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(Iowa City here).
I, too, do work that would not be considered "cutting edge" so I
know the frustration you face. Try CINE or Telly, which are not
festivals but contests that take all kinds of programs. As to
festivals, your best bet is a gathering that specializes in
historical work. Willing to bet one exists, but I'm not sure where
to find it.
2 years with The Documentary Guild in Allston, MA. I helped on
several shows for WGBH.
My film is about a Boston-area rock climber who took a very long
time to establish a new climbing route on Cannon Cliff in
Franconia Notch in New Hampshire.
Filming has wrapped and we are in post-production. I have tons of
questions and would love to have a community of folks to bounce
them off. I have no desire to re-invent the wheel.
My deadline is approaching rapidly - Aug. 5th for the Banff
Mountain Film Festival.
My name is Shazad and I am a university student studying both film
and sociocultural anthropology. I am thinking of getting an MA in
Visual Anthropology and feel that my interest in cinema leans towards
such a raw and culturally-aware style.
Currently I am taking a summer course but also working closely with a
friend of mine who has started his own business. He has developed an
amazing software that can electronically process audio/video into
text, which is a godsend for documentary filmmakers in need of
transcribing, organizing and editing hours of field tape.
Just to let people know, I would like to offer any of you filmmakers
out here a free 1-hour transcription to not only evaluate our speed
and efficiency, but also help you out with any current projects you
may be working on.
Please take a check out our website below and if you have any further
questions or comments feel free to reply via e-mail or call me at
soon. sounds v. promising for docmakers if the software is accurate.
Thank you and your welcome.
As a filmmaker myself, and based on my experiences with SimonSays
having worked with several documentary filmmakers, I can honestly say
that this service is a impressive. Not only do you get to skip the
tedious process of transcribing your field taste, but you get to
invest this energy into the more creative aspects of your craft.
The software can recognize multiple speakers and comprehend thick
accents. After the software electronically processes the audio or
video, the time-code stamped transcript is then reviewed by a our
staff to guarantee 100% accuracy.
What this allows is for us to offer the best turnaround, which is
usually up to 5 hours of audio in 24-hours. This also depends on the
format you're working in as well as how quickly you can get it to us.
For highest efficiency we have an FTP server that allows you to send
your samples instantly.
Anyway I shall look forward to hearing from you,
I live in Santa Fe, New Mexico, USA.
I'm brand spanking new here -- but I've been a member of Cafe Utne for
years and years.
I'm working on my first documentary script, on "car culture", its
history, development, social and eco-enviro impact, and the little
known history of "resistance". I might in fact be mad. True.
Remember to wear it whenever you post.
I wish I had something to give to you. You want some New Mexican chili?
Reading Andy's post, I was just about to ask if he'd run into David
James Duncan there in the Missoula area (and then...), where I missed
meeting him by two minutes at a book store where he left just as I was
coming in to ask where in Western Montana DJD lived. You see, I had
just read on a dust jacket (River Teeth) that he had moved there from
Oregon. I asked the bookstore gal, and she said he just left the shop!
... Is that weird, or what? - - - Anyway "The River Why?" sunk itself
into my riverine soul back in the day, and it has barbed hooks, so
it's still there. David is a great and beautiful man!
public forum. In the D-Word community for professional docmakers,
the subject of shaping docs often comes up in "Works in Progress."
I'd say you're eligible to apply to that community, though the final
word goes to Doug Block, who will probably be along shortly.
idea to write as much of the script as you can before production,
but since reality throws us a lot of curves, there's a limit to what
can be written before rolling tape. Have you done any taping yet?
Seem like good places to hang out.
We better take this over to "The Mentoring Room." I'm surprised Doug
or Ben hasn't been in here to shoo us out after the pleasantries.
They're the local bouncers who enforce topic boundaries.
the Mentoring Room.
basic criterion for the d-word community. the public forum is open to
all, but it's not really geared for the usual utne back and forth.
usual utne back and forth."
What is it geared for? I don't see a lot of recent activity.
as have others, but we don't force people to join. Part of the lack
of posts, too, is that the "mentors" who answer are often
overwhelmed with their own tasks. Doug is editing his film to appear
on HBO. With that kind of pressure, it's a tribute to him that he
gets around here at all. Look at it this way: Due to the lack of
competing questions, you have everyone's attention -- even
if "everyone," for the moment, is me.
about raising money for AIDS Project Los Angeles by training for
the Dublin marathon and my uncle who's HIV positive. He's the
reason I'm runnning. Anway I was happy to find out about D-word.
My plan is to shoot while I run both in training and during the
marathon, and to tell my uncle's story. This is my first movie as
producer so I've been looking to gather as much info as I can
while I was at ifpwest I found D-Word.
Some of which will take me across the US.
other APLA fundraising marathoners. Then I run during the week.
The run is October 31, but I was planning to go around the 25th
since I lose a day. I want to be able to get used to the weather,
run there before the actual marathon, and possibly drive the
course. Feel free to email me at email@example.com.
turn out to be experimental) with a gl-2, me, and a couple of
people helping out to record the music. A US choir tour in Europe
with members aged 8-64. I have some clearance/consent questions,
so I'll head to the mentoring room. Great to be in the fray!
all my equipment so i've laid low, but now i've replaced my cam and
computer and have thrown myself into a bunch of projects.
i'm teaching a friend to shoot and edit an art piece he wants to do
for a show in Ghana this fall. he's a metalworker and sculptor, and
he's filming his West Indian customers, employees and friends.
i've worked on a couple of docs and informational pieces for the local
department of education, done a portrait for someone's reality show
application, and am now working on shooting footage for a doc about
teen performers in a musical.
i use borrowed equipment and/or the client's equipment a lot of the
time, but otherwise i'm using a Panasonic GS150 and editing on FCP.
really excited and feeling blessed by the opportunities to shoot these
new projects. thanks everyone for the community!
christina. and good luck with your project. sounds like fun.
Benjamin from Puerto Rico. Currently preparing to do a documentary
about the first Puertorrican Governor under USA mandate.
I work as a multimedia specialist for around 18 years. Just finished a
Movie making seminar for new directirs in Puerto Rico and Did my first
shortfilm and creating my first commercial one.
governor? seems like that will make all the difference.
a documentary for awhile, but I have no training at all in the field.
There is an injustice being committed, due to ignorance and lack of
education, which desperately needs attention in order to stop the
current atrocities, but that's about as far as I have gotten with the
idea. If the expense stays under $8000, I can fund the project
myself, but I am afraid that I will not turn out a great film or even
finish it. If that happens, I will have failed in helping with this
issue---should I find a professional to assist in the process?
you do need someone who knows how to shoot and someone who can edit,
not to mention have access to equipment. but hard to advise when you
don't say how long the film will be or what's involved. maybe you can
take this to the Mentoring Room.
I recently made the career leap from the tech world to documentaries
and docudramas. I've worked on a few small productions, but nothing
that is yet completed. Currently I am working on :
- A 30 minute educational documentary about the Camisea natural gas
pipeline in Peru
- A longer documentary about the environmental and human rights
issues created by the pipeline construction and operation
- A silent docudrama about social stratification in America by
following the lives of illegal immigrants, legal immigrants, and the
poor and the wealthy brought together by a small restaurant
- My father's 35th high school reunion, which has had quite a few
requests for weight adjustment and hair color touchup effects
So I gave up the suburban condo, moved into the city, and am snug in
a basement apartment. I'm taking the next year or so to learn as
much as I can about all stages of production, taking classes,
volunteering on shoots, and being nosey.
I have my own camera and editing system and in the past 5 months
have filmed in Vermont blizzards and Peruvian rainforests. Loving
the independance... Wondering how long the savings account will
Looking forward to being a part of the community and being an active
contributor as time goes on.
maker, there won't be much food on it). Where is the restaurant
that's the focal point of the docudrama?
say a silent doc you mean to music. i'm curious if there's a
particular reason why you're doing it in that style.
environmental film festival. She is crazy. She gave up an I-don't-
know-how-many-tens-of-thousands-of-dollars-a-year job in the IT
industry to pursue an indie media-maker life.
Grace, you will miss that job. :-)
I've retired from running an art deco lighting business and want to
master documentary making.
I bought a Sony HC42 mini-dv camera and have been exploring the
intersection of art, commerce and politics at street fairs. I've
focused on gay pride fairs specifically because they reveal a
fascinating glimpse of a world many people are interested in but a
society few understand.
I've done interviews at six different gay events. I also explored a
street fair sponsored by a homeless soup kitchen and another sponsored
by a Park Avenue Association in Manhattan on the same day a few blocks
I've started attending events at the Apple store in Soho. I'm
comfortable but not wealthy. I can afford to spend $10,000 to $20,000
on camera, sound and editing equipment.
Is this the best way to go? I've been reading here and also at DV
Info Net. I'm particularly interested in getting into the new world of
video blogging --"vloging".
Does anyone have any additional resources to suggest I explore?
I am a newbie and enjoying the site. There are so many questions to
ask, but I figured I'd say hello first! I am working on a ballet
documentary and have just started using FCP. I use to work in Imovie.
Now, I need to figure out how to convert Imovie DV files to the FCP
DV format. Any suggestions? I think maybe this is a rendering
situation, but I a newbie!
technical questions at The Mentoring Room topic.
That said, I haven't a clue about converting IMovie to FCP. Randolfe,
I assume you're going the FCP route. Why not just get the most
storage and memory you can, good monitors, and go to town?