Welcome to The D-Word, Larry, and good luck with your film. You might want to check out the Marketing and Distribution topic, as well as Social Networking.
Introduce Yourself: Sign In Here First
Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.
Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.
Pleasure to be aboard. I'm new to the D-Word and currently in pre-production on both my first documentary and my first feature length project. After obsessively agonizing on cameras, knowing full well the content matters more than the camera, I settled on the Panasonic GH1 for it's DOF capabilities, the fact that you could hack the bitrate settings (which I have done) and it seemed to be the only hi-def still/video camera that was capable of shooting for longer than 15mins at a clip without the camera overheating and or cutting off the clip at the 12-14min mark (as in the ever popular Canon DSLRs). So far I'm very happy.
I'll be posting more updates as I go but my main area of focus now is quality sound capture. I have a good indy rig but no wireless LAVs. I will post more on that in another section of the website and will certainly be looking for pointers and recommendations. I'm certainly in the market for some good multi-channel LAV mics if anyone has tips there.
My documentary is a "son gets to know his Jazz Musician father through his music and those who loved him and his music". And yes, I've seen "My Architect: A Son's Journey". GREAT film that was a major inspiration. If you've seen that film there are some very similar themes for me. My father was lost to me when I was fairly young (19), we didn't have much chance to get to know each other (family drama and his obsessive dedication to his music) and within the Jazz community he is rather legendary for those who really know his music.
I hope to explore the reasons why those fans and devotes of my father's music keep insisting he is a genius improviser and one of the top three improvisers of the 20th century (often listed with Charlie Parker and Lester Young others). These are odd things to digest about about someone whom you saw in a very different light growing up. I both seek to tribute my father but also get to know him better through his music. Hopefully both the viewing audiences and myself will get to know him a little better and come out the other side with a better understanding of what makes his particular stripe of musician so special.
So, next steps for me? Editing a fundraising snippet for Kickstarter and other online fundraising sights, finding some good wireless lavs and continuing to seek encouragement for this daunting task.
I do have a producer by the way. He is a former Cal Arts screen-writing instructor and huge fan/devote of my father's music. Wonderful fellow named Eddie Richey. My wife is also an ever-present producing partner and the other half of Leo Rising productions.
Here's to getting to know everyone better and most certainly sharing about the process.
Welcome, K.C. You might want to know about a similar doc by D-Word member Stan Warnow called "Deconstructing Dad", which is about his own famous musician father. Not to worry, though, since each filmmaker's journey is their own unique story.
Great recommendation! I'm not worried. I love the other stories like this. The Glenn Gould docs were also wonderful.
32 Short Films About Glenn Gould isn't exactly a doc, but it's one of my all-time favorite films.
True, there is also a brand new doc that I just saw at a theater in Pasadena. It was much more of a traditional doc. I saw both of them back to back and was lumping them together. Both wonderful pieces. The new doc has some amazing archival footage. "32 Short Films..." reminded me of a book written about my dad in which the author wrote as if he was my father (1st person) narrating his own life. Fascinating and brave way to tackle a subject. My producer is leaning toward experimental with the style and he told me to watch "32 Short Flms...". Loved it.
Hi Everyone –
I stumbled upon this community and am happy to have found you all. This seems like an incredibly supportive environment, and that's a huge testament to both the members and the moderators. Kudos!
So, a little about me – I’m a multi-hyphenate Creative Producer/Writer/Marketing Consultant with over 15 years of experience working in the entertainment industry. More specifically, I've produced everything from the visuals for the groundbreaking documentary feature, THE KID STAYS IN THE PICTURE – to broadcast design packages for major cable networks. I also co-created and produced a grassroots media conference in NYC and LA, served as a publicist at a MGM/United Artists in NYC for four years and wrote a book (published by the Princeton Review).
I recently moved to LA to focus my career on producing larger-scale projects and seem to keep finding myself gravitating toward the documentary world. I dipped my toe into reality TV development and sold a pitch to Sony Pictures Television a few years ago but ended up backing out of the deal for personal reasons (the subjects were friends of mine, and Sony wasn't willing to give me Exec Producer credit because I had never run a show before – so, in the interest of protecting their interests, I pulled the plug). What's that they say about not being involved/close to your doc's subjects? Learned that the hard way...
Onward and upward! I'm now producing the visuals for a feature doc that's based up in Oakland and have recently started developing another non-fiction project about the business of cancer that has numerous media extensions, including a feature component. Having never helmed a project of this size, I'm here to absorb as much info as I can from the community – and to give back, as well.
That said, I'm a huge fan of indie empowerment and have been doing quite a bit of research re: Hybrid Distribution that I'm happy to share. I also have solid experience creating grassroots marketing and outreach strategies.
If anyone here would like a free outreach consultation for their project, please get in touch with me. I'd be happy to help point you in the right direction.
One question – do D-Listers ever get together for local in-person gatherings? As I mentioned, I'm fairly new to LA and am eager to meet like-minded folks.
Great to have you joining us, Jennifer! Feel free to leap right into the various discussions going on here and all the best with your projects.
Yes, there are quite a number of LA-based D-Word members, including our co-hostess with the mostess, Marj Safinia. They're often up for in-person F2F's, so don't hesitate to organize one (on the F2F topic). You might also want to join DocuLink, which is a mostly LA-based listserve for doc filmmakers.
I am the head of the documentary division at Muse Entertainment (www.muse.ca), a major independent film and television production house and an emerging force in international co-productions. We've won numerous international awards and were just nominated for a Golden Globe Award for the mini series Pillars of the Earth which we co-produced with Germany's Tandem Communications in association with Scott Free Films. We are mostly a live action, fiction producer but we are keen to work in the documentary world as well. The first documentary we co-produced with Switzerland and filmed in Jamaica was the successful doc feature Rocksteady: The Roots of Reggae. Our head office is in Montreal but we also have a US operation based in LA and a sales office in London, England. We are happy to look at documentary projects that would be relevant to Canadian audiences specifically but also of interest to international audiences.
Great to have you here with us, Betty. How far along with their project would someone need to be before approaching you? Would you at the least need to see a fairly polished work-in-progress sample?
Hi all – I'm a documentary sound guy from New York and happy to have found this community! I have been lurking for a few months, and I've enjoyed reading about (and participating in) your challenges and victories. I've been lucky enough to do some work with Josh Weinstein, Nick Higgins, and Amy Berg. I'm always looking for a good subject and a new challenge for work, and I'm happy to give advice where it's needed (I know a lot of you work alone).
Happy Solstice y'all . . see you on the other side!
HOPE EVERYONE IS WICKED, AND HOPE EVERYONE HAS AN AMAZING CHRISTMAS!
I JOINED UP IN SEARCH OF HELP FOR MY DISSERTATION I AM DOING, IN FILM PRODUCTION AND TECHNOLOGY
I AM DOING IT ON:
An evaluation of the technology incorporated into documentaries targeted for cinema release
IF ANYONE COULD HELP, THAT WOULD BE WICKED!! ITS MAINLY ON CAMERAS USED FOR DOCU'S AND WHY? THE SOUND AND LIGHTING...AND WHAT THE FUTURE HAS IN STORE FOR DOCUMENTARY FILM MAKERS..
APPRECIATE ANY HELP ANYBODY COULD GIVE ME..
HAVE A WICKED NEW YEAR!
In reply to Abe Dolinger's post on Tue 21 Dec 2010 :
HEY, HOW YOU DOING ABE?
BOY AM I GLAD I SAW YOUR INTRODUCTION!
YOU MIGHT OF READ MINE...AND I WAS WONDERING, BECAUSE YOUR SOMEONE WHO WORKS WITH SOUND AND YOU HAVE FIRST HAND EXPERIENCE, WOULD YOU BE ABLE TO HELP ME...
IT WOULD BE LIKE AN INTERVIEW SORT OF THING...IF YOU COULD HELP, PLEASE PLEASE GIVE ME A SHOUT, IT WOULD BE WICKED TO INTERVIEW SOMEONE WHO WORKS IN THE ACTUAL INDUSTRY RATHER THAN JUST RELY ON BOOKS. IF NOT THEN HEY, THANKS FOR TAKING THE TIME OUT AND READING THIS.
HOPE TO HEAR FROM YOU SOON
TAKE CARE ABE
In reply to Magela Crosignani's post on Thu 18 Nov 2010 :
hey, how you doing?
I noticed you were a cinematographer and you work on documentaries.
im currently doing a dissertation on the production technology used for cinema release documentaries, and i thought maybe you could help me with the camera technology used for documentaries.
i understand if you are busy and if you unable to help, and thats cool...but hey, it's a try right.
maybe I could interview you, ask you a couple of questions?
if you do have some time, that would be great, if not, i understand. hope you have an amazing Christmas and new year.
In reply to Jennifer Campbell's post on Sat 30 Oct 2010 :
hey, how you doing Jennifer?
it cant be colder than it is down here in the UK! The weather is crazy, but its wicked!...but hey...
I was looking through the pages, to see if there was anyone would could help me with a bit of work, and noticed you was kind of fresh out of uni.
im in the last year now, and have to write a dissertation. I know this is a long shot, but hey, what's the worse that could happen.
my dissertations on, the technologies used for cinema release documentaries, and I was wondering if you had covered any of the technology side in your course...
if you aren't to busy and you got a little time, it would be wicked if you could help. but if you cant, well hey, thanks for taking time out and reading this
have a wicked Christmas, and an amazing new year. :)
In reply to chithra jeyaram's post on Wed 4 Aug 2010 :
hey, how you doing?
I noticed you studied film production.
im studying film production and technology, now in my final year, im currently working on a dissertation on the production technology used for cinema release documentaries, and i thought maybe you could help me with the technology side of documentary film making. im not to sure if you studied the technology side but, its worth a try right.
i understand if you are busy and if you unable to help, and thats cool...
if you do have some time, that would be great, if not, i understand. hope you have an amazing Christmas and new year.
Ok, Jaggy, good to see you calmed down and stopped shouting in ALL CAPS. Time to take your pleas for help to the Mentoring Room topic. This is just a place to introduce yourself, which you certainly have done enough of. And have a wicked Christmas, yourself.
In reply to Doug Block's post on Wed 22 Dec 2010 :
Sorry. And a happy New Year.
Hello everybody. I'm a brazilian filmmaker, this year I've showed in some brazilian festivals my first film, a short documentary called "Hands of October". This film proposes a new way of looking at Círio de Nazaré in the city of Belém, Brazil, using the perspective of the hands. A poetic, almost surreal approach. The characters are the hands of marchers, workmen, sculptors, and others. The voices are just their memories. The duality of hands, which simultaneously suggest materialness and spirituality, constructs one of the biggest faith marches in Brazil. If you're interesting, visit film's website (unfortunately not translated to the English yet): www.maosdeoutubro.com
In answer to your question: Yes the proposal would need to be very polished; not just idea stage but well researched on its subject, characters, relevance and uniqueness.
Betty, would be great if you registered as a full member , which would give you access to all 50 of our discussion topics, including fundraising and distribution.
My name is Mark. I am a software developer and film student. I decided to go to film school because I had a documentary that was set to go twice and the production company flaked on me both times. The story is so close to my heart that I decided to learn how to do the doc my self. That was in 2008 and I have just finished preproduction. Production to start in March.
Welcome, Mark. You may find the story of D-Word member Jon Foy inspiring. He was in the same boat as you, now heading off to Sundance with his first doc.
Hello, I'm Nancy, communications coordinator for the British Columbia chapter of the Documentary Organization of Canada. I'm gonna be in here every week or so looking for news and stuff to share with the DOC BC membership and I'm curious to hear what other people are up to in terms of financing and developing their own films.
Welcome to The D-Word, Nancy! (Blame it on the holidays that nobody has greeted you yet...)
You should also apply for Professional status here ...
Hello folks, and Happy New Year!
My name is Errol, and I'm a documentary cinematographer based in Baltimore, Maryland. Last year turned out to be a particularly good year for me with the film that I shot, 'Music by Prudence', winning an Academy Award for Best Documentary Short – most easily remembered as the film behind the "Oscar Kanye moment." lol. Since then, I've worked on projects in various African countries and along America's eastern seaboard.
In Summer 2010 Elinor Burkett & I finished another documentary, 'iThemba,' which went on to premiere at IDFA this past November as well as showing at various other festivals in Europe and Africa. iThemba is now in the distribution stage.
In Brooklyn NY, I'm working with director, Michele Stephenson on 'An American Promise' – a coming-of-age documentary that's 11 years in the making, about 2 African-American boys and explores the dynamics that surround them as they matriculate a private High School in Manhattan.
Additionally, in the Catskill Mountains of Upstate New York, we've begun shooting a nature-doc in the fall with director, Mike Mathis, on the life of Naturalist & Essayist, John Burroughs, who grew in notoriety for his research and activism in the early 1900s. For this shoot, all the footage (sans the interviews) was shot solely on the, now popular, Canon HDSLRs. There are many pros and cons to this new technology, but while working with the camera for the entire shoot, I was able to find ways to combat the issues that normally plague video shot on the any Canon HDSLR.
My forte is shooting – it's what I love doing and have been doing since 2003. Every day I try to learn something new, whether it be from other docs or from simply watching a TV Show and picking scenes apart. I'm a stickler for good sound and lighting and am maniacal about shooting things right, even if it means agonizing over a shot for another minute or two til it's just right, time permitting, of course.
Now where editing is concerned, I gained about 40,000 hours of my editing experience with Final Cut Pro while still in college, which helped greatly post-college when I started my documentary career in 2008. I do documentary editing but not nearly as much as I shoot. I find myself spending many hours now soaking up all I can about video and various technology because the more I know, the better I am able to become creatively. Plus I'll be prepared when it comes to video troubleshooting which I do a lot of for people when they're stuck in say, a Final Cut Pro problem...right upon a deadline, or making suggestions for their next camera/equipment purchase. So I hope I'll be of some help on some of the threads on the D-Word.
With this new year, my goal is to create more great work with great people, make new contacts and build friendships in this close-knit weave which is the documentary film world. I wish you all a very productive and successful 2011!
Welcome, Errol. Great to have you here with us. There's a lot of collective knowledge in the various discussion topics for you to soak up. And I'm sure we'll be learning a lot from you, too.
Hi Everyone – I'm a Director/Producer/ Camera-person from Asheville, North Carolina. Last year I finished a film called ON COAL RIVER with my wife/co-director and we're starting another project now. I signed up for D-Word a few months ago, but I'm just now starting to poke around the threads and appreciating the resource this is! I'm looking forward to learning a lot :)
Hi Adams, saw On Coal River at STF last year. Great job, good luck with your new film.
I just heard the sad news about Judy Bonds from On Coal River. My condolences.
Hello everyone – Thanks to a tip from another doc maker I've been lurking about the forums for months now, trying to soak up as much wisdom as possible, but as 2011 dawns I figure it's time to wave hello.
I'm a writer/director currently stationed in Los Angeles and am in post on my first documentary project: a series about five starkly disparate elementary and high schools in New Orleans and Baltimore, the unusual historical origin they all share, and the stories of what it's like to educate inside their respective walls today. Thanks, all of you, for creating such a great collective resource and community, and Happy New Year!
Welcome, Steve. Feel free to register as a professional member. You'll gain access to all 50 discussion topics.
Good to have you joining us, Steve. Say goodbye to all your free time ;-)
Hi D-Word. Happy to be here. I just finished my first feature doc this past year and its been on the festival circuit having a pretty good time. The film is called A Life Ascending. You can find a trailer at ALifeAscending.com Im starting to enter the world of hybrid distribution and anxious to learn from others and share what Im learning along the way. Im also looking for some interns to share some of the experience with and to help with some of the research and marketing work. cheers, Stephen
Congratulations on completing your film, Stephen and welcome as a full D-Word Member too – feel free to explore the place. You may also wish to re-post your request for interns (perhaps with some more details) in the Public Classifieds Topic
I’ve just joined the D-Word, thanks to John Burgan for the connection. It seems like a terrific space/collective resource. I hope to make a useful contribution. Here are some headlines re my background.
These days I work at the intersection of documentary and participatory media. I was co-founder and producer of BBC2’s award winning Video Nation project, for which people across the UK recorded everyday life in the 90s, which we edited, with their approval, into over twenty hours of diverse TV output. I was Executive Producer of the BBC Capture Wales digital storytelling project, the first major initiative of its kind in the UK, which was informed by the work of The Center for Digital Storytelling in Berkeley, and resulted in a wealth of autobiographical stories made in workshops around Wales, and contributed to a continuing.digital storytelling culture here.
I still live in South Wales though I’m now a Research Fellow at the Digital Cultures Research Centre, at the University of the West of England in Bristol. My research explores the emergence of collaborative online documentary. I’m interested in how a collaborative approach and the online network might enhance documentary’s role in the public sphere.
I blog at http://collabdocs.wordpress.com/
In the 90s I was a producer/director of documentary and arts TV. My work pursued themes of culture and identity – in Hilda at Darjeeling for Channel Four British women looked back on their role in India under the Raj, in Meeting the Masai Mob for BBC2, Aboriginal Australians met with Masai people to share experiences over land rights. I’ve also made work about culture and media – Pictures in the Post (BBC2) was a history of the 20th century told through postcards and their messages. Verite Today (BBC2) looked at ideas of truth in British documentary and included interviews with Jean Rouch Nick Broomfield and Richard Leacock. How the West was Lost (Channel 4) looked at Native American representations in Hollywood, and in Navajo Media.
Right now I’m looking for participants for a web based collaborative project. Within my practice based research I’m revisiting Jean Rouch and Edgar Morin’s seminal 1960 documentary, Chronicle of a Summer, in particular the question which opens the film, in the classic vox pops sequence, Are you happy? You can see a clip on the site homepage – http://theareyouhappyproject.org/
I’m seeking collaborators who are interested in getting involved by asking that question on video in their locality. This could be an interesting brief for media studies or documentary students. If that interests any teachers here I could offer a briefing via Skype, and could put the call to action into context, both of the original film and of the growing field of collaborative online documentary. (I should mention that I have some teaching experience. ) Thanks for reading. My email – email@example.com
What a fascinating background, Mandy. We did a bunch of collaborative projects here at The D-Word in our first few years, but sadly none since then. A shame since such great potential exists for it within a strong and supportive worldwide community like this. So certainly hope your presence helps inspire some more collaborations.
Great to have you here, Mandy. I will definitely be encouraging colleagues and students to participate in the Are you happy? project
Thanks Doug, John. I look forward to D-Wording. Have a good weekend.
Hi D-Word community,
My name is Jeff Girard. I’ve been an activist since 2000 primarily in the area of bettering the LGBT community. I started the first visible LGBT group in my hometown in 2003, led it through the end of 2007, and then became employed as a volunteer recruiter and trainer with the NO on 8 campaign in San Francisco and Sacramento. Since 2009, I’ve been in the east bay.
In late 2009, I bought a program to hook up my VCR to my computer to transfer my home movies to digital format. It came with a simple video editing program and once I started using it my creative side was reinvigorated after having been set aside while I focused on activism. It started to occur to me that I could merge my creativity and activism by making viral videos and films.
My areas of interests regarding activism and documentary filmmaking include:
-initiating sustainable gay groups in rural/isolated areas, which is needed in many places in CA
-preventing the destruction of the human food supply
-voter empowerment: required open debates; instant runoff voting; repealing Prop. 14; the advancement of alternative parties and independents
-access to affordable genuinely-healthy food for all
-healthy sexual education inclusive to LGBT teens; opposition to the glorification of un-protected sex
-freedom from the big-brother/nanny state
I am here seeking collaborators and mentors. Please email me at firstname.lastname@example.org if you would like to collaborate with me or offer a mentorship opportunity in the Sacramento, east bay, or southern CA areas. (Note: I apologize if sharing email is against TOS but I am unable to find whether or not it is)
We’ve heard a lot about “it gets better” for LGBT folks recently. I hope that promise is not just for teens but for the LGBT folks who endure adversities in their adulthood. I’ve found it to be a challenge to find mentors in the LGBT community. Maybe I just don’t know the right people. To be clear, I am open to working with people of all walks of life – not just LGBT folks.
I want to continue to do good works as an activist – I just need to make enough to pay for my vehicle and food. My hope is that I can find a mentor who sees the record of good works I’ve done as an activist to mentor me and help me become even more equipped to do good in the world while being able to take care of myself too.
With all humility, I was the only person in my family to graduate high school and not get into drugs or become an alcoholic. I come from a tough background with no examples of successful people in my family. When I became an adult I had to start working to survive and since then I have avoided student loan debt. I may not be a college educated person, but I’m certainly an intelligent and creative person. Well, I did take one public speaking class. I got an “A.”
I became unemployed last November and am trying to do all I can to find a place for me to utilize my passion for activism and creativity. I’m hoping to work on projects and partner with or create a nonprofit to fund my projects. I’m living in my vehicle by choice and I could not be happier about it. It’s equipped me to push myself harder to move forward. In case you're wondering, I shower utilizing couch surfing. I'm quite clean and organized considering I live in a vehicle.
Because I am living in my vehicle, for now, I can go anyway. For now, I’m still in the east bay near San Francisco.
Thank you for your consideration.
PS: At http://www.youtube.com/user/noonprop14theatre you can see an example of my work. I directed, wrote, edited, and appeared in the project.
Welcome, Jeff. Feel free to take one more step and register for professional membership here. It'll give you access to all 50 of our discussion topics.
And keep up the good work.
Hello. I've been reading the constructive and generous posts here for a few months- it's time to introduce myself. I work for a weekly documentary show named World Report. The segments aired are a mix of traditional news (with correspondents) and more impressionistic pieces. My specialty is the latter. Here are a few samples:
Look forward to adding whatever I can to the discussions.
Good to have you posting at last, David. Sometimes wonder what we have to do to lure the lurkers out into the sunshine and light of the written word ;-)
(Trembling as I type)It's either a post-nervous breakdown, mid-life crisis or a recent trip to India that has me working backwards to becoming a documentary film maker. I was asked to photograph (I'm a classically trained professional photographer making money by doing weddings and freelance work for periodicals)AND "film" for a project dealing with spinal cord injured persons in India last November. With a handycam and digital recorder I "documented" what escip does (look at www.escip.org). I've come back inspired to go back to what I started to do (1st year of college; cinematography major) but didn't complete due to a series of unforeseen events. My goal and agenda at this point to continue bringing social awareness to our generation and inspire the future to also be inspired to film. I would like to teach eventually, how to film in 3rd world countries as a way to heal from pasts that were harmful and painful. I'm at the zenith of my creativity and am ready to share it with the world!!! So, hello and encourage me if you can! NAMASTE