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The Mentoring Room - Ask the Working Pros

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Tony Comstock
Mon 9 Jun 2008Link

John's right. Any idiot can make a doc. I am exhibit "A". I had no practical experience when I started (probably obvious if you watch one of my movies.) I still don't have any.

Some practical advise. Get a DV camera. You can get one for about $250.

Get a Macintosh computer. It will cost you about $1000. It will come with iMovie. I use FinalCut Pro, but any of the films I've made I could have made on iMovie.

Two best pieces of advise I ever got about making movies:

1) Watch old movies and study how they get people in and out of rooms.

2) Anything that's worth doing is worth doing poorly.



Peter Brauer
Tue 10 Jun 2008Link

You could also get an internship at a small doc house. You could see how they do things, and then decide if its worth going broke to make a movie. I worked in reality TV a while and learned about cameras and sound. get your hands on a camera and practice. Realize this career generally leads to poverty. what can an internship hurt, and you would be helping some one who needs your help.

Evan Thomas
Tue 10 Jun 2008Link

I graduated with a similar degree a couple of years ago and took out a graduate loan to pay for an introductory film making course in London. Cost about 800 quid at the time and if i'd lived in London it would have been ideal (although it did give me some practical experience for my cv and showed i'd got involved) I didn't live in London (still don't) so i signed up with shootingpeople and was contacted to help out as runner on a short over one weekend.

I should add that this was over a couple of years and also involved lots of dull temping and talking about working in film & television instead of doing it. If you're in London (Manchester, Birmingham, Bristol etc) clearly there are more opportunities – If you like London as a place to live – it's personal preference.

I would say just jump in and get involved. Every project you work on you gain more experience meet more people and gather momentum.

Ultimately my wife worked with someone whos ex worked as a producer and i got their email address and got in touch. Attached my CV had an interview, got a few weeks work experience, then a few more and now i'm full-time. I work as a production coordinator by day and try to work on my own project after work and at the weekend to satisfy my creative aspirations.

Just show them that you are enthusiastic and capable and willing to start early and stay late.

Good luck!

Steve Yu
Mon 16 Jun 2008Link

Hi – I'm not sure if this this is the right place to ask...I did do a search and didn't find any info on finding television commercial archives for use in a doc – we're stumbling a bit through the process of making our film, – and need some good footage of diet ads... any tips? We've gone the route of getting a dvr, but that is so random...would love to find a place that can get us what we need! Thanks in advance...

Mark Barroso
Mon 16 Jun 2008Link

Hi Steve! We met at the Doc Dr's workshop a few months ago. This guy has a great film.

Can you legally use ads in an independent film without their consent? I suppose you've answered that question. If you need their consent anyway, maybe the diet companies will send you their ad. Doesn't hurt to ask. You just need one, right? Have you tried taping during soaps and The View, etc.?

Good to see you on this forum.

Edited Mon 16 Jun 2008 by Mark Barroso

Steve Yu
Mon 16 Jun 2008Link

Hey Mark! We are planning to "fair use" some of these assets. Not yet sure if there will be a cost involved or not – you should check out Bigger, Stronger, Faster at Midtown Art and see how much archival stuff they used! I was surprised at all they used, but I'm guessing they spent some pretty good money on it, because of their producers.

I'm probably going to get an HD DVR to capture more on my own in the meantime! Thanks for your suggestions...

Mari Heavey
Wed 18 Jun 2008Link

Hi, I am new to the D-Word and relatively new to film making. I do have a multi-media background in experiential marketing – business theater mostly. I am looking for a relatively inexpensive video camera to take onsite to Peru to do some B-roll filming. Any suggestions?

Tara Hurley
Wed 18 Jun 2008Link

Hi everyone, sorry I have been out of the loop for a while. In response to Darla, I had to deal with the time code issues too. I am not sure the semantics of all languages as I had to deal with Korean, but let me just suggest again that the fastest, cheapest way I found to do subtitling is buy getting a foreign exchange student in that language and teach them how to subtitle. Use them as an intern (sometimes you can get them for free if they are interested in your project) or pay 10-$20 and hour. That is way less than paying someone to translate, then pick what you want to use as clips. I felt I got to know my "Characters" better this way because I would watch the whole interviews on dvd. It is just a suggestion, but after I spent six months doing it the way you are doing it(on paper), I spent the rest of the time right to dvd and the project ran better.

Monica Williams
Wed 18 Jun 2008Link

Hello everyone,

I haven't posted for a while. I'm currently working on my trailer for Is there any way to gather high quality images for free? I'm looking for art from the Enlightenment era in Western history, also footage from WWI & II and the Holocaust. Thanks again to Len, for helping with September 11th a while back :) Any help will be most appreciated.

John Burgan
Wed 18 Jun 2008Link

Rights are a huge minefield, as I'm sure you've gathered. The slight advantage here is that you're putting together a trailer which will not be broadcast – or is it for your website?

There was a similar request here a while back – see hidden section for suggestions on WWII material

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