I saw several great docs at SF Int'l this year, but the one I was moved enough to come here to post about it was BUCK, Audience winner at Sundance. I think it's getting a release soon. Don't miss it.
This is a topic where you can say which documentary has really impressed you, and why people should see it. Can be a recent one or an all-time favourite. Can't be your own though, sorry...
We also have a Documentary Films topic for our Professionals where the debate is private and possibly more controversial. This topic here is for recommendations to the documentary-interested public.
This topic is for praising the work of others, not your own. If you want to beat the drum for your own documentary, please don't do it here. Enthusiasts use our Public Classifieds, and Professionals have their own Shameless Self-Promotion topic.
SIFF is showing Buck June 8 (SIFF Cinema) and June 9 (Kirkland).
In reply to John Burgan's post on Sun 17 Apr 2011 :
Heart-breaking, but great work. Any plans to do a feature length doc on this subject?
Academy-Award nominated filmmaker (and long time member of The D-Word) James Longley (IRAQ IN FRAGMENTS) has made his 2002 documentary GAZA STRIP available for free online in its entirety:
great little film about the Salton Sea and the strange community that used to surround it and what's left of it.
Working on a crash course with a motivated student, I noticed how many great docs are on Netflix streaming these days. Thought I'd share a sample here:
Harlan County USA
Last Train Home
Man on Wire
When We Were Kings
It Might Get Loud
In reply to James Longley's post on Sun 10 Apr 2011 : I agree. It muckracks to the point that it glosses over some of the real story. but, too, i wonder how else it might have been done.
I tend to get on a high after seeing a great movie – but Last Train Home was a masterpiece.
In reply to Kurt Engfehr's post on Tue 17 May 2011 :
Some gorgeous footage in there... I've seen several docs popping up about the Salton Sea lately... Here's one I'm eager to check out:
Just finished "Genghis Blues", re: Paul Pena and Tuvan throatsinging (netflix). It is great! I swear I put it on my queue because of something I recently read here, but can't find the posting. I read Fyneman's "Tuva or Bust!" years ago. I'm sure I have the companion record somewhere around the house.
Thoroughly enjoyed Page One. Caught it recently at a special screening at a brunch event for Film Forum supporters. David Carr and Brian Stelter are brilliant. As a lifelong journalist, it thrilled me. Two of my favorite docs this year take place behind-the-scenes at The Times– this one and Bill Cunningham NY.
Barbara, the trailer reads like a fiction. The soundbites are phenomenal.
here's a newfangled 'interactive documentary' supported by our good friends from the north, the NFB. it's a look at a small town in Canada that was closed! http://pinepoint.nfb.ca/#/pinepoint
it's part photo album, documentary and oral history. real interesting stuff.
In reply to Kurt Engfehr's post on Tue 14 Jun 2011 :
how interesting! thanks for the rec!
Not sure if I should ask here or somewhere else. I'm wondering if anyone knows of a "first person" documentary film? Meaning, the film is about a person but it is filmed from their perspective. For example, I'm the director, the film is about my story and I film everything from my view.
There's a whole slew but a seminal work in this genre is Ross McElwee's Sherman's March.
Yay! Thank you Ramona and Eliaichi, I will check both of these out today.
Well, most of the films directed by D-Word founder Doug Block are first-person docs...
My pick would be AMERICAN HARDCORE.
As a lifelong music freak (and former employee of WNEW-FM NYC, the world's GREATEST rock station ever) it moved me in ways no other film has. I always thought punk rock was noise, but this film really got me into the artistry of it, the characters involved, and after I watched it, I bought more songs on iTunes than I had in a long time by bands I never knew much about-Bad Brains, Dead Boys, Minor Threat, etc.
Most touching of all was the story of how Johnny Ramone stole Joey's girlfriend and married her-it was a scar the shy/sociall awkward Joey carried with him until he died-really showed that these artists are dimensional and above all, very human. I couldn't recommend this film more highly.....
Got to give it up to just a few of my favorite films with the word "Devil" in the title: http://www.youtube.com/watch?v=2qtFPOxDMs4
I have just watched Danfung Dennis's 'Hell and BAck Again' – WOW! It raises the bar for camera and editing. In the recent glut of war docs this one really holds its own.
I'll re-rec IRAQ IN FRAGMENTS and add a few others to the list:
THE GLEANERS AND I (Anges Varda)
F IS FOR FAKE (Orson Wells)
MONDO VINO (Jonathan Nossiter)
GASLAND (Josh Fox)
THE UP SERIES (Michael Apted)
Hi Reid! i would recommend, "The Gleaners and I" and the "Queen and I"In reply to Reid B. Kimball's post on Sat 18 Jun 2011 :
Alternative list compiled by London doc producer John Wyver to the current Morgan Spurlock/Current TV series: 50 (more) docs before you die
In reply to Scheffee Wilson's post on Tue 14 Jun 2011 :
+1 on Capitalsim: A Love Story
D-Worders may remember that we did a special topic two years ago on the controversy surrounding the release of Fredrik Gertten's film, BANANAS!*.
For those of you who (like me) didn't have a chance to see the film on the festival circuit, you can now watch it on Distrify – and finally make up your own minds.
Congratulations to distrify for having Bananas on the platform (which is looking terrific, by the way – I always loved the triangles as their logo)!
It's more of a matter of Dogwoof partnering with Distrify for their entire online distribution. Fredrik didn't even know BANANAS!* was up there. :-)
I#m just wondering if the above rental works anywhere or whether it's been geo-blocked for UK availability only?
I clicked on the rent and it put a "sign up for email notification for when it's available in your area" notice. So, I think it is geo-blocking...
Yeah, I did too and that sign-up notice appeared and that made me not want to continue. I sort of tune off sites that ask for my emails for basic access.. was that just because of geo-blocking? or do users have to register to watch a film?
Eli – At the moment, it's even doing that here in the UK although Dogwoof is a UK distributor. I've emailed Peter to find out.
Pablo – What do you mean, "for basic access"? You need to register in order to make a purchase (VoD or DVD) or to access your previous VoD purchase. You don't need to register to watch the trailer.
Update: the bug is fixed, but the film may still not be available in all territories. (You might have to empty your cache before you try again.)
In reply to Ben Kempas's post on Wed 21 Sep 2011 :
Fair enough.. I guess I just sort of expected to be directed to a page with a slot for a credit card number and then to the film in two simple steps. Its a great service, don't get me wrong... Thing is i just unconsciously seem to close pages that ask for email addresses up front..
Glass is a 1958 Dutch short documentary film by director and producer Bert Haanstra. The film won the Academy Award for Documentary Short Subject in 1959. (thanks to my former student Anna in Barcelona for sending this)
It's great – where did I see this before?
Only I can't stand the sound of jazz vibraphone in film soundtracks. But the editing is pretty terrific.
Whoever has not seen 5 broken cameras DO IT (if for no other reason than to question your humanity)
That always packs 'em in. People love to question their humanity.
That's an amazing film, though, all joking aside. See it if you can.
Forgive me if this has been posted elsewhere (I tried searching) but Jane Weiner is trying to raise funds for her film Ricky On Leacock over on Kickstarter and the deadline is January 1st. The film is only around 30% funded so far and it's an incredibly important project about a towering figure in documentary filmmaking. Please check it out and, if you can, support it with a pledge: http://kck.st/sSwdQs
I second your recommendation, James. Jane's an old friend of mine and we've worked together on 3 films as producers (including my own Home Page). But separating that out, it's a project well worth supporting. Leacock is, indeed, a towering figure in doc history.