good luck w. the dissertation.
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good luck w. the dissertation.
school that I might as well see what there is to learn here on the
street. A strange way to get started in the film biz... working my
job and somebody says, "hey, what you're doing is pretty
interesting, I think it'd make a good movie." And so, four years
later, here I am; executive producer and producer of a film about an
endeavor that I play a role in. It makes for interesting paradoxes
if nothing else.
Anyway, the film is called Trout Grass. In it, we follow the
transition of bamboo from a living plant in Southern China to a
finished fly-rod on the rivers of Montana. I'm a guy who goes to
China to select bamboo poles for the fly rod building market.
Luckily, the end product of my endeavors go out to some really
amazing people who are very much in love with their
hobby/passion/sport and we've been able to make a pretty cool film
about "the pursuit of passion" and the intangible spiritual elements
that come into play when humans cast aside reason in favor of some
strange emotion that drives them to go stand in rivers, trying for
hours-on-end to trick an animal with a pea-sized brain, only to
touch the wild creature and let it go. We were lucky enough to have
a fairly well known writer, David James Duncan, sign on as a writer
and narrator (and a guy fishing in the film) and we also have
another writer of note, Thomas McGuane in the film.
So were done. And now? Holly smokes, you mean I've gotta go out
and try to sell this thing now? Crimony. Adding this chore to the
overflowing job list is a challenge all in itself but there is a
pool of information for me to learn and I'm diving on in. We've got
a "place-holder" web site up but hope to have the real one up within
a couple of weeks: www.troutgrass.com
Cheers and I'll be picking some brains very soon!
I'm from Jakarta, Indonesia
First of all excuse me if my English is not good*. I usually work
with NGO*s and International organization in making community
development video and also about environment issue
The video that I made usually to provoke people in some way so it can
be used in discussion for organization, ngo, government etc*.there*s
a leasson learn that they get from the video and hopefully they will
know what to do if they want to solve a problem
I don*t know if what I do is in documentary category, but I sure hope
to learn a lot from this forum.
feel free to join the d-word community for doc professionals:
magazine. Cool. I'm currently starting production on a one hour TV doc
on couples who have chosen to be "Childfree." I've been writing
screenplays for the last four years and doing research, sociological
surveys, and pre-interviews for this doc. I decided that no one was
going to throw development money at a first time filmmaker so I used
some savings to produce a rough sample tape and now I'm looking for
production partners and funding. Looking forward to chatting with
image chain for negative --> tape transfer ----> DVD that eliminates the need for
pulldown. My transfer house, Magno in NYC, has never seen it before, so it may a first. In
any case, it saves transfer costs, improves MPEG quality, and I'd be happy to share the
steps with anyone who's interested.
I'm also here because my current project deals with sexuality in a frank and explicit way.
I've spent the last few years engulfed in the world of pornography (some of you may dub
what I do pornography as well), which does not offer many opportunites to discus the art
or craft of filmmaking with colleagues. I'm hoping this forum will provide some relief from
a growning sense of isolation.
the d-word community (this is the public forum). now that you've
gotten onto utne, i can probably take care of the rest shortly. and
good luck with your project - always thought it could be a great
subject for a doc if done well.
Brian and I have no experience with film making, just a strong desire
to learn what it takes to make quality docs. I promise to try not to
ask too many stupid questions.
years ago I decided to stop theorizing about documentaries and start
making them. I've made four low-budget history documentaries sort of
in the Ken Burns style. In universities we are always worried about
adjudicating what is scholarly and what is not. So recently I talked
a Dean into giving me $1000 to submit my latest doc, "Lincoln and
Black Hawk," to film festivals. I stumbled in here while reading the
forums at Without a Box, where I've now submitted to about ten
The festival business gives me a headache. My guess is they are
looking for more cutting edge material than what I am doing, although
I really believe my work has its own "edge." Do any of you know
festivals where "History Channel" is not a dirty word? I did win
some awards at the Silver State Documentary Festival a few years
back, but they don't seem to be running any more.
If you're interested, "Lincoln and Black Hawk" examines Lincoln's
participation in the Black Hawk War, which was the final step in
Indian removal in Illinois. Black Hawk was an interesting Sauk
warrior who led a resistance movement that ended in a massacre of his
people in Wisconsin. Lincoln used his militia service as a spring
board towards his political career.
I've enjoyed reading around on your site so far and am looking
forward to participating in the future.
(Iowa City here).
I, too, do work that would not be considered "cutting edge" so I
know the frustration you face. Try CINE or Telly, which are not
festivals but contests that take all kinds of programs. As to
festivals, your best bet is a gathering that specializes in
historical work. Willing to bet one exists, but I'm not sure where
to find it.
2 years with The Documentary Guild in Allston, MA. I helped on
several shows for WGBH.
My film is about a Boston-area rock climber who took a very long
time to establish a new climbing route on Cannon Cliff in
Franconia Notch in New Hampshire.
Filming has wrapped and we are in post-production. I have tons of
questions and would love to have a community of folks to bounce
them off. I have no desire to re-invent the wheel.
My deadline is approaching rapidly - Aug. 5th for the Banff
Mountain Film Festival.
My name is Shazad and I am a university student studying both film
and sociocultural anthropology. I am thinking of getting an MA in
Visual Anthropology and feel that my interest in cinema leans towards
such a raw and culturally-aware style.
Currently I am taking a summer course but also working closely with a
friend of mine who has started his own business. He has developed an
amazing software that can electronically process audio/video into
text, which is a godsend for documentary filmmakers in need of
transcribing, organizing and editing hours of field tape.
Just to let people know, I would like to offer any of you filmmakers
out here a free 1-hour transcription to not only evaluate our speed
and efficiency, but also help you out with any current projects you
may be working on.
Please take a check out our website below and if you have any further
questions or comments feel free to reply via e-mail or call me at
soon. sounds v. promising for docmakers if the software is accurate.
Thank you and your welcome.
As a filmmaker myself, and based on my experiences with SimonSays
having worked with several documentary filmmakers, I can honestly say
that this service is a impressive. Not only do you get to skip the
tedious process of transcribing your field taste, but you get to
invest this energy into the more creative aspects of your craft.
The software can recognize multiple speakers and comprehend thick
accents. After the software electronically processes the audio or
video, the time-code stamped transcript is then reviewed by a our
staff to guarantee 100% accuracy.
What this allows is for us to offer the best turnaround, which is
usually up to 5 hours of audio in 24-hours. This also depends on the
format you're working in as well as how quickly you can get it to us.
For highest efficiency we have an FTP server that allows you to send
your samples instantly.
Anyway I shall look forward to hearing from you,
I live in Santa Fe, New Mexico, USA.
I'm brand spanking new here -- but I've been a member of Cafe Utne for
years and years.
I'm working on my first documentary script, on "car culture", its
history, development, social and eco-enviro impact, and the little
known history of "resistance". I might in fact be mad. True.
Remember to wear it whenever you post.
I wish I had something to give to you. You want some New Mexican chili?
Reading Andy's post, I was just about to ask if he'd run into David
James Duncan there in the Missoula area (and then...), where I missed
meeting him by two minutes at a book store where he left just as I was
coming in to ask where in Western Montana DJD lived. You see, I had
just read on a dust jacket (River Teeth) that he had moved there from
Oregon. I asked the bookstore gal, and she said he just left the shop!
... Is that weird, or what? - - - Anyway "The River Why?" sunk itself
into my riverine soul back in the day, and it has barbed hooks, so
it's still there. David is a great and beautiful man!
public forum. In the D-Word community for professional docmakers,
the subject of shaping docs often comes up in "Works in Progress."
I'd say you're eligible to apply to that community, though the final
word goes to Doug Block, who will probably be along shortly.
idea to write as much of the script as you can before production,
but since reality throws us a lot of curves, there's a limit to what
can be written before rolling tape. Have you done any taping yet?
Seem like good places to hang out.
We better take this over to "The Mentoring Room." I'm surprised Doug
or Ben hasn't been in here to shoo us out after the pleasantries.
They're the local bouncers who enforce topic boundaries.
the Mentoring Room.
basic criterion for the d-word community. the public forum is open to
all, but it's not really geared for the usual utne back and forth.
usual utne back and forth."
What is it geared for? I don't see a lot of recent activity.
as have others, but we don't force people to join. Part of the lack
of posts, too, is that the "mentors" who answer are often
overwhelmed with their own tasks. Doug is editing his film to appear
on HBO. With that kind of pressure, it's a tribute to him that he
gets around here at all. Look at it this way: Due to the lack of
competing questions, you have everyone's attention -- even
if "everyone," for the moment, is me.
about raising money for AIDS Project Los Angeles by training for
the Dublin marathon and my uncle who's HIV positive. He's the
reason I'm runnning. Anway I was happy to find out about D-word.
My plan is to shoot while I run both in training and during the
marathon, and to tell my uncle's story. This is my first movie as
producer so I've been looking to gather as much info as I can
while I was at ifpwest I found D-Word.
Some of which will take me across the US.
other APLA fundraising marathoners. Then I run during the week.
The run is October 31, but I was planning to go around the 25th
since I lose a day. I want to be able to get used to the weather,
run there before the actual marathon, and possibly drive the
course. Feel free to email me at firstname.lastname@example.org.
turn out to be experimental) with a gl-2, me, and a couple of
people helping out to record the music. A US choir tour in Europe
with members aged 8-64. I have some clearance/consent questions,
so I'll head to the mentoring room. Great to be in the fray!
all my equipment so i've laid low, but now i've replaced my cam and
computer and have thrown myself into a bunch of projects.
i'm teaching a friend to shoot and edit an art piece he wants to do
for a show in Ghana this fall. he's a metalworker and sculptor, and
he's filming his West Indian customers, employees and friends.
i've worked on a couple of docs and informational pieces for the local
department of education, done a portrait for someone's reality show
application, and am now working on shooting footage for a doc about
teen performers in a musical.
i use borrowed equipment and/or the client's equipment a lot of the
time, but otherwise i'm using a Panasonic GS150 and editing on FCP.
really excited and feeling blessed by the opportunities to shoot these
new projects. thanks everyone for the community!