/A316145
I'm selling a MTF Services Ltd, Nikon G to Sony E Mount Adapter and MTF M43/E mount support, because I've switched from Nikon lenses to Zeiss.
The lens support has never been used and the adapter has been used twice.
The adapter allows you to attach any Nikon-mounted lens to the Sony NEX-3/5/7, NEX-VG10/20 and the Sony NEX FS-100 cameras. It is compatible with DX and 35mm format lenses and also supports lenses with or without aperture rings.
Nikon G to Sony E Mount Adapter
Doug – Sorry for missing your reply – DIY Days is THIS SATURDAY, March 3rd. Same location as last year – New School. http://diydays.com/