Hello All, I am a doc film producer and made 3 films a few years ago, one that I had commercially picked up (it dealt with terrorism). While I had no professional (publicist) help, I managed to get into a few film festivals, but really found the "public eye" through the news/media, who wanted to use my footage...which I gave them freely of course. This said, I have joined some friends in post production of their film, which deals with the Middle East but a past snapshot in history...dealing with a peace treaty/Carter Admin. I have been working on getting us into film fests – NOT for the sake of winning prizes, but simply for getting "seen"...I know the "big mainstream" ones, a few which we have already been accepted to, but I was hoping to hear from ANY of you in this Forum about some other "more obscure" ones. Can anyone tell me about the Maine Int'l Film Fest and the Pittsburgh Independent Film Fest? Thanks!
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I should have included my email address for feedback from ANY of you. My personal one is: LMagnas(at)gmail(dot)com
I'm the person asking about the 2 films fests (Maine and Pittsburgh) – thanks again!
I just completed my first doc called Casting By which is about the range of influence that casting has had on film history. I have a few questions about how to sequence our credits for the locked cut..is there a 'standard' as to the placement of Director, Producer etc cards or is it entirely up to us? Thanks!
Welcome to The D-Word, Joanna. I'm fascinated by casting so can't wait to see your doc! Please keep us posted on when and where we can see it.
As to your question, it's always up to you, but if you want to learn what's standard I'd simply watch a few other documentaries and see how they do it.
If the credits are at the beginning, it generally ends with Produced by and Directed by. If at the end, it begins with Directed by and then Produced by.
Hello everyone, I am an audio engineer that has worked on documentaries and other post audio projects. I just wanted to introduce myself and let you know if you needed any help of info about sound i would love to help!
Hi, I've edited many many hour-long documentaries for French TV, and am currently working on my third one as a director (réalisatrice). The economic crunch is pretty disheartening right now. Would like to stay in touch with other professionals, share information, develop international potential for our films.
My current project is a portrait of an amazing artist who spent over 10 years doing the reproduction of the prehistoric Lascaux caves.
I am Zeljko Mirkovic awarded documentary director/producer, owner of the Optimistic film.
Hi everyone, my name is Anthony Rydzon but my friends call me Tony. I'm a documentary film producer, director, and writer living and working in Chicago IL. I'm looking forward to sharing ideas, making new 'Doc-Head' friends, learning from some of the best and brightest minds in the doc film community today, helping other filmmakers by passing along information to screenings or crowd-sourcing links, bouncing around new ideas with you guys in the discussion rooms, and whole lot more too.
Whew, I shouldn't have had that last cup of coffee!
Currently, I am working on my first feature length doc,"Finding Vivian Maier", a story about a "French-American" nanny who took over 100k photographs of people she encountered in the streets she walked in both NYC and Chicago- all the while keeping her passion and skill a secret till her death in 2007, when her archive of black and white negatives went to auction and was purchased by a young man living in Chicago's north side. You can learn more about the story at www.VivianMaier.com
Production is moving right along.
I also ran a successful Kickstarter campaign with my friend and director of the film and was selected to pitch at HocDoc's 2011 in Toronto, Canada.
Thanks everyone for giving me the opportunity to say hi and inviting me into your community. I promise to upload a profile pic soon and feel free to email me here or at mmadocfilms AT yahoo! Cheers!