I guess you're referring to Distrify's affiliate scheme which gives everyone who shares the trailer a small share of the resulting sales. That's a brilliant plan indeed.
Members of The D-Word documentary community can now "sell movies socially" with Distrify. The Distrify player can easily be embedded in film profiles and postings on The D-Word.
We should also point out that Distrify supports geo-blocking which will be useful if you don't hold the streaming or download rights to all territories.
Depending on which number is smaller, you can easily define the territories that are allowed or the ones that are blocked.
So go and upload your films! What's keeping you...? :-)
I just wrote a blog post about distrify. <http://danielmcguire.com/?page_id=82>
Distrify might want to adopt this as a slogan:
"Promote with Youtube, Profit with Distrify."
Well said, Daniel.
I'm just coming from an intense day with DIY/web/hybrid distribution guru Jon Reiss (Think Outside the Box Office) who said to the Distrify team: "You guys really are on top of it!" His Edinburgh audience was equally impressed.
Let this not be a one-way presentation. What questions do you have about Distrify and our collaboration? How can we assist you putting your films out there? What concerns do we need to address?
Thanks James, Pablo, Daniel, Doug, Ben. Indeed, if you have any questions for us, please post them here!
Wow. Just wow. This is very hopeful and exciting and can't wait to try using it. It seems to address the question of the moment which is how to monitize work across the Internet. Great job!
Thanks for the enthusiasm! Of course, Distrify is not a magic solution. We are merely trying to arm filmmakers with the best tools for independent online sales. It's all part of the changing marketplace that we've long been discussing on The D-Word, like with Think Outside the Box Office and Peter Broderick .
Don't be so modest, Peter. :-)
I think we should remind people that they can all upload their trailers to Distrify even if they can't make their entire film available for streaming or download at this stage. You can just use the player to collect email addresses, accept DVD orders, or offer merchandise.
So who has tried it already?
This is really spectacular! I love how Distrify uses modern web standards and isn't relying on Flash. Awesome stuff guys!
Yes, it even works on your iPhone, iPad, or whatever you have.
Here's another example for Distrify at work in a D-Word film profile: Cruzeiro (although I'm not sure why they uploaded it as 4:3 with letterbox)
They are offering a download to own.
D-Worder Jeanie Finlay has the Distrify player in her film profile for Sound It Out (the Teeside record shop doc that was at SXSW, Sheffield, Edinburgh, and Silverdocs). This is an example of how Distrify can be used for ticket sales. In fact, the EIFF had chosen Distrify to host all of this year's festival's trailers.
This seems like a very cool thing. Kudos to everyone involved!
A question, which perhaps misses the whole point: am I correct that Distrify doesn't have a website where one could find the films that are being distrified? It is entirely up to the filmmaker to have such a site for her/his own film, right?
But why not have a central Distrify site that does that as well, that lists all the distrified films? It seems like a fair bit of traffic might go to such a site and it could be an effective way to attract buyers. So if someone sees, for example, John Burgan's "Memory of Berlin" and buys it, they might then also say, "I wonder what other cool essay films this site has."
But like I said, I might be missing the whole point.
[Hmm, well that would require "Memory of Berlin" to be able to clear all its archive rights for a DVD release in the first place <sigh> but nice idea]
Chris, the point of Distrify is that they're not trying to set up just another portal, like many tried unsuccessfully before them. The point of sales can be anywhere where the player appears.
You can see all films currently using Distrify at http://distrify.com/films – but that's really just a list for reference, not necessarily targeted at the public.
Instead, places like The D-Word could be exactly the sort of website you're describing, at least for the documentary world. It'll need a bit more work on curation, design, and editorial content for the public part of this site, but that's what we're already working on. Stay tuned! :-)
John – Maybe you should look into 'fair use'... :-) It would be great to have MEMORY OF BERLIN up here. It's such a brilliant film!
Also, like I said before, you can give Distrify geographical instructions: Define the only countries the film should be available in, or define those that need to be excluded. Whatever list is shorter, really.
Chris has a good point. Distrify needs a branded web location, a place where people go to browse documentary films and watch them in one place, a web doc channel in essence. This way they can establish themselves as a niche portal for doc films.
What they have right now is the technology to deliver the films and for the filmmaker to make a few dollars but there is no real marketing or sales to drive the audience to the specific players on specific sites, the filmmaker is in the same situation as before, they are still working to establish an audience but now they are giving away 30% of the income. Vimeo will probably do this at some point.
For example I have a film at Journeyman Pictures, they take care of everything network, VOD and DVD sales, they also take 30% [no set up cost] but they have a whole marketing department selling, not just my film but the footage too. And they do sell, more than I imagined for this film. And I do nothing as I really dislike that side of the business.
Nigel, The D-Word is planning to become exactly that location "where people go to browse documentary films and watch them in one place." We've got the user base to build this on.
The whole point of Distrify is that the filmmaker (or whoever represents him or her) will be in control of the "marketing and sales drive" you're asking for. And yes, it'll be hard work to connect to your audience. If you don't like to do that yourself, you should consider hiring a producer of marketing and distribution (see our Jon Reiss conference, Think Outside the Box Office ).
I don't know about Journeyman's business model, but they certainly didn't develop their own player that allows for sales happening ANYWHERE on the web, wherever the trailer occurs, and they don't allow for any affiliate system. Distrify developed all that, and that didn't come cheap. Prior to our partnership, we examined their business case and learned that their profit margins are perfectly reasonable.
Don't get me wrong I think it's a great idea with a lot of potential, I'm just giving feedback from one perspective. There's no 'one size fits all' when it comes to distribution. I think it's about finding a combination of techniques that work for you and the resources you have for marketing.
I would imagine most filmmakers are in the position where they have a dollar amount for distribution and they have to choose how to use it. One of the first questions here was how much does it cost?
Journeyman was a great fit for me because I didn't have to hire a producer of marketing and distribution. That was the point, they did it all for what I thought was a reasonable percentage and I could move on to the next project. I'm not suggesting the Distrify model is not good value because you do get more features, it's whether those features are right for your film.
It's an interesting model and quite an accomplishment to bring something like this to fruition.