Wouldn't worry a bit about that, Matt. If they don't speak on camera, or featured prominently, I don't go after them with releases.
The Mentoring Room - Ask the Working Pros
This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.
an art school (that i am not a member from) is interested in giving me financial support for a documentary about a new school classical music concert from one of their students. they were very vague about the amount of money they wont to spend on my film.
so my question is: do you think it is more clever to get there with a detailed and rather expensive budget or should i go and propose a small budget?
its my first business talk like that and i would be thankful for some directions in the policy of such meetings..
thanks for the help,
They probably have no idea of the amount of work this can entail – have they said, for instance, how long they want the finished film to be? Also a "new school classical music concert" is not necessarily even a film.
The bottom line is to decide what is in it for you – a calling card, for instance or because you like the music student? Either way, it's unlikely you will make much money from this. Try and draw up a ball-park figure of the projected number of shooting days.
yes, it is because the student is a good friend of mine.. and i am definitely not doing it to make much money, but of course, i'd like to get the most from them, also to get the best result out of it.
since they leave me a lot of freedom in deciding how the final film is gonna look like, i think i'll go in there and draw up three different possibilities, a cheap, a middle and an expensive one.. and i will take it from there and see how they react.
but thanks for the hint with the shooting days,, i think thats a good approach to the discussion.. and i will definitely do that..
I am starting on my second documentary, and running into some difficulties that I didn’t come up against on my first one. I have been in preproduction for a documentary about this monument in the Nevada desert. The man who made the place-it was his home and somewhat of a commune in the 1970s, died in the late 80s and willed the place to his son. His son has made it into a park for people to visit while traveling by. I want to make a documentary about how the place affected the people, who lived there, help build it, and traveled by. The son and I have been talking for a year, and we finally met last weekend for a video tour of the place and an interview with him. He wouldn’t sign the release, and sent me a release he would be willing to sign. The altered release he sent me said that he would only allow me to do the documentary if I only covered certain things. It was very limited to me as the filmmaker. I traveled there 24 years ago and spoke with his father, the artist, and he let me take pictures, while he told my father his story. The artist had 16 children, 5 of which, wear raised at the monument.
My question is, do I need the owner to sign the release? What rights does he need to give me (if any) to use the place and his fathers history in my documentary?
I would think that his siblings stories are just as valid as his, and I have the right to tell their story if the share it with me. Also I have experience with the place, so can’t I be telling my story and reference the place?
Thanks for any help you want to offer
My wife and I are working on our first full length documentary and would love your feedback. We've been successful with short documentaries so we're trying our hand at a longer project http://www.youtube.com/watch?v=rZf5WMplJhQ
Hey Doug, I'm not sure what kind of feedback you're really looking for. It'd also depend on how you define documentary film and who your target audience is. Perhaps you should have a showing with some people in your target audience and get feedback from them. Right now the film feels like a marketing piece for the Out of Africa Wildlife Park. Even from that perspective, the film feels much too long. Part of the problem, for me, is that it's really unstructured, repetitive in what is being talked about and the images you're showing, and takes a long time to present any new information--and the information that is presented is insufficient to sustain a 1hr20 film. You may also want to place the park in a larger context. Anyway, just some thoughts. Good luck with your project.
I am working on a documentary that will be using a lot of archival footage from other video producers and organizations (magazines etc.). Does anyone have a release form they use to obtain permission to use other people's footage? Thanks!
In reply to Cecilia Rinn's post on Mon 21 Jun 2010 :
Cecilia--you could make the story about the father and the history of the place without the son's permission. But-if the son is the new owner and the heir of the estate you are going to need a release from him for any current footage or family owned archival material (including brochures, etc) since it doesn't sound like you had any written agreement with the father.
You could get creative and try to track down people who stayed there and use their photos and interviews but it seems like it would be worth another try at working out some kind of agreement with the son since he is the more intimate link to the Dad.
Maybe you can find a middle ground between what he wants and what you need. If you can get him to understand you need creative freedom to get a really strong story--but be open to what he wants included maybe he'll come around. If he wants a more promotional story for himself you could always offer to make him something he could use for his personal needs in exchange for a more open agreement about the doc you really want to make.
I am a film maker in Nepal.Now am working on a documentary about LGBTI.I don't know how can i search the market outside Nepal. Especially in USA and Europe.I am waiting the your suggestion.