the worldwide community of documentary professionals
You are not signed in.
Log in or Register

Introduce Yourself: Sign In Here First

Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Doug Block
Wed 3 Aug 2005Link
welcome, and good luck on all the projects, grace. i assume when you
say a silent doc you mean to music. i'm curious if there's a
particular reason why you're doing it in that style.

Ben Kempas
Wed 3 Aug 2005Link
Grace is one of the D-Worders who I met "offline" first, at an
environmental film festival. She is crazy. She gave up an I-don't-
know-how-many-tens-of-thousands-of-dollars-a-year job in the IT
industry to pursue an indie media-maker life.

Grace, you will miss that job. :-)

Randolfe Wicker
Sat 6 Aug 2005Link
I've been a video-maker since I bought my first video camera in 1969.
I've retired from running an art deco lighting business and want to
master documentary making.

I bought a Sony HC42 mini-dv camera and have been exploring the
intersection of art, commerce and politics at street fairs. I've
focused on gay pride fairs specifically because they reveal a
fascinating glimpse of a world many people are interested in but a
society few understand.

I've done interviews at six different gay events. I also explored a
street fair sponsored by a homeless soup kitchen and another sponsored
by a Park Avenue Association in Manhattan on the same day a few blocks
apart.

I've started attending events at the Apple store in Soho. I'm
comfortable but not wealthy. I can afford to spend $10,000 to $20,000
on camera, sound and editing equipment.

Is this the best way to go? I've been reading here and also at DV
Info Net. I'm particularly interested in getting into the new world of
video blogging --"vloging".

Does anyone have any additional resources to suggest I explore?

Christian Cudnik
Sun 7 Aug 2005Link
HI everyone,
I am a newbie and enjoying the site. There are so many questions to
ask, but I figured I'd say hello first! I am working on a ballet
documentary and have just started using FCP. I use to work in Imovie.
Now, I need to figure out how to convert Imovie DV files to the FCP
DV format. Any suggestions? I think maybe this is a rendering
situation, but I a newbie!

Doug Block
Sun 7 Aug 2005Link
Welcome Randolfe and Christian. We generally try to answer the
technical questions at The Mentoring Room topic.

That said, I haven't a clue about converting IMovie to FCP. Randolfe,
I assume you're going the FCP route. Why not just get the most
storage and memory you can, good monitors, and go to town?

Jasmine Adams
Mon 8 Aug 2005Link
New person on site. I'm a student at Curtin University in Westerna
Australia and I joined the site to try and find out some legal
information for a doco I'm planning.

Doug Block
Mon 8 Aug 2005Link
fire away in the Mentoring Room topic, jasmine. glad you found us.

Jasmine Adams
Tue 9 Aug 2005Link
'm glad I found you too!

Jeff Palmer
Sat 13 Aug 2005Link
well, after a few weeks of surfing the web on and off, I think I found
what I was looking for. An online forum specifically catered to
documentaries. ahem, excuse me: to the D-word.

I'll attempt to avoid a long-winded monologue about myself, my past
projects, struggles... et al... and keep it short'n'sweet.

I have two projects that are both shot and have remained dormant for
the last 7 years - ouch - at least. Both focus on New Hampshire
subjects: one involves a barber that sold used records at his shop and
the other centers around two contra fiddlers who are still alive and
playing.

So much time has lapsed since shooting all the footage, I have found
that my initial interest in the material has changed immensely. So
much so that I'm now trying to grasp the same inspiration I was
bubbling with when I captured all the footage - so that I might
finally edit the pieces. Ugh. And I can't even blame the lack or
expense of technology anymore. Now I really DO have all the tools.

(here I go, rambling) gotta keep this short...

There you have it. Time + different sensibilities = box of tapes.

I know there's a story buried in those hours of footage... or at least
I had one in mind when shooting. How does one turn the light on again?
Without that same inspiration I feel the editing will lack a voice -
and that makes for dull storytelling. I'm a different person, but the
footage remains the same. Hmmm...

I've enjoyed reading some of the above posts and look forward to
learning more. Will check back when time allows...

Cheers,
Jeff

Doug Block
Sat 13 Aug 2005Link
welcome, jeff. my advice is to simply view and log your footage. if,
at the end, you aren't inspired then let it sit. if you are, think
about editing a 5 to 10 minute sample for fundraising purposes. my
guess is you'll find your inspiration again.

Join this discussion now. You need to log in or register if you want to post.