The Mentoring Room - Ask the Working Pros

Thank's john, logging the links now.

I often do things for an altruistic purpose and try to cut costs everywhere I can so that the objective and community benefits are achieved or not compremised. Volunteering professional services on a chartiable or education project is in-kind time. If possible maybe some of these videographers would be willing to help for a day for recognition on the credit rolls, webiste, etc instead of wanting a chunk of the funding. By having a nonprofit umbrella the project and leverage their designation it allows for any person to get a tax write-off (in some cases monies paid later by foundation/invoices not project budget) for the hours, materials, supplies, services supplied towards the project.

As for "in-kind" work I am offering. Simply ask, each situation I have encountered in regards for help has always been different. If I am unable to help myself I may have a list of resources to direct you to.

I'm confused about the various "no student films" or "no student funding" or "film must not have been made while a student" etc. ad nauseum....

what's this about exactly? and does the fact that I'm a student and making a film, even outside of class, automatically target me as someone not eligible for funding??

it's sooo frustrating and just a bit unnerving... the current film I'm seeking finishing funds for and other guidance – it's grown outside of my original class project and truly taken on a life of its own. I'm happy of course and no longer see it as a student film (again, am not sure what that is even supposed to mean!).

can someone help explain this to me please??

As far as I know, student films are classified as this because they are made with film school resources. If this disqualifies you for certain finishing funds, maybe the school can point you to an alternative. Take this up in the NAmerica funding topic?

Jo-Anne, thanks but I'm still not clear what exactly constitutes a "student film."

also it raises a new question – what you said about school resources – why would that make any difference?

and no, my school knows no more resources than anyone else.

*this is posted here because the term "student film" is used in a number of designations not just for funding, i.e., film festivals, etc. sometimes there's even a separate category.

maybe every instance "student film" has its own definition??? it's so exasperating....!

Hi Linda, it's really not that complicated. A student film is a film for which you received credit toward a degree using the school's resources – be it their equipment or their editing facilities, etc.

so why the discrimination? who cares whose facilities are used? what's the dif?

and what about a film (such as the one I'm in the midst of now) where it started as a class project but outgrew it and now I'm finishing it separate from class?

some situations have also used the designation "no students" rather than "student film" which makes me feel like my work is somehow automatically disqualified just because I'm a film student.

Hello members, anyone have any suggestions as Gaffers, DPs, or Directors what lighting/camera combination has worked best for you?

Hi Derek,

It somewhat depends on what type of shots you're making. Talking heads inside will obviously need a different appreach than outside shots. You're also constrained by your budget. Care to tell a bit more what kind of project you're embarking on?

Filming subject is upon American Folk Music from the region and its events. From Old Time to modern emerging genres.

Most interview shots would be scheduled in home, office visits, classooms, archive areas, and outdoors. The other shots will mostly be from outdoor summer events, darkly lit venues, front porches, barns, and in home band jams. At times we will take shots of nature, buildings, homes, and scenes of natural discourse and activities of the human talent and scholars. Of course always expect random opportunities.

Budget most likely won't allow for multiple cameras and light setups but has yet to be invested on equipment so currently very flexible for any recommendations.

At the very least I want to be able to do a light triangle w/background light that gives a good rim on the subject and would be a bit too much during the night. Any suggestions on a package or combination that would work well and is travel friendly?

Derek – here's a pro bono promotional video I made for a school in Pakistan using a Canon 7D and a monopod. Edited using Final Cut Pro on a laptop – it was almost free to make it, apart from a few days of my time. I'm not sure that's exactly the style you're going for, but it's cheap and fast and fairly easy.

http://www.vimeo.com/12450414

Hi,
I am starting to edit a trailer together for a doc project in the beginning stages of editing. I need to get the trailer to show and help with some financing. The doc is very archival heavy and has a main character with a lot of published philosophies on various topics of interest to the film. So, the director and I are playing with the idea of including text in the trailer so I'm looking for some advice on maybe good examples of films that use text in a way that is informative and also stylistic interesting and significant. Beyond examples, any experiences with using text/quotes in films? Thanks in advance for any feedback!

In reply to James Longley's post on Tue 7 Dec 2010 :

Wow, what a beautiful piece, James.

Hi everyone. I am just breaking into the world of film making, and I have a great idea on a unique story in Bali and how a couple that moved there is changing the way we eat throughout the world. There is much more here, but that is the gist. They have responded to my interest and want to know my proposed plan. I have never made a film before, and want to find someone to work with me on this project who is a cinematographer. Also I need to get back to them and let them know my ideas this week. Any suggestions how to approach this? Thanks, Kristen

In reply to Nadia Hennrich's post on Mon 29 Nov 2010 :
Hi, Nadia. Sorry I didn't get right back to you. I have been on a couple of projects that have consumed all of my time, and I haven't been on D-Word for several weeks.

If you still haven't mixed yet, get in touch with me. My schedule opens up after tomorrow.

In reply to Kristen Kellogg's post on Mon 20 Dec 2010 :

Well, I just got back from shooting in Bali 2 weeks ago, and currently live about an hour from you, so perhaps we should talk. dan at gmail dot com

In reply to Daniel McGuire's post on Mon 20 Dec 2010 :

Hi Dan. I am currently in Australia, but do you have skype? Maybe we could have a chat on there? Or shoot me an email kellogg.kristen (at) gmail.com Would love to hear about what you just wrapped up as well.

Can anyone recommend any great websites (other than this one) where I can get help on how to make my first documentary?

Not sure a website or a book can replace the experience you will gain by launching in and actually making a short doc exercise – ideally something in your own back yard – walk before you run. I presume you have access to a basic DV camera and edit software? How about a 2-minute portrait of "someone at work" – that's always a classic subject. Try to interpret it in visual terms, rather than relying on interview/talking heads.

Also search for "documentary filmmaking" on amazon.com – check out Andy Glynne's Documentaries and How to Make Them and Michael Rabiger's much more comprehensive Directing the Documentary

Can anyone talk about educational distribution? Who are the game players? Can it be lucrative? Is it a difficult market to crack?

In reply to Kristen Kellogg's post on Mon 20 Dec 2010 :

Documentors started about a year ago and have a lot of resources on their page. I loved their film, Shakespeare behind bars and they are really nice folks in general. They do charge for most things, but looks like you can do a subscription as well.

http://www.documentaryhowto.com/

In reply to Kristen Kellogg's post on Mon 20 Dec 2010 :

If you need to come up with a proposal quick, watch as many documentaries as you can. Make sure you have a good mix of different genres, old and new. Then, figure out what you want to borrow from each, and start conceiving the proposal from there. A quick list of varied docs might be:
SALESMAN (Maysles Brothers)
GRIZZLY MAN (Werner Herzog)
HARLAN COUNTY USA (Barbara Kopple)
IRAQ IN FRAGMENTS (James Longley)
DARWIN'S NIGHTMARE (Hubert Sauper)
BOWLING FOR COLUMBINE (Michael Moore)

this list could go on forever... but other than making docs, watching docs is the best way to learn.

John-Thanks for the book recommendations. I read Documentaries and How to Make Them by Andy Glynne today. A lot of clarification and great insight.

Christopher-I have been watching a variety of films the last few days and it's been a tremendous help.

Justine-many thanks for the site! So many helpful hints!

Thanks everyone for helping me take the necessary steps to making my vision become a reality.