Welcome, Mike. Good to have you here.
Introduce Yourself: Sign In Here First
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My name is Maysam Akbarin. I am a Software Engineer based in Alabama. I have done close to nothing in this field( actually nothing ! ) .
However, I have some ideas for a documentary. But before I do anything I want to start learning about how to make one first then see how things goes from there.
Greetings, Maysam. For starters, you might want to look at some of the archived discussions we've hosted here (they're listed at the bottom of our homepage). Even though some took place years ago, they're still quite relevant. And it's like having a mini-tutorial on documentary producing and practices.
I joined because I was on a desperate search for your movie "Home Page". I watched it in class led by Professor Peggy Vail at Columbia University a couple years back (and you visited as well!) – I was completely awestruck. I had forgotten what the internet used to be like, (or did not realize, at the time, that the advent of the world wide web used to be populated with such strange and "new" things) in the 90s.
And now, I want to watch the movie again, somehow, but there doesn't seem to be any place selling, renting, or streaming the movie.
If you know where I could get a hold of a copy, please let me know!
Yeah, my apartment. On vhs. The good news is I'm hoping to do a digital release at some point this year.
But why worry about what the internet used to be like? You're on The D-Word, Patrick. This is where the internet is at right now!
True, but sometimes you need to know the past to understand the present. Also, I just really enjoyed your movie, that's all! Hopefully it will be digitally released – let me know when it does. I'll be jumping on it.
In reply to Doug Block's post on Wed 22 Feb 2012 :
Sure thing. Better yet, if you send me an email as a reminder, I can put you on my mailing list and let you know when it's available. doug(at)d-word(dot)com
Hello All, I am a doc film producer and made 3 films a few years ago, one that I had commercially picked up (it dealt with terrorism). While I had no professional (publicist) help, I managed to get into a few film festivals, but really found the "public eye" through the news/media, who wanted to use my footage...which I gave them freely of course. This said, I have joined some friends in post production of their film, which deals with the Middle East but a past snapshot in history...dealing with a peace treaty/Carter Admin. I have been working on getting us into film fests – NOT for the sake of winning prizes, but simply for getting "seen"...I know the "big mainstream" ones, a few which we have already been accepted to, but I was hoping to hear from ANY of you in this Forum about some other "more obscure" ones. Can anyone tell me about the Maine Int'l Film Fest and the Pittsburgh Independent Film Fest? Thanks!
I should have included my email address for feedback from ANY of you. My personal one is: LMagnas(at)gmail(dot)com
I'm the person asking about the 2 films fests (Maine and Pittsburgh) – thanks again!
I just completed my first doc called Casting By which is about the range of influence that casting has had on film history. I have a few questions about how to sequence our credits for the locked cut..is there a 'standard' as to the placement of Director, Producer etc cards or is it entirely up to us? Thanks!
Welcome to The D-Word, Joanna. I'm fascinated by casting so can't wait to see your doc! Please keep us posted on when and where we can see it.
As to your question, it's always up to you, but if you want to learn what's standard I'd simply watch a few other documentaries and see how they do it.
If the credits are at the beginning, it generally ends with Produced by and Directed by. If at the end, it begins with Directed by and then Produced by.
Hello everyone, I am an audio engineer that has worked on documentaries and other post audio projects. I just wanted to introduce myself and let you know if you needed any help of info about sound i would love to help!
Hi, I've edited many many hour-long documentaries for French TV, and am currently working on my third one as a director (réalisatrice). The economic crunch is pretty disheartening right now. Would like to stay in touch with other professionals, share information, develop international potential for our films.
My current project is a portrait of an amazing artist who spent over 10 years doing the reproduction of the prehistoric Lascaux caves.
I am Zeljko Mirkovic awarded documentary director/producer, owner of the Optimistic film.
Hi everyone, my name is Anthony Rydzon but my friends call me Tony. I'm a documentary film producer, director, and writer living and working in Chicago IL. I'm looking forward to sharing ideas, making new 'Doc-Head' friends, learning from some of the best and brightest minds in the doc film community today, helping other filmmakers by passing along information to screenings or crowd-sourcing links, bouncing around new ideas with you guys in the discussion rooms, and whole lot more too.
Whew, I shouldn't have had that last cup of coffee!
Currently, I am working on my first feature length doc,"Finding Vivian Maier", a story about a "French-American" nanny who took over 100k photographs of people she encountered in the streets she walked in both NYC and Chicago- all the while keeping her passion and skill a secret till her death in 2007, when her archive of black and white negatives went to auction and was purchased by a young man living in Chicago's north side. You can learn more about the story at www.VivianMaier.com
Production is moving right along.
I also ran a successful Kickstarter campaign with my friend and director of the film and was selected to pitch at HocDoc's 2011 in Toronto, Canada.
Thanks everyone for giving me the opportunity to say hi and inviting me into your community. I promise to upload a profile pic soon and feel free to email me here or at mmadocfilms AT yahoo! Cheers!
Wow, a wave of newbies today. Justin, Constance, Zeljko and Anthony, a warm welcome to you all!
Hellooooo documentary community
my name is Victoria and I have completed one feature length doc. titled 'House of BOnes' on my family and a house. I am currently enrolled in the SVA MFA doc. program which is a wonderful program thus far. Have been learning a great deal. HAve some projects in the works and trying to finish a small film I am making on a neighborhood in port-au -prince. HAve been going there over the last 3 years since earthquake. I'm in NYC and delighted I finally signed up to be part of this. Hi D.
And we're equally delighted, make that even MORE delighted, to have you joining our virtual doc shindig, Victoria.
Having been one of the lucky duckies to have seen "House of BOnes," (I'll spell it your way, it's more fun) I can attest to the enormous talent of Ms. Campbell.
However, one demerit for posting a photo so dark we can barely see ya.
Hiya, my name is Tessa! I'm Belgian and currently working as an executive producer on a film noir about time travel in Venezuela. More than the scifi aspect, we focus on the Cuban exiles in Venezuela and the issues of dealing with a constantly changing environment, both as an immigrant and a timetraveller. As a setting we decided to use downtown Valencia (VE), to put the old colonial houses in a bit of a different light. This is our Prezi: http://prezi.com/fafeiphjnbx0/almost-midnight/
Seeing Casi Medianoche (Almost Midnight) is my first production, I joined D-Word to learn, look, read and discuss. I look forward to meeting people here!
Greetings, Tessa, it's great to have Venezuela represented here. Glad you found us, even if you seem to be working more in the fiction than doc world. Do you have a film background or do you come to film from another path?
Someone who had been giving me advise on legal matters, told me about D-Word. I myself come from a completely different background. I worked for a while as an assistant in training and education, than did my masters in education. After univ, I met an old friend from Venezuela who was assembling a team to make this movie... I happily jumped at the opportunity and left for South-America.
Both of us are interested in a variety of topics, so joining D-Word is a logical choice for me. My partner has done an as yet unpublished documentary for the Venezuelan state. We've been designing (and dreaming about) about doing a documentary on teaching workers in heavy industry about film, an emancipatory project... but at the moment, our fiction film takes up all of our time.
Well, any friend of Richard Lee's is a friend of ours. We've upgraded you to Professional status so you can take better advantage of all the different discussion topics in here. Hope you find it helpful and best of luck on your film.