Remember to wear it whenever you post.
Introduce Yourself: Sign In Here First
Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.
Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.
Remember to wear it whenever you post.
I wish I had something to give to you. You want some New Mexican chili?
Reading Andy's post, I was just about to ask if he'd run into David
James Duncan there in the Missoula area (and then...), where I missed
meeting him by two minutes at a book store where he left just as I was
coming in to ask where in Western Montana DJD lived. You see, I had
just read on a dust jacket (River Teeth) that he had moved there from
Oregon. I asked the bookstore gal, and she said he just left the shop!
... Is that weird, or what? - - - Anyway "The River Why?" sunk itself
into my riverine soul back in the day, and it has barbed hooks, so
it's still there. David is a great and beautiful man!
public forum. In the D-Word community for professional docmakers,
the subject of shaping docs often comes up in "Works in Progress."
I'd say you're eligible to apply to that community, though the final
word goes to Doug Block, who will probably be along shortly.
idea to write as much of the script as you can before production,
but since reality throws us a lot of curves, there's a limit to what
can be written before rolling tape. Have you done any taping yet?
Seem like good places to hang out.
We better take this over to "The Mentoring Room." I'm surprised Doug
or Ben hasn't been in here to shoo us out after the pleasantries.
They're the local bouncers who enforce topic boundaries.
the Mentoring Room.
basic criterion for the d-word community. the public forum is open to
all, but it's not really geared for the usual utne back and forth.
usual utne back and forth."
What is it geared for? I don't see a lot of recent activity.
as have others, but we don't force people to join. Part of the lack
of posts, too, is that the "mentors" who answer are often
overwhelmed with their own tasks. Doug is editing his film to appear
on HBO. With that kind of pressure, it's a tribute to him that he
gets around here at all. Look at it this way: Due to the lack of
competing questions, you have everyone's attention -- even
if "everyone," for the moment, is me.
about raising money for AIDS Project Los Angeles by training for
the Dublin marathon and my uncle who's HIV positive. He's the
reason I'm runnning. Anway I was happy to find out about D-word.
My plan is to shoot while I run both in training and during the
marathon, and to tell my uncle's story. This is my first movie as
producer so I've been looking to gather as much info as I can
while I was at ifpwest I found D-Word.
Some of which will take me across the US.
other APLA fundraising marathoners. Then I run during the week.
The run is October 31, but I was planning to go around the 25th
since I lose a day. I want to be able to get used to the weather,
run there before the actual marathon, and possibly drive the
course. Feel free to email me at email@example.com.
turn out to be experimental) with a gl-2, me, and a couple of
people helping out to record the music. A US choir tour in Europe
with members aged 8-64. I have some clearance/consent questions,
so I'll head to the mentoring room. Great to be in the fray!
all my equipment so i've laid low, but now i've replaced my cam and
computer and have thrown myself into a bunch of projects.
i'm teaching a friend to shoot and edit an art piece he wants to do
for a show in Ghana this fall. he's a metalworker and sculptor, and
he's filming his West Indian customers, employees and friends.
i've worked on a couple of docs and informational pieces for the local
department of education, done a portrait for someone's reality show
application, and am now working on shooting footage for a doc about
teen performers in a musical.
i use borrowed equipment and/or the client's equipment a lot of the
time, but otherwise i'm using a Panasonic GS150 and editing on FCP.
really excited and feeling blessed by the opportunities to shoot these
new projects. thanks everyone for the community!
christina. and good luck with your project. sounds like fun.
Benjamin from Puerto Rico. Currently preparing to do a documentary
about the first Puertorrican Governor under USA mandate.
I work as a multimedia specialist for around 18 years. Just finished a
Movie making seminar for new directirs in Puerto Rico and Did my first
shortfilm and creating my first commercial one.
governor? seems like that will make all the difference.
a documentary for awhile, but I have no training at all in the field.
There is an injustice being committed, due to ignorance and lack of
education, which desperately needs attention in order to stop the
current atrocities, but that's about as far as I have gotten with the
idea. If the expense stays under $8000, I can fund the project
myself, but I am afraid that I will not turn out a great film or even
finish it. If that happens, I will have failed in helping with this
issue---should I find a professional to assist in the process?
you do need someone who knows how to shoot and someone who can edit,
not to mention have access to equipment. but hard to advise when you
don't say how long the film will be or what's involved. maybe you can
take this to the Mentoring Room.
I recently made the career leap from the tech world to documentaries
and docudramas. I've worked on a few small productions, but nothing
that is yet completed. Currently I am working on :
- A 30 minute educational documentary about the Camisea natural gas
pipeline in Peru
- A longer documentary about the environmental and human rights
issues created by the pipeline construction and operation
- A silent docudrama about social stratification in America by
following the lives of illegal immigrants, legal immigrants, and the
poor and the wealthy brought together by a small restaurant
- My father's 35th high school reunion, which has had quite a few
requests for weight adjustment and hair color touchup effects
So I gave up the suburban condo, moved into the city, and am snug in
a basement apartment. I'm taking the next year or so to learn as
much as I can about all stages of production, taking classes,
volunteering on shoots, and being nosey.
I have my own camera and editing system and in the past 5 months
have filmed in Vermont blizzards and Peruvian rainforests. Loving
the independance... Wondering how long the savings account will
Looking forward to being a part of the community and being an active
contributor as time goes on.
maker, there won't be much food on it). Where is the restaurant
that's the focal point of the docudrama?
say a silent doc you mean to music. i'm curious if there's a
particular reason why you're doing it in that style.
environmental film festival. She is crazy. She gave up an I-don't-
know-how-many-tens-of-thousands-of-dollars-a-year job in the IT
industry to pursue an indie media-maker life.
Grace, you will miss that job. :-)
I've retired from running an art deco lighting business and want to
master documentary making.
I bought a Sony HC42 mini-dv camera and have been exploring the
intersection of art, commerce and politics at street fairs. I've
focused on gay pride fairs specifically because they reveal a
fascinating glimpse of a world many people are interested in but a
society few understand.
I've done interviews at six different gay events. I also explored a
street fair sponsored by a homeless soup kitchen and another sponsored
by a Park Avenue Association in Manhattan on the same day a few blocks
I've started attending events at the Apple store in Soho. I'm
comfortable but not wealthy. I can afford to spend $10,000 to $20,000
on camera, sound and editing equipment.
Is this the best way to go? I've been reading here and also at DV
Info Net. I'm particularly interested in getting into the new world of
video blogging --"vloging".
Does anyone have any additional resources to suggest I explore?
I am a newbie and enjoying the site. There are so many questions to
ask, but I figured I'd say hello first! I am working on a ballet
documentary and have just started using FCP. I use to work in Imovie.
Now, I need to figure out how to convert Imovie DV files to the FCP
DV format. Any suggestions? I think maybe this is a rendering
situation, but I a newbie!
technical questions at The Mentoring Room topic.
That said, I haven't a clue about converting IMovie to FCP. Randolfe,
I assume you're going the FCP route. Why not just get the most
storage and memory you can, good monitors, and go to town?
Australia and I joined the site to try and find out some legal
information for a doco I'm planning.
what I was looking for. An online forum specifically catered to
documentaries. ahem, excuse me: to the D-word.
I'll attempt to avoid a long-winded monologue about myself, my past
projects, struggles... et al... and keep it short'n'sweet.
I have two projects that are both shot and have remained dormant for
the last 7 years - ouch - at least. Both focus on New Hampshire
subjects: one involves a barber that sold used records at his shop and
the other centers around two contra fiddlers who are still alive and
So much time has lapsed since shooting all the footage, I have found
that my initial interest in the material has changed immensely. So
much so that I'm now trying to grasp the same inspiration I was
bubbling with when I captured all the footage - so that I might
finally edit the pieces. Ugh. And I can't even blame the lack or
expense of technology anymore. Now I really DO have all the tools.
(here I go, rambling) gotta keep this short...
There you have it. Time + different sensibilities = box of tapes.
I know there's a story buried in those hours of footage... or at least
I had one in mind when shooting. How does one turn the light on again?
Without that same inspiration I feel the editing will lack a voice -
and that makes for dull storytelling. I'm a different person, but the
footage remains the same. Hmmm...
I've enjoyed reading some of the above posts and look forward to
learning more. Will check back when time allows...
at the end, you aren't inspired then let it sit. if you are, think
about editing a 5 to 10 minute sample for fundraising purposes. my
guess is you'll find your inspiration again.
i feel as though it's a bit like Plato's cave. now that i've had some
distance from the footage and reviewed every angle of it, my attitude
towards the material changed. i'm now looking at it with a more mature
set of eyes - which certainly isn't a bad thing - it just changes the
anyone got a time machine I can borrow?
I would also encourage those coming here to check out the Current
TV "studio" page where they can learn how to submit video and also
get to "judge" videos that have been submitted to Current for
For those who really want to get on the "cutting edge", I'd suggest
exploring the following resources involving "vlogging":
August 20, 2005 update:
CBS News covered one site listed below and that newscast can be
watched via this link:
The kind of unique sharing of personal experience that vlogging
makes possible is demonstrated by this vlog in which a young woman
takes us into her doctor's office while she undergoes a bioptsy.
This site has great free tutorials:
The Yahoo video bloggers discussion group is really a fantastic
resource with a lot of interaction going on.
1175 Members, Archives: Public
Videoblogging is taking off. We discuss practical issues (bandwidth,
process, need for a videoblogging tool) and more philosophical
issues (why and what is a videoblog? ...). Join the conversation! A
very good group has gathered here to make videoblogging a reality.
Creators and developers are equally welcome and needed. Here are the
steps to take to best take advantage of this group: 1. Make a
videoblog. Freevlog explains how to videoblog for free. Feevlog
explains how to videoblog for a fee. ( ...(more)
Before discovering FireANT, I was drawn into exploring the vlog
universe through this site. Click on the make your own vlogroll
link above the displayed video frames on the opening page. By
checking those vlogs that look interesting and then continuing to
the bottom of the page, you can have them open in a vertical row and
you can check them out quickly.
At the Apple store in SoHo, they will have a second monthly
presentation described here. (Film Archives in Manhattan is
starting a monthly presentation of the best vlogs after a successful
Join videobloggers as they show their favorite videos and viewing
tools, discuss video blog creation, and share tips and techniques.
Learn how you can create your own video blog for free!
August 27, 7:00 p.m.
A vlog that does a pretty good job when stacked up against
The funniest and most talented humorous vlog Ive found to date is:
A vlog that is polished and professional, one that loads and plays
in a way that proves real quality is possible can be found at:
A vlog which is so open about personal matters, it is absolutely
chilling, can be found at: (updated every Monday)
This video captures the spirit of the vlogging world.
The best discussion Ive found about digital video has been at:
My name is Marco Raaphorst. I work as a composer and sound designer
for all sorts of media. I am located in The Hague, The Netherlands.
I have done all sorts of projects, some of them internationally. I did
some work for Dutch RTL Sport and the Canadian CBC's ZED-TV. But I
would like to find composition work for documentaries since I am a big
fan of documentaries myself. My music can fit like a glove with the
imaging, or be the contrast, if that's what we want :)
For a brief introduction about my work, please check
Van den Boschstraat 286
2595 AH The Hague