Samuel Michon
Mon 22 Mar 2004
•
Hi Everyone,
My name is Samuel Michon. I'm a production designer and
visual artist based in Rotterdam, The Netherlands.
I've been wanting to move into documentary filmmaking
for quite some time and have gone to all the major
festivals, like IDFA, for years. I've been doing
research for a pet project of mine since '98, on the
development of the Paddington neighborhood in London
(and how domestic travel by rail has influenced the
area, it was one of the first major hubs in the UK) -
not a lot of shooting has gone into it yet though,
nor do I see the production taking flight soon.
I am however in the middle of securing capital for a
documentary on the resistance that quite a few foreign
exchange students (mainly from teh US and Scandinavia)
are experiencing with the teachers and management of
several universities in The Netherlands. There's plenty
of action there, with lawsuits and whatnot, but above
all, a personal story of one Jewish-American exchange
student foreign to Dutch language, culture, and
legislation - who is now trying a David-and-Goliath case
against the education boards, exposing this dire
situation (which because of the fragility of the matter
I can't expand on at this stage). I have the privilege
to move in before the big media do, and document it.
The biggest challenges for me in this project, I have
found, are scripting it in advance - staying on top of
what all the different outcomes can be - and
(in a trial-run) shooting in a way so that it's not just
talking heads, but actually *showing* the story.
I'm creative though, I've come up with some solutions to
that - even though I bet they're unorthodox, because
I haven't directly jumped for the aid of more
experienced doccers (as yet).
Anyhow, I've been perusing these message boards for a
while now, and it's been a real help. There's so much to
making a documentary, and while I am lucky to have a
light and sound guy, it's challenging to do the combo of
writer-director-DP-producer all at the same time
(I don't even want to think about editing; I already
feel way too content to have found a decent soundtrack
by a well-known artist who stands behind the project -
living the illusion of thinking I'll have sufficient
perspective after wrapping that I can single-handedly
edit the piece and end up with something that people
will want to see, is unforgiveable, I know.)
Great forum, I will definitely keep coming around
looking for clues here.
(btw, for some reason I can't get auto-wrap to work
on Safari 1.2 - so my apologies for the bump-'n-erase
earlier - this is a manually wrapped post.)